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11	Tiggeridomen och lokala ordningsföreskrifter : i ljuset av regeringsformen och EKMR / The begging verdict and local ordinances : in the light of the form of government and the ECHR Fakhry, Rêbwar January 2020 (has links) This thesis focuses on chapter 3 articles 8 and 12 of the Ordinance Act, whichdeal with local ordinances issued by the municipalities. It was Vellinge municipality's local ordinances on the prohibition of begging that triggered an extensivedebate about preconditions for local ordinances and the relationship between themunicipal self-government and the normative power. In addition, it raises thequestions of whether local regulations on the prohibition of begging restrict freedom of expression and whether they are discriminatory. Vellinge's local ordinances were submitted to the Supreme Administrative Court (HFD) to decidethe case as the highest instance.HFD states in the case 2018 ref. 75 that local ordinances issued by the municipalities take into account the principle of municipal self-government. This statement has been criticized on the ground that local ordinances should not be considered as a municipal activity. The principle of municipal self-government therefore should not be actualized in local ordinances. But HFDs statement is compatible with the bill to the law, which states that with regard to municipal selfgovernment, the authority to issue local ordinances are given to the municipalitiesand not to the county administrative board. However the county administrativeboard should be able to review all the prerequisites for adopting local regulations.Furthermore, HFD has not dealt with this issue whether local ordinances onthe prohibition of begging conflict with regulations of a higher value or apply toissues that must be regulated by law. HFD has thus not dealt with whether theban on begging restricts freedom of expression and whether it is discriminatory. Begging can be considered as an expression in the Form of Government (RF)and is protected by freedom of expression. The ban on begging therefore violatesfreedom of speech and it must, however, be regulated by law and not by localregulations.Furthermore, given that the ECHR is considered a law in Sweden and theEuropean Court of Human Rights refers to the US judicial precedent on freedomof expression, the American law on freedom of speech and begging has also beenstudied in this thesis in the comparative method.According to the widespread case law in the United States, begging is protected by freedom of expression and regulations prohibiting begging violate beggar’s freedom of expression. There is also no legitimate ground to ban beggingon the streets. The ban on begging can also be considered discriminatory, as it is the peoplefrom Romania and Bulgaria who make up the majority of the beggars in Swedenand it is them who are disadvantaged by these rules. Beggar free speech Local ordinances the prohibition of begging municipal self-government Tiggeri lokala ordningsföreskrifter Kommunal självstyrelse yttrandefrihet EKMR HFD tiggeridomen yttrandefrihet EKMR Europadomstolen Europadomstolen RF ordningslagen OL Europakonventionen Law (excluding Law and Society)
12	Hur blir du en framgångsrik tiggare i Sverige? : en undersökning av tiggandets och givandets bilder 2011 till 2016 / How do you become a successful beggar in Sweden? : an inquiry into the images of begging and giving 2011 to 2016 Parsberg, Cecilia January 2016 (has links) Mitt första möte med en tiggande föranledde mig att under fem år undersöka den nya situationen för tiggeriet och giveriet i Sverige. Förutsättningen är att vardagliga handlingar och reaktioner gentemot en annan människa kan synliggöras estetiskt med en etisk klangbotten. Min undersökning utspelar sig i första hand i gaturummet och i medierna. Det är hela tiden bilderna som är utgångspunkten för resonemangen och de gestaltande verken. Bilder som både separerar och länkar samman kroppar. Vilka bilder är i spel i tiggeriets och giveriets sociala koreografi? Hur kan bilder i detta sammanhang aktiveras på nya sätt? Hur kan nya genereras? Tiggandet är en uppmaning till social interaktion, och vare sig givaren socialt interagerar eller inte med den tiggande människan på gatan så involveras givaren i det europeiska samfundets asymmetriska värdesystem. I min första gestaltning anlitas en professionell marknadsundersökare för att ta reda på hur en tiggare i Sverige skulle kunna göra för att bli framgångsrik. Det blir en film som jag sedan visar mittemot en film där tiggande pratar om hur givare ger. Ur detta verk följer så en rad gestaltningar och en interdisciplinär teoretisk diskussion med bland andra Judith Butler, Sara Ahmed och Hannah Arendt, samt med en rad konstnärers arbeten, kring hur bilder – och kroppsliga handlingar – är kopplade till samhällsbilden och samhällskroppen? Körernas uppställning i gestaltningen Tiggandets kör och Givandets kör anger ett utrymme för social interaktion och demonstrerar därmed en annan ordning som kräver andra insatser, i språk, rörelse och attityd gentemot varandra. Det är en social koreografi: när körerna tränade och sjöng tillsammans uppstod en politisk form. Min förhoppning är att estetiskt synliggöra ett politiskt handlingsutrymme mellan tiggandet och givandet som kan utnyttjas för fortsatta etiska förhandlingar, och nya gestaltningar. / My first encounter with a begging person led me to spend five years investigating the new situation regarding begging and giving in Sweden. The premise is that every-day actions and reactions to another person can be made visible through aesthetics with ethical underpinnings. My investigation takes place mainly in the urban landscape and in the media. The images always constitute the point of departure for the reasoning and for the staged works. Images that separate as well as connect bodies. Which images are at play in the social choreography of begging and giving? In this context, how can images be activated in new ways? How can new images be generated? Begging is a call to social interaction, and regardless of whether the giver interacts socially with the begging person on the street, the giver is implicated in the asymmetrical value systems of the European Union. In my first staged work I hire a professional market researcher to find out how a beggar in Sweden should behave to be successful. This becomes a film that I then show opposite another film in which begging people talk about how givers give. This is followed by a number of staged works and an interdisciplinary theoretical discussion involving, among others, Judith Butler, Sara Ahmed, and Hannah Arendt, as well as a number of artistic works concerning how images – and bodily actions – are linked to the social image and the body politics. The arrangement of the choirs in the staged work The Chorus of Begging and The Chorus of Giving, indicates a space for social interaction and thus demonstrates a different order that demands different actions in terms of language, movement, and attitude toward each other. It’s a social choreography: when the choirs rehearsed and sung together a political form emerged. My hope is to make visible a space for action between the begging and the giving that can be used for continued ethical negotiations and new staged works. / <p>Föreliggande doktorsarbete har genomförts och handletts i forskarutbildningen i Fri konst vid Konsthögskolan, Umeå universitet. Doktorsarbetet läggs fram vid Lunds universitet inom ramen för samverkansavtalet mellan Konstnärliga fakulteten vid Lunds universitet och Konsthögskolan Umeå angående utbildning på forskarnivå i ämnet Fri konst inom ramen för Konstnärliga forskarskolan.</p><p>This dissertation has been carried out and supervised within the graduate programme in Fine Arts at Umeå Academy of Fine Arts, Umeå University. The dissertation is presented at Lund University in the framework of the cooperation agreement between the Malmö Faculty of Fine and Performing Arts, Lund University, and Umeå Academy of Fine Arts regarding doctoral education in the subject Fine Arts in the context of Konstnärliga forskarskolan.</p><p>Avhandlingen är även utgiven i serien: Malmö Faculty of Fine and Performing Arts, Lund University: Doctoral Studies and Research in Fine and Performing Arts, 14. ISSN: 1653-8617</p> fine arts images begging giving beggar giver successful solidarity empathy affect space of action free movement borders politics of waiting gestures urban life participating art filminstallation asymmetry symmetry place house co-presence framing social choreography power activate the image ethics aesthetics ethics video documentation artistic research phronesis Hannah Arendt Judith Butler Sara Ahmed Sven-Eric Liedman fri konst bilder tiggande givande tiggare givare framgångsrik solidaritet empati affekt förhandlingsutrymme den fria rörligheten gränser politiskt väntrum gester urbant liv deltagande konst filminstallation asymmetri symmetri plats hus co-presence framing social koreografi makt aktivera bilden etik estetik videodokumentation konstnärlig forskning fronesis Hannah Arendt Judith Butler Sara Ahmed Sven-Eric Liedman

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Tiggeridomen och lokala ordningsföreskrifter : i ljuset av regeringsformen och EKMR / The begging verdict and local ordinances : in the light of the form of government and the ECHR

Hur blir du en framgångsrik tiggare i Sverige? : en undersökning av tiggandets och givandets bilder 2011 till 2016 / How do you become a successful beggar in Sweden? : an inquiry into the images of begging and giving 2011 to 2016