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Croyances populaires dans le théâtre québécois : entre le procédé ludique et le catéchisme dissimulé (1870-1900)Sansregret, Rachel January 2008 (has links)
Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal
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Systems of Expression: Counter-Discourse in Online Intersex CommunitiesShirey, Jasmine 01 January 2018 (has links)
Individuals who do not fit neatly into the expected genetic and phenotypic XX/XY binary have been misrepresented, ignored, operated on without consent, denied legal rights, and gaslighted by multiple spheres of dominant society including, but not limited to: medicine, popular culture, and the justice system. Using Michael Foucault’s conception of 'counter-discourse' in conversation with the work of Gayatri Spivak, I ask how online intersex communities (OICs) have participated in counter-discourse by examining forums, blogs, comments, organization websites, memoirs and social media pages.
Major examples of phenomena OICs respond to, engage with, and critique include: surgery on intersex infants; the introduction of the term 'DSD'; intersexuality in popular television shows; chromosomal primacy; and legal standings of intersex individuals in different countries. I found that 'counter-discourse' within OICs include efforts to: redefine the 'truth' against common problematic appeals to medicine, morals, or nature; advocate acceptance of all bodies; and create of a sense of belonging where there is space for people to heal and organize on a foundation of affinity.
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Reading the prison narrative: An examination of selected Southern African Post - 2000 writingsMoyo, Robert 21 September 2018 (has links)
MA (English Literature) / Department of English / This study examines a selection of Post-2000 Southern African prison narratives. It primarily focuses on fictional narratives that were written in South Africa and Zimbabwe. Little critical attention has been given to fictional prison writing in Southern Africa considering that much critical attention has been accorded to autobiographies by political prisoners. The demise of autobiographical writing has led to the rise in the production of prison novels, hence the need to examine this evolving genre. This study is driven by the need to examine the construction and representation of subjectivity in the selected narratives. It explores how the prison is experienced, by paying attention to issues of criminality, identity, gender and power. This study begins with the examination of criminality and the representation of the function of the prison in Red Ink by Angela Makholwa (2007), followed by the exploration of gender and identity issues in A Book of Memory by Petina Gappah (2015). It further examines how the notions of power and counter-discourse are portrayed in The Violent Gestures of Life by Tshifhiwa Given Mukwevho (2014). This study employs the method of close textual analysis of the selected narratives. It is underpinned by post-colonial theory, the paradigm of the Panopticon which is foregrounded by Michel Foucault in Discipline and Punish: The Birth of Prison (1977) and Daniel Roux’s perceptions of the prison in Doing Time under Apartheid (2013). This study contends that notions of detention and imprisonment continue to play a central role in the production of selfhood in literary works. It is clear in the study that the prison is used as an institution to critique different phenomena regarding the prison experience. In this study, I clearly show that the selected narratives can be read as platforms for resistance against social ills that prevail in the post-apartheid/post-colonial society. I also argue that there is a thin line between fiction and non-fiction, apartheid/colonial and post-apartheid/post-colonial prison systems. The narratives I explore in this study reveal more continuities than discontinuities from the apartheid/colonial prisons. / NRF
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A Comparative Discourse Analysis of Media Texts Pertaining to Fracking in North Dakota’s Bakken RegionHough, Brian J. 17 September 2015 (has links)
No description available.
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Entre réinformation et complotisme : analyse des formes alèthurgiques et médiatiques des discours d’Alexis Cossette-Trudel en période d’incertitude pandémiqueGuindon, Maude 08 1900 (has links)
La méconnaissance du virus SARS-CoV-2 et une communication publique déficiente ont contribué à alimenter l’incertitude radicale depuis le début de la pandémie. Cette conjoncture est propice au déferlement de contre-discours dits « complotistes » dans les arènes numériques, théorisées ici en tant que « forums hybrides » (Callon, Lascoumes et Barthe, 2001). Les institutions publiques et médiatiques, en ostracisant ce contre-public et en privilégiant une approche épistémologique qui consiste à débusquer les informations problématiques qui circulent, échouent à comprendre la préférence d’une frange somme toute assez importante de la population pour les vérités dites « alternatives », relayées par des leaders éloquents et persuasifs, au détriment des preuves scientifiques.
Alexis Cossette-Trudel, figure de proue du mouvement complotiste au Québec et en Europe francophone, propage sa « réinformation » sur les réseaux sociaux depuis 2017 et prétend dire vrai. D’abord peu populaire, la pandémie de COVID-19 l’a propulsé au « sommet ». Il est devenu le maître à penser de milliers de gens fâchés; des personnes qui le croient et qui se méfient des discours officiels, mettant ainsi la santé publique en péril. On est alors à même de se demander comment il y parvient.
En analysant les formes médiatiques et alèthurgiques de son discours (à partir des modes de véridiction de Michel Foucault), l’intuition qui est explorée dans ce mémoire – et qui tend à se confirmer – est que le contexte d’incertitude pandémique offre à Cossette-Trudel les conditions de possibilité et de médialité qui, étroitement interreliées, lui permettent de poser et maintenir son ascendant au sein de son forum hybride ad hoc, témoignant du retour d’une (mauvaise) parrêsia politique. / The lack of knowledge about the SARS-CoV-2 virus and poor public communication have contributed to the radical uncertainty that has existed since the beginning of the pandemic. This situation is favorable to the outpouring of so-called conspiracy counter-discourses in digital arenas, theorized here as “hybrid forums” (Callon, Lascoumes and Barthe, 2001). Public and media institutions, by ostracizing this counter-public and by privileging an epistemological approach that consists of debunking problematic information that circulates, fail to understand the preference of a rather large fringe of the population for so-called “alternative” truths, relayed by eloquent and persuasive leaders, to the detriment of scientific evidence.
Alexis Cossette-Trudel, a leading figure in the conspiracy movement in Quebec and French-speaking Europe, has been spreading his “reinformation” on social networks since 2017 and claims to be telling the truth. Initially not very popular, the COVID-19 pandemic has propelled him to the “top”. He has become the thought leader for thousands of angry people; people who believe him and distrust the official discourse, thus putting public health at risk. We can then ask ourselves how he achieves this.
By analyzing the media and alethurgic forms of his discourse (based on Michel Foucault's modes of veridiction), the intuition that is explored in this memoir – and which tends to be confirmed – is that the context of pandemic uncertainty offers Cossette-Trudel the conditions of possibility and mediality which, closely interrelated, allow him to establish and maintain his ascendancy within his ad hoc hybrid forum, testifying to the return of a (bad) political parrêsia.
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Telling otherwise : rewriting history, gender, and genre in Africa and the African diasporaHilkovitz, Andrea Katherine 14 October 2011 (has links)
“Telling Otherwise: Rewriting History, Gender, and Genre in Africa and the African Diaspora” examines counter-discursive postcolonial rewritings. In my first chapter, “Re-Writing the Canon,” I examine two works that rewrite canonical texts from the European tradition, Jean Rhys’s retelling of the life of Jane Eyre’s Bertha in Wide Sargasso Sea and Maryse Condé’s relocation of Wuthering Heights to the Caribbean in La migration des coeurs. In this chapter, I contend that re-writing functions not only as a response, as a “writing back” to the canon, but as a creative appropriation of and critical engagement with the canonical text and its worldview. My second chapter, “Re-Storying the Past,” examines fictional works that rewrite events from the historical past. The works that I study in this chapter are Assia Djebar’s recuperation of Algerian women’s resistance to French colonization in L’amour, la fantasia and Edwidge Danticat’s efforts to reconstruct the 1937 massacre of Haitians under Trujillo in The Farming of Bones. In my third chapter, “Re-Voicing Slavery,” I take for my subject neo-slave narratives that build on and revise the slave narrative genre of the late eighteenth- through early twentieth- centuries. The two works that I examine in this chapter are Sherley Anne Williams’s Dessa Rose and the poem sequence Zong! by M. NourbeSe Philip, based on the 1781 murder of Africans aboard the slave ship Zong. My fourth chapter, “Re-Membering Gender,” examines texts that foreground the processes of re-writing and re-telling, both thematically and structurally, so as to draw attention to the ways in which discourses and identities are constructed. In their attempts to counter masculinist discourses, these works seek to re-inscribe gender into these discourses, a process of re-membering that engenders a radical deconstruction of fixed notions of identity. The works that I read in this chapter include Daniel Maximin’s L’Isolé soleil, which privileges the feminine and the multiple in opposition to patriarchal notions of single origins and authoritative narrative voices and Maryse Condé’s Traversée de la Mangrove, which rewrites Patrick Chamoiseau’s novel Solibo Magnifique so as to critique the exclusive nature of Caribbean identity in his notion of créolité. / text
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From the "rising tide" to solidarity: disrupting dominant crisis discourses in dementia social policy in neoliberal timesMacLeod, Suzanne 26 March 2014 (has links)
As a social worker practising in long-term residential care for people living with dementia, I am alarmed by discourses in the media and health policy that construct persons living with dementia and their health care needs as a threatening “rising tide” or crisis. I am particularly concerned about the material effects such dominant discourses, and the values they uphold, might have on the collective provision of care and support for our elderly citizens in the present neoliberal economic and political context of health care. To better understand how dominant discourses about dementia work at this time when Canada’s population is aging and the number of persons living with dementia is anticipated to increase, I have rooted my thesis in poststructural methodology. My research method is a discourse analysis, which draws on Foucault’s archaeological and genealogical concepts, to examine two contemporary health policy documents related to dementia care – one national and one provincial. I also incorporate some poetic representation – or found poetry – to write up my findings. While deconstructing and disrupting taken for granted dominant crisis discourses on dementia in health policy, my research also makes space for alternative constructions to support discursive and health policy possibilities in solidarity with persons living with dementia so that they may thrive. / Graduate / 0452 / 0680 / 0351 / macsuz@shaw.ca
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From the "rising tide" to solidarity: disrupting dominant crisis discourses in dementia social policy in neoliberal timesMacLeod, Suzanne 26 March 2014 (has links)
As a social worker practising in long-term residential care for people living with dementia, I am alarmed by discourses in the media and health policy that construct persons living with dementia and their health care needs as a threatening “rising tide” or crisis. I am particularly concerned about the material effects such dominant discourses, and the values they uphold, might have on the collective provision of care and support for our elderly citizens in the present neoliberal economic and political context of health care. To better understand how dominant discourses about dementia work at this time when Canada’s population is aging and the number of persons living with dementia is anticipated to increase, I have rooted my thesis in poststructural methodology. My research method is a discourse analysis, which draws on Foucault’s archaeological and genealogical concepts, to examine two contemporary health policy documents related to dementia care – one national and one provincial. I also incorporate some poetic representation – or found poetry – to write up my findings. While deconstructing and disrupting taken for granted dominant crisis discourses on dementia in health policy, my research also makes space for alternative constructions to support discursive and health policy possibilities in solidarity with persons living with dementia so that they may thrive. / Graduate / 0452 / 0680 / 0351 / macsuz@shaw.ca
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