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Into the blues : Exploring color through a new cultural scene in LövholmenUllert, Freja January 2023 (has links)
I have embarked on a journey (that will never end) to explore color. Inspired by Maggie Nelson’s blunt and anecdotal ways of writing about the color blue (2017), I have searched for more aspects of color than I intuitively knew before. What do I want with color? How much color is needed to make an effect? How do you combine theory with intuition? What approaches are there when working with color, and which to choose? What sort of knowledge is color and how do we create qualitative discussions about and with it? Will I ever be satisfied? The questions are asked in the context of renewing the interior of building 21, Smedjan or Smälten in Lövholmen. Its name Smälten comes from its industrial history as a smelter, producing resin in paint and varnishing products for Wilhems Beckers between 1944-1973. While Lövholmen is facing a lot of changes, the area has plenty of housing plans but fewer plans for cultural needs or activities. The city of Stockholm released a report in 2019 stating that we lack modern contemporary dance stages. Since Smälten is situated just next to Färgfabriken I think it well suited to serve as an extended cultural meeting point, providing a new platform for artistic expression and social interaction. A space to be shared for cultural activities that hold an audience, such as lectures, performances, art gatherings, film screenings or a contemporary dance stage. This project is about a journey of exploring color, but also the programming of a modern contemporary stage while renewing and taking care of a building from within, a building enriched with an industrial history.
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GIANT voice : An alternative destiny for city glitchesTang, Yuqing January 2024 (has links)
My degree project aims to find an alternative destiny to the city glitches- the forgotten industrial buildings which are constantly being torn down. All the memories, the urban creatures that nest inside them, are considered disposable in city planning. The aim of this project is not to stop urban development but to create spaces where this endless force magically stops, a bubble of “utopia”, where the urban beings take their own time to flourish, undisturbed. I focus my project on the abandoned factory house Nitrolackfabriken in the southern part of Stockholm, a building threatened with demolition. I went through three stages in the design process: first background research, second a design proposal about turning the building into a functional culture house, and lastly landed on a design intervention where I gave up the previous culture house proposal, refused it on behave of the building itself, and gave the house back to what is already inside. I created three design interventions in this new part of the project: the garden, the pond, and the fire room. I see the building and all the small beings nesting inside as part of an intertwining relationship, a living being, a “GIANT.” I abstracted her into a human-like shape, wishing to create an emotional resonance between the GIANT and us. To remind us that we are all part of this complexity.
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Kampen om Piteå handelshamn 1950 - 1973 : från lokal stadshamn till nationell handelshamnJohansson, Rolf January 2011 (has links)
Survey's purpose is to illustrate why and how the process happened when Piteå relocated its commercial port away from Skuthamn to the new construction on Haraholmen 1950-1973. How decision-makers worked to achieve their goals, how the work changed and what incentives motivated them to act. The results showed that the decision was taken not to retain the existing commercial port in large part due to Skuthamns physics attributes, which made it impossible to ship large deep vessels from there. The reason that the decision about the port took such a long time was due to a local political conflict which was based on interest in the ownership of Haraholmen. The reason for the location of the trading port became Haraholmen had political backgrounds. The study's methodology is qualitative and describes the events chronologically. / Undersökningens syfte är att belysa varför och hur processen gick till när Piteå flyttade sin kommersiella hamn bort från Skuthamn och byggde upp den nya internationella handelshamnen på Haraholmen 1950-1973. Hur beslutsfattarna arbetade för att nå sina mål, hur förändrades deras arbetsmetoder med tiden och vilka incitament som motiverade dem att agera. Resultaten visade att beslutet som fattades att inte behålla den befintliga kommersiella hamnen Skuthamn som Piteås handelshamn till stor del berodde på att Skuthamns fysiska attribut omöjliggjorde transporter dit med stora djupgående fartyg. Anledningen till att beslutet om hamnen tog så lång tid berodde på en lokalpolitisk konflikt som grundade sig i vilken aktör som innehade äganderätten av markområdet på Haraholmen. Anledningen till lokaliseringen av handelshamnen på Haraholmen hade sin bakgrund i statens transportpolitik. Metoden som använts är kvalitativ och beskriver händelserna kronologiskt.
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Hope of the Remains : An exploration of the interior architect's role and responsibility in urban developmentHasselrot, Cornelia January 2022 (has links)
The project Hope of the Remains deals with urban development from a spatial design perspective, using the Lövholmen area in Stockholm as a starting point. The project’s purpose is to create a dialogue, to better understand and improve urban development. Also, to question what my responsibility with expertise in interior architecture is and to explore what resources the interior architect possesses. Lövholmen bears an industrial history while also having a prominent art and design identity. The issue at stake is whether to demolish or preserve remains of the industrial period. The project may be a way of appreciating historical values, questioning environmental imprints, but also creating a nesting spatial experience for people. Like how animals seek a smaller, comfortable, and safe space to settle down. And by that, I mean spaces for people to gather to work, have conversations, have a meal, or just stay in while reading a book, which is mostly the smaller existing spaces or the smaller newly built interior rooms. However, public space is important to be preserved within the future of Lövholmen as a residential area. To create a vibrant neighborhood with coexistential values. Hope of the Remains contains a concept and idea that are developed for the future of industrial properties that are currently empty. The idea is based on the property Nitrolack designed by the architects Nils Tesch and Lars Magnus Giertz for AB Wilh. Becker's paint factory, that was built in 1943-44. My master’s thesis investigates nesting as a phenomenon and its significance in these types of large spaces that hold qualities and challenges. How void and mass can be formed by color and shape. The project Hope of the Remains reflects our time, a debate about the urban growth and our responsibility for how we develop the city and how we can make use of remains, history and culture in the future. The design proposal is aimed to encourage commitment and interest. It is a way to create a conversation and inspire new visions for the development of Lövholmen and similar areas. The vision is intended to encourage dialogue. The design proposal within the project is a vision of a future in relation to what already exists on Lövholmen both historically, today and taking care of the industrial modernist remains for a new future. It is a way to increase the value of the existing structures, both a historical and environmental impact, but also the possibilities of the existing spaces as an asset for what can be developed here.
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