Esta pesquisa aborda a produção de noticiários de curta duração e tem como objeto o Globo Notícia, produto jornalístico da Rede Globo com o tempo total de, aproximadamente, 4 minutos. O objetivo é identificar e analisar o perfil editorial deste programa com base em critérios de noticiabilidade, valores-notícia, temáticas abordadas e características dos formatos das notícias para assim sistematizar um conjunto de aspectos que singularizem este tipo de noticiário. Para tanto, adota-se a análise de conteúdo como metodologia para a avaliação de um corpus composto por 95 matérias de 12 edições do Globo Notícia vespertino, em períodos sazonais distintos do ano de 2011, nas duas primeiras semanas de dois diferentes meses: julho e novembro. Observou-se que o conteúdo jornalístico é alicerçado no espetáculo e apresentado em cinco formatos. / This research understands the production of short time news and has as object the Globo Notícia, a journalistic product of Rede Globo with the total time of approximately 4 minutes. The intention is to identify and analyse the editorial profile of this program, based on the criteria of newsworthiness, news values, themes and characteristics of the news pieces formats to systematize a set of aspects that particularize this kind of news. For this purpose, the content analysis was chosen as methodology for evaluation of a corpus consisting of 95 news pieces in 12 editions of Globo Notícia, in different seasons of the 2011, in the first two weeks of two different months: july and november. It was observed that the news content is grounded in the spectacle and presented in five formats.

Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2014-12-18T16:47:56Z No. of bitstreams: 2 Dissertação - Fernanda Ribeiro de Lima - 2014.pdf: 2312354 bytes, checksum: 77c64201ee755f4ac29ce702ce126dd5 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2014-12-22T10:38:30Z (GMT) No. of bitstreams: 2 Dissertação - Fernanda Ribeiro de Lima - 2014.pdf: 2312354 bytes, checksum: 77c64201ee755f4ac29ce702ce126dd5 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2014-12-22T10:38:31Z (GMT). No. of bitstreams: 2 Dissertação - Fernanda Ribeiro de Lima - 2014.pdf: 2312354 bytes, checksum: 77c64201ee755f4ac29ce702ce126dd5 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-07-01 / This research is centered on the intersection of journalism , violence and female citizenship to understand the coexistence of achievements and prejudgement in the universe of goianiense woman , pictured by local journalistic media. For this, this study tried to understand how women involved in situations of violence, as victims or aggressors are shown on the TV news, usually considered a mirror of society. Justifies the importance of this study because prior to the appearance of the vehicles of mass communication, the individual built its knowledge and, consequently, yours opinion, through the experiences lived, in a real way, in institutions such as family, church or school. The capitalist routine imposed on men and women of different ages and socioeconomic classes a routine punctuated of appointments, which significantly decreased interpersonal contact. At the same time, the media, driven by technology, became omnipresent, imposing concepts and prejudgements. / Esta pesquisa está centrada na intersecção entre jornalismo, violência e cidadania feminina para entender a coexistência de conquistas e preconceitos no universo da mulher goianiense, retratado pela mídia jornalística local. Para isso, este estudo buscou entender como as mulheres envolvidas em situação de violência, enquanto vítimas, ou agressoras, são mostradas nos telejornais, vulgarmente considerados um espelho da sociedade. Justifica-se a importância deste estudo porque, antes do surgimento dos veículos de comunicação de massa, o indivíduo construía seu conhecimento e, consequentemente, sua opinião, através das experiências que vivenciava, de forma real, em instituições como a família, a igreja ou a escola. A rotina capitalista impôs a homens e mulheres, de diferentes idades e classes socioeconômicas, uma rotina pontuada por compromissos que diminuiu consideravelmente o contato interpessoal. Ao mesmo tempo a mídia, impulsionada pela tecnologia, se faz onipresente impondo conceitos e preconceitos.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-04-11T17:50:48Z No. of bitstreams: 1 felipelopesmenicucci.pdf: 2343206 bytes, checksum: b31c1fc037385ef30909c5705fc5026f (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-04-18T12:52:10Z (GMT) No. of bitstreams: 1 felipelopesmenicucci.pdf: 2343206 bytes, checksum: b31c1fc037385ef30909c5705fc5026f (MD5) / Made available in DSpace on 2017-04-18T12:52:10Z (GMT). No. of bitstreams: 1 felipelopesmenicucci.pdf: 2343206 bytes, checksum: b31c1fc037385ef30909c5705fc5026f (MD5) Previous issue date: 2016-06-06 / Esta dissertação é sustentada por estudos da comunicação relativos às narrativas e representações sociais. Essas conceituações foram aplicadas à televisão, entendida como veículo de abrangência nacional que insere os telespectadores no mesmo espaço midiático. Porém, mesmo sendo um veículo de massa, proporciona a difusão de saberes específicos ou regionais. É o caso de programas voltados para as pessoas que vivem e trabalham em comunidades rurais. Essa parcela da população, representante da diversidade cultura brasileira, está presente na mídia. E é retratada ao longo dos anos tanto nas produções jornalísticas – seja como público-alvo e/ou como pauta – quanto nas produções ficcionais das emissoras de TV aberta. A partir da compreensão de conceitos e abordagens, propõe-se, então, a caracterização de como o jornalismo utiliza nas reportagens elementos característicos de produções ficcionais para representar o “homem do campo”. O corpus da pesquisa são as edições do Globo Rural, exibido semanalmente pela Rede Globo. Por meio da metodologia de Análise de Conteúdo, exploramos três edições do programa para detectar a construção dos trabalhadores do campo enquanto personagens das reportagens. A análise das edições levou a resultados que mostram aproximações entre tipos interioranos presentes na ficção e no jornalismo e a presença de elementos narrativos em comum, como a descrição de cenários, enquadramentos de câmera e roteirização do texto do repórter. / This master’s thesis is supported by communication studies on narrative and social representations. These concepts have been applied to television, understood, understood as nationwide vehicle that enters the viewers in the same media space. But even as a mass medium, it provides the dissemination of specific or regional knowledge. This is the case of programs for people who live and work in rural communities. This portion of the population, representing the diversity Brazilian culture is present in the media. And it is portrayed over the years both in journalistic productions - either as target audience and/or as an agenda - as the fictional productions of television stations open. From the understanding of concepts and approaches, it is proposed, then the characterization of how journalism uses the reports characteristic of fictional productions to represent the "man of the field". The corpus of the research are issues of “Globo Rural”, appears weekly by Rede Globo. Through content methodology of the Content Analysis, we explore three editions of the program to detect the construction of field workers as characters of the stories. The analysis of issues led to results that show similarities between provincials types present in fiction and journalism and the presence of narrative elements in common, such as the description of scenarios, camera framing and scripting reporter text.

This study compared the characteristic of strategic planning as used in the corporate world with the planning process used in a sample of television news departments. The purpose was to determine if commonalities exist; in what circumstances, and whether techniques and approaches used for many years by businesses could advance the process of planning in the fast-paced environment of local television news. In-depth interviews were conducted with a sample of highly experienced local news managers. The results indicated some similarities in planning approaches but suggested significant differences in how the two industries approach key elements of traditional strategic planning. The primary conclusion drawn from the research suggests the local television news industry has informally adapted strategic planning processes to their needs with heavy emphasis on tactical execution.

Spurred by the rapid influence of social media in the news industry, an increased number of TV news stations have started assigning dedicated social media journalists (SMJ) in newsrooms to monitor, gather, verify, share news, and engage with audiences on the streams of social media. Consequently, drawing on the diffusion of innovation theory, the present study probes into TV journalists’ perceptions of the implications of the role of this new type of TV professionals in the identity and profession of journalism, the quality of news pertaining to the verification of misinformation, and the news audiences’ attractions and viewership by capitalizing on audience engagement affordances. Moreover, based on an online survey delivered primarily via LinkedIn to a broad spectrum of TV journalists consisting of broadcast, website, and social media journalists in three varied regions of the world—the U.S, Western Europe, and the Middle East—the study demonstrates some concerns about the effects on the code of ethics of journalism. However, most of the surveyed journalists believed that the role of social media journalists SMJ is consistent with the general principles tethered to the professional identity of journalists. Additionally, the study underlines the weight of this role to verify information gleaned from social media before being used in TV news and asserts the significance of engaging with TV audiences to increase the news viewership and enhance their attractions. Accordingly, the study argues that espousing the role of SMJ has become an inevitable fashion in social media-embedded newsrooms. However, the research documents that many TV news channels have broadcast misinformation spread on social media. Furthermore, it unfolds that far less attention has been paid in many TV newsrooms to the potentially positive and beneficial utility of the role of SMJ concerning audience engagement. It signals that a lack of time, tools, strategy, and training causes the dilution of the role quality of SMJ, thereby suggesting that news channels can aggressively tap into this role if these obstacles are conquered. Finally, since research on this concern is still scant at its initial stage, the study shows some venues for future studies in this direction.

《睜開左眼》真實紀錄了國內四位電視台記者太短又太長，太急又太慢的職業生命。都說記者是無冕王，其實他們像乞丐般一整天蹲在特偵組前面，只為乞求一個不到5秒鐘的約談畫面；或者配合業主拍攝美美的業配新聞。對於一個擔任15年把最精華的人生歲月都給了新聞工作的電視新聞攝影記者來說，究竟「什麼樣的事物是生命當中最重要的註腳」？ 長久以來，觀眾所看到的電視新聞都經過了不只一道的壓縮與過濾，事件真實的樣貌當然是難以窺視。不過在這部紀錄片當中，我們清楚看到了目前商業電視台無法避免的「業配新聞」究竟如何產製？而這些站在第一線見證歷史的攝影記者們又是怎麼面對？ 如果我們把電視媒介生態當成一幅拼圖，那麼「電視新聞攝影記者」與「新聞產製過程」無疑的是兩片重要的拼圖，而紀錄片《睜開左眼》就剛好適時的把這兩片拼圖擺到他應有的位置上。 / The documentary named “Eye on the Left” is literally telling a true story about four TV news cameramen whose life careers in Taiwan were too short, too long, too harsh and too slow. We always said the reporters are the King without Crown, but the truth is, they are little more than a group of beggars sitting in front of the Special Investigation Division all day long, begging for an opportunity to capture the certain person interview by the prosecutor for finding their individual counseling which the content of length is only less than 5 seconds. Thing can be worse that reporters were forced to make a series of nice-looking paid news in order to fulfill the commercial buyers' demand sometimes. As a professional reporter who have been dedicated his prime 15 years to TV news reporting and videos taking, he might ask himself, “what is the most significant thing during my career?” For a long time, the TV news which offer to audiences daily is manipulated by not only but several human interferences and condensed selectively, the truth behind the scene is very hard to reveal to the public. However, in this documentary, we can understand apparently the fact about how the commercial TV company produce the “paid news” which they are just cannot say no to the buyers. And how these TV news cameramen witness and face the historical scenes they encounter in the front line. If we consider that the TV media as an uncompleted jigsaw puzzle, the “TV news cameraman” and the “Process of News Reporting” are undoubtedly the last two essential pieces to assemble together. “Eye on the left”, just put all of them back to their right positions in the best time.

This study examines some of the challenges that Maltese broadcasting is facing with respect to the news programming produced by the public service broadcaster and by the other two political stations. The thesis also investigates the concepts of balance and objectivity in news reporting and analyzes the extent to which Maltese TV news programmes succeed in providing balanced, impartial and accurate accounts. Special attention is paid to the role of the public service broadcaster, but consideration is also given to the part played by the two Maltese political stations competing with the public service broadcaster. A particular aim of this study is to measure how the requirement to preserve impartiality and balance impinges on the content of TV news bulletins and current affairs programmes produced by PSB and the other two political stations. The study will also consider the impact of current broadcasting regulations and will examine the degree to which such legislation is relevant in the attempt to achieve impartiality and balance in Maltese news broadcasting. As a basis for the study the thesis focuses on a sample of news programming material broadcast on the three television stations in Malta during a Local Council electoral campaign. The aim is to assess how various news messages are communicated to audiences and to consider whether such messages are perceived as impartial and balanced by the viewers. The study explores how news workers and news producers strive to achieve impartiality and balance in their day-to-day practices. Finally the thesis makes one or two tentative suggestions as to how current broadcasting legislation might be amended in order for the Broadcasting Authority can become a more effective watchdog and is able to intervene in cases where news programming is not deemed to be balanced and impartial.

本文係以內容分析法，分析國內台視、中視、華視三家電視台之電視新聞，主播及文 字記者，對於新聞的報導形態係以事實陳述、推論，或判斷何類語句為主，藉此提供 作為改進國內電視新聞從業人員改進報導方式之參考。 為明確突顯新聞議題對於新聞報導方式是否具相關性，本文選擇七十五年底中央公職 人員選舉期間的三台晚間新聞作為樣本。 研究結果發現我國電視新聞報導方式，以事實陳述占多數，判斷語句次之，推論語句 較少。且報導方式與新聞議題性質之間有顯著相關。

Made available in DSpace on 2016-04-25T20:20:15Z (GMT). No. of bitstreams: 1 Maria Tereza Garcia.pdf: 748941 bytes, checksum: bec43584fc8ef534f0fea68399fad8c8 (MD5) Previous issue date: 2011-06-06 / This paper presents the proposal of public journalism implanted by TV Cultura, and the mishaps encountered in this decade of implementation. In spite of the creation of public journalism celebrating two decades in the United States, the concept is ignored and disbelieved for some. The public journalism, which emerged as a movement by American journalists, was focused on the reunion of journalism with democratic principles and ethics in all the news production, and not necessarily proposing a new format or a new category of journalism. Act that way, however, requires more than just good intentions or good will, since the journalistic output was hampered by diverse interests of the company that manages it. Thus, the study conducted here takes into account the political and economic contexts in which public journalism was practiced, as well as professional and technological conditions for its development, using for this, the concepts discussed in the theories of journalism and agenda-setting newsmaking / Este trabalho aborda a proposta de jornalismo público implantada pela TV Cultura, bem como os percalços encontrados nesta década de sua implantação. Completando agora duas décadas de criação do jornalismo público nos Estados Unidos, o conceito ainda esbarra no desconhecimento e no descrédito de alguns. O jornalismo público, que surgiu como um movimento por parte de jornalistas norteamericanos, tinha como foco o reencontro do jornalismo com os princípios democráticos e com a ética em toda a produção da notícia e não propunha exatamente uma nova formatação ou uma nova categoria jornalística. Atuar dessa maneira, no entanto, exige mais do que apenas boas intenções ou boa vontade, já que a produção jornalística esbarra em interesses diversos da empresa que o gerencia. Dessa forma, o estudo aqui realizado leva em conta os contextos político e econômico nos quais o jornalismo público foi praticado, bem como as condições tecnológicas e profissionais para o seu desenvolvimento, usando para isso os conceitos discutidos nas teorias jornalísticas de agenda-setting e newsmaking

Made available in DSpace on 2016-04-26T14:53:04Z (GMT). No. of bitstreams: 1 Maria Tereza Garcia.pdf: 748941 bytes, checksum: bec43584fc8ef534f0fea68399fad8c8 (MD5) Previous issue date: 2011-06-06 / This paper presents the proposal of public journalism implanted by TV Cultura, and the mishaps encountered in this decade of implementation. In spite of the creation of public journalism celebrating two decades in the United States, the concept is ignored and disbelieved for some. The public journalism, which emerged as a movement by American journalists, was focused on the reunion of journalism with democratic principles and ethics in all the news production, and not necessarily proposing a new format or a new category of journalism. Act that way, however, requires more than just good intentions or good will, since the journalistic output was hampered by diverse interests of the company that manages it. Thus, the study conducted here takes into account the political and economic contexts in which public journalism was practiced, as well as professional and technological conditions for its development, using for this, the concepts discussed in the theories of journalism and agenda-setting newsmaking / Este trabalho aborda a proposta de jornalismo público implantada pela TV Cultura, bem como os percalços encontrados nesta década de sua implantação. Completando agora duas décadas de criação do jornalismo público nos Estados Unidos, o conceito ainda esbarra no desconhecimento e no descrédito de alguns. O jornalismo público, que surgiu como um movimento por parte de jornalistas norteamericanos, tinha como foco o reencontro do jornalismo com os princípios democráticos e com a ética em toda a produção da notícia e não propunha exatamente uma nova formatação ou uma nova categoria jornalística. Atuar dessa maneira, no entanto, exige mais do que apenas boas intenções ou boa vontade, já que a produção jornalística esbarra em interesses diversos da empresa que o gerencia. Dessa forma, o estudo aqui realizado leva em conta os contextos político e econômico nos quais o jornalismo público foi praticado, bem como as condições tecnológicas e profissionais para o seu desenvolvimento, usando para isso os conceitos discutidos nas teorias jornalísticas de agenda-setting e newsmaking