[pt] O presente trabalho teve por objetivo conhecer concepções e práticas voltadas para a promoção do ensino intercultural de Artes Visuais na educação escolar. Ele partiu do entendimento da ancoragem histórico-social da ideia de arte hegemônica que tem produzido a inexistência das artes dos povos subalternizados historicamente por processos de outrificação e periferização que as confina ao passado da história da arte. O referencial teórico articula os conceitos de interculturalidade crítica (WALSH, 2009, 2011), a concepção de educação intercultural crítica (CANDAU, 2006, 2009a, 2009b, 2014, 2016) e a ecologia de saberes (SANTOS, 2006, 2008, 2010) em interlocução com as concepções de ensino de Artes Visuais pós-modernista (BARBOSA, 1981, 1998, 2002, 2005), ensino intercultural de artes (RICHTER, 2002, 2003, 2008; MASON, 2000), currículo integrado e disciplina mal estruturada (PARSONS, 2005) e arte pós-autônoma (CANCLINI, 2012). Foi realizado um estudo de caso sobre a interculturalidade e o ensino de Artes Visuais no Colégio Pedro II utilizando principalmente entrevistas semi-estruturadas. Os resultados apontam para a existência de um ensino de artes out of the box, baseado nos conceitos de arte como experiência e arte em campo expandido, que vem investindo na interculturalidade como princípio epistemológico a partir da conjugação das práticas de atelier com histórias de vida dos/as alunos/as; do currículo por eixos temáticos contaminado pela arte contemporânea e a arte popular, com ênfase nas artes indígenas, africanas e afro-brasileira; da formação docente continuada em serviço com foco nas noções de professor/a-pesquisador/a e professor/a-curador/a; do ensino de Artes Visuais antirracista articulado com a identidade cultural de seus/suas praticantes. Essa perspectiva articula-se com as demandas por justiça cognitiva para uma educação digna e tem colocado em questão o conceito de qualidade do ensino de Artes Visuais presidido pela história da arte de raiz única - linear e eurocêntrica. / [en] The present paper had as main objective to gather practices and conceptions aimed at the promotion of intercultural teaching of Visual Arts in school education. Based on the understanding that the social-historical idea of hegemonic art has produced the non-existence of the arts among the subordinated people by processes of outrification and peripherization (exclusion to periphery) restricting them in the past of the history of the art. The theoretical reference articulates the concepts of critical interculturality (WALSH, 2009, 2011), the conception of intercultural critical education (CANDAU, 2006, 2009a, 2009b, 2014, 2016) and the ecology of knowledge (SANTOS, 2006, 2008, 2010) in connection with the conceptions of post-modernism visual arts teaching (BARBOSA, 1981, 1998, 2002, 2005), intercultural teaching of arts (RICHTER, 2002, 2003, 2008; MASON, 2000) integrated curriculum and poorly structured disciplines (PARSONS, 2005) and post-autonomous art (CANCLINI, 2012). A case study of the interculturality and Visual Arts at Colégio Pedro II was undertaken, mainly using semi-structured interviews. The results point out the existence of an out-of-the-box arts teaching based upon the concepts of arts as experience and art in large field which has invested in interculturality as the epistemological source of workshops where students tell their life stories; of the curriculum by thematic main points touched by contemporaneous art and pop art, with emphasis on native, African and Afro-Brazilian art; of ongoing teacher training with focus on the meaning of the relationship between teacher/researcher and teacher/curator; of antiracist visual arts teaching connected to the cultural identities of the practitioners. This perspective is in articulation with the demands for cognitive justice and a dignified education and has put forward as a critical issue the concept of quality of visual arts teaching controlled by the single root history of art - linear and Eurocentric.

Der Artikel stellt eine musikdidaktische Perspektive dar, die ihren Ausgang bei der Frage nimmt, ob und wie Musik im Musikunterricht erscheint, sofern das Phänomen Musik nur in erfüllter Praxis erscheint. Erfüllte Praxis wird verstanden als eine gelingende Konstellation verschiedener Situationsmerkmale wie Wahrnehmungsinteressen, Themen, Vollzugs-, Interaktions- und Kommunikationsweisen der beteiligten Personen. Nach einer erfahrungsbezogenen Einleitung wird im ersten Abschnitt der Praxisbegriff als Dreh- und Angelpunkt der musikdidaktischen Theorie und auch Videographie dargestellt. Im zweiten und dritten Abschnitt werden ästhetische Praxis und kulturelle Bedeutung als allgemeine Form und inhaltliche Konkretisierung erfüllter Praxis dargestellt. Zweimal vier Kriterien für die Analyse und Gestaltung von erfüllter Praxis im Musikunterricht (=SchulMusik) werden ausgewiesen und mit den gemeinsamen Videos des Symposions und des Buchs veranschaulicht. Über den deskriptiven Kern des Artikels hinaus, der auf normative Setzungen verzichtet, wird in einem Exkurs ein musikdidaktisches Modell „Musikpraxen erfahren und vergleichen“ entworfen. / The article constitutes an approach on music education, which takes its starting point from a question: Does music appear in music lessons and how, assuming the phenomenon music appears in fulfilling praxis only. Fulfilling praxis is defined as a meaningful constellation of different characteristics, such as the attitude of perception, the topic, the ways of action, interaction and communication of the participating people. The introduction leads from observations in school settings to the keypoints of music didactics, focusing on three different scientific parts of the related issues. Part one portrays “praxis” as the key issue connecting different theories ranging from epistemology to videography. Part two and three depict aesthetical praxis as general form and culture-related meaning as specification of fulfilling musical praxis. Two times four criteria identify aesthetical and cultural aspects of fulfilling musical praxis in the classroom (=SchoolMusic) and are illustrated by the joint music lessons on DVD, which are appended to the book. While the main emphasis of the article is descriptive and does not aim for normative purposes, an excursus drafts a model of music education called “Experiencing and comparing different kinds of musical praxis”.

Abstract Title: History teaching and intercultural competence This study takes as its starting point the relationship between the multicultural and globalised society and history as a school subject, and explores it theoretically as well as empirically.  Intercultural historical competence, which is the main theoretical and analytical concept of the study, is developed from theories of narrative competence and theories of intercultural competence, and is positioned in the intersection between the two. Narrative competence describes historical consciousness as being characterised by three distinct sub-competencies, the competence of experience, the competence of interpretation and the competence of orientation. Historical learning is seen as the qualification of these competencies to be able to tell meaningful stories about our lives.  The empirical case study explores how intercultural historical competence as a learning objective is interpreted and enacted in one history classroom. The enacted object of learning is regarded as a co-construction between the teacher, the pupils and historical narratives. This study explores how experiences and interpretations of the past are made and used in the work in the classroom. The question of what constitutes each narrative sub-competence is addressed and discussed in three empirical chapters respectively. The source material mainly consists of observations from a sequel of 25 history lessons in an upper secondary school The empirical results show how different dimensions of each sub-competence contribute to what is possible to learn in relation to intercultural historical competence. One important dimension of the competence of experience is the employment of strategies of pluralism, deconstruction and counter-narratives to open up closed narratives. The competence of interpretation is strengthened by the use of second-order concepts as tools to qualify historical thinking. Furthermore, it is demonstrated how it is possible to practise the competence of orientation by giving pupils the opportunity to use historical narratives and historical tools to make sense of the present and to think about the future. One additional conclusion is that the planning process, when the learning objective is interpreted and framed into lessons and exercises, is decisive for what is possible for pupils to learn. Finally, it is stated that history as a school subject has the capacity to develop knowledge, skills and attitudes that are relevant in a multicultural and globalised society. Key words: history teaching, historical learning, history education, intercultural competence, intercultural education, historical consciousness, upper secondary school, class room study, object of learning, learning objective, historical narrative.

This thesis deals with the theme of integration and education of foreign pupils at primary schools. Further, it presents the findings which are connected with this theme. It focuses on classification of challenges and problems which can occur when the pupil starts to attend a school in a foreign country, and tries to find possible solutions and preventive measures as well. It has been confirmed that teachers see positive contribution of a foreign pupil in the class but they also admit and express concerns about insufficient preparedness and the lack of materials for work with the foreign pupils. The empirical part of this paper analyses three case studies which have been made thanks to observation of the foreign pupils and thanks to interviews with their class teachers. This part also concerns with teachers' opinions and their view of the challenges that are brought up by the presence a foreign pupil. The outcome of the thesis is a set of sample work sheets intended for foreign pupils. These worksheets are compatible with the textbooks for teaching Czech language which are commonly used at primary schools. Key words Integration, second language pupils, foreign pupils, students-foreigners, adaptation, intercultural education, inclusion, cultural differences, multicultural education,...

La tesi vol respondre quatre preguntes: Quina concepció d'educació intercultural ens cal a la Catalunya del segle XXI? Com ha fet front el sistema educatiu de Catalunya a l'arribada d'alumnes d'origen estranger? Quins canvis haurem de propiciar en el currículum escolar per tal de fer una educació més científica i més justa? Quina ha de ser la formació que hem d'oferir al professorat de l'educació bàsica per garantir una educació intercultural?L'educació intercultural que es propugna en aquesta tesi és la que es proposa treballar perquè tots els alumnes aprenguin a viure en societats obertes i plurals. Dins de l'educació intercultural que es proposa, s'hi plantegen tres èmfasis diferents: el que posa l'accent en els aspectes ètics, en els aspectes didàctics i en els culturals o curriculars. I pel que fa a la formació del professorat, es diu que un dels primers objectius ha de ser la revisió dels propis coneixements i actituds. / The thesis wants to reply four questions. Which conception of intercultural education, do Catalonia need in the 21st century? How has the educational system of Catalonia faced the arrival of foreign origin pupils? What kinds of changes will have to propitiate in the school curriculum in order to make a more scientific and fairer education? Which has to be the training that we have to offer to the teaching staff of the basic education to guarantee an intercultural education?The intercultural education that is advocated in this thesis is that which it proposes to work so that all pupils learn to life in open and plural societies. In the intercultural education that is proposed there are three different emphases; the one that puts the accent on the ethical aspects, in the didactic aspects and in the cultural or curricular ones. And regarding the formation of the teachers, it is said that one of the first objective has to be the revision of the knowledge themselves and actitudes.

Submitted by MARISA SOUZA (marisa.supervisoraeducacional@gmail.com) on 2018-01-12T18:16:03Z No. of bitstreams: 1 PROJETO DE INTERVENÇÃO - MESTRADO MARISA SOUZA.pdf: 2166880 bytes, checksum: 5952335e8f1dcf059d3f6572729969e7 (MD5) / Approved for entry into archive by Maria Auxiliadora da Silva Lopes (silopes@ufba.br) on 2018-01-17T12:23:57Z (GMT) No. of bitstreams: 1 PROJETO DE INTERVENÇÃO - MESTRADO MARISA SOUZA.pdf: 2166880 bytes, checksum: 5952335e8f1dcf059d3f6572729969e7 (MD5) / Made available in DSpace on 2018-01-17T12:23:57Z (GMT). No. of bitstreams: 1 PROJETO DE INTERVENÇÃO - MESTRADO MARISA SOUZA.pdf: 2166880 bytes, checksum: 5952335e8f1dcf059d3f6572729969e7 (MD5) / Este Projeto de Intervenção estuda a implementação das Leis 10.639/2003 e 11.645/2008 na Rede Municipal de Ensino de Lapão-Ba, na perspectiva do currículo intercultural e representa uma continuidade dos estudos e pesquisas que realizo na área de educação e diversidade. Teve como objetivo de pesquisa, a investigação de duas situações principais: primeiro, a análise de como o trabalho pedagógico, realizado no ambiente escolar, com relação à temática pode ser considerado processo de efetivação da legislação em estudo. Nessa abordagem a escola é vista como campo propício para afirmação de uma construção identitária reconhecendo que nossa identidade é também social e culturalmente construída. Segundo, investigar como o município de Lapão está organizado em termos legais e com relação à política de formação continuada para professores, especificamente no trato com as questões etnicorraciais. Os estudos que norteiam a pesquisa estão fundamentados no tripé, identidade, currículo e interculturalidade. A metodologia utilizada foi de caráter qualitativo, de inspiração etnográfica e utilizei os dispositivos metodológicos de: observação participante, entrevistas individuais semiestruturadas, oficina metodológica e análise documental. O processo de investigação possibilitou identificar que ao longo da década observada (2006-2016), o Sistema Municipal de Ensino de Lapão já possui um aparato que normatizam políticas públicas que colocam em prática as ações das referidas leis. Porém, as propostas curriculares das escolas devem promover tempos educativos, nos quais os professores que lecionam principalmente as Disciplinas de História, Arte e Língua Portuguesa possam contemplar nos planejamentos, ações pedagógicas que abordem a temática de forma natural e não como algo esporádico, como ocorre de fato. A proposta da interculturalidade como elemento norteador do currículo de Lapão, pode contribuir para galgar resultados positivos no que se refere à educação que valoriza a diversidade local existente. E neste ínterim propõe-se esta intervenção. / ABSTRACT This Intervention Project examines the implementation of Laws 10.639 / 2003 and 11.645 / 2008 in the Lapão-Ba Municipal Network of Education, from the perspective of the intercultural curriculum and represents a continuity of studies and research that I carry out in the area of education and diversity. The main objective of this research was to investigate two main situations: first, the analysis of how the pedagogical work carried out in the school environment, in relation to the subject matter, can be considered a process of effecting the legislation under study. In this approach the school is seen as a propitious field for the affirmation of an identity construction recognizing that our identity is also socially and culturally constructed. Second, to investigate how the municipality of Lapão is organized in legal terms and in relation to the policy of continuing education for teachers, specifically in dealing with ethno-racial issues. The studies that guide the research are based on the tripod, identity, curriculum and interculturality. The methodology used was qualitative, with ethnographic inspiration and I used the methodological devices of: participant observation, semi-structured individual interviews, methodological workshop and documentary analysis. The research process made it possible to identify that throughout the observed decade (2006-2016), the Municipal System of Education of Lapão already has an apparatus that standardize public policies that put into practice the actions of the referred laws. However, the curricular proposals of the schools should promote educational times, in which the teachers who teach mainly the Disciplines of History, Art and Portuguese Language can contemplate in the planning, pedagogical actions that approach the subject in a natural way and not as something sporadic, as it occurs indeed. The proposal of interculturality as a guiding element in the Lapoan curriculum can contribute to positive results in terms of education that values the existing local diversity. And in the meantime this intervention is proposed

L’Enseignement des Langues et Cultures d’Origine (ELCO) a été mis en place, dans les années 70, à la suite du regroupement familial. L’ELCO a été créé dans le but d’intégrer les enfants d’immigrés dans le système éducatif français et de leur permettre de garder un lien avec leur langue d’origine en cas de retour des parents. Notre recherche porte sur l’enseignement de la langue et la culture d’origine turque en Alsace. Depuis 2013, l’ELCO s’ouvre dorénavant à tout enfant, quelle que soit son origine. Notre but est de comprendre les raisons du faible taux d’élèves choisissant le turc et ne parlant pas cette langue à la maison ainsi que les facteurs d’influence. Une recherche qualitative a été menée auprès d’élèves, de parents élèves, d’enseignants et de responsables institutionnels. Nous avons opté pour une démarche inductive sans hypothèses préalables. Le taux faible d’élèves s’explique par un nombre important de variables : par exemple : l’invisibilité du dispositif au sein de l’école, la non considération du turc par les parents comme une langue internationale et la non continuité de la langue turque au collège. / The teaching of original languages and cultures (ELCO) was implemented in the 70s, after the family reunification policy. The purpose of ELCO is to integrate children from immigrant’s backgrounds in French educational system, and to preserve their original language in case of return to their parents’ native country. Our study deals with the teaching of Turkish as original language and culture in Alsace and more specifically, in the new change in ELCO that opens the class to a different public. Indeed, since 2013, ELCO has been opened to all children applying for it, regardless of their origin. In our research, we aim at understanding the reasons and the external factors of the low number of pupils that chose Turkish, among children that are not speaking Turkish at home. We selected an inductive approach without starting hypothesis due to the newness of the system. The low number of pupils is explained by multiple variables, such as the irrelevance ELCO within the school, the fact that Turkish is not considered as an international language or the lack of continuity of Turkish learning in junior high school.

No description available.

Muslims have the starring role in the mass media’s curriculum on otherness, which circulates in-between local and global contexts to powerfully constitute subjectivities. This study inquires into what it is like to be a female, Muslim student in Ontario, in this post 9/11 discursive context. Seven young Muslim women share stories of their high schooling experiences and their sense of identity in interviews and focus group sessions. They also respond to images of Muslim females in the print media, offering perspectives on the intersections of visual media discourses with their lived experience. This interdisciplinary project draws from cultural studies, postcolonial feminist theory, and post-reconceptualist curriculum theorizing. Working with auto/ethno/graphy, my own subjectivity is also brought into the study to trouble researcher-as-knower and acknowledge that personal histories are implicated in larger social, cultural, and historical processes. Using bricolage, I compose a hybrid text with multiple layers of meaning by juxtapositing theory, image, and narrative, leaving spaces for the reader’s own biography to become entangled with what is emerging in the text. Issues raised include veiling obsession, Islamophobia, absences in the school curriculum, and mass media as curriculum. Muslim females navigate a complex discursive terrain and their identity negotiations are varied. These include creating Muslim spaces in their schools, wearing hijab to assert their Muslim identity, and downplaying their religious identity at school. I argue for the need to engage students and teacher candidates in complicated conversations on difference via auto/ethno/graphy, pedagogies of tension, and epistemologies of doubt. Educators and researchers might also consider the possibilities of linking visual media literacy with social justice issues.

Muslims have the starring role in the mass media’s curriculum on otherness, which circulates in-between local and global contexts to powerfully constitute subjectivities. This study inquires into what it is like to be a female, Muslim student in Ontario, in this post 9/11 discursive context. Seven young Muslim women share stories of their high schooling experiences and their sense of identity in interviews and focus group sessions. They also respond to images of Muslim females in the print media, offering perspectives on the intersections of visual media discourses with their lived experience. This interdisciplinary project draws from cultural studies, postcolonial feminist theory, and post-reconceptualist curriculum theorizing. Working with auto/ethno/graphy, my own subjectivity is also brought into the study to trouble researcher-as-knower and acknowledge that personal histories are implicated in larger social, cultural, and historical processes. Using bricolage, I compose a hybrid text with multiple layers of meaning by juxtapositing theory, image, and narrative, leaving spaces for the reader’s own biography to become entangled with what is emerging in the text. Issues raised include veiling obsession, Islamophobia, absences in the school curriculum, and mass media as curriculum. Muslim females navigate a complex discursive terrain and their identity negotiations are varied. These include creating Muslim spaces in their schools, wearing hijab to assert their Muslim identity, and downplaying their religious identity at school. I argue for the need to engage students and teacher candidates in complicated conversations on difference via auto/ethno/graphy, pedagogies of tension, and epistemologies of doubt. Educators and researchers might also consider the possibilities of linking visual media literacy with social justice issues.