Min studie syftar till att, utifrån Werner G. Jeanronds teologiska förståelse av kärlek undersöka den kärlek som kommer till uttryck i Ingmar Bergmans serien Scener ur ett äktenskap. Uppsatsens huvudsakliga frågeställning lyder; Hur framträder kärleksbegreppet i Ingmar Bergmans serie Scener ur ett äktenskap belyst genom Werner G. Jeanronds teologi om kärlek i boken Kärlekens teologi? Utifrån denna analys undersöker uppsatsen slutligen även följande frågeställning; Hur framträder Jeanronds teologi om kärlek i boken Kärlekens teologi belyst genom Bergmans serie Scener ur ett äktenskap?

Cette thèse étudie une classe des problèmes de Riemann-Hilbert Fuchsiens (à coefficients méromorphes dont tous les pôles sont d'ordre un). Les variétés de Frobenius apparaissent comme une formulation géométrique des structures d'équations de Witten-DijkgraafVerlande-Verlande (WDVV). Nous considérons ces variétés sur les espaces de Hurwitz vus, quant à eux, comme variétés réelles motivés par le fait qu'une variété de Frobenius semisimple peut être construite à partir d'une solution fondamentale du problème de Riemann-Hilbert associé. Une solution au problème Fuchsien de Riemann-Hilbert matriciel (problème de monodromie inverse) correspondant aux structures "réelles doubles" de Frobenius de Dubrovin sur les espaces de Hurwitz, a été construite. La solution est donnée en termes de certaines différentielles méromorphes integrées sur une base appropriée d'homologie relative de la surface de Riemann. La relation avec la solution du problème Fuchsien de Riemann-Hilbert pour les structures de Frobenius Hurwitz de Dubrovin est établie. Une solution du problème de Riemann-Hilbert correspondant aux déformations des "réelles doubles" est aussi donnée.

La thèse est consacrée à une étude d'interpolation complexe "semi-libre" dans le sens suivant: étant donné un ensemble "sigma" dans le disque unité D et une fonction f holomorphe dans D appartenant à une certaine classe X, on cherche g dans une autre classe Y (plus petite que X) qui minimise la norme de g dans Y parmi toutes les fonctions g satisfaisant g=f sur l'ensemble "sigma". Plus précisément, nous nous intéressons aux estimations de la constante d'interpolation suivante: c(sigma, X, Y ) = sup{ inf{||g||_Y: g=f sur sigma}: ||f||_X<=1} Dans la thèse, nous étudions le cas où Y = H^infini et où l'espace des contraintes X est choisi parmi les espaces suivants: les espaces de Hardy, les espaces de Bergman pondérés à poids radial ou encore les espaces de fonctions holomorphes ayant leurs coefficients de Taylor dans lp(w) (w étant un poids). La thèse contient également certaines applications aux nombres conditionnés des matrices de Toeplitz. / The thesis is devoted to a "semi-free" interpolation problem in the following way. Let sigma be a finite set of the unit disc D and f an holomorphic function in D which belongs to a certain class X, we search for g in another class Y (smaller than X) which minimize the norm of g in Y among all the functions g such that g=f on the set "sigma". More precisely, we are interested in the following interpolation constant : c(sigma, X, Y ) = sup{ inf{||g||_Y: g=f sur sigma}: ||f||_X<=1}. We study in the thesis the case where Y=H^\infinity and the space of constrains X is chosen among the following spaces: Hardy spaces, weighted Bergman spaces (with radial waights), and holomorphic functions which Taylor coefficients are in lp(w) (w being a weight). The thesis also contains an application to the condition numbers of Toeplitz matrices.

Made available in DSpace on 2016-04-27T17:27:32Z (GMT). No. of bitstreams: 1 Luiz Gustavo Onisto de Freitas.pdf: 421965 bytes, checksum: 0a620bf0f13a606499a62e0b8e0c6be1 (MD5) Previous issue date: 2010-05-21 / This work is a study of cinema of the Swedish director Ingmar Bergman second point of view of the concepts of Danish philosopher Soeren Aabye Kierkegaard. According to an ethical axis common to both authors, it is observed how the cinematographic language used by Bergman presents important concepts of Kierkegaardian philosophy, like despair, anguish, faith and paradox / Este trabalho consiste em um estudo do cinema do diretor sueco Ingmar Bergman segundo o ponto de vista dos conceitos do filósofo dinamarquês Soeren Aabye Kierkegaard. De acordo com um eixo ético comum aos dois autores, observa-se como a linguagem cinematográfica utilizada por Bergman apresenta conceitos importantes da filosofia kierkegaardiana, como o desespero, a angústia, o paradoxo e a fé

Made available in DSpace on 2016-04-27T18:47:08Z (GMT). No. of bitstreams: 1 Luciana Helena Mussi.pdf: 1010975 bytes, checksum: 546ca334d6a1dc4253e75eadc8b1c49f (MD5) Previous issue date: 2012-03-19 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This paper aims to reflect on Ingmar Bergman existential anguish towards aging before the imminent threat of death and the desire to live. The main question was: how to live under such a devastating anguish being, at the same time, aware of our finitude and of our desire to live? To probe these existence questions, The Bergman Island documentary, focusing on the films The Seventh Seal and Wild Strawbwerries, the Greek Goddess Demeter s path and her transformation forms and the philosopher Cicero s reflections on aging were used. Bergman and his films, dealt with in an enigmatic atmosphere, led this research to the existential anguish scenery built, woven and understood by means of feelings resulting from the documentary images, words and dialogs. Crossing the researcher s experience and feelings with the filmmaker s report on the Island of Farö, the composition of such anguish was created: the Imminent Threat of Death and the Desire to Live as events to make us search understanding of the enigma of life and death. However, on the way we came across a God whose word silences, as God s true Silence. The One who repudiates Finitude as Awareness of Death. The Seventh Seal faithfully portraits the silence of such God in the face of the evil as an unquestionable and frightening event. If, at old age, the probability of imminent death is higher and the awareness of finitude is even higher, in Wild Strawberries we come to face the perspective of the end itself. Recollecting the character and Bergman, we come across the Travel into Solitary Old Age, in a time that seems to be over, through the trails of Old Bergman Existential Memories. The Existential Trialogue within the Gap of Time described a fictional meeting among Bergman, the filmmaker, Cicero, the thinker and the researcher. Aiming at getting past time effects, defeating sovereignty of the years that separate the three ones involved through gathering of the arts cinema, philosophy and science considering all as understanding and reflection on what death/life means at aging. Cinema, art that brings closer to one s life, that portraits reality and life movement, referring to our own experiences, life vivid recalls, deep memory excavations, through a permanent trip between youth and old age. Biographies crossing one another in the line of time, oscillating between death pains and life setbacks / Este trabalho tem como objetivo refletir sobre a angústia existencial do cinema de Ingmar Bergman no envelhecer diante da ameaça iminente da morte e do desejo de vida. A pergunta central foi: como viver com esta arrasadora angústia quando nos sabemos finitos e, ao mesmo tempo, sedentos de vida? Para pensar estas questões da existência, foram utilizados o documentário A Ilha de Bergman, focando os filmes O Sétimo Selo e Morangos Silvestres, a trajetória da Deusa Grega Deméter e seu caminho de transformação e as reflexões do filósofo Cícero sobre o envelhecer. Bergman e seus filmes envoltos numa atmosfera enigmática, conduziram esta pesquisa ao cenário da angústia existencial construída, tecida e entendida por sensações provocadas por imagens, palavras e diálogos do documentário. Cruzando impressões e experiências da pesquisadora com o relato do cineasta na Ilha de Farö, nasceu a composição desta angústia: a Ameaça Imimente de Morte e do Desejo de Vida como acontecimentos que nos levam à busca por conhecimento do enigma de vida e morte. Mas nesta caminhada, encontramos um Deus que se cala, num verdadeiro Silêncio de Deus. Aquele que denuncia a Finitude como Consciência da Morte. O Sétimo Selo retrata fielmente esse Deus que se omite e cede espaço à maldita como fato indiscutível e apavorante. Se na velhice a probabilidade de morte iminente é maior e a consciência de finitude ainda mais, chegamos no enfrentamento da perspectiva do próprio fim em Morangos Silvestres. No rememorar do personagem e de Bergman, nos deparamos com a Viagem pela Velhice Solitária, num tempo que parece se esgotar, na trilha das Lembranças Existencias do Velho Bergman. O Triálogo Existencial na Brecha do Tempo descreveu um encontro ficcional entre Bergman, o cineasta, Cícero, o pensador e a pesquisadora. Teve por propósito driblar o efeito do tempo, anular a soberania dos anos que separam os três envolvidos através do encontro das artes cinema, filosofia e ciência tudo pela compreensão e reflexão do que significam morte/vida no envelhecer. Cinema, arte que aproxima ao viver de cada um, que retrata a realidade e o movimento da vida, nos remetendo às nossas próprias experiências, lembranças das fases vividas, escavações profundas na memória, numa viagem constante entre juventude e velhice. Biografias que se cruzam na linha do tempo oscilando entre as dores da morte e os reveses da vida

<p>Den här uppsatsen är en kvalitativ studie med hjälp av jungiansk psykologi som fokuserar på Ingmar Bergmans film Fanny & Alexander. Syftet är att studera biskopens skugga. Filmen handlar om familjen Ekdahl som domineras av en rik och begåvad änka, Helena, samt hennes tre söner. Sonen Oscar dör och hans fru Emelie gifter sig med biskopen. Hennes barn Fanny och Alexander följer med henne in i äktenskapet med biskopen. Tillsammans flyttar de till biskopens spartanska och stränga hem. Alexander väcker biskopens vrede och skugga genom att vägra följa hans regler och ritualer. Biskopen dör eller kanske man kan säga transformeras när han genomgår den smärtsamma processen med att möta sin skugga.</p>

Den här uppsatsen är en kvalitativ studie med hjälp av jungiansk psykologi som fokuserar på Ingmar Bergmans film Fanny &amp; Alexander. Syftet är att studera biskopens skugga. Filmen handlar om familjen Ekdahl som domineras av en rik och begåvad änka, Helena, samt hennes tre söner. Sonen Oscar dör och hans fru Emelie gifter sig med biskopen. Hennes barn Fanny och Alexander följer med henne in i äktenskapet med biskopen. Tillsammans flyttar de till biskopens spartanska och stränga hem. Alexander väcker biskopens vrede och skugga genom att vägra följa hans regler och ritualer. Biskopen dör eller kanske man kan säga transformeras när han genomgår den smärtsamma processen med att möta sin skugga.

The subject of my thesis is the work of the cinematographer Sven Nykvist. The center of the work is the subject of light, its analysis, its meaning and use in a film`s story. In the conclusion of my work I mention his worldwide success. Based on his biographical data I attempt to look into his personal life, and on a more general level, I consider the theme of creative work versus personal and family life.

In this thesis we have investigated two different types of problems in multivariable operator theory. The first one deals with the defect sequence for contractive tuples and maximal con-tractive tuples. These condone deals with the wandering subspaces of the Bergman space and the Dirichlet space over the polydisc. These are described in thefollowing two sections. (I) The Defect Sequence for ContractiveTuples LetT=(T1,...,Td)bead-tuple of bounded linear operators on some Hilbert space H. We say that T is a row contraction, or, acontractive tuplei f the row operator (Pl refer the abstract pdf file)

<p>High resolution tandem mass spectrometry (MSⁿ) coupled with various separation techniques, such as high-performance liquid chromatography (HPLC) and gas chromatography (GC), is widely used to analyze mixtures of unknown organic compounds. In a mass spectrometric analysis, analytes of interest are at first transferred into the gas phase, ionized (protonated or deprotonated) and introduced into the instrument. Tandem mass spectrometric experiments may then be used to gain insights into structure and reactivity of the analyte ions in the gas phase. The tandem mass spectral data are often compared to those reported in external databases. However, the tandem mass spectra obtained for protonated analytes may be markedly different from those in external databases because protonation site manifested during a mass spectrometric experiment can be affected by the ionization technique, ionization solvents and condition of the ion source. This thesis focuses on investigating the effects of instrumental conditions and analyte concentrations on the protonation sites of 4-aminobenzoic acid. Reactivities of radical species were also investigated. A modified bracketing method was developed and proton affinities of a series of mono- and biradicals of pyridine were measured. In another study, a <i>para</i>-benzyne analog was generated in both solution and the gas phase and its reactivities towards various neutral reagents in the gas phase were compared to those in solution.</p> <p> Chapter 2 discusses the fundamental aspects of the instruments used in this research. In chapter 3, the effects of residual moisture in linear quadrupole ion trap on the protonation sites of 4-aminobenzoic acid are considered. Chapter 4 focuses on the use of gas-phase ion-molecule reactions with trimethoxymethylsilane (TMMS) for the identification of the protonation sites of 4-aminobenzoic acid. Further, the effects of analyte concentration on the protonation sites of 4-aminobenzoic acid are considered. Chapter 5 introduces a modified bracketing method for the experimental determination of proton affinities of a series of pyridine-based mono- and biradicals. In chapter 6, successful generation of <i>para</i>-benzynes in solution is discussed. The reactivity of a <i>para</i>-benzyne analog, 1,4-didehydrophenazine, is compared to its reactivity in the gas phase.</p>