Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-05-19T19:22:20Z No. of bitstreams: 1 francinepereirafontainhadecarvalho.pdf: 1754302 bytes, checksum: 6f38e84e8c1ab1f3c1d3478524d5ce67 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-22T17:24:59Z (GMT) No. of bitstreams: 1 francinepereirafontainhadecarvalho.pdf: 1754302 bytes, checksum: 6f38e84e8c1ab1f3c1d3478524d5ce67 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-22T17:30:37Z (GMT) No. of bitstreams: 1 francinepereirafontainhadecarvalho.pdf: 1754302 bytes, checksum: 6f38e84e8c1ab1f3c1d3478524d5ce67 (MD5) / Made available in DSpace on 2017-05-22T17:30:37Z (GMT). No. of bitstreams: 1 francinepereirafontainhadecarvalho.pdf: 1754302 bytes, checksum: 6f38e84e8c1ab1f3c1d3478524d5ce67 (MD5) Previous issue date: 2007-09-28 / O mundo do melancólico e suas misérias constituem nosso objeto de estudo. Os sonetos e composições da poeta portuguesa Florbel a Espanca, mormente os presentes no Livro de Mágoas, bem como os quadros e cartas da pintora mexicana Frida Kahlo, nos fornecem material de investigação da dor, da melancolia e do eu presente em suas vidas, com suas semelhanças e singularidades. O eu da poeta portuguesa e da pintora mexicana nos interessa na medida em que possam ser explorados biográfica e psicologicamente a partir do corpo do texto e das figurações da tela, enquanto expressão do “mundo dolorido” dos melancólicos. Demonstra-mos os desdobram entos da psiché melancolia, na obra e na vida de ambas, sem olvidar as interseções biográficas possíveis. Partimos sempre das obras a fim de trabalhar os temas propostos, uma vez que as mesmas nos fornecem elementos de investigação da vida pessoal de ambas. O adentrar da dor e os sentimentos análogos a ela desdobram-se em suas obras através das lembranças dos eventos passados rememorados no futuro: a lembrança da mãe – ora apresentada como morte, ora como Marte – a presença constante da dor e a certeza do interdito, envolto em um grande sentimento de impotência e o desejo pulsante da morte, são, outrossim, analisados. / Le monde du mélancolique et ces misères constituent notre objet d’étude. Les sonnets et compositions de la poétesse portugaise Florbela Espanca, surtout ceux -là présents dans le Livro de Mágoas, aussi bien que les tableaux et les lettres de l’artiste mexicaine Frida Kahlo, nos donnent matériau d’investigation de la douleur, de la melancolie et du soi présent en leurs vies, avec les ressemblances et singularités. Le soi de la poétesse portugaise et du peintre mexicain nous intéresse à mesure qu’ils peuvent être exploités biographique et psycologiquement dès les corps du texte et de les figura tions de la surface tandis que l’expression du “monde doulourex” des mélancoliques. Nous avons demo ntré les dedoublements de la psiché melancolie, dans l’oeuvre et dans la vie de tous les deux, sans oublier les intersections biografiques possibles. Nous avons parti toujours des oeuvres afin de travailler les sujets proposés, vu que les mêmes nous offrent les éléments d’investigation de leurs vies. L’envahissement de la douleur et les sentiments analogiques par rapport à elle, se redoublent dans leurs compositions par le souvenir de la mère – soit presente comme morte, soit comme Marte – la présence fréquent de la douleur et la certitude du non-dit, entouré d’un grand sentiment d’impotence et le désir puissant de la morte, sont aussi analisés.

É possível um diálogo com mitos em um texto teatral que, por suas características intrínsecas, estimule uma certa cena contemporânea e brasileira? Como escrever um texto que provoque uma relação de parceria com a encenação, fomentando operações poéticas em artistas e no público? A presente pesquisa partiu destas questões principais para a criação e sistematização de caminhos no âmbito do experimento Frida Kahlo- Calor e Frio, da Estelar de Teatro, uma companhia em que sou dramaturga e atriz e que desde 2006, se dedica à investigação teatral e à gestação de nova dramaturgia e peças. A atitude política antropofágica fundamenta a produção - nas interfaces artística e acadêmica - deste trabalho. Para a coleta de dados, além do uso de referências bibliográficas, a investigação identificou e sistematizou experiências da cena que marcaram uma atriz-dramaturga. Em especial, os legados de contatos sistemáticos com o diretor pedagogo Jurij Alchitz, desde 2011. A criação do texto é parte de seus objetivos, apresentado em fragmentos e analisado, muitas vezes a partir de suas relações com a cena. O material artístico fruto deste trabalho teve diversas experiências de encontro com o público, no palco e na rua, no Brasil e em outros países, refletidas nesta investigação. A título de conclusões, a pesquisa revela atitudes dramatúrgicas que favoreceram o diálogo com as questões inicialmente propostas: uma abordagem do mito como constelação de imagens em torno de um núcleo temático e a interrelação mito e poesia; bem como a tessitura de uma dramaturgia híbrida a partir do trânsito entre linguagens diversas e o texto teatral como material de jogo. As experimentações variadas, a partir das provocações deste tipo de texto, possibilitaram as ocorrências da performatividade da palavra e de uma autora performer. Os caminhos apontados pela investigação podem contribuir no trabalho de pesquisa e na prática de autores e também atores, diretores, performers e pedagogos teatrais. / Is it possible a dialogue with myths in a theatrical text that, by its intrinsic characteristics, encourage a certain contemporary and Brazilian scene? How to write a text that provokes a partnership with the staging, promoting poetic operations in artists and in public? This research takes as starting points these major issues to stimulate and systematize the experiment Frida Kahlo- Calor e Frio, from Estelar de Teatro, a company in which I am a playwright and actress. The company has been dedicated since 2006 to the research and creation of play and the new texts. The cannibalistic political attitude bases the production - in artistic and academic interfaces - of this research. In addition to bibliographic search, for the data collecting, the research has identified and systematized experiences in the field of scene that marked an actress-playwright. In particular, the legacy of systematic contact with the pedagogue and theatre director Jurij Alchitz, since 2011. The creation of a text is part of its goals and the text is analyzed, as well as some relationships with the scene and the public, on stage and on the street, in Brazil and other countries. As conclusions, the research reveals dramaturgical attitudes that favored a dialogue with the survey questions: the mythical approach, as a constellation of images around a thematic core, and \"myth\" in its interrelationship with \"poetry\"; the creation of a hybrid structure of text from the traffic between different languages and the text in the perspective of a material of game. The variety of experiences with this text led to the occurrence of performativity of the word and the idea of an author performer. The indicated paths of the investigation can contribute to the search work and the practice of authors as well as actors, directors, performers and educators in theatre.

É possível um diálogo com mitos em um texto teatral que, por suas características intrínsecas, estimule uma certa cena contemporânea e brasileira? Como escrever um texto que provoque uma relação de parceria com a encenação, fomentando operações poéticas em artistas e no público? A presente pesquisa partiu destas questões principais para a criação e sistematização de caminhos no âmbito do experimento Frida Kahlo- Calor e Frio, da Estelar de Teatro, uma companhia em que sou dramaturga e atriz e que desde 2006, se dedica à investigação teatral e à gestação de nova dramaturgia e peças. A atitude política antropofágica fundamenta a produção - nas interfaces artística e acadêmica - deste trabalho. Para a coleta de dados, além do uso de referências bibliográficas, a investigação identificou e sistematizou experiências da cena que marcaram uma atriz-dramaturga. Em especial, os legados de contatos sistemáticos com o diretor pedagogo Jurij Alchitz, desde 2011. A criação do texto é parte de seus objetivos, apresentado em fragmentos e analisado, muitas vezes a partir de suas relações com a cena. O material artístico fruto deste trabalho teve diversas experiências de encontro com o público, no palco e na rua, no Brasil e em outros países, refletidas nesta investigação. A título de conclusões, a pesquisa revela atitudes dramatúrgicas que favoreceram o diálogo com as questões inicialmente propostas: uma abordagem do mito como constelação de imagens em torno de um núcleo temático e a interrelação mito e poesia; bem como a tessitura de uma dramaturgia híbrida a partir do trânsito entre linguagens diversas e o texto teatral como material de jogo. As experimentações variadas, a partir das provocações deste tipo de texto, possibilitaram as ocorrências da performatividade da palavra e de uma autora performer. Os caminhos apontados pela investigação podem contribuir no trabalho de pesquisa e na prática de autores e também atores, diretores, performers e pedagogos teatrais. / Is it possible a dialogue with myths in a theatrical text that, by its intrinsic characteristics, encourage a certain contemporary and Brazilian scene? How to write a text that provokes a partnership with the staging, promoting poetic operations in artists and in public? This research takes as starting points these major issues to stimulate and systematize the experiment Frida Kahlo- Calor e Frio, from Estelar de Teatro, a company in which I am a playwright and actress. The company has been dedicated since 2006 to the research and creation of play and the new texts. The cannibalistic political attitude bases the production - in artistic and academic interfaces - of this research. In addition to bibliographic search, for the data collecting, the research has identified and systematized experiences in the field of scene that marked an actress-playwright. In particular, the legacy of systematic contact with the pedagogue and theatre director Jurij Alchitz, since 2011. The creation of a text is part of its goals and the text is analyzed, as well as some relationships with the scene and the public, on stage and on the street, in Brazil and other countries. As conclusions, the research reveals dramaturgical attitudes that favored a dialogue with the survey questions: the mythical approach, as a constellation of images around a thematic core, and \"myth\" in its interrelationship with \"poetry\"; the creation of a hybrid structure of text from the traffic between different languages and the text in the perspective of a material of game. The variety of experiences with this text led to the occurrence of performativity of the word and the idea of an author performer. The indicated paths of the investigation can contribute to the search work and the practice of authors as well as actors, directors, performers and educators in theatre.

This thesis will explore and compare two artists who at first meeting seem to have very littlein common more than being two modernist artists. The Swedish artist Nils Dardel and theMexican artist Frida Kahlo, even though the obvious differences — sex and nationality —came to have quite similar fates. Both artists were bisexual, came across death at an early age and as a consequencewould die rather young too, and in life would both struggle with pain and anxiety. The twoartist never met in life even though their similarities, and still after life their fates wouldcontinue on a similar path as they both after death would receive greater recognition. Nils Dardels and Frida Kahlos art is filled with emotions and portray themes that stilltouches people who comes across them today. What is it in their art that touches so manypeople, and do they have similar themes just as the similar aspects in their lives. These themes and two artists will be studied and analysed in this thesis. This thesispresents biographical background and will through a semiotic and comparative methodanalysis a total of six artworks made by the artists. This thesis by these methods will alsoexamine the two artists later receptions and try to explain how they came to be.

Doctor of Philosophy / Department of Geography / Kevin Blake / Mexican artist and global phenomenon Frida Kahlo (1907-1954) fascinates and inspires people from all walks of life. Rather than simply approaching the life and work of Kahlo from a traditional art historical perspective, this dissertation draws from the interdisciplinary nature of critical human geography to investigate Kahlo. Specifically, this work is informed by two sub-fields of critical human geography—feminist geography and cultural geography. Kahlo’s iconic status as a feminist symbol makes feminist geography an obvious choice while cultural geography provides the dominant methodology of textual analysis. Both sub-fields are drawn together by the use of a poststructuralist theoretical foundation that views no one meaning or interpretation as fixed, but rather posits that meanings and interpretations are fluid and open to a variety of conclusions. The primary research question in this dissertation is, “How are the critical geographies of hybridity, embodiment, and glocalization developed and explored in Frida Kahlo’s art and life?” The question is answered through the geographical exploration of Kahlo’s work, life, and iconic status as a major public figure. I delve into each of the three components of the question (hybridity, embodiment, and glocalization) by connecting geographical concepts and understandings to Kahlo and her work. I extend this exploration by arguing that Kahlo demonstrates how the self both mirrors and constructs critical geographies. This research seeks to expand and deepen the understanding of Kahlo as a significant geographical figure—an artist who was intensely aware of people and place. Additionally, this research draws together diverse threads of geographic inquiry by highlighting the interdisciplinary and humanistic qualities of the discipline. Perhaps most importantly, this dissertation positions Kahlo as a critical geographer—defying the sometimes arbitrary and limited notions imposed on the discipline and its practitioners. I assert that Kahlo’s work and life are inherently a lived expression of geographical ideas that manifest themselves in a physical, mental, and emotional sense. Ultimately, Kahlo constructs an embodied geographic text—creating knowledge and helping people understand identity and place in a different way.

Made available in DSpace on 2015-04-14T14:41:27Z (GMT). No. of bitstreams: 1 386513.pdf: 6742703 bytes, checksum: 441862cb89282ef74d7be57ec482da8f (MD5) Previous issue date: 2006-11-28 / A presente tese discute a hip?tese de que as imagens da prospec??o p?smoderna das obras da pintora modernista Frida Kahlo suscitem interpreta??es convergentes com as necessidades atuais, e que, paralelo a isto, haja uma identifica??o com sua figura e obra. ? luz da Hermen?utica de Profundidade (THOMPSON, 1995), nosso trabalho come?a no entendimento te?rico da imagem, relacionando a comunica??o visual com a hist?ria da visualidade do homem e, portanto, de seu imagin?rio. Caminho que nos leva ?s imagens modernas de Frida, cuja an?lise e interpreta??o servir?o de suporte para o posterior entendimento das imagens contempor?neas prospectadas a partir destas. Atrav?s da tr?plice an?lise das imagens modernas (a obra) e p?s-moderna (da m?dia), tra?amos infer?ncias sobre a identidade e g?nero, moda e sedu??o geradas pelas imagens de Kahlo no contempor?neo, cumprindo os objetivos propostos e comprovando a tese a qual este trabalho se prop?s.

This dissertation interrogates the role of fashion at representative junctures in nineteenth- and twentieth-century Latin American literature and culture. It shows how fashion has helped to advance specific visions of cultural identity, historical change, and literary production and consumption. Chapter 1 surveys current understandings of dress, fashion, and related concepts, highlighting this dissertation's questioning of fashion as a historically construed, rhetorically powerful discourse associated with Western modernity. It reflects on the importance of sartorial metaphors in literary theory and proposes that fashion is key to understanding the specificity of Latin American modernity. Chapter 2 surveys current scholarship on fashion in Latin America, reconsidering fashion's role in works by Joaquín Fernández de Lizardi, Andrés Bello, Domingo Sarmiento, José Martí and other seminal nineteenth-century writers. Chapter 3 offers the first study of the women's fashion magazine Elegancias (1911-1914), produced in Paris for Latin American consumption with Rubén Darío as literary editor. It investigates Darío's involvement and analyzes four collaborations presently unpublished in book form, particularly Darío's profile of the Argentine writer Delfina Bunge (whom he called "mademoiselle Verlaine"). It also analyzes Elegancia's inscription of Latin American modernismo within femininity and commodity culture. Chapter 4 shifts to Mexico, following the motif of the empty indigenous dress in works by painter Frida Kahlo and writer Rosario Castellanos spanning the 1930s to the 1970s. Mexico's indigenous textile traditions offer a space against/outside fashion from which to subvert normative femininity, imagine ethnic filiations, and critique post-revolutionary Mexico's forging of a mestizo national identity that incorporates indigenous people as mere icons. Chapter 4 analyzes Alejo Carpentier's major novels and his fashion chronicles in Venezuela's El Nacional from the 1950s. It analyzes the representation of everyday dress as costume within the world as theatre metaphor and Carpentier's Benjaminian sensibility in granting fashion allegorical meanings in relation to historical dialectics and transculturation. Throughout, the analysis observes how fashion exacerbates anxieties about Latin American divergence from metropolitan cultural models while its repertoire of images and discourses is used to fruitfully negotiate gender, race, and class as images of the body politic crystalize into images of the dressed body. / Romance Languages and Literatures

Orientador: Julia Ziviani Vitiello / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-12T05:36:49Z (GMT). No. of bitstreams: 1 Macedo_VanessaFreitasdePaiva_M.pdf: 3758047 bytes, checksum: 106d65a2ca1d3156116d47fb0eb52474 (MD5) Previous issue date: 2008 / Resumo Esta pesquisa propõe perceber a simbiose entre o artista e sua obra, reconhecendo a proximidade que vida e criação artística podem assumir, convergindo para uma arte autobiográfica. Investiga-se a relação entre dor e arte/ morte e criação como ciclo possível e necessário ao processo criativo. Frida Kahlo é escolhida como artista expoente para suscitar essas questões. A pesquisa mergulha em seu universo para, a partir dele, ver surgir o seu próprio, numa criação em dança. Nasce Entre Chagas e Borboletas. Os intermédios por que ela passa para estruturar-se - o processo criativo - são o material que interage com todos os temas investigados, para registrar o caminho anterior à obra. / Abstract This research propose to sense the symbiosis between the artist and his work, recognising the proximity that life and artistic creation can built, converging to an autobiografic art. Investigating the relation between pain and art, death and creation as a possible and necessary cicle to creative process. Frida Kahlo is chosen as an expoent artist to bring up these questions. The research dives deeply into her universe to, starting from that, built its own universe in a dance creation. Among Wounds and Butterflies born. The inner - ways it passes though to built itself - the creative process - is the material that interacts with all the themes investigated, to register the path before the creation. / Mestrado / Mestre em Artes

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Made available in DSpace on 2016-04-28T20:40:04Z (GMT). No. of bitstreams: 1 Joyce Salgueiro Migliavasca.pdf: 1540632 bytes, checksum: 2942237fb45ccf27f4927f87ba146cfd (MD5) Previous issue date: 2009-05-22 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The aim of this dissertation is to perform a psychoanalytic reading about Frida Kahlo´s life and her work as well. Frida Kahlo was chosen as an object of studying because, meanly, she presents, for Psychoanalyses, female hysteria symptoms. In order to make this piece of work understood we used Freudian theory and writers that contributed to Freud´s thoughts and to the female psyche constitution and also to the disarrangements that cause the neurosis hysteric. After that I did psychoanalytic interpretations about life and work of the author on target / O objetivo desta dissertação é realizar uma leitura psicanalítica a respeito da vida e da obra de Frida Kahlo. O meu intuito de utilizar a biografia e a obra de Frida Kahlo como objeto de estudo deve-se, principalmente, ao fato dela apresentar características que podem ser compreendidas, à luz da psicanálise, como histeria feminina. Para tornar claro esse entendimento, nesta dissertação, parto da teoria freudiana e de autores que com ela contribuem sobre a constituição psíquica feminina e os desarranjos que ocasionam a neurose histérica , e após isto, faço interpretações psicanalíticas acerca da vida e da obra da artista em questão