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No. of bitstreams: 2 Tese - Thiago Oliveira Santos - 2017.pdf: 1704337 bytes, checksum: 5239119ebfae88548d735ca15b9a10a0 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-03-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This doctoral dissertation is a comparative study of three main contemporary authors: Thomas Pynchon, Cormac McCarthy and Philip Roth, through the reading of three main novels written by them, respectively, Mason & Dixon; Blood Meridian and American Pastoral in this order here analyzed. The main objective of the research and its writing is an attempt to prove a historiographical connection as well as of themes and of style among these three novels, in their effort to reinterpret the American History in a strongly ironic way. This has been characterized by Harold Bloom (also in a ironical way, it seems) as “the style of our age”, among other reasons because the three writers as well as their three novels are focused on grasping different periods of the United States History and on deconstructing the main basis of American myths, even if through different and individualized narrative styles. The most important of these myths is the one that, since the Colonial Period, and based in the belief that being White, Protestant and of Anglo-Saxon origin would make the new man to be born in the New Continent a New Adam, and his nation, America, a new and exemplar Paradise on Earth. Mason & Dixon, Blood Meridian and American Pastoral show, each one in his own way, how this myth resulted in failure. In order to achieve this we have chosen three main myths as the basis for this research: The Myth of the American Eden (from the European imaginary Colonial Paradise); The Myth of the American Adam (from the concept of the new man, inhabitant of that Paradise; The Myth of the Manifest Destiny (the Messianic idea of a possible Universal Paradise). In order to achieve this, in the first chapter, dealing with Mason & Dixon, we will analyze the context of the Eighteenth Century and the beginning of the American Nation. In the second chapter, dealing with Blood Meridian, we will analyze the context of the Nineteenth Century, when the territorial expansion during the Great March to the West took place. In third and last chapter, dealing with American Pastoral, the context of the Twentieth Century, specifically the period from the end of World War II to the 1990s, that is, from the American Golden Age of prosperity to the economic and social crisis during and after the Vietnam War. Finally, we will try to analyze the logic of the irony shared by the three authors who, in their three novels, historically summarize the failure of the formation of the ideal nation based on its three main myths and its continual recurrence to different types of violence / Esta tese é uma leitura comparativa de três autores contemporâneos de destaque na ficção norte-americana: Thomas Pynchon, Cormac McCarthy e Philip Roth, a partir de três romances escritos por eles: Mason & Dixon; Blood Meridian e American Pastoral, respectivamente, nesta ordem aqui analisados. O objetivo principal da pesquisa e escrita da tese é uma tentativa de comprovar uma relação historiográfica mas também de temas e de estilo entre as três obras citadas, ao se empenharem em reinterpretar a História ame-ricana de modo fortemente irônico, que Harold Bloom (também ironicamente, parece) denominou como um exemplo do que seria the style of our age – o estilo de nossa época –, entre outras razões, por serem tanto os três escritores como seus três romances empe-nhados em abordar diferentes períodos da História dos Estados Unidos e a desconstruir as principais bases dos mitos americanos, mesmo se através de estilos narrativos indivi-duais díspares, principalmente aquele através do qual, desde a colonização e com base na crença de que ser branco, protestante e de origem anglo-saxônica tornaria o novo homem a nascer no novo continente, um novo Adão, e sua pátria, a América, um novo e exemplar Paraíso. Mason & Dixon, Blood Meridian e American Pastoral mostram, cada um a seu modo, como esse mito resultou em fracasso. Para tanto, baseamos nossa pesquisa em três mitos principais: 1. Mito do Éden americano (originado do imaginário europeu sobre o Paraíso colonial); 2. Mito do Adão americano (o conceito do homem novo, habitante do Paraíso); 3. Mito do Manifest Destiny (a ideia messiânica para um Paraíso universal). Para conseguir isso, no primeiro capítulo, abordaremos, em Mason & Dixon, o contexto do século XVIII e formação da nação americana; no segundo capítulo, em Blood Meridian, o contexto do século XIX, durante o qual a expansão do território americano durante a Campanha para o Oeste aconteceu; no terceiro e último capítulo, em American Pastoral, o contexto do século XX, especificamente do fim da Segunda Guerra Mundial até a década de 90, isto é, da era de ouro do desenvolvimento dos EUA até as crises políticas e econômicas durante e depois da Guerra do Vietnã. Por fim, pretendemos analisar a lógica da ironia comum aos três autores que, em seus três livros, historicamente resumem o fracasso da formação da nação ideal fundamentada em seus três mitos principais e por sua contínua recorrência a diferentes tipos de violência.

Everyday we come up with new solutions for our existing problems. But the solutions of today are tomorrow’s problem. The products we create as designers are often bringing more complexity in our society than it is initially intended for. This thesis aims to give a new perspective on the design practice community. Instead of starting with a problem-solving scope, this thesis intent is to find what is truly meaningful for human life, meaning finding, and to propose how we can envision new ways of meaning making within interaction design. The two processes together of meaning finding and meaning making is how we can aim for concrete results that are relevant for our society. To better understand what truly matters for human life, I collected 14 stories through ethnographic research. These ethnographic stories reveal the nature of human characteristics when people face and overcome big challenges in life. Some of these ethnographic stories highlights the life of a WWII survivor, war refugee, leukaemia child-patient and a widow. Parallel, to the ethnographic work, I explored how I can evoke a deeper connection between people, by making them listen to each-other’s heartbeat.  Inevitably, by exploring the fundamental elements of human life and observing the emotions and behaviour of my interviewees and participants, the thesis find itself often on the playground between philosophy and human life. But by taking a strong interaction design perspective, these insights were manifested in the human design manifesto booklet. This booklet proposes six expressions for designers, with the intention to embrace the fundamental elements of human life when we design:  1. Design attitudes, not solutions. 2. Design the medicine of the mind. 3. Design for relationships. 4. Design for our direct senses. 5. Design for the deep human connection. 6. Design the act of kindness  Later on, for the meaning making part: one statement from the Human Design Manifesto was selected to explore in depth: Design the act of kindness. For this expression project Hidden Figures was created. Hidden Figures is a design proposal which demonstrates that a design creation can be driven by the fundamental elements of human life. In this case proposing the act of kindness as a vision on how our society could be.  In overall, this master’s thesis demonstrates how our design proposals can embody and resonate well between the three levels of design philosophy, a designer’s vision and interaction design practice: How we, as designers, can use meaning-making and meaning-finding to create more relevant impact for our society. Last, I hope this work encourages other designers to think deeply about their own creations and its impact. And help designers reflect on why they create and how they could also alternatively practice design.

Der Prozess der Globalisierung hat zu einem enormen Anstieg globaler wirtschaftlicher Interdependenzen und entsprechender Interaktionsmöglichkeiten geführt. Gleichzeitig ist die globale Rahmenordnung als defizitär zu charakterisieren und es stellt sich die Frage nach der Vertrauensbasis globaler wirtschaftlicher Zusammenarbeit. Vor diesem Hintergrund untersucht die vorliegende Dissertation den Beitrag Globaler Chartas zur Stabilisierung des Vertrauensverhältnisses von (Welt-) Gesellschaftsmitgliedern und transnationalen Unternehmen. Die Forschungsarbeit verfolgt hierbei zwei Ziele: Erstens die systematische Verortung des Konzepts Vertrauen im Drei-Ebenen-Paradigma der ökonomischen Ethik sowie zweitens die Entwicklung einer Heuristik zur Gestaltung bzw. Weiterentwicklung Globaler Chartas in der Praxis. Die entwickelte Heuristik wird anhand von drei Globalen Chartas beispielhaft illustriert. Zu diesen zählen der UN Global Compact, das Manifest Globales Wirtschaftsethos sowie die Caux Round Table Prinzipien.:1 Einleitung 1.1 Problemexposition 1.2 Theoretischer Zugriff 1.3 Zielsetzung und Vorgehensweise 2 Grundlegende Axiome der ökonomischen Ethik 2.1 Der Grundkonflikt zwischen Gewinn und Moral 2.2 Die erweiterte Goldene Regel 2.3 Unternehmensverantwortung aus Sicht der ökonomischen Ethik 3 Vertrauen als Grundlage gelingender Kooperation 3.1 Der Vertrauensprozess 3.1.1 Vertrauen des Vertrauensgebers 3.1.1.1 Spezifisches Vertrauen 3.1.1.2 Generalisiertes Vertrauen 3.1.2 Vertrauenswürdigkeit des Vertrauensnehmers 3.1.3 Von Vertrauenswürdigkeit und Vertrauen zu Kooperation 3.2 Vertrauen im Drei-Ebenen-Paradigma 3.2.1 Akteure im Drei-Ebenen-Paradigma 3.2.2 Das Drei-Ebenen-Paradigma 3.2.2.1 Spielzüge 3.2.2.2 Spielregeln 3.2.2.3 Spielverständnis 3.2.2.3.1 Begriffsbestimmung 3.2.2.3.2 Funktionen 3.2.3 Relevante Inkonsistenzen 3.3 Investitionsheuristik 3.4 Synopsis 4 Globale Chartas als Investition in den Faktor Vertrauen 4.1 Begriffsbestimmung „Globale Chartas“ als Initiativen der Global Governance 4.2 Bedingungen der Globalität 4.2.1 Moderne Strukturbedingungen von Interaktionen 4.2.2 Defizitäre globale Rahmenordnung 4.2.3 Globaler (Werte-, Normen- und Motivations-) Pluralismus 4.3 Ansatzpunkte Globaler Chartas im Vertrauensprozess 4.3.1 Globale Chartas als (Meta-) Signal auf Spielzugebene? 4.3.2 Globale Chartas als Institution auf Spielregelebene? 4.3.3 Globale Chartas als Investition in ein gemeinsames Spielverständnis? 4.4 Heuristik zur Gestaltung Globaler Chartas 4.5 Synopsis 5 Illustration der Heuristik 5.1 Der United Nations Global Compact 5.1.1 Zum Bekanntheitsgrad des UNGC 5.1.2 Zum Selbstverständnis des UNGC 5.1.3 Zur Sicherstellung der Glaubwürdigkeit des UNGC 5.1.4 Zum Angebot an belastbaren Orientierungspunkten des UNGC 5.1.5 Zur Ermöglichung der lokalen Interpretation der UNGC Prinzipien 5.2 Das Manifest Globales Wirtschaftsethos 5.2.1 Zum Bekanntheitsgrad des Manifest Globales Wirtschaftsethos 5.2.2 Zum Selbstverständnis des Manifest Globales Wirtschaftsethos 5.2.3 Zur Sicherstellung der Glaubwürdigkeit des Manifest Globales Wirtschaftsethos 5.2.4 Zum Angebot an belastbaren Orientierungspunkten des Manifest Globales Wirtschaftsethos 5.2.5 Zur Ermöglichung der lokalen Interpretation des Manifest Globales Wirtschaftsethos 5.3 Die Caux Round Table Prinzipien für verantwortungsvolle Unternehmen 5.3.1 Zum Bekanntheitsgrad der Caux Round Table Prinzipien 5.3.2 Zum Selbstverständnis der Caux Round Table Prinzipien 5.3.3 Zur Sicherstellung der Glaubwürdigkeit der Caux Round Table Prinzipien 5.3.4 Zum Angebot an belastbaren Orientierungspunkten der Caux Round Table Prinzipien 5.3.5 Zur Ermöglichung der lokalen Interpretation der Caux Round Table Prinzipien 5.4 Synopsis 6 Schlussbemerkung LITERATURVERZEICHNIS

CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES DEPARTMENT OF GENERAL ANTHROPOLOGY BY MGR. BC. DZMITRY BADZEVICH THE PEASANTS OF THE POLESIE DURING THE ABOLITION OF SERFDOM The Reaction of the Peasantry To The Abolition Of Serfdom In Pinsk District Of Minsk Province of Russian Empire, 1861-1864 Dissertation abstract Prague 2017 2 ABSTRACT From the exact wording of the thesis title was this study engaged in a broader sociological and cultural anthropological discussion about the meanings and implications of the historical event as was the abolition of serfdom in the Russian empire in 1861 on the everyday life of its contemporary actors. For well-devoted reader (in the different methodologies of the history and European national historiographies), it would seem that the topic of the abolition of serfdom in the Russian empire and its impact on society and social and cultural sphere is largely explored. But at the moment, when the critically analyzing readers begin to think closely about how the understanding of serfdom abolition has worked during the last hundred year, it might be quite obvious for them, that no one of dozen university intellectuals and amateurs has tried to go to the heart of the historical event; many intellectuals only got all mixing up on the field of quasi-scientific abstractive terms...

For school libraries to sufficiently contribute to better information skills’ development and creation of a culture of lifelong learning among students, they require backing through well articulated policies both at national and individual school level. This study investigated the prevailing status of school libraries in public secondary schools in Nairobi County, Kenya. Using a survey research design, with a response rate of 68% for school principals and 66% for school librarians, this study established that although the majority of the schools had school libraries, these were individual schools’ efforts. There were no government policies on school libraries and most of the schools lacked explicit library policies. Additionally, they had not embraced contemporary trends in technology and the major impediment was lack of financial support. The study concluded that school libraries in Nairobi County were inadequately resourced and supported and recommended that the government of Kenya should come up with national policies that will entrench school libraries in the education system. / Information Science / M.A. (Information Science)

This project proposes and uses co-creation design methods, a design approach based on allowing users to play a design role; by creating a project. The design process comprises design specialists and participants from various specialties and ages, then finding common ground and interests to develop a future work plan. Collective creation designers can provide tools and workshops to support and develop a fledgling community initiative that works within design and change. After the Syrians were exposed to a movement towards world countries, forming a diaspora condition within their families and host societies. This project was implemented in January 2021, with two collaborating students of the Bachelor of Design + Change at Linnaeus International University in Sweden, titled ‘’Syrians of The Diaspora’’. The project deals with collective creation in addressing issues to which immigrants are exposed, several issues that cause feelings of despair, and loss of creative value, influenced by their neglected skills and life experiences. To create a ‘’vocational cultural knowledgeable club’’ in the host country that employs their skills and presents them to the host community, facilitating integration plans.

CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES DEPARTMENT OF GENERAL ANTHROPOLOGY BY MGR. BC. DZMITRY BADZEVICH THE PEASANTS OF THE POLESIE DURING THE ABOLITION OF SERFDOM The Reaction of the Peasantry To The Abolition Of Serfdom In Pinsk District Of Minsk Province of Russian Empire, 1861-1864 Dissertation abstract Prague 2017 2 ABSTRACT From the exact wording of the thesis title was this study engaged in a broader sociological and cultural anthropological discussion about the meanings and implications of the historical event as was the abolition of serfdom in the Russian empire in 1861 on the everyday life of its contemporary actors. For well-devoted reader (in the different methodologies of the history and European national historiographies), it would seem that the topic of the abolition of serfdom in the Russian empire and its impact on society and social and cultural sphere is largely explored. But at the moment, when the critically analyzing readers begin to think closely about how the understanding of serfdom abolition has worked during the last hundred year, it might be quite obvious for them, that no one of dozen university intellectuals and amateurs has tried to go to the heart of the historical event; many intellectuals only got all mixing up on the field of quasi-scientific abstractive terms...

Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information.

Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information.

This thesis examines the missiological writings of Orlando E. Costas (1943-1987), particularly The Church and Its Mission: A Shattering Critique from the Third World (1974); Theology of the Crossroads in Contemporary Latin America (1976); Christ Outside the Gate (1982); and Liberating News: A Theology of Contextual Evangelization (1989). From the early 1970s until his death in 1987 he wrote over 130 articles and 12 books in both Spanish and English that addressed key missiological concerns. A careful reading of a selection of Costas's texts oriented around a hymn, a gospel song, a psalm, and a poem provides the shape of this thesis. This thesis argues that Costas formulated a Third World evangelical missiology. Chapter one investigates what Costas's autobiographical material expressed about his positions on conversion, Protestant evangelicalism, missiology, and those living on the ‘periphery' of life. Chapter two recognises his commitment to the peoples of Latin America and the Caribbean in particular and the Third World in general. Chapter three explores Costas's analysis of the Latin American Protestant Church in a revolutionary situation in the continent and chapter four examines his survey and critical appraisal of Latin American liberation theology. Chapter five recognizes the pastoral shape of Costas's missiology. Chapter six explores his critical interaction with two more conservative evangelical missiological positions, the Church Growth Movement and Peter Beyerhaus and the Frankfurt Declaration, and chapter seven surveys the discussion within the international evangelical community regarding the relationship between evangelism and social responsibility. Chapter eight examines Costas's Liberating News as an expression of Third World evangelical missiology. Chapter nine considers the theological issue of penal substitutionary atonement and his missiology. The thesis concludes with an appraisal of the issues and contributions of Costas's Third World evangelical missiology to current missiological discussion.