Dès 1936 jusqu’à nos jours, l’œuvre de François Mauriac a connu plus de 80 ans d’histoire en Chine. Aux yeux des Français, ce long voyage en Chine de Mauriac, écrivain classique, pour certains, régionaliste et même démodé, est inattendu… Le travail présent consiste à dresser un bilan historique de la réception de l’œuvre de François Mauriac en Chine par le biais de la traduction et de l’étude académique. Il s’agira de mettre en lumière les caractéristiques de son voyage en Chine dans les différentes périodes, d’analyser l’image particulière attribuée par les lecteurs chinois, tout en cherchant ses racines dans le domaine littéraire, social et culturel. Enfin nous mettrons en évidence la place de François Mauriac et de son œuvre dans l’histoire de la littérature française reçue en Chine. / From 1936 to the present day, François Mauriac's work has more than 80 years of history in China. In the eyes of the French, it is unexpected this long trip to China of Mauriac, classic writer, regionalist and even old-fashioned ... The present work is to draw a historical record of his reception in China through translation and academic study, highlight the characteristics of his trip to China in different periods, analyze his particular image attributed by Chinese readers, while seeking the causes in the literary, social and cultural, and finally highlight the place of François Mauriac and of his work in the history of French literature received in China.

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Esta etnografia multissituada analisa três polos carnavalescos distintos, a partir dos circuitos de trocas estabelecidos entre eles. O principal objetivo da tese é o de compreender como as diferentes configurações culturais nos carnavais de Escolas de Samba do Rio de Janeiro, da Região dos Pampas (em três cidades, Uruguaiana no extremo sul do Brasil, Paso de Los Libres na Argentina e Artigas no Uruguai) e de uma Escola de Samba no carnaval de Notting Hill (Londres/UK) se comunicam e se envolvem em relações de interculturalidade, globalismo e hibridismo entre carnavais. As relações entre os carnavais possibilitam a disseminação de suas produções de cunho competitivo, a circulação de pessoas e objetos que cruzam fronteiras, baseadas nas dimensões da translocalidade. Esses carnavais se entrelaçam e dialogam com o carnaval carioca em circuitos de trocas e negociações, promovendo encontros, conexões, intensa circulação de profissionais, fluxos de materiais, conhecimentos e saberes entre seus contextos locais. / This multi-sited ethnography analyzes three distinct carnival poles, through the exchanges circuits established among them. The main purpose of the thesis is to comprehend how the different cultural configurations in carnivals of Samba Schools of Rio de Janeiro, the Pampas region (in three cities, Uruguaiana in southern Brazil, Paso de Los Libres in Argentina and Artigas in Uruguay) and a Samba School in the Notting Hill Carnival (London/UK) communicate and involve themselves in intercultural relations, globalism and hybridism between carnivals. The relations among the carnivals allow the dissemination of their competitive productions, the circulation of persons and objects that cross borders, based on the dimension of translocality. These carnivals are intertwined and dialogue with the Rio carnival in exchanging and negotiating circuits, promoting encounters, connections, intense professionals circulation, material flows, knowledge and expertise between among its local contexts.

Traditional Asian theatre genres have fascinated western audiences since the end of the 19th century. In my thesis, I focused on the means by which Jiří Frejka, a leading representative of Czech avant- garde theatre, dealt with that trend. Through Japanese, Chinese and Indian texts, he verifies new possibilities of all elements of theatre production - the stage, music and, primarily, the actor and his voice and movement. Thanks to prompt books, photographs, reviews and other materials from Frejka's estate stored in the National Museum, the archive of the National Theatre and the Moravian Museum in Brno, I assess these individual elements of theatre production in connection with traditional Asian genres and I seek mutual parallels, sources of inspiration and, primarily, the manner in which Frejka adapted them to his own directorial work. The objective of this work is to confirm the previous thesis that, in the case of Jiří Frejka, deeper study of the topic led to a fundamental shift in the manner of bringing these "foreign" sources of inspiration into the Czech environment, which moved away from a merely decorative function toward an internally linked and well-founded method. Key words Czech theatre avant-garde, Asagao, Modern Studio, Lady Precious Stream, Shakuntala, The Post Office

Le roman contemporain apparait comme le lieu d’un double questionnement : le premier est lié à sa forme, tandis que le second renvoie à une longue interrogation sur un monde marqué par de grands bouleversements d’ordre anthropologique, politique, culturel ou sociologique. Chez Glissant et Le Clézio, ce questionnement prend l’allure d’une problématisation du monde et imprègne, d’un bout à l’autre, leur production romanesque. Ainsi, la présente thèse analyse les mécanismes et les enjeux de l’art romanesque à l’épreuve du mouvant. Elle évoque l’idée d’une déconstruction de la forme et la structure romanesques pour arriver à une nouvelle pensée du roman qui permet, en même temps, de penser la complexité du monde. Cette complexité se donne à lire dans le roman à travers l’idée de contrepoint qui permet le mélange de voix narratives, des personnages, des formes, des genres, ou encore des mondes. Parler d’une poétique du mouvant revient, dès lors, à penser la multidimensionnalité de l’être ainsi que les liens qui se tissent entre des individus présentés comme des producteurs et des produits des cultures. La pensée du mouvant prend ainsi une orientation politique du monde. Elle exalte, non pas la dénaturation de le l’individu, la perte de son identité ou encore sa dilution, mais sa propension à penser l’autre dans sa différence, comme un élément d’un tout complexe, avec finalement l’idée de « différence dans l’unité » et d’ « unité dans la différence » qui permet d’aller au-delà de la simple juxtaposition des cultures. Le mouvant devient, dès lors, l’autre nom du métissage, de la complexité et de l’interculturalité. / The usual contemporary novel appears as the place of a double questioning: the first is linked to its form, and the second drives to a long interrogation on a world marked by great anthropological, political, cultural and social upheavals. For Glissant and Le Clézio this interrogation takes the form of an everlasting questioning on the concept of the world and this can be seen along all theirs novels. Thereby, the present thesis investigates the mechanisms and the stakes of the art of the novel compared to the concept of "mouvant". This work treats about the deconstruction of the usual form and the structure of the novel driving to a new approach of the novel allowing, at the same time, to glimpse the complexity of the world. This complexity can be seen in the novel through the mechanisms of the counterpoint which allows the mixing of narrative voices, forms, characters, genres or even worlds. To speak about a poetics of " mouvant" it is necessary to consider the multidimensional aspect of the concept of the living being, as well as the links between individuals presented both as producers of cultures and as themselves a product of cultures. Thus, the concept of "mouvant" takes a political orientation of the world. This concept exalts, neither the denaturation of the individual nor the loss or the dilution of his identity, but the propensity to see the other one in his difference, as a part of a complex whole, and ultimately the idea of “Difference in unity” and “Unity in difference”, which allows us to go beyond the simple juxtaposition of cultures. Therefore, the concept of "mouvant" becomes the other name of the mixing, the complexity of the world and the interculturalism.

Esta etnografia multissituada analisa três polos carnavalescos distintos, a partir dos circuitos de trocas estabelecidos entre eles. O principal objetivo da tese é o de compreender como as diferentes configurações culturais nos carnavais de Escolas de Samba do Rio de Janeiro, da Região dos Pampas (em três cidades, Uruguaiana no extremo sul do Brasil, Paso de Los Libres na Argentina e Artigas no Uruguai) e de uma Escola de Samba no carnaval de Notting Hill (Londres/UK) se comunicam e se envolvem em relações de interculturalidade, globalismo e hibridismo entre carnavais. As relações entre os carnavais possibilitam a disseminação de suas produções de cunho competitivo, a circulação de pessoas e objetos que cruzam fronteiras, baseadas nas dimensões da translocalidade. Esses carnavais se entrelaçam e dialogam com o carnaval carioca em circuitos de trocas e negociações, promovendo encontros, conexões, intensa circulação de profissionais, fluxos de materiais, conhecimentos e saberes entre seus contextos locais. / This multi-sited ethnography analyzes three distinct carnival poles, through the exchanges circuits established among them. The main purpose of the thesis is to comprehend how the different cultural configurations in carnivals of Samba Schools of Rio de Janeiro, the Pampas region (in three cities, Uruguaiana in southern Brazil, Paso de Los Libres in Argentina and Artigas in Uruguay) and a Samba School in the Notting Hill Carnival (London/UK) communicate and involve themselves in intercultural relations, globalism and hybridism between carnivals. The relations among the carnivals allow the dissemination of their competitive productions, the circulation of persons and objects that cross borders, based on the dimension of translocality. These carnivals are intertwined and dialogue with the Rio carnival in exchanging and negotiating circuits, promoting encounters, connections, intense professionals circulation, material flows, knowledge and expertise between among its local contexts.

Esta tese, desenvolvida no âmbito do Grupo de Etnologia Urbana do Núcleo de Antropologia Urbana da USP discute os enredamentos entre educação, cidade e política a partir das experiências sateré-mawé com Ensino Superior. O trabalho é desenvolvido a partir de pesquisa bibliográfica, documental, entrevistas e, principalmente, da etnografia desenvolvida individualmente e junto a outros pesquisadores do GEU, cuja coparticipação deu-se em campo e na produção de cadernos de campo coletivos. Esta etnografia centra-se na cidade de Parintins-AM (médio-baixo Amazonas), na turma de Parintins do curso de Pedagogia Intercultural (2009 e 2014) oferecido pela Universidade do Estado do Amazonas UEA, e nas circulações dos acadêmicos indígenas Sateré-Mawé e suas práticas por entre as cidades e as aldeias da Terra Indígena Andirá-Marau, sobretudo a aldeia Ponta Alegre. Ao longo dos cinco capítulos, a etnografia desenvolvida entre os Sateré-Mawé é apresentada face a discussões sobre modelos analíticos da antropologia acerca de objetos como cidade, cultura e interculturalidade, redes de saberes, ensino superior indígena, estado, política dos e para indígenas e festas. Exploro as conexões parciais engendradas pela presença de acadêmicos sateré-mawé na universidade e sua circulação por instituições (escolas, secretarias, etc.), práticas (ensino, política, lazer), eventos (feiras escolares, eventos acadêmicos, rituais, futebol) e modos de conhecimento e enunciação. Apresento reflexões que emergiram na interlocução com os Sateré-Mawé acerca das relações engendradas pelo dispositivo da interculturalidade, como suas interpretações do Festival Folclórico do Boi Bumbá, principal atividade econômica de Parintins; e da proposta de uma Livre Academia do Wará, a universidade indígena proposta pelo Consórcio de Produtores Sateré-Mawé. Discuto como enquadram seus intuitos de ter uma \"educação dos brancos\" em suas cosmopolíticas face ao mito do Imperador, o sistema de conhecimento do guaraná e a Festa da Tucandeira. O Imperador é um demiurgo relacionado a eventos históricos e à habilidade sateré-mawé de pacificar e canalizar potências dos brancos, agora situadas nos currículos e diplomas universitários. Os Sateré-Mawé são \"filhos do Guaraná\", uma planta professora que transforma o ethos guerreiro no uso diplomático de \"boas palavras\", necessárias à formação do bom professor. Os cantos da Tucandeira, festa mais conhecida dos Sateré-Mawé, trazem as Sehay Pooti (boas palavras) ensinando os jovens que dançam suportando a dor da luva de formigas. Mais do que diacríticos de uma identidade indígena, estes mitos e ritos formam um complexo sistema de saberes que delineiam as compreensões Sateré-Mawé sobre suas agências na contemporaneidade. / This thesis was carried out within the scope of the Group of Urban Ethnology of the Centre of Urban Anthropology (USP), discussing the intertwining of education, city and politics from Sateré-Mawés experiences with Higher Education. This work is based on bibliographic, documental research, interviews and, mainly, on the ethnography carried out individually and together with other GEU researchers, which co-participation occurred on the field as well as producing collective field reports. The ethnography focus on the city of Parintins AM (lower Amazon River), on the Parintins Intercultural Pedagogy class (2009-2014) from the University of the State of Amazonas UEA, and their practices between the cities and villages from Andirá-Marau Indigenous Land, mainly the village of Ponta Alegre. Along its five chapters, the ethnography carried out among the Sateré-MAwé is presented in face of discussions about anthropological analytical models of subjects such as city, culture and interculturality, knowledge networks, indigenous higher education, state, politics from and concerning indigenous peoples and festivities. I explore the partial connections engendered by the presence of Sateré-Mawé academics at the university and their circulation between institutions (schools, public offices, etc.), practices (teaching, politics, leisure), events (school fairs, academic events, festivities, soccer) and modes of knowledge and enunciation. I present reflections that had emerged in the dialogue with Sateré-Mawé about the relations engendered by the device of interculturalism, such as their interpretations of the Boi Bumbá Folkloric Festival, the major economic activity in Parintins; and of the project of a Wará Free Academy, the indigenous university proposed by the Sateré-Mawé Producer Consortium. I discuss how they frame their goals of getting a white people education in their cosmopolitics, regarding the Emperors Myth, the guarana system of knowledge and the Tucandeira Dance. The Emperor is a character related to historic events and to the sateré-mawé ability of pacifying and channel whites potencies, now placed on university curriculum and diplomas. The Sateré-Mawé are children of guarana, a teacher plant that turns the warrior ethos into the diplomatic use of good words, necessary to the teachers formation. The chants of Tucandeira, the most known festivity of the Sateré-Mawé, brings the sehay pooty (good words), teaching the dancing youth that bears the pain of the ant gloves. More than diacritics of an indigenous identity, those myths and rites form a complex system of knowledges that outline the Sateré-Mawé understandings of their agencies in the contemporaneity.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-02-03T18:40:21Z No. of bitstreams: 1 lucilacarneiroguadelupe.pdf: 5456055 bytes, checksum: 8181b564e1c2ae56dfee3c0ee197c1c0 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-02-05T10:50:55Z (GMT) No. of bitstreams: 1 lucilacarneiroguadelupe.pdf: 5456055 bytes, checksum: 8181b564e1c2ae56dfee3c0ee197c1c0 (MD5) / Made available in DSpace on 2016-02-05T10:50:55Z (GMT). No. of bitstreams: 1 lucilacarneiroguadelupe.pdf: 5456055 bytes, checksum: 8181b564e1c2ae56dfee3c0ee197c1c0 (MD5) Previous issue date: 2014-10-20 / The presen t study, which is situated in the Linguistics area - Linguistics and Language Teaching, aims to verify whether the guidelines indicated in the official documents articulate with the intercultural proposals presented by the textbook . In general terms, throu gh an analysis of textbooks, we observed whether interculturality is present in the book and whether the work that has been done with discursive genres takes into consideration an intercultural perspective. We verified if a dialogue between cultures, the c ulture s of the target language and Brazilian culture s , exists considering not only the Peninsular Spanish, but also the presence of Hispanic - America in the teaching materials. We aimed to establish a correlation between the interculturality approach and th e proposals presented by official documents. In order to do that, the corpus analysis was done based on: genre theories, especially , Bakhtin's propositions (1979/2010; 1929/1995), and the concept of culture and interculturality by Aguilera Reija et al , (20 09). We also used as research sources official documents that view language teaching as culture. This study demonstrated that the discourse genres found in the textbook “ Enlaces: español para jóvenes brasileños”, more specifically in the section “ Más cosa s‖, portray representative subjects for the culture s of young people in terms of sociocultural experiences, and also allow a reflection on the construction of meanings in an interculturality perspective. The obtained results also confirmed that the proposa ls presented by the collection, in their majority, are consistent and make the intercultural function of genres clear, mainly, of those that effectively circulate in the social world. Concerning the impacts for future research, this study intends to supply subsidies for the (re)cognition of the importance that must be giv en to the intercultural perspective , considering, primarily, the didactic - pedagogical proposals presented by textbooks and their use in the classroom. / Situado na área de Linguística –Linguística e Ensino de Língua, o presente estudo tem como objetivo verificar se as diretrizes apontadas nos documentos oficiais se articulam com as propostas interculturais assumidas pelo livro didático de espanhol. Em linhas gerais, através de uma análise de livros didáticos, observamos se a interculturalidade está present e no interior da obra e se o trabalho que vem sendo realizado com os gêneros discursivos atende a uma perspectiva intercultural. Verificou-se se existe diálogo entre culturas, a (s) cultura (s) da língua - alvo e a(s) cultura(s) brasileira(s) , considerando não só o espanhol peninsular, mas também a presença da Hispano-América nos materiais didáticos. Procuramos estabelecer correlação entre a visão de interculturalidade e as propostas apresentadas pelos documentos oficiais. Para tanto, a análise do corpus é feita com base em: teorias de gêneros, em especial, na vertente de Bakhtin (1979/2010; 1929/1995), e nos conceito de cultura e interculturalidade, de Aguilera Reija et al, (2009). São também fontes de pesquisa documentos oficiais que tratam do ensino de língua como cultura. Este estudo demonstrou que os gêneros discursivos presentes no livro didático “Enlaces: español para jóvenes brasileños”, mais especificamente na seção “Más cosas‖, retratam temas representativos para a(s) cultura (s) dos jovens em termos de experiências socioculturais, além de permitirem uma reflexão sobre a construção de sentidos dentro de uma visão que traz questões de interculturalidade. Os resultados obtidos confirmam , ainda, que as propostas apresentadas pela coleção , em sua maioria, são consistentes e evidenciam a função inter cultural dos gêneros, em particular, daqueles que circulam efetivamente no mundo social. Com relação aos impactos para futuras pesquisas, esta investigação pretende fornecer subsídios para o (re) conhecimento da importância que deve ser dada à perspectiva intercultural, atentando, principalmente, para as propostas didático - pedagógicas apresentadas pelos livros didáticos e seu uso em sala de aula.

The Convention on Biological Diversity, designed in 1992, was intended to protect the conservation and sustainable use of biological diversity and the equitable fair distribution of benefits from the utilization of genetic resources ( English term, "ABS"). The third objective remains not sufficiently cleared and the countries felt the need to legislate on the subject before the eminent importance of the rights arising from the exploitation of genetic resources and traditional knowledge associated with them and the transboundary damage from predatory exploitation. Countries faced with a growing biodiversity degradation in an uncontrolled and a reduction of fauna and flora form. They start question the exploratory use and necessary preservation of sociobiodiversity for future generations based on interculturalism, and the effect of such rights in social harvest, cultural, political and economic. To address such conflicts on the international scene came the Nagoya Protocol, and in Brazil, Law 13.123/ 2015. Both laws walked in the same direction, with flexible access to traditional knowledge and biodiversity, striving for expansion of research and innovation. The literature search was performed using the deductive method, lying on the theme Rights Research Line Sociobiodiversity and Sustainability. The Nagoya Protocol left the national legislation up to each country, bringing minimum dictates. Brazil has not ratified but implemented specific legislation that included the protection of genetic resources and associated traditional knowledge, however, gave way to exploratory mean. / A Convenção sobre Diversidade Biológica, concebida em 1992, destinou-se à proteção da conservação e o uso sustentável da diversidade biológica além da repartição justa equitativa dos benefícios provenientes da utilização dos recursos genéticos (termo em inglês, ABS ). O terceiro objetivo não restou suficientemente aclarado e os países signatários sentiram a necessidade de legislar sobre o tema diante da notória importância dos direitos advindos da exploração dos recursos genéticos e dos conhecimentos tradicionais a eles associados e os danos transfronteiriços decorrentes da exploração predatória. Os países se depararam com uma crescente degradação da biodiversidade, de forma descontrolada e uma redução da fauna e da flora. Passou-se a questionar o uso com viés exploratório e a necessária preservação da sociobiodiversidade para as gerações futuras tendo por base a interculturalidade, e o reflexo de tais direitos na seara social, cultural, política e econômica. Para enfrentar tais embates, no cenário internacional exsurgiu o Protocolo de Nagoia e, no Brasil, a Lei 13.123, de 2015. Ambas as legislações caminharam no mesmo sentido, flexibilizando o acesso aos conhecimentos tradicionais e à biodiversidade, primando pela expansão da pesquisa e da inovação. A presente pesquisa bibliográfica foi feita utilizando-se do método dedutivo, encontrando-se na temática na Linha de Pesquisa de Direitos da Sociobiodiversidade e Sustentabilidade. O Protocolo de Nagoia deixou a regulamentação nacional a cargo de cada país, trazendo ditames mínimos. O Brasil não o ratificou, mas implementou legislação específica que compreendeu a proteção aos recursos genéticos e os conhecimentos tradicionais associados, todavia, cedeu lugar ao viés exploratório.

<p>Rasutost i postojanje malog broj podataka o doprinosu žena razvoju emancipacije u Boki Kotorskoj čini da se održava stereotipna slika o ženama kao pasivnim i gurnutim u privatnu sferu. Cilj istraživanja je prikupljanje, selekcija i klasifikacija podataka na jednom mjestu o institucijama obrazovanja za žene, udruženjima žena i doprinosu pojedinih žena emancipaciji i ravnopravnosti u Boki Kotorskoj tokom dva vijeka (1815-2015). U fokusu pažnje su identiteti žena u određenom vremenu i prostoru.<br />1. Hipoteza: U Boki Kotorskoj postoje mnogobrojni podaci o dostignućima žena, za period 1815-2015. rasuti po različitim izvorima i otuda nedovoljno dostupni javnosti.<br />Tri su metoda analize: metodu analize diskursa; intersekcionalnosti, metod životne priče.<br />Uzorak čine tri tipa empirijskog materijala: 1. Biografije pojedinačnih žena (ukupno 21); 2. Biografije udruženja žena (ukupno 6); Biografije &scaron;kola za žene (ukupno 5). Analiza biografija žena sadrži 6 komponenata identiteta (djetinjstvo, brak i porodica, profesionalni identitet, rodno senzitivni jezik (ROJ), devedesete godine 20.vijeka, članstvo u udruženjima).<br />Rezultati istraživanja pokazuju da su pojedinke, udruženja žena i &scaron;kole za žene, značajno doprinijele razvoju i emancipaciji ukupnog dru&scaron;tva u Boki Kotorskoj, o čemu u dru&scaron;tvenoj, obrazovnoj i akademskoj zajednici ima dovoljno podataka, a do sada neproučenih. Osnovni je rezultat da su žene tokom dva vijeka u prostoru Boke Kotorske oblikovale svoje indentitete shodno potrebama i na korist dru&scaron;tva, a preko različitih kreativnih akcija.<br />Zaključujem da će ovdje sistematizovani empirijski podaci poslužili za vrednovanje učinka žena tokom dva vijeka ne samo u prostoru Boke Kotorske. Zato se podaci mogu iskoristiti u nastavnom procesu u osnovnim i srednjim &scaron;kolama, posebno na interdisciplinarnim rodnim studijama na univerzitetima u Crnoj Gori i u regionu. Podaci su djelatni i za osnivanje Muzeja žena u Crnoj Gori.</p> / <p>It seems that dispersion and scarcity of information about women&rsquo;s contribution to emancipation in Boka Kotorska may support the stereotypical image of women being passive and moved to a private sphere. The aim of the research is to collect, select and classify the information about the institutions for education of women, women&rsquo;s associations and individual contributions of women to emancipation and equality in Boka Kotorska over the period of two centuries (1815-2015). Identities of women in certain time and space have been in focus of attention<br />Hypotesis 1: There is plenty of information about women&rsquo;s accomplishments in Boka Kotorska for the period between 1815 -2015, dispersed through various resources, hence insufficiently accessible to the public. Three methods of analysis are the method of discourse analysis; intersectional analysis and the method of life stories. The sample includes three types of empirical materials: 1. Biographies of individual women (21 in total); 2. Biographies of women&rsquo;s associations ( 6 in total); 3. Biographies of schools for women (5 in total). The analysis of women&rsquo;s biographies comprises 6 components of personal identity (childhood, marriage and family, professional identity, gender sensitive language (GSL), the decade of nineties in 20th century, membership in various associations). The results of the research show that the individuals, women&rsquo;s associations and schools for women, have considerably contributed to the overall emancipation of society in Boka Kotorska , but the evidence of the same has not been fully disclosed to the general intellectual and academic public. The crucial result is the one about women formatting their identities in accordance with the needs and benefits of society through various creative activities in Boka Kotorska in the period of two centuries. Herefor, I conclude that these systematized empirical data will be valuable for the evaluation of women&rsquo;s accomplishments in the period of two centuries in Boka Kotorska, but elsewhere too. All the pieces of information are relevant to be used in educational process at various levels, starting from the primary and secondary schools, and especially important for the interdisciplinary gender studies at the universities in Montenegro and in the region. It is possible to use them effectively in founding the Museum of Women in Montenegro.</p>