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31	The gender of belief: Women and Christianity in T. S. Eliot and Djuna Barnes / Women and Christianity in T. S. Eliot and Djuna Barnes Pollard, Jacqueline Anne 09 1900 (has links) x, 175 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / This dissertation considers the formal and thematic camaraderie between T. S. Eliot and Djuna Barnes. The Waste Land 's poet, whom critics often cite as exemplary of reactionary high modernism, appears an improbable companion to Nightwood 's novelist, who critics, such as Shari Benstock, characterize as epitomizing "Sapphic modernism." However, Eliot and Barnes prove complementary rather than antithetical figures in their approaches to the collapse of historical and religious authority. Through close readings, supplemented by historical and literary sources, I demonstrate how Eliot, in his criticism and poems such as "Gerontion," and Barnes, in her trans-generic novel Nightwood , recognize the instability of history as defined by man and suggest the necessity of mythmaking to establish, or confirm, personal identity. Such mythmaking incorporates, rather than rejects, traditional Christian signs. I examine how, in Eliot's poems of the 1920s and in Barnes's novel, these writers drew on Christian symbols to evoke a nurturing, intercessory female parallel to the Virgin Mary to investigate the hope for redemption in a secular world. Yet Eliot and Barnes arrive at contrary conclusions. Eliot's poems increasingly relate femininity to Christian transcendence; this corresponds with a desire to recapture a unified sensibility, which, Eliot argued, dissolved in the post-Reformation era. In contrast, Barnes's Jewish and homosexual characters find transcendence unattainable. As embodied in her novel's characters, the Christian feminine ideal fails because the idealization itself extends from exclusionary dogma; any aid it promises proves ineffectual, and the novel's characters, including Dr. Matthew O'Connor and Nora Flood, remain locked in temporal anguish. Current trends in modernist studies consider the role of myth in understanding individuals' creation of self or worldview; this perspective applies also in analyzing religion's role insofar as it aids the individual's search for identity and a place in history. Consequently, this dissertation helps to reinvigorate the discussion of religion's significance in a literary movement allegedly defined by its secularism. Moreover, in presenting Eliot and Barnes together, I reveal a kinship suggested by their deployment of literary history, formal innovation, and questions about religion's value. This study repositions Barnes and brings her work into the canonical modernist dialogue. / Committee in charge: Paul Peppis, Chairperson, English; Suzanne Clark, Member, English; John Gage, Member, English; Jenifer Presto, Outside Member, Comparative Literature Gender Belief Women in literature Christianity in literature Eliot, T. S. (Thomas Stearns), 1888-1965 Barnes, Djuna. Nightwood Modern literature Women's studies American literature Gender studies Femininity in literature
32	Přehodnocení zvířete: posthumanistické tendence v (post) moderní beletrii / Rethinking the Animal: Post-Humanist Tendencies in (Post) Modern Literature Gridneva, Yana January 2017 (has links) This thesis posits post-humanism as a philosophy that engages directly with the problem of anthropocentrism and is concerned primarily with the metaphysics of subjectivity. It studies five literary texts (James Joyce's Ulysses, Virginia Woolf's Flush, Djuna Barnes' Nightwood, Brigid Brophy's Hackenfeller's Ape and J.M. Coetzee's Elizabeth Costello: Eight Lessons) that challenge the humanistic or classical subject through critical engagement with what this subject traditionally saw as its antithesis - the animal. These texts contest various fixed assumptions about animality and disrupt the status-quo of the human. Breaking with the tradition that treats animals exclusively as a metaphor for the human, they attempt to see and understand animality outside the framework of anthropocentric suppositions. This project aims to describe the strategies these texts employ to conceptualize animality as well as the methods they apply to delineate its subversive potential and to disrupt the human- animal binary. Its theoretical framework combines the work of thinkers belonging to the new but thriving field of Animal Studies with the ideas of Jacques Derrida, Gilles Deleuze and Felix Guattari. It is this project's great ambition to contribute towards the development of new post- humanist ethics defined by its...
33	The quest for a feminist unconscious : the covenant of maternal empowerment in Shelley, Barnes, and Hurston : theses ... Dunne, Danny T. 01 January 1993 (has links) I do not purport to give a definitive argument for or against the influences of the unconscious, for the necessary realm of expertise lies within other fields: psychiatry and psychology. However, the application of psychoanalytic literary theory of the unconscious to the lives, words, and characters of selected female authors in order to explore a richer, more meaningful purpose of their art will be the subject of this literary journey. Specifically, the intent will be an analysis of the relation between the manifest content of three classic works of literature to the unconscious intent relative to the author’s biographical perspective, or the psychology of literature. Shelley Mary Wollstonecraft 1797-1851 Barnes Djuna Hurston Zora Neale Literature Psychology Superego Arts and Humanities English Language and Literature Literature in English, British Isles
34	Waxing Ornamental : Reading a Poetics of Excess in Virginia Woolf’s Orlando and Djuna Barnes’s Nightwood Taylor, Benjamin 04 1900 (has links) Ce mémoire de maîtrise porte sur une poétique de l’excès dans Orlando de Virginia Woolf et Nightwood de Djuna Barnes comme une stratégie combattant la tendance qu’a le modernisme à dévaloriser l’écriture des femmes comme étant trop ornementale. J’expose comment Ezra Pound, T.S. Eliot, et Wyndham Lewis tentent de récupérer la notion du détail afin d’affirmer une poétique masculin. Je fais appel également aux oeuvres de l’architecte autrichien Adolf Loos qui souligne sa dénonciation de l’ornement comme régressif. Dans Orlando et Nightwood, je considère l’excès associé au corps. Je soutiens que, dans ces textes, les corps dépassent les limites de la représentation moderniste. Je considère aussi comment Orlando et Nightwood font apparaître la narration comme ornement et écrivent excessivement l’histoire et le temps. Pour conclure, je propose une façon de lire l’excès afin de reconceptualiser le potentiel de production de la signification dans des textes modernistes. / My thesis explores a poetics of excess in Virginia Woolf’s Orlando and Djuna Barnes’s Nightwood as a strategy through which the authors combat modernism’s devaluation of women’s writing for being overly ornamental, detailed, and/or artificial. I examine how the critical writings of Ezra Pound, T.S. Eliot, and Wyndham Lewis attempt to reclaim the notion of detail for a masculine-oriented poetic project, and I look at how Austrian architect Adolf Loos’s work condemns ornament as backward and regressive. In treating Orlando and Nightwood directly, I consider the novels’ excessive and ornamental construction of bodies and how these bodies exceed the limits of existing modernist paradigms for representation. I also discuss narration as ornamentation in Orlando and Nightwood and how these novels excessively inscribe history and time. My conclusion proposes a practice of reading excess that rethinks this concept and its potential for producing meaning in modernist texts. modernisme Virginia Woolf Djuna Barnes théorie féministe théorie du genre théorie queer le grotesque le corps poétique modernism feminist theory gender theory queer theory the grotesque the body poetics
35	Det litterära med reportaget : Om litteraritet som journalistisk strategi och etik / The Literarity of Reportage : On Literarity as a Journalistic Strategy and Ethics Jungstrand, Anna January 2013 (has links) This doctoral thesis explores the literarity of reportage, with a focus on the 20th century and modern reportage. The aim is to describe the literary strategies used in modern text-based reportage and how these strategies relate to journalistic standards of credibility and ethics. A primary focus is the question of what the reportage is looking for in the literary, what happens to this literarity when it is used for journalistic purposes, and, in turn, how the literary establishes ethics in the text. By suggesting that a piece of reportage is a journalistic text that simultaneously tells the story about the reporter’s encounter with the event, this dissertation sheds light on possible approaches to the concept of literarity: Subjectivity, narrativity, meta-narrative aspects, the poetic function of language and the performative movements in the text. The ethics of reportage is also to be derived from the encounter, and this thesis implements a concept of ethics in conversations with Emmanuel Levinas and dialogical philosophy. It provides an opportunity to separate ethics from moral, ideological and political dimensions of responsibility in the encounter. This aspect of ethics, where literarity and counter-movement operate beyond the direct intention, is what is needed to understand the reportage genre. The dissertation also includes six longer reportage analyses embodying its results: Djuna Barnes’s, Vagaries Malicieux, Ryszard Kapuściński’s Another Day of Life, Truman Capote’s In Cold Blood, Hanna Krall’s A Tale for Hollywood, Sven Lindqvist’s Kina nu: Vad skulle Mao ha sagt? and Joan Didion’s, Slouching towards Bethlehem. Reportage Literary Journalism New Journalism Literarity Modernity Modernism Ethics Narratology Narrativity Subjectivity Dorrit Cohn Emmanuel Levinas Truman Capote Ryszard Kapuściński Hanna Krall Djuna Barnes Sven Lindqvist Joan Didion Reportage Litteraritet Etik Narratologi Subjektivitet Journalistik
36	Djuna Barnes’s Nightwood and Transgender Epistemologies in the Biopolitcal State / Djuna Barnes’s Nightwood and Transgender Epistemologies in the Biopolitical State Gruenewald, Aleta Frances 03 September 2015 (has links) This thesis examines why contemporary transgender populations in democratic states fail to see the benefits of social rights legislation. I use Giorgio Agamben’s Homo Sacer to explain how transgender people have become encamped in the margins of the contemporary biopolitical world in such a way as the rule of law does not apply to them. This encampment is especially severe for those who defy our current way of understanding transgender identity. I trace transgender back to its inter-war origins in order to establish how medicalized discourses have created the narrow contemporary definition. I use Djuna Barnes’s Nightwood, which details the lives of non-passing inverts in the “night-world” of interwar Europe, to trace an alternate history of transgender subjects who have been excluded from such discourses. Linking Barnes’s characterization of inverted figures to contemporary trans people who do not pass allows for the creation of alternate transgender epistemologies that undermine states of encampment. / Graduate / 0615 / 0298 / 0733 / agruenew@uvic.ca transgender trans transexual law invert inversion Agamben biopolitics democracy social rights citizenship literature as theory philosophy queer theory lgbtq gender identity human rights Djuna Barnes Nightwood ethnonationalism political theory exception encampment epistemology natural
37	Representations of war and trauma in embodied modernist literature : the identity politics of Amy Lowell, Djuna Barnes, H.D., and Gertrude Stein Goodspeed-Chadwick, Julie Elaine January 2007 (has links) This study situates the literary works of Amy Lowell, Djuna Barnes, H.D., and Gertrude Stein in a genealogy of American modernist war writing by women that disrupts and revises patriarchal war narrative. These authors take ownership of war and war-related trauma as subjects for women writers. Combining the theories of Dominick LaCapra, Judith Butler, Elaine Scarry, and Elizabeth Grosz with close readings of primary texts, I offer feminist analyses that account for trauma and real-world materiality in literary representations of female embodiment in wartime. This framework enables an interdisciplinary discussion that focuses on representations of war and trauma in conjunction with identity politics.I examine Lowell's poetry collection Men, Women and Ghosts (1916), Barnes's novel Nightwood (1936), H.D.'s poem Trilogy (1944-1946), and Stein's novel Mrs. Reynolds (1952). The chapters highlight the progressively feminist and personal ownership of war and trauma embedded in the texts. Lowell and Barnes begin the work of deconstructing gendered binary constructions and inserting women into war narrative, and H.D. and Stein continue this trajectory through cultivation of more pronounced depictions of women and their bodies in war narrative.The strategies are distinct and specific to each author, but there are common characteristics in their literary responses to World War I and World War II. Each author protests war: war is destructive for Lowell, perverse for Barnes, traumatic for H.D., and disruptive for Stein. Additionally, each author renders female bodies as sites of contested identity and as markers of presence in war narrative. The female bodies portrayed are often traumatized and marked by the ravages of war: bodily injury and psychological and emotional distress. H.D. and Stein envision strategies for resolving (if only partially) trauma, but Lowell and Barnes do not.This project recovers alternative war narratives by important American modernist women writers, expands the definition and canon of war literature, contributes new scholarship on works by the selected authors, and constructs an original critical framework. The ramifications of this study are an increased awareness of who was writing about war and the shape that responses to it took in avant-garde literature of the early twentieth century. / Department of English War in literature. Human body in literature. Barnes, Djuna. Nightwood.
38	Sorgens Separatism Klein, Xenia January 2017 (has links) Jag söker det vackra i det som gör så jävla ont. tvetydigt vackert Jag kallar det för en sorgens separatism. Att bli utestängd från alla andra på grund av sin sorg, för att sedan börja stänga in alla de som av sorgen inte stängts ut. Zarah var en av många som grät en tår och den föll genom staden bort till mitt öga. De som gråter över sorgen, sorgen som är. De gråter i mina ögon. Men när jag väl kommer gråtandes, kommer du då tillåta mig att gråta i ditt? Min konst kanske kan få vara mellanrummet mellan våra tårar, som de kvävda andetagen mitt där i. Det är en sorgens separatisms och jag är osäker på om varken vi sorgsna eller vi sorgliga förstår mer om vad det innebär än om hur det faktiskt känns. fiktion skönlitteratur sorg sorgearbete fantasi Alice i underlandet Lewis Caroll Narnia C.S. Lewis Patrick Modiano Jeanette Winterson Djuna Barnes Nattensskogar transfemininitet transkvinnnor sagor Carl Almqvist rättstavningslära Askungen feer de osynliga skogsrået huldran Kungliga biblioteket Kirby Lovtal till filosofin Lovtal till intet lovtal till fiktionen kritik av naturvetenskapen kritik av akademisering konst litteratur döden Dödens nycker José Saramago tigerlilja folksagor myter sägner Arts Konst

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