En el presente trabajo de investigación, se analizará de manera descriptiva y connotativa las fotografías realizadas de la marcha nacional del mes de noviembre del 2020, como un producto con sentido propio, que permite generar emociones. El objeto de estudio para esta investigación son las fotografías captadas por periodistas, aficionados y amateurs. Las cuales serán analizadas por sus características denotativas como el encuadre, composición, plano e iluminación y sus características connotativas según su tipología como foto informativa, foto documental, foto ensayo y foto ilustración. En cuanto a la metodología aplicada para esta investigación, se seleccionaron cierta cantidad de imágenes, difundidas en las redes sociales, las cuales considero que generaron mayor impacto emocional en la sociedad. Finalmente, estas imágenes han sido segmentadas en orden cronológico para un mejor desarrollo / In this research work, the photographs taken of the national march of the month of November 2020 will be analyzed in a descriptive and connotative way, as a product with its own meaning, which allows it to generate emotions. The object of study for this research are the photographs taken by: journalists, fans and amateurs. Which will be analyzed for their denoting characteristics such as framing, composition, plane and lighting and their connotative characteristics according to their typology such as informative photo, documentary photo, photo essay and photo illustration. Regarding the methodology applied for this research, a certain amount of images were selected, disseminated on social networks, which I consider had a greater emotional impact on society. Finally, these images have been segmented in chronological order for a better development / Trabajo de investigación

This thesis analyzes the challenges technical writers face when designing documents for high-context cultures, such as the Japanese. When developing documents intended to cross cultural gulfs, technical writers must take into consideration cultural expectations, preferences, and practices in document design and communication. High-context cultures, such as Japan, design documents using drastically different design strategies than those used in the United States. Japanese communication habits are more ambiguous than communication in the United States. Thus, the Japanese often use visuals for their aesthetic appeal, not for their ability to complement the text that surrounds the visual. The ambiguous nature of high-context culture communication habits often pose problems when Americans try to communicate--whether through written or oral communication--with a high-context audience. Without careful analysis and research into these cultural implications, the technical writer risks developing unsuccessful documents that do not accomplish the goals of the communication. It takes years of research to understand cultural differences, especially in the case of Japanese communication habits. With the research presented in this thesis, technical writers will understand better how to address document design issues when designing for high-context cultures in general and the Japanese culture specifically. In order to effectively analyze document design strategies across cultures, I have collected documents from two cultures--from the United States and from Japan. These two cultures represent a low-context culture, the United States, and a high-context culture, Japan. The United States and Japan are opposite each other on Edward T. Hall's cultural continuum, providing ideal subjects for a cross-cultural document design analysis. Using previous research in document design and cultural studies, I have established a grid for analyzing visual elements in the documents I have collected--full color automobile sales booklets. I analyze both high- and low-context documents against this grid. The various document design grids allow for visual representation of document design decisions in both cultures. American international technical communicators can use these grids as a starting point for addressing the cultural implications of document design for high-context audiences. The research presented in this thesis shows that high- and low-context cultures use visuals much differently. Readers, in both cultures, are persuaded differently by visual elements. By exploring and analyzing the use of visuals such as photos, diagrams, line drawings, and the way both cultures use visuals to approach their audiences, this thesis attempts to present an explanation of visuals in high-context cultures that will aid American technical writers who design documents for international audiences. This thesis uses Japanese cultural analysis and Japanese design theories to explain high-context design decisions applied to Japanese documents.

Tesis por compendio / [ES] El advenimiento de los Large Language Models (LLMs) marca una fase transformadora en el campo de la Inteligencia Artificial (IA), significando el cambio hacia sistemas inteligentes y autónomos capaces de una comprensión y toma de decisiones complejas. Esta tesis profundiza en las capacidades multifacéticas de los LLMs, explorando sus posibles aplicaciones en la optimización de decisiones, la comprensión de escenas y tareas avanzadas de resumen de video en diversos contextos. En el primer segmento de la tesis, el foco está en la comprensión semántica de escenas de Vehículos Aéreos No Tripulados (UAVs). La capacidad de proporcionar instantáneamente datos de alto nivel y señales visuales sitúa a los UAVs como plataformas ideales para realizar tareas complejas. El trabajo combina el potencial de los LLMs, los Visual Language Models (VLMs), y los sistemas de detección objetos de última generación para ofrecer descripciones de escenas matizadas y contextualmente precisas. Se presenta una implementación práctica eficiente y bien controlada usando microdrones en entornos complejos, complementando el estudio con métricas de legibilidad estandarizadas propuestas para medir la calidad de las descripciones mejoradas por los LLMs. Estos avances podrían impactar significativamente en sectores como el cine, la publicidad y los parques temáticos, mejorando las experiencias de los usuarios de manera exponencial. El segundo segmento arroja luz sobre el problema cada vez más crucial de la toma de decisiones bajo incertidumbre. Utilizando el problema de Multi-Armed Bandits (MAB) como base, el estudio explora el uso de los LLMs para informar y guiar estrategias en entornos dinámicos. Se postula que el poder predictivo de los LLMs puede ayudar a elegir el equilibrio correcto entre exploración y explotación basado en el estado actual del sistema. A través de pruebas rigurosas, la estrategia informada por los LLMs propuesta demuestra su adaptabilidad y su rendimiento competitivo frente a las estrategias convencionales. A continuación, la investigación se centra en el estudio de las evaluaciones de bondad de ajuste de las Generative Adversarial Networks (GANs) utilizando la Signature Transform. Al proporcionar una medida eficiente de similitud entre las distribuciones de imágenes, el estudio arroja luz sobre la estructura intrínseca de las muestras generadas por los GANs. Un análisis exhaustivo utilizando medidas estadísticas como las pruebas de Kruskal-Wallis proporciona una comprensión más amplia de la convergencia de los GANs y la bondad de ajuste. En la sección final, la tesis introduce un nuevo benchmark para la síntesis automática de vídeos, enfatizando la integración armoniosa de los LLMs y la Signature Transform. Se propone un enfoque innovador basado en los componentes armónicos capturados por la Signature Transform. Las medidas son evaluadas extensivamente, demostrando ofrecer una precisión convincente que se correlaciona bien con el concepto humano de un buen resumen. Este trabajo de investigación establece a los LLMs como herramientas poderosas para abordar tareas complejas en diversos dominios, redefiniendo la optimización de decisiones, la comprensión de escenas y las tareas de resumen de video. No solo establece nuevos postulados en las aplicaciones de los LLMs, sino que también establece la dirección para futuros trabajos en este emocionante y rápidamente evolucionante campo. / [CA] L'adveniment dels Large Language Models (LLMs) marca una fase transformadora en el camp de la Intel·ligència Artificial (IA), significat el canvi cap a sistemes intel·ligents i autònoms capaços d'una comprensió i presa de decisions complexes. Aquesta tesi profunditza en les capacitats multifacètiques dels LLMs, explorant les seues possibles aplicacions en l'optimització de decisions, la comprensió d'escenes i tasques avançades de resum de vídeo en diversos contexts. En el primer segment de la tesi, el focus està en la comprensió semàntica d'escenes de Vehicles Aeris No Tripulats (UAVs). La capacitat de proporcionar instantàniament dades d'alt nivell i senyals visuals situa els UAVs com a plataformes ideals per a realitzar tasques complexes. El treball combina el potencial dels LLMs, els Visual Language Models (VLMs), i els sistemes de detecció d'objectes d'última generació per a oferir descripcions d'escenes matisades i contextualment precises. Es presenta una implementació pràctica eficient i ben controlada usant microdrons en entorns complexos, complementant l'estudi amb mètriques de llegibilitat estandarditzades proposades per a mesurar la qualitat de les descripcions millorades pels LLMs. Aquests avenços podrien impactar significativament en sectors com el cinema, la publicitat i els parcs temàtics, millorant les experiències dels usuaris de manera exponencial. El segon segment arroja llum sobre el problema cada vegada més crucial de la presa de decisions sota incertesa. Utilitzant el problema dels Multi-Armed Bandits (MAB) com a base, l'estudi explora l'ús dels LLMs per a informar i guiar estratègies en entorns dinàmics. Es postula que el poder predictiu dels LLMs pot ajudar a triar l'equilibri correcte entre exploració i explotació basat en l'estat actual del sistema. A través de proves rigoroses, l'estratègia informada pels LLMs proposada demostra la seua adaptabilitat i el seu rendiment competitiu front a les estratègies convencionals. A continuació, la recerca es centra en l'estudi de les avaluacions de bondat d'ajust de les Generative Adversarial Networks (GANs) utilitzant la Signature Transform. En proporcionar una mesura eficient de similitud entre les distribucions d'imatges, l'estudi arroja llum sobre l'estructura intrínseca de les mostres generades pels GANs. Una anàlisi exhaustiva utilitzant mesures estadístiques com les proves de Kruskal-Wallis proporciona una comprensió més àmplia de la convergència dels GANs i la bondat d'ajust. En la secció final, la tesi introdueix un nou benchmark per a la síntesi automàtica de vídeos, enfatitzant la integració harmònica dels LLMs i la Signature Transform. Es proposa un enfocament innovador basat en els components harmònics capturats per la Signature Transform. Les mesures són avaluades extensivament, demostrant oferir una precisió convincent que es correlaciona bé amb el concepte humà d'un bon resum. Aquest treball de recerca estableix els LLMs com a eines poderoses per a abordar tasques complexes en diversos dominis, redefinint l'optimització de decisions, la comprensió d'escenes i les tasques de resum de vídeo. No solament estableix nous postulats en les aplicacions dels LLMs, sinó que també estableix la direcció per a futurs treballs en aquest emocionant i ràpidament evolucionant camp. / [EN] The advent of Large Language Models (LLMs) marks a transformative phase in the field of Artificial Intelligence (AI), signifying the shift towards intelligent and autonomous systems capable of complex understanding and decision-making. This thesis delves deep into the multifaceted capabilities of LLMs, exploring their potential applications in decision optimization, scene understanding, and advanced summarization tasks in diverse contexts. In the first segment of the thesis, the focus is on Unmanned Aerial Vehicles' (UAVs) semantic scene understanding. The capability of instantaneously providing high-level data and visual cues positions UAVs as ideal platforms for performing complex tasks. The work combines the potential of LLMs, Visual Language Models (VLMs), and state-of-the-art detection pipelines to offer nuanced and contextually accurate scene descriptions. A well-controlled, efficient practical implementation of microdrones in challenging settings is presented, supplementing the study with proposed standardized readability metrics to gauge the quality of LLM-enhanced descriptions. This could significantly impact sectors such as film, advertising, and theme parks, enhancing user experiences manifold. The second segment brings to light the increasingly crucial problem of decision-making under uncertainty. Using the Multi-Armed Bandit (MAB) problem as a foundation, the study explores the use of LLMs to inform and guide strategies in dynamic environments. It is postulated that the predictive power of LLMs can aid in choosing the correct balance between exploration and exploitation based on the current state of the system. Through rigorous testing, the proposed LLM-informed strategy showcases its adaptability and its competitive performance against conventional strategies. Next, the research transitions into studying the goodness-of-fit assessments of Generative Adversarial Networks (GANs) utilizing the Signature Transform. By providing an efficient measure of similarity between image distributions, the study sheds light on the intrinsic structure of the samples generated by GANs. A comprehensive analysis using statistical measures, such as the test Kruskal-Wallis, provides a more extensive understanding of the GAN convergence and goodness of fit. In the final section, the thesis introduces a novel benchmark for automatic video summarization, emphasizing the harmonious integration of LLMs and Signature Transform. An innovative approach grounded in the harmonic components captured by the Signature Transform is put forth. The measures are extensively evaluated, proving to offer compelling accuracy that correlates well with the concept of a good summary. This research work establishes LLMs as powerful tools in addressing complex tasks across diverse domains, redefining decision optimization, scene understanding, and summarization tasks. It not only breaks new ground in the applications of LLMs but also sets the direction for future work in this exciting and rapidly evolving field. / De Curtò I Díaz, J. (2023). Frontiers of Large Language Models: Empowering Decision Optimization, Scene Understanding, and Summarization Through Advanced Computational Approaches [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/202200 / Compendio

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Influenced by an ever-growing sense of alienation with my homeland, I have been determined to discover through my art practice an ability to challenge conventional notions of home, identity, communication and miscommunication. Exploring these themes, I became increasingly aware of the parallels between everyday life and art practice. By creatively connecting with a diverse amount of local people and their communities, I fulfilled desires to discover a sense of belonging and generated opportunities for others to break through traditional social boundaries and roles.

Des premières fascinations des graphistes pour les notions de systèmes, en passant par l’introduction des approches liées au « corporate design » et à la « corporate identity », le renforcement progressif du « marketing », puis le basculement vers le « branding » et la mise en valeur artificielle des marques, la recherche rend compte de l’évolution des représentations d’institutions, d’événements et de collectivités publics, entre les années 1970 et 2010. Cette chronologie des approches dominantes est analysée en écho à celle d’une série d’expérimentations personnelles liées à une approche qui se veut plus civique du design et qui permet de penser de réelles méthodes alternatives. En analysant les relations entre identification et identité, est proposé un déplacement du focus des questions de visibilité et de mise en valeur des marques vers des approches qui, à l’aide de langages visuels partagés, placent en leur centre : - l’intelligibilité des structures complexes, - la représentation des pluriels, des évolutions et des relations, - l’intégration au contexte, - la coordination des expressions multiples. / Research documenting the evolution of visual representations of institutions, events and public bodies between 1970 and 2010, from designers’intitial fascination with the concept of « corporate design » and « corporate identity » systems, the progressive reinforcement of « marketing », then the switch to « branding » and the artificial values attached to brands is chronologically analysed through a series of personal experiments related to an intentionally more civic design minded approach that permits the creation of real alternative methods. Analysing the relationship between identification and identity sees a proposed shift in focus concerning brand visibility and enhancement towards approaches that, with the help of shared visual languages, places at the centre – the intelligibility of complex structures – the representation of plurality, trends and relationships, - the integration of context – the coordination of multiple expressions.

AFRIKAANS: Visuele kommunikasie vorm die basis van ’n prakties-teologiese literatuurstudie, waar ondersoek gedoen word na die invloed van die massamedia en die populêre kunste op die kommunikasie-arbeid van die hedendaagse prediking. Naas die geskrewe en gesproke taal word in die betrokke studie vir ’n nuwe definiëring van taal gepleit: die visuele taal as selfstandige taalkode binne die homiletiek. Visuele taal is meer as blote literêre metafore wat die menslike verbeelding aangryp; eerder is dit die verskuiwing na ’n genre waar beeld as visuele metafoor die gelykwaardige funksie van die woord verrig. Sonder om die woord enigsins na ’n sekondêre posisie uit te skuif, word ’n pleidooi gelewer vir ‘n harmonieuse wisselwerking waar woord en beeld komplementerend op mekaar inwerk. Hierdie visuele taalkode sal in die prediking as legitieme preekstyl naas die oratoriese preekstyl aangeleer moet word, in wat in hierdie studie as visuele prediking bekend sal staan. In visuele prediking, waar beeldende prediking met multi-sensoriese prediking gekombineer word, word die visuele beeld die primêre kommunikasie-eenheid. In die betrokke studie is daar twee fokusse: <ul> <li>’n Prakties-teologiese fundering van hierdie nuwe visuele taal en veral visuele prediking binne ’n visueel-gedrewe konteks. </li> <li>Opstel van prakties-teologiese riglyne vir die implementering van visuele prediking binne die hedendaagse erediens. <bt></li></ul> ENGLISH: Visual communication forms the basis of a practical-theological literature study, where the influence of the mass media and the popular arts on the communication toil of present-day preaching is investigated. Alongside of the written and spoken language, this study is a plea for the new defining of language: the visual language as an independent language code within homiletics. Visual language is more than only literary metaphors which grips the human imagination; rather it is the shift to a genre where image as a visual metaphor performs an equally similar task to the word. Without moving the word to a secondary position, an argument is made for a harmonious interplay where word and image can work complementary to each other. This visual language code should be learned as a legitimate style of preaching besides the oratorical preaching style, which will be known in this study as visual preaching. In visual preaching, where image preaching and multi-sensory preaching are combined, the visual image will become the primary communication unit. In this study there are two focuses: <ul> <li>A Practical-theological foundation of this new visual language and especially visual preaching within a visual-driven context. </li> <li>A composition of practical-theological guidelines for the implementing of visual preaching within the present-day church service. <br></li></ul> Regarding the first focus of the study, theological reflection surrounding the understanding of the second commandment with regards to image within the liturgy and especially homiletics, as well as the dualistic perspective of the church in the past is done, while a theology of incarnation, creation, ‘Imago Dei’ and the Word is established in order to create a solid basis for visual preaching. Combined herewith, there is also a look at the influence of the visual media and communication on the visual generation, namely Generation X, Y and Z, with specific focus on the postmodern context in which these three generations function. Following this, a new practical-theological perspective on the human imagination, human emotion, human creativity, the visual narrator, transcendence, participation, multi-sensory communication and visual presentation opens the way for effective visual preaching. Regarding the second focus of the study, five categories surrounding visual images can be distinguished: graphic images – pictures, statues, artistic designs and photos; optical images – mirror images and light projections; perceptual images – sensory data, theatre props, illustrative aids; imaginary images – dreams, memories, ideas and imagination; verbal images – metaphors, analogies and narratives. For the purpose of this study the focus is mainly on the first category: graphic and visual images, also including visual presentations as it pertains to the performing arts like drama, dance and mime, as well as the usage of visual illustrations. In conclusion, practical guidelines accompanied by concrete sermons within the three categories of visual preaching as it is suggested in this study, namely the visual image sermon, which concentrates on visual images on a flat surface or screen, the visual presentation sermon, which accomodates visual methaphores as it is presented by the visual arts and illustrations on a stage in the liturgical area, and the visual imagination sermon, which interacts with the human imagination by the use of visual methaphorical language, are submitted. / Thesis (PhD)--University of Pretoria, 2010. / Practical Theology / unrestricted

The dissertation thesis deals with the relation of a person towards the physical public space from the point of view of an artist/teacher in the academic milieu. The frequently discussed subject of public space is not limited to purely artistic sphere or artistic gesture. It also implies a simple transgression to everyday life related to education and cultivation. An essential part of the research is the case study at the Department of Art Education of the Faculty of Education of the Charles University, which inquires into the perception of the future pedagogues of the physical public space and how they gtranslate it into the art language. The cornerstone stimulus for the research lies in the premise that future teachers will, through the prism of their view of the worl and by their vocation influence the education of the young generation. This fact of transgression is given by the existence of the subject of Art Education where the 3D design itself plays a certain role. The research is focused on what lies behind the phenomena in the process of the creation and inception of "something new" in the physical public space. The concept of a gesture represents a metaphor of material introduction into a space that, at some point, becomes a part o it .The integration is called actualization and the issue of the...

Following work deals with subject matter of digital modelling and animation of biological structures. Software tools for computer generated images (CGI), well proven in common practice, are evaluated, as well as tools for specific activities, available inside chosen software environment. Among vast pool of modelling approaches are discussed tools suitable for creation and representation of selected structures, along with tools essential for their consequent animation. Possible rendering approaches and their parameters in relation to qualities of resulting computer-generated images are discussed as well. Above-mentioned approaches will be consequently utilized for modelling, physical simulation and animation of erythrocyte’s flow throughout blood vessel in following project. Resulting output of that work will be based on series of digital images, suitable for creating video-sequence containing abovementioned animation in end-user digestible form.

Following work deals with subject matter of digital modelling and animation of biological structures. Software tools for computer generated images (CGI), well proven in common practice, are evaluated, as well as tools for specific activities, available inside chosen software environment. Among vast pool of modelling approaches are discussed tools suitable for creation and representation of selected structures, along with tools essential for their consequent animation. Possible rendering approaches and their parameters in relation to qualities of resulting computer-generated images are discussed as well. Above-mentioned approaches will be consequently utilized for modelling, physical simulation and animation of erythrocyte’s flow throughout blood vessel in following project. Resulting output of that work will be based on series of digital images, suitable for creating video-sequence containing abovementioned animation in end-user digestible form.