Global ETD Search

111	Autodeterminação em três movimentos: a politização de diferenças sob a perspectiva da (des)naturalização da violência / Self-determination in three movements: the politization of differences under the perspective of the (de)naturalization of violence Léa Tosold 31 July 2018 (has links) Neste corpascrever, meu argumento é o de que levar a sério o problema da naturalização da violência estrutural confere uma (re)nova(da) perspectiva sobre processos de politização de diferenças. Ao inquirir acerca das precondições para a geração de enquadramentos não hegemônicos em contextos marcados por violências estruturais, proponho a reconceitualização dos projetos de politização de diferenças enquanto defesa de processos de autodeterminação cole(a)tiva. Essa tese é defendida em três movimentos interdependentes: (3) por meio de reflexões filosófico-epistemológico-poéticas sobre a relevância da espacialização cole(a)tiva para a experiência da temporalidade; (2) por meio de considerações teóricopolíticas sobre a relação entre o problema do essencialismo e a possibilidade de agência cole(a)tiva subversiva; bem como (1) por meio do vislumbre da con-figur-ação do processo de (r)existência dos povos munduruku e ribeirinho à construção de barragens no Médio Tapajós. Conforme sugiro, a politização de diferenças, sob o proposto viés, apresenta-se como condição sine qua non para viabilizar a apreensão do modus operandi de violências estruturais, uma vez que apenas movimentos (pro)positivos cole(a)tivos permitem a emergência de imagens capazes de colocar a norma hegemônica fundamentalmente em xeque, de modo a transcender os limites inerentes a posturas exclusivamente reativas, co-movendo no sentido da reestruturação do mundo. / In this writingbody, I exam in depth the problem of naturalization of structural violence in order to argue for a (re)new(ed) perspective on the politicization of differences. I suggest a reconceptualization of the politicization of differences as a defense of colle(a)ctive selfdetermination processes through an investigation about the preconditions for the generation of non-hegemonic frames in contexts ruled by structural violence. This thesis is undertaken in three interdependent movements: (3) a philosophical-epistemological-poetical reflexion on the relevance of colle(a)ctive spatialization processes for the experience of temporality; (2) a political-theorical consideration on the relationship between the problem of essentialism and the possibility of subversive colle(a)ctive agency; and (1) a perspective on the con-figura( c)tion of the Munduruku and the riverside peoples (r)existence process to the construction of dams in Middle Tapajós region. I argue that the politicization of differences is conditio sine qua non in order to enable the denaturalization of structural violence, as only (pro)positional colle(a)ctive movements transcend the limits of merely reactive positions, enabling the emergency of images that can call the hegemonic rule into question and, therefore, initiate processes of structural trans-formation. (R)existência munduruku e ribeirinha Autodeterminação Crítica do progresso/ desenvolvimento Frantz Fanon Judith Butler Maria Beatriz Nascimento Médio Tapajós Politização de diferenças Relação espaço-tempo Violência estrutural Walter Benjamin Critic of progress/development Feminist and anti-racist epistemologies Frantz Fanon Judith Butler Maria Beatriz Nascimento Middle Tapajós Politicization of differences Self-determination Space-time relation Structural violence Walter Benjamin
112	Examining the Wrongs Against the Present African Women: An Enquiry on Black Women’s Roles and Contributions from Antiquity - A Black African Male Scholarly Comparative Perspective Cankech, Onencan Apuke 22 July 2010 (has links) The thesis examined the roles and contributions of Black women during the African ancient civilization by analyzing the lives, roles and contributions of Queen Hatshepsut and Nefertiti as case studies and interrogates how Black women positioned themselves as political, military and spiritual leaders during the age of antiquity. The argument is that African women were more involved as leaders in the affairs of their communities as compared to the contemporary times. By using African centered paradigms, Afrocentricity and juxtaposing robust anti-colonial and Black feminist thoughts, the thesis investigates and recreates systematic narratives of the past roles of African women at the very height of African civilization, discussed the changes in sex-gender roles and explained why contemporary women continue to experience difficulties in assessing position of leadership and resources. The study reproduces measured facts to confront the blurred roles and contributions of African women and situates it at the centre of education. African Women Queen Hatshepsut Afrocentricity African Spirituality African centered paradigms Queen Nefertiti Egypt Black feminist African civilization Anti-Colonial Meroë Anti-Racist Theory Colonialism Africanist Historiography Africa Ancient civilization African Feminist Thoughts Neo-Colonialism annd Post-colonialisms Myths and Mythology Culture Black Women Empowerment Indigeneity African Cullture and Tradition European colonization indigenous order Eurocentric education 0534 0331 0340 0453
113	Examining the Wrongs Against the Present African Women: An Enquiry on Black Women’s Roles and Contributions from Antiquity - A Black African Male Scholarly Comparative Perspective Cankech, Onencan Apuke 22 July 2010 (has links) The thesis examined the roles and contributions of Black women during the African ancient civilization by analyzing the lives, roles and contributions of Queen Hatshepsut and Nefertiti as case studies and interrogates how Black women positioned themselves as political, military and spiritual leaders during the age of antiquity. The argument is that African women were more involved as leaders in the affairs of their communities as compared to the contemporary times. By using African centered paradigms, Afrocentricity and juxtaposing robust anti-colonial and Black feminist thoughts, the thesis investigates and recreates systematic narratives of the past roles of African women at the very height of African civilization, discussed the changes in sex-gender roles and explained why contemporary women continue to experience difficulties in assessing position of leadership and resources. The study reproduces measured facts to confront the blurred roles and contributions of African women and situates it at the centre of education. African Women Queen Hatshepsut Afrocentricity African Spirituality African centered paradigms Queen Nefertiti Egypt Black feminist African civilization Anti-Colonial Meroë Anti-Racist Theory Colonialism Africanist Historiography Africa Ancient civilization African Feminist Thoughts Neo-Colonialism annd Post-colonialisms Myths and Mythology Culture Black Women Empowerment Indigeneity African Cullture and Tradition European colonization indigenous order Eurocentric education 0534 0331 0340 0453
114	From silence to speech, from object to subject: the body politic investigated in the trajectory between Sarah Baartman and contemporary circumcised African women's writing Gordon-Chipembere, Natasha, 1970- 30 November 2006 (has links) NOTE FROM THE LIBRARY: PLEASE CONTACT THE AUTHOR AT indisunflower@yahoo.com OR CONSULT THE LIBRARY FOR THE FULL TEXT OF THIS THESIS.... This thesis investigates the trajectory traced from Sarah Baartman, a Khoisan woman exploited in Europe during the nineteenth century, to a contemporary writing workshop with circumcised, immigrant West African women in Harlem New York by way of a selection of African women's memoirs. The selected African women's texts used in this work create a new testimony of speech, fragmenting a historically dominant Euro-American gaze on African women's bodies. The excerpts form a discursive space for reclaiming self and as well as a defiant challenge to Western porno-erotic voyeurism. The central premise of this thesis is that while investigating Eurocentric (a)historical narratives of Baartman, one finds an implicitly racist and sexist development of European language employed not solely with Baartman, but contemporaneously upon the bodies of Black women of Africa and its Diaspora, focusing predominantly on the "anomaly of their hypersexual" genitals. This particular language applied to the bodies of Black women extends into the discourse of Western feminist movements against African female circumcision in the 21st century. Nawal el Saadawi, Egyptian writer and activist and Aman, a Somali exile, write autobiographical texts which implode a western "silent/uninformed circumcised African woman" stereotype. It is through their documented life stories that these African women claim their bodies and articulate nationalist and cultural solidarity. This work shows that Western perceptions of Female Circumcision and African women will be juxtaposed with African women's perceptions of themselves. Ultimately, with the Nitiandika Writers Workshop in Harlem New York, the politicized outcome of the women who not only write their memoirs but claim a vibrant sexual (not mutilated or deficient) identity in partnership with their husbands, ask why Westerners are more interested in their genitals than how they are able to provide food, shelter and education for the their families, as immigrants to New York. The works of Saadawi, Aman and the Nitandika writers disrupt and ultimately destroy this trajectory of dehumanization through a direct movement from an assumed silence (about their bodies, their circumcisions and their status as women in Africa) to a directed, historically and culturally grounded "alter" speech of celebration and liberation. / English Studies / D. Litt. et Phil.(English) Writing about black women's bodies Sexist and racist stereotypes Sarah Baartman/Hottentot Venus South Africa Female circumcision Nawal el Saadawi Alice Walker Fran Hosken Circumcised African women writers Black women�s body in exhibition 808.899287 Khoikhoi (African people) Human beings -- Exhibitions Female circumcision -- Africa Women authors, Black Baartman, Sarah
115	A study of the challenges of adult learning facilitation in a diverse setting with special reference to Soshanguve Rivombo, Alfred Mashau 06 1900 (has links) A critical cross-field outcome of Curriculum 2005 as introduced in South Africa is to work effectively with others as members of a team, group, organization, and community. This research aims at investigating challenges that impede adult learners from diverse backgrounds to work effectively as members of a team, group, organization and community. Informed by models of education in lifelong learning (intercultural, multicultural and anti-racist models of education which supplement andragogy), a qualitative inquiry which followed an active research approach was undertaken in selected adult learning centres in Soshanguve in Gauteng Province to explore the challenges of diversity during adult learning facilitation. Data was gathered from sixteen adult education facilitators from four adult education centres by means of in-depth interviews, follow-up interviews and observational fieldwork. Findings indicated that facilitators require additional knowledge and skills to achieve the objectives of the intercultural, multicultural and anti-racist models of education effectively; senior adult learners require particular attention from facilitators to prevent learner attrition in this age group; linguistic diversity problematises effective intercultural communication, especially where the facilitator is not proficient in learners‟ home languages; and awareness should be raised of the negative impact of inflexible attitudes towards certain aspects of diversity such as religion and sexual orientation on effective teaching and learning. However, positive adult education facilitation practices were also observed. Based on the findings of the literature review and the empirical inquiry recommendations for the improvement of practice were made. / ABET and Youth Development / M. Ed. (Adult and Continuing Education) Adult education and training Adult education facilitator Adult learner Diversity Challenges of diversity Adult education models Andragogy Intercultural model Multicultural model Anti-racist model Hidden curriculum 374.220968228
116	Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FM McKenzie, Kisrene 11 December 2009 (has links) This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. Canada Black identity multiculturalism radio broadcasting advertising consumerism music Toronto FLOW 93.5 FM Milestone Radio Broadcasting Act African Canadians government policy communications sociology popular culture capitalism urban CRTC Canadian Broadcasting Company CBC history new media Facebook Toronto District School Board TDSB Black History Multiculturalism Act hip hop Black Canadians Black community law radio license systematic racism critical discourse analysis racist discourse Denham Jolly Milestone Kanye West nationalism diversity disc jockey Black music urban music pop music programming 0340 0631 0328
117	Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FM McKenzie, Kisrene 11 December 2009 (has links) This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. Canada Black identity multiculturalism radio broadcasting advertising consumerism music Toronto FLOW 93.5 FM Milestone Radio Broadcasting Act African Canadians government policy communications sociology popular culture capitalism urban CRTC Canadian Broadcasting Company CBC history new media Facebook Toronto District School Board TDSB Black History Multiculturalism Act hip hop Black Canadians Black community law radio license systematic racism critical discourse analysis racist discourse Denham Jolly Milestone Kanye West nationalism diversity disc jockey Black music urban music pop music programming 0340 0631 0328
118	Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima" Nava, Tomas Hidalgo 09 July 2004 (has links) (PDF) This study offers a comparative analysis of Rosario Castellanos' Balún-Canán and Rudolfo Anaya's Bless Me, Ultima, novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow and develop in a context where they need to build bridges between their European and Amerindian roots in the middle of external influences that complicate the construction of a new mestizo consciousness. In order to attain that consciousness and free themselves from their divided selves, these children receive the aid of an indigenous mentor who teaches them how to establish a dialogue with their past, nature, and their social reality. The protagonists undertake that negotiation by transgressing the rituals of a society immersed in colonial dual thinking. They also create mechanisms to re-interpret their past and tradition in order to create an image of themselves that is not imposed by the status quo. In both novels, the protagonists have to undergo similar processes to overcome their identity crises, including transculturation, the creation of sites of memory, and a transition from orality to writing. Each of them resorts to creative writing and becomes a sort of shaman who pulls together the "spirits" from the past, selects them, and organizes them in a narration of childhood that is undertaken from adulthood. The results of this enterprise are completely different in the cases of both protagonists because the historical and social contexts vary. The boy in Bless Me, Ultima can harmoniously gather the elements to construct his identity, while the girl in Balún-Canán fails because of the pressures of a male-centered and highly racist society. Rosario Castellanos Rudolfo Anaya Balún-Canán Bless Me Ultima Shamans Tomás Hidalgo Nava construction of identity Chiapas Mexico New Mexico Ladino mestizo Chicano Mexican American childhood Octavio Paz José Vasconcelos Gloria Anzaldúa René Girard Edouard Glissant Pierre Nora lieux de mémoire milieux de mémoire hybrid hybridity transculturation Fernando Ortiz Angel Rama syncretism written narration shamanism of letters Homi K. Bhabha colonial discourse mestizo consciousness sexism colonialism Tzeltal indigenista orality mestizaje transgression of rituals Paulo Freire Mexican literature Chicano literature Mexican-American literature transculturation and nature Virgin of Guadalupe curandera Amerindian roots racism Spanish conquest acculturation assimilation project of modernization imposed views Antonio Ladino girl Comitán racist society colonial dual thinking identity crisis creative writing sites of memory U.S. southwest Classics Comparative Literature
119	“The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963) Adam, Karen 24 April 2012 (has links) This thesis explores the changing reputation and legacy of John Powell (1882-1963). Powell was a Virginian-born pianist, composer, and ardent Anglo-Saxon supremacist who created musical propaganda to support racial purity and to define the United States as an exclusively Anglo-Saxon nation. Although he once enjoyed international fame, he has largely disappeared from the public consciousness today. In contrast, the legacies of many of Powell’s musical contemporaries, such as Charles Ives and George Gershwin, have remained vigorous. By examining the ways in which the public has perceived and portrayed Powell both during and after his lifetime, this thesis links Powell’s obscurity to a deliberate, public rejection of his Anglo-Saxon supremacist definition of the United States. John Powell (1882-1963) Powell John musical propaganda Anglo-Saxon Clubs of America Anglo-Saxon supremacy white supremacy Racial Integrity Act of 1924 one drop rule racial integrity racial purity John Powell Foundation White Top Folk Festival Annabel Morris Buchanan Buchanan Annabel Morris Radford University Radford College Powell Hall Roy Hamlin Johnson Johnson Roy Hamlin classical music classical piano classical pianist pianist Virginian Virginia Earnest Sevier Cox Cox Earnest Sevier Walter Ashby Plecker Plecker Walter Ashby Sonate Noble Sonata Teutonica Symphony in A Rhapsodie Negre Richard Brockwell Brockwell Richard At the Fair Sonata Virginianesque Marcus Garvey Garvey Marcus John Powell Day Anglo-Saxon folk music Anglo-Saxon racism racist Martin Luther King Jr. King Martin Luther Jr. musical politics sociopolitical memory public memory public history reputation legacy Richmond Virginia John Powell Arts and Humanities History

Search results