A presente tese, A forma confessional nos Diários de Miguel Torga, analisa os três diários iniciais do autor, escritos durante os anos de 1932 a 1946 e publicados entre 1941 e 1946. O recorte realizado procura, na primeira seção, mostrar o processo de constituição de Miguel Torga como autor intimista, que se deu na primeira metade do século passado, por meio dos debates do movimento presencista e da leitura intensa de autores confessionais. Esse percurso formativo foi fundamental para que pudesse elaborar um diário extremamente original, que soube preservar, no entanto, o lastro da tradição literária europeia, como demonstramos na segunda seção. Na seção final, realizamos a leitura imanente do Diário a fim de identificar e discutir as bem sucedidas estratégias de que Miguel Torga lançou mão para construir um texto em que sujeito, forma literária e vida social se entrelaçam profundamente. / The present thesis, The confessional form in the Diaries of Miguel Torga, analyses the authors three initial diaries, written during the years of 1932 and 1946 and published between 1941 and 1946. This work seeks to demonstrate, in the first section, the process by which Miguel Torga became an intimist author in the first half of the last century, through the debates conducted by the presencista movement and the extensive reading of confessional authors. As we demonstrate in the second section, that formative trajectory was fundamental for him to get to elaborate a highly original diary, which yet preserves the grounding of the literary European tradition. In the final section, we make an immanent reading of the Diary so to identify and discuss the successful strategies used by Miguel Torga in order to build a text in which subject, literary form and social life are intensely interwoven.

Distress tolerance and experiential avoidance are important aspects of the coping process. In the current study, both were examined in relation to Body Mass Index and self-reported disturbances in mood and eating behavior. Distress tolerance was measured behaviorally and via self-report to elucidate the manner in which a) the ability to tolerate emotional distress, and b) the ability to persist behaviorally in the presence of stress-inducing stimuli were related to self-reported levels of depression, anxiety, maladaptive eating habits, and bodily concerns. A sample of 73 undergraduate students participated, and height, weight, and waist circumference were measured. Increased experiential avoidance was associated with increased weight status; however, this was true only for the morbidly obese group (n = 1). Increased experiential avoidance and decreased self-efficacy significantly predicted less rewarding eating experiences. Individuals with lower distress tolerance on the DTS reported increased depression, anxiety, and experiential avoidance, and were more likely to indicate eating disturbances and concerns on self-report measures, although distress tolerance generally was unrelated to eating behaviors as indexed on food diaries. These results were not replicated utilizing a behavioral measure of distress tolerance. Future directions for research designed to examine these variables in overweight and obese populations are discussed.

To many of us blogging is a natural part of our everyday life. Bloggers dedicate hours to writing in blogs, reading blogs, commenting on posts or answering comments on published posts. But what we choose to blog about can differ; this is an important note due to my discovery that what we choose to write about determines what benefits blogging holds to the blogger. This paper discusses the conventions of blogging as well as tries to answer the question of why blogging is so popular: why do we start blogging and why do so many choose to continue? These questions get answered by me analyzing the phenomenon that is blogging. I have studied both blogging as genre and as a kind of performance, as well as I have tried to hold an open dialogue with my informants. Thus I have concluded that blogging is to be considered a tool with many uses. Some are strictly practical and others have a more social value to them. I have also noted that the blogosphere is something constantly evolving. The blogosphere is far from a homogeneous field. I have found out that it can be difficult to examine the subject due to the need to make generalizations and assumptions. My furthermost important find is the conclusion that blogging (in this research) is not to be seen as merely texts, but as social actions. This realization also leads me to observations concerning the boundary between private and public, the media and the people and even a question of democratic values. By doing a limited investigation of a limited phenomenon, I have been able to point out key tendencies in our time.

published_or_final_version / Education / Master / Master of Education

Linha de pesquisa: Educa??o, sociedade e cultura. / Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2017-06-14T20:35:35Z No. of bitstreams: 2 alessandra_geralda_soares_dias.pdf: 2469242 bytes, checksum: 425e40e1c0a51c508f9030a6f9d6139f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2017-06-22T13:13:17Z (GMT) No. of bitstreams: 2 alessandra_geralda_soares_dias.pdf: 2469242 bytes, checksum: 425e40e1c0a51c508f9030a6f9d6139f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-06-22T13:13:18Z (GMT). No. of bitstreams: 2 alessandra_geralda_soares_dias.pdf: 2469242 bytes, checksum: 425e40e1c0a51c508f9030a6f9d6139f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017 / Esta disserta??o tem como objetivo a investiga??o das pr?ticas de escrita por meio da an?lise dos di?rios produzidos, entre 1950 e 1962, por alunas normalistas da Escola Normal Regional Dom Joaquim Silv?rio de Souza, em Conselheiro Mata, zona rural de Diamantina (MG). A constru??o desta proposta est? baseada na an?lise documental dos di?rios manuscritos, documentos pertencentes ao acervo da escola, os quais s?o considerados como fonte e objeto desta pesquisa. Entende-se que a produ??o cotidiana dos di?rios manuscritos por alunas normalistas pode constituir uma rica fonte para os estudos acerca da hist?ria das Escolas Normais Rurais em Minas Gerais e, especificamente, da institui??o aqui investigada. Nesta pesquisa, s?o utilizados autores que j? tratam sobre as estrat?gias de ensino na referida escola, mas que n?o aprofundam na an?lise dos di?rios, e aqueles que abordam alguns conceitos necess?rios para esta disserta??o, tais como: a hist?ria cultural dentro de suas abordagens de representa??o para entender a cultura escolar, a cultura escrita e cultura pol?tica. Ser?o ainda analisados os princ?pios did?ticos propostos pela psic?loga e educadora russa Helena Antipoff, uma das idealizadoras das escolas normais rurais em Minas Gerais. A quest?o central deste trabalho ? o estudo da percep??o das normalistas sobre o cotidiano de uma escola normal rural por meio da escrita dos di?rios. / Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Ci?ncias Humanas, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2017. / This Master's dissertation has the intention to research practices of writing through the diaries written by students between 1950 to 1962, of Regional Basic Teaching School Dom Joaquim Silv?rio de Souza in Conselheiro Mata, rural district of Diamantina, MG. The reason for this proposal was based on the documentary analysis of the manuscript diaries made between 1950 and 1962, documents belonging to acquis of the school, which is source and subject of this research. The daily development of manuscript source made by female students of the Teaching school researched, is understood by rich source of knowledge about the history of Basic Teaching School in rural area in Minas Gerais and, also the one analysed in this survey. On this research, authors that have already attended about education strategies in the mentioned school were used these authors did not deepen in there analysis of the diaries, however, some of them approach in some concepts used in this dissertation, like: The history approach to understand the culture of schools, the written culture and the political culture inside the institution. It was analysed the education resources proposed by a Russian psychologist and teacher Helena Antipoff, who was one of the Basic Teaching School in rural area in Minas Gerais?s idealizer. The issue that provide this research is the perception by the experienced of the students in the rural Basic Teaching School by the written diaries.

Gaspard-Hilarion Fornier d’Albe naît en 1769 au sein d’une famille appartenant à l’aristocratie protestante gardoise, bientôt anoblie grâce à ses activités négociantes. Il débute sa carrière militaire peu avant la fin de l'Ancien Régime, au terme d’une éducation exemplaire. Se distinguant dans les armées méridionales révolutionnaires, il est destitué comme noble et fédéraliste, puis réintègre l'armée pour participer à l'expédition d’Égypte. Il enchaîne ensuite les fonctions administratives à l'armée du Rhin, au camp de Boulogne puis dans les états-majors de la Grande Armée, avant de couronner son parcours par une défense de la place prussienne de Custrin pendant 13 mois en 1813-1814. Mis en retraite au retour des Bourbons, il mène une vie de bourgeois rentier à Paris, et – véhiculant la légende napoléonienne – se fait le relais d’un parti libéral protestant nîmois profondément traumatisé par la Terreur Blanche. Le général Fornier d’Albe se distingue davantage par ses aspects privés que par sa carrière militaire. Il lègue en effet à l’histoire trois écrits intimes d’une richesse exceptionnelle : le Journal d’Égypte, le Mémorial de Custrin et son journal de santé. Narrant à sa maîtresse le spleen qu’il ressent dans l’environnement égyptien et ses expériences sexuelles dans le premier, décrivant la descente aux enfers de la garnison de Custrin durant le siège de la place et analysant l’effondrement de l’Empire dans le second, il passe sa fin de vie à étudier la lente décomposition de son corps touché par un mal vénérien dans son journal de santé. Les écrits du “ for privé ” servent de fil conducteur à la biographie de ce notable bibliophile et érudit qui incarne les contradictions d’une génération qui façonna la France contemporaine. / Gaspard-Hilarion Fornier d’Albe was born in 1769 in a family of protestant aristocrats from the department of the Gard, soon ennobled thanks to their trade activities. He begins his career just before the end of the Ancien Régime after an exemplary education. Distinguishing himself in southern armies during the French Revolution, he’s dismissed as a noble and federalist, then reintegrated to participate to the expedition in Egypt. He’s then assigned to administrative fonctions in general staff, participates to napoleonian campaigns, and crowns his career with the defense of the place of Custrin during 13 months in 1813-1814. Retired when Bourbons return, he lives in Paris as a bourgeois with property incomes, and – conveying the napoleonian legend – becomes the relay of a liberal protestant party traumatised by the Terreur Blanche. General Fornier d’Albe is a lot more interesting because of the private aspects of his life than his military career. He leaves to history three intimate and extremely rich writings : the Egyptian Diary, the Custrin Memorial and the health diary. Telling to his mistress the spleen he feels in the egyptian environment and his sexual relationships in the first one, describing the horror of the siege of Custrin and analyzing the fall of the Empire in the second one, he studies the slow decomposition of his body because of e venereal disease in the health diary. Private writings are a common thread for the biography of this bibliophile and erudite notable who embodies the contradictions of the generation that shaped contemporary France.

Sans conteste, la réception de l'architecture française aux XVIe et XVIIe siècles par les contemporains français et étrangers manque à l'étude. Les visiteurs restent mal connus bien qu'ils soient les spectateurs de grandes manifestation architecturales. Leurs descriptions et leurs représentations des palais, des châteaux, mais aussi des églises, des ponts, des fortifications, des jardins et de leurs semblables permettent pourtant, une fois rassemblées, de définir le goût architectural d'une époque et d'une nation. Il était par conséquent primordial de constituer un corpus des textes et des images des XVIe et XVIIe siècles relatifs à l'architecture française et de l'analyser dans le détail. Les textes manuscrits, imprimés et les représentations graphiques laissés par les historiens, les antiquaires et les géographes, ainsi que les récits de voyages et les journaux rédigés par des notables curieux , des étudiants, voire des anonymes furent pris en compte pour répondre à trois grandes questions : qui sont les acteurs de cette réception, quelles sont les conditions de leurs visites et quels sont, à leurs yeux, les plus excellents bâtiments de France. Ces questions, si évidentes puissent-elles paraître, n'ont jamais été abordées. Or elles forment des clefs de lecture qu'il ne faut plus ignorer, d'autant qu'elles dissimulent des détails sur l'architecture qui s'avèrent nouveaux, uniques, incontournables. / The reception of French architecture in the 16th and 17th centuries by French and foreign contemporaries is unquestionably lacking. Visitors remain unknown, even though they are the spectators of great architectural shows. Their descriptions and mental images of palaces and stately homes, and also of churches, bridges, fortifications, gardens and their like, however, once reassembled enable one, to define the architectural flavour of a period and of a nation. It was thus essential to build up a coprus of texts and images of the 16th and 17th centuries and to analyse them in detail. Handwritten texts, printed documents and graphic representations left behind by antique dealers and geographers as well as travel diaries and newspapers written by inquiring notaries, scholars or even anonymous people were all analysed in an attempt to answer three important questions, namely who are the people behind this reception? In which conditions did their vsits take place? And in their view, what are the most outstanding buildings in France? However self-evident these questions may seem, they have never been tackled. And yet they form the clues to our reading which must no longer be ignored, even more so as they conceal the details of architecture which transpires to be new, unique, and not to be missed.

Submitted by Izabel Franco (izabel-franco@ufscar.br) on 2016-10-05T12:08:54Z No. of bitstreams: 1 DissSE.pdf: 5735177 bytes, checksum: 402ed66b1ad084da0464cec7b3aa81db (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-20T16:14:45Z (GMT) No. of bitstreams: 1 DissSE.pdf: 5735177 bytes, checksum: 402ed66b1ad084da0464cec7b3aa81db (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-20T16:14:51Z (GMT) No. of bitstreams: 1 DissSE.pdf: 5735177 bytes, checksum: 402ed66b1ad084da0464cec7b3aa81db (MD5) / Made available in DSpace on 2016-10-20T16:14:57Z (GMT). No. of bitstreams: 1 DissSE.pdf: 5735177 bytes, checksum: 402ed66b1ad084da0464cec7b3aa81db (MD5) Previous issue date: 2016-03-17 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / The research aims to think over about the overlaps between fiction and documentary in the film The Motorcycle Diaries (2004) by Walter Salles, using intermediality as method. We will use the intermedial phenomena proposed by Rajewsky (2012) as methodologi cal tools, thinking about intermedial transposition, combination of media and intermedial references. So, it's possible think over what kind of reading instruction is been triggered by the film, from the perspective proposed by Odin (2012): fictivizante or documentarizante. Our interest here is to think how literature transposed into film triggers such statements, relating the use of an open script to the reality of filming and also considering the influences between fiction and documentary related to road movie. We also seek to understand instructions that the film gives to emulate the photo and refer to documentary photography in three black and white sequences and using archival footage in the end credits. / A pesquisa se propõe a refletir sobre as imbricações entre ficção e documentário no filme Diários de motocicleta (2004) do diretor Walter Salles, por meio da intermidialidade. Usaremos os fenômenos intermidiáticos propostos por Rajewsky (2012) como instrumentos metodológicos, pensando a transposição intermidiática, a combinação de mídias e as referências intermidiáticas. Dessa forma, será possível refletir quais instruções de leitura o filme estará acionando, dentro da perspectiva proposta por Odin (2012): fictivizante ou documentarizante. Interessa-nos aqui pensar como a transposição da literatura para o cinema aciona tais instruções, relacionando o uso de um roteiro aberto à realidade das filmagens e pensando também as influências entre ficção e documentário relacionadas ao road movie. Buscamos entender também que instruções o filme dá ao emular a fotografia e referenciar a fotografia documental em três sequências em preto e branco e ao utilizar imagens de arquivo nos créditos finais.

Submitted by DANUBIA FERNANDA ZEVOLI PERES null (danubia_peres@yahoo.com.br) on 2017-10-24T00:23:12Z No. of bitstreams: 1 Peres_Danubia Fernanda Zevoli.pdf: 3544522 bytes, checksum: 6f1780e3c938b37f21b634112ed2ac3a (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-10-26T17:37:22Z (GMT) No. of bitstreams: 1 peres_dfz_me_rcla.pdf: 3544522 bytes, checksum: 6f1780e3c938b37f21b634112ed2ac3a (MD5) / Made available in DSpace on 2017-10-26T17:37:22Z (GMT). No. of bitstreams: 1 peres_dfz_me_rcla.pdf: 3544522 bytes, checksum: 6f1780e3c938b37f21b634112ed2ac3a (MD5) Previous issue date: 2017-08-10 / Um feito-a-mão sobre escrita de si, autoria e intimidade a partir da escrita de diários pessoais na aula de Língua Portuguesa. Este é o resumo mais resumo dessa dissertação. Mas, pede a formalidade da linguagem acadêmica que o resumo seja mais amplo. Pois bem. Temos então: esta dissertação é a compreensão de alguns aspectos desencadeados por uma pesquisa, desenvolvida a partir da perspectiva sócio-histórica (FREITAS, 2003), junto a duas turmas de 8º ano do Ensino Fundamental de uma escola pública da rede estadual na cidade de Rio Claro/SP. Considerando quinze diários disponibilizados pelos autores-alunos, bem como os diários de campo da professora-pesquisadora e os post its que a mesma foi escrevendo ao longo da compreensão dos dados, por meio do paradigma indiciário de Ginzburg (1996), esta dissertação busca compreender a escrita de diários pessoais como forma de constituição dos sujeitos envolvidos na pesquisa, a partir das marcas de autoria que os mesmos instituíram no gênero discursivo diário pessoal. Na sequência, adentra a intimidade, pensada como amizade, enquanto aspecto inerente das relações estabelecidas entre os sujeitos na escrita dos diários pessoais, a fim de percebê-la como espaço da constituição do “eu” junto ao “outro”, bem como a relevância da responsabilidade ética das relações de intimidade estabelecidas na pesquisa com/na escola e, consequentemente, na/com a aula de Língua Portuguesa. Por fim, traz considerações acerca de “práticas outras” na aula de Língua Portuguesa, na pesquisa com/na escola e na escrita da dissertação. É preciso ressaltar também que esta dissertação é um feito-a-mão, uma feitura textual que busca a arte, por meio do processo de ficcionalização no gênero discursivo crônica, escolhido para compreender a autoria e a intimidade instituídas no gênero diário pessoal, bem como pelo tricotar, bordar, enfim, tecer um texto com as memórias que tenho da minha avó-artesã / A handmade of self-writing, authorship and intimacy from the writing of personal diaries in the Portuguese class. This is the smaller summary of this dissertation. But the formality of the academic language requires that the abstract be broader. Well. We have then: this dissertation is the understanding of some aspects triggered by a research, developed from the socio-historical perspective (FREITAS, 2003), together with two groups of 8th grade Elementary Public School in the city of Rio Claro, São Paulo State. Considering fifteen diaries made available by the author-students, as well as the field diaries of the teacher-researcher and the post-ones she has been writing along the data comprehension, through the Ginzburg (1996) indicium paradigm, this dissertation seeks to understand the writing of personal diaries as a form of constitution of the subjects involved in the research, based on the authorship marks that they instituted in the personal diary discursive genre. In the sequence, intimacy, thought as friendship, enters as an inherent aspect of the relations established between the subjects in the writing of the personal diaries, in order to perceive it as the space of the constitution of oneself next to the "other", as well as the relevance of the ethical responsibility of the relations of intimacy established in the research with / in the school and, consequently, in / with the Portuguese class. Finally, it brings considerations about "other practices" in the Portuguese class, in the research with / in the school and in the writing of the dissertation. It should also be pointed out that this dissertation is a handmade, textual work that seeks the art, through fictionalization process in the chronic discursive genre, chosen to understand the authorship and intimacy instituted in the personal diaries genre, as well as by knitting, embroidering, finally, weaving a text with the memories from of my grandmother-artisan.

FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico / No presente trabalho temos como intuito a compreensÃo acerca de uma intimidade pÃblica, paradoxal e tecnomidiÃtica, que emerge sob o signo da pÃs-modernidade, por meio de prÃticas intensivas e extensivas de escrita de si na cibercultura, as quais vÃm provocando o deslizamento e a ruptura das fronteiras que separavam o pÃblico e o privado na modernidade â a que convencionamos chamar de ciberintimidade. Nesse sentido, pretendemos mapear quais possÃveis motivaÃÃes levam esses sujeitos pÃs-modernos a se constituÃrem por meio de uma escrita intimista, auto-referente e confessional, que pÃe em curso uma nova mentalidade acerca dos nÃveis desejÃveis de exposiÃÃo de si. Como metodologia de trabalho, valemo-nos de: (i) pesquisa bibliogrÃfica concernente Ãs Ãreas de interesse; (ii) anÃlise histÃrico-comparativa entre os diferentes modos de subjetivaÃÃo por meio da escrita de si, bem como dos distintos modos de pensamento acerca das relaÃÃes entre o pÃblico e o privado; (iii) anÃlise do discurso de diÃrios virtuais vertidos em blogs; (iv) realizaÃÃo de entrevistas semi-estruturadas junto a escritores de blogs com feiÃÃo de diÃrios virtuais; (v) aplicaÃÃo de questionÃrio junto a estudantes e professores universitÃrios, a fim de mapear algumas prÃ-compreensÃes acerca do imaginÃrio cibercultural. Ao final, concluÃmos que a ciberintimidade nÃo implica a ausÃncia de filtro em relaÃÃo à exposiÃÃo da intimidade, mas tÃo somente a instauraÃÃo de uma nova mentalidade acerca dos nÃveis desejÃveis quanto aos limites desse filtro, tendo em vista os ganhos secundÃrios que decorrem dessa âperdaâ de privacidade. Entre os quais se destacam: o fortalecimento de vÃnculos de sociabilidade, que resultam numa maior possibilidade de troca nas interaÃÃes entre escritores de blog e seu pÃblico leitor; a possibilidade de compor novos modos de subjetivaÃÃo, por meio de arranjos singulares decorrentes de uma escrita catÃrtica, que à tambÃm uma escuta de si; e, por fim, a possibilidade de erguer guardas de flanco contra as ruÃnas do esquecimento, resguardando para si e para a posteridade um relicÃrio de lembranÃas de vida pessoal no âguarda-memÃriaâ do blog. / This work deals with the attempt to understand a public intimacy that is at the same time paradoxical, mediatic and technological, emerging under the sign of postmodernity, through intensive and extensive practice of writing itself in cyberspace, which have caused the disruption of boundaries between public and private in modernity - called by us cyberintimidade. Accordingly, we intend to map out what are the possible reasons why the post-moderns subjects constitute themselves by means of a self-referencial written, that launches new terms of levels of exposure to each other. The methodology of work was: (i) study of texts concerning the areas of interest, (ii) historical and comparative analysis between the different forms of subjectivity that are composed by means of the self-referential writting and the various ways of thinking about relations between the public and private sectors, (iii) discourse analysis of virtual diaries found on blogs, (iv) qualitative research through interviews semi-structured interviews with the writers of blogs (v) quantitative research, using sample that are probabilistic and not intentional, with students and professors in order to map some pre-understandings about the imaginary cibercultural. We conclude that cyberintimidade not imply a lack of filter in relation to the exposure of intimacy, but only the introduction of a new mindset about the desired levels of the limits of this filter, in view of the secondary gains stemming from this privacy loss. Among which are: the strengthening of ties of sociability, resulting in greater possibility of interactions between blog writers and their readers, the possibility of drawing up new forms of subjectivity, through arrangements arising from a naturaly writing cathartic, who is also a way to listen itself, and, finally, the possibility of lift guards flank against the ruins of oblivion, guarding for themselves and for posterity a reliquary of memories of life in the memory guard of the blog.