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11	Textil och glas : ett universum / Textiles and glass : a universe Edling, Susanna January 2007 (has links) This work is about presenting the weave in a new and different context, by bringing textile and glass together. The work is characterized by material and shape experiments with silver and copper weave and hand blown glass. From experiments and sketches, the work has resulted in four sculptures, symbolizing four selected stages in a lifecycle; the birth, the development, the maturity and the death. One important part of the work has been to combine different materials and techniques. Studies of literature, sketching, handweaving and integration of silver and copper weave in the glass have been important methods in the working process. Inspired by the flower, the human being and the universe, a story about the life cycle has taken shape. The paper describes the working process with choices and analyses. It describes the experiments and the making of the sculptures. / <p>Uppsatsnivå: C</p> väv textil glasblåsning glas silver skulpturer handweaving weave textiles glassblowing glass silver copper sculptures lifecycle handvävning koppar livscykel Design Design
12	Inspektion av Stadsinspektionen : En analys av Haparanda stads offentliga skulpturer Rüdiger, Jytte January 2018 (has links) Denna uppsats fokuserar på Haparandas historiska identitet genom att analysera 14 av stadens offentliga skulpturer. Syftet är att presentera en representativ bild av de offentliga skulpturerna och att analysera dess historiska koppling till Haparanda stad. Berättelsen kontrasteras mot en urban syn av Haparandas arkitektur. Det första kapitlet tar upp frågan om makten och identitetsbildningen. Det andra kapitlet diskuterar skulpturernas roll i en viss miljö. I det avslutande tredje kapitlet diskuteras skulpturerna i relation till Haparanda stads historia. Slutsatsen av min avhandling tyder på att skulpturerna är väl kopplade till Haparandas historia och dess nära relation till tvillingstaden Torneå (Finland). Det är en historia som har en nära koppling till Finlands historia. / This thesis focus on Haparanda's historical identity by analyzing 14 public sculptures in Haparanda. The aim is to present a representative picture of the public sculptures and to analyse its historical connection to Haparanda in realtion to a urban view of Haparanda's architecture. The first chapter adresses the question of power and identity formation. The second chapter discusses the role of sculptures in the collective view of a particular environment. In the concluding third chapter the sculptures are discussed in relation to the history of the city of Haparanda. The conclustion of my thesis suggests that the sculptures are well connected to the history of Haparanda and its close relation to the twin city of Torneå (Finland). It is a story closely connected to Finlands history. Public sculptures Haparanda Tornio P 1 Identity History War Trade Border City formation City Country Offentliga skulpturer Haparanda Torneå Stadsinspektionen P 1 Identitet Historia Krig Handel Gräns Stadsformation Centrum Periferi. Art History Konstvetenskap
13	"As if they're daring you to desire them" : En studie av de antika skulpturernas roll i filmen "Call me by your name" Svärd, Fanny January 2018 (has links) This Bachelor’s thesis examines the use of ancient bronze statues in the 2017 film Call me by your name by director Luca Guadagnino. Various scenes which feature ancient statues are examined individually using semiotic analysis. The scenes are examined individually, first described on a denotative level, then analyzed on a connotative level. The theoretical stand point is based on the studies of art works in film. Key theoretical concepts used are ”in between-ness” which is a state in which change in narrative is made possible through looking at art, and ”parallels”, a means of which to make art represent the characters in the film. The thesis finds the sculptures in Call me by your name to play a part in affecting the narrative of the film, mainly in regard to the love story between the two lead characters, two men named Elio and Oliver. The acts of looking, examining, and touching the statues in this film help the narrative turn in favor of the lead characters romantic relationship. The thesis argues that the nude bronze sculptures of men from ancient Greece are used in this film as signifiers of desire, timelessness and homoerotic lust. Art history Call me by your name classical sculpture artworks in film film studies semiotics in-betweenness Luca Guadagnino. konstvetenskap call me by your name luca guadagnino semiotik steven jacobs filmvetenskap paralleller mellanrum klassisk skulptur antika skulpturer Art History Konstvetenskap
14	Frihetskämpar och blodbesudlade ikoner : En kritisk diskursanalys av Linnémonumentet och Louis De Geer-statyn under 2020 års #BlackLivesMatter-rörelse i Sverige / Freedom Fighters and Bloodstained Icons : A critical discourse analysis of the Linnaeus Monument and the Louis De Geer statue during the #BlackLivesMatter movement in Sweden 2020 Hjelm, Zara Luna January 2021 (has links) Denna uppsats undersöker diskursen kring Linnémonumentet i Humlegården, Stockholm och Louis De Geer-statyn på Gamla Torget, Norrköping, samt diskuterar vilken betydelse skulpturerna fick under Black Lives Matter-demonstrationerna år 2020 i relation till antirasism och historiska företeelser av 'damnatio memoriae'. Med ett postkolonialt och kritiskt rasteoretiskt perspektiv syftar denna uppsats till att framhäva och analysera de resonemang som tog mest plats under debatten, centrerat kring antirasistiska och icke-vitas röster. Genomgående används därav den kritiska diskursanalysen och semiotiken som metoder för att skapa en förståelse kring auktoritet, samt att belysa det svenska samhällets syn på sin koloniala historia och lyfta diskussionen kring bland annat ras, klass, kön och makt i förhållande till den offentliga konsten. Uppsatsen resonerar sålunda hur offentliga och publika platser i samhället kan avkolonialiseras med avsikt att skapa ett hem för oss alla. / This thesis examines the discourse regarding the Linnaeus Monument in Humlegården, Stockholm, and the Louis De Geer statue at The Old Square, Norrköping. It further analyzes the significance that sculptures gained during the Black Lives Matter demonstrations in 2020, in relation to anti-racism and historical phenomena of 'damnatio memoriae'. With a theoretical framework of postcolonialism and critical race theory, this thesis aims to highlight and analyze the reasonings that were central during the debate, focusing on anti-racist and people of color's voices. Thus, critical discourse analysis and semiotics are used as methods to create an understanding of authority and to shed light on Sweden's own view of its colonial history and elevate the discussion concerning race, class, gender, and power, etcetera, in relation to public art. The thesis, hence, argues how public places in society can be decolonized with the intention of creating a home for all of us. Carl von Linné Louis De Geer sculptures colonial history representation anti-racism Black Lives Matter Sweden national identity collective memory damnatio memeoriae critical discourse analysis postcolonialism semiotics critical race theory decoloniality planetary love Carl von Linné Louis De Geer skulpturer kolonialhistoria representation antirasism Black Lives Matter Sverige nationell identitet kollektivt minne damnatio memeoriae kritisk diskursanalys postkolonialism semiotik kritisk rasteori avkolonialisering planetarisk kärlek Art History Konstvetenskap

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