Detta projekt har haft som syfte att producera och grafiskt formge det kommande numret av tidskriftsapplikationen Scandinavian Architectural Review för förlaget It Is Media Svenska AB i Stockholm. Skapandet har utgått från applikationens tidigare grafiska profil och har ämnat att följa tidigare utseende och funktioner utan nya tillägg. Hela produktionen har skapats genom Adobe InDesigns tilläggstjänst Adobe Digital Publishing Suite. Efter att produktionen färdigställts har en analys gjorts av den färdiga applikationen enligt en heuristisk utvärdering ur ett människa-datorinteraktionsperspektiv, till vilken David Benyons tolv designprinciper har  tillämpats. Till stöd i analysarbetet har ett aktivitetsdiagram skapats för att ge en god överblick över hela tidskriftens disposition. Analysen har slutligen resulterat i en åtgärdslista med förslag på förbättringar av applikationen för att öka dess användarvänlighet, vilket framför allt har lyft fram behovet av tydligare grafisk design av interaktiva element, ett förbättrat system för att ge användaren återkoppling samt ökad konsekvens och flexibilitet. / This project has aimed to produce and design the upcoming edition of the magazine application Scandinavian Architectural Review for the publisher It Is Media Svenska AB in Stockholm. The production has been based on the application’s prior graphic profile and has intended to follow previous appearance and functions without new additions. The entire production has been created using the Adobe InDesign plugin Adobe Digital Publishing Suite. After the production was finished an analysis of the completed application was performed according to a heuristic evaluation, which was based on the twelve design principles of David Benyon in a perspective of human-computer interaction. To support the analytical work an activity diagram was created to get a comprehensive view of the entire disposition of the application. The analysis has resulted in a list of actions and suggestions to improve the application and its usability, which particularly emphasize the need of a clearer design of the interactive elements, an improved system to give the user feedback as well as an increased consistency and flexibility.

Im Rahmen der Internationalen Open Access Week 2016 fand am 26.10.2016 die Veranstaltung "Open in Action at TU Chemnitz" statt. Der Vortrag des MDPI - Multidisciplinary Digital Publishing Institute - berichtet über die Aktivitäten des Open-Access-Verlages und die Vorteile für Autoren. Die Präsentation zeigt das Leistungsspektrum und gibt Auskunft über den Peer Review-Prozess. Seit 2015 hat die Universitätsbibliothek eine Institutionelle Vereinbarung mit dem MDPI geschlossen. Der Publikationsworkflow ist für Wissenschaffende einfach und transparent. / In the context of the International Open Access Week 2016, the event "Open in Action at TU Chemnitz" was held on 26 October 2016. The lecture of the MDPI – the Multidisciplinary Digital Publishing Institute – presents the past and current activities of the open access publisher and the author benefits. The presentation shows the procedures and the range of inhouse services in the editorial and the peer review process. The University Library of the Technische Universität Chemnitz has held an institutional membership with the MDPI AG since 2015. Thus, the publication and invoicing workflow is made simple and transparent for academics.

本研究旨在探討海峽兩岸中文電子期刊系統之現況、系統構面與功能，以及發展動機與成功因素，藉由比較研究之描述、解釋、併排與比較四步驟，研究台灣與大陸電子期刊系統的發展現況、中文期刊與電子期刊發展之優勢與面臨之問題、電子期刊系統發展歷史，並歸納兩岸電子期刊系統建置動機與成功因素，以及藉由實證研究以建構中文電子期刊系統的構面與功能，以提出中文電子期刊系統發展之具體模式與建議。 研究結果確立中文電子期刊系統包含出版管理、使用者服務、營運管理三構面，以及19項功能，並加以歸類。出版管理之功能包含：1.論文徵集；2.數位化作業；3.期刊分類與Metadata建置；4.建置資料庫；5.電子全文管理；6.詞彙權威控制；7.論文篩選標準。使用者服務之功能包含：8.資訊檢索與取用；9.引文分析；10.行銷推廣與客戶服務；11.個人化服務；12.電子期刊永久取用；13.加值服務；14.知識社群。營運管理之功能包含：15.收費與帳務管理；16.權利金給付與查核；17.著作權徵集與管理；18.統計報表；19.營運模式。 本論文結論歸納：1.中文電子期刊系統構面與功能；2.台灣電子期刊系統之特色；3.大陸電子期刊系統之特色;4.台灣中文電子期刊系統發展動機；5.大陸中文電子期刊系統發展動機；6.台灣中文電子期刊系統發展成功因素；7.大陸中文電子期刊系統發展成功因素；8.兩岸中文電子期刊系統發展面臨之問題；9.目前大陸在整體中文電子期刊系統之發展居領先地位。 最後建議：1.依據本論文所提出之電子期刊構面與功能改善台灣中文電子期刊系統。2.建議未來國家圖書館與資料庫廠商合作發展台灣全文電子期刊系統。3.建議我國政府擬定全文電子期刊系統建置之長期重點發展計畫。4.建議台灣電子期刊系統建置期刊採編系統平台。5.建議台灣中文電子期刊系統建置引用文獻連結及引文數據分析功能。6.建議台灣中文電子期刊系統建置知識社群功能。7.建議華藝公司中文電子期刊服務系統以收錄台灣期刊為優先考量。 / The purpose of the study was to research the current status, system dimensions and function, as well as the motivation and success factors of Chinese journal systems. Through description, interpretation, juxtaposition, and comparison, this study research the current status of Chinese journal systems, the advantages of development and the problems of Chinese journals and electronic journals, the history of electronic journal systems, summarized the motivation and success factors of Chinese electronic journal systems, and construct Chinese electronic journal systems dimensions and functions by empirical research. Finally come up with the specific model and suggestions of Chinese electronic journal systems. The results of this study established the Chinese electronic journal systems includes 3 dimensions: management of publication, user services, and management of operation, as well as 19 features. management of publication includes: 1. Collection of journal; 2. Digital operations; 3. Journal classification and Metadata construction; 4. Database construction; 5. Electronic full-text management; 6.Vocabulary authority control; 7. Standard of journal selections. User services include: 8. Information retrieval and access; 9.Citation analysis; 10. Marketing and customer services; 11.Personal services; 12.Permanent access of electronic journals; 13.Value-added services; 14.Knowledge Community. Management of the operation includes: 15.Charges and account management; 16.Premium payments and check; 17. Copyright collection and management; 18. Statistics; 19. Mode of operation. The conclusions of the study are: 1. The dimensions and functions of Chinese electronic journal systems; 2. The characteristics of electronic journal systems in Taiwan; 3. The characteristics of electronic journal systems in China; 4. The motivation of Chinese electronic journal system in Taiwan ; 5. The motivation of Chinese electronic journal system in China; 6.The success factors of Chinese electronic journal systems in Taiwan; 7. The success factors of Chinese electronic journal systems in China; 8. The problems of Chinese electronic journal systems in Taiwan and China; 9. At present, China is on the leading position in overall development of Chinese electronic journal systems.. The study make final suggestions as follows: 1. Pursuant the dimensions and function of electronic journals to improve the Chinese electronic journal systems in Taiwan; 2. National Central Library and database vendors can cooperate to develop full-text electronic journal systems in Taiwan; 3. Government can build long-term development plan of full-text electronic journal systems; 4. The proposed system of electronic journals in Taiwan Journal reporters and editors to build system platform; 5. Construct reference links and citation analysis functions to Chinese electronic journal systems in Taiwan; 6. Build knowledge group functions to Chinese electronic journal systems in Taiwan; 7. CEPS should put the first priority on Taiwan Journal collections.

近年來，學者對於有關產業創新的研究積極投入，提出許多足以促進企業創新的影響因素。過去台灣企業競爭力靠的是降低成本以爭取客戶，現在必須思考的是如何利用本身資源的建構，產生創新，並且在創新的過程中，累積更多的資源，逐步達到新的策略定位。 在社會需求改變與產業技術發展等因素下，數位出版產業興起。數位出版產業是許多廠商欲進入的新興產業，本身即包含了許多的創新。本研究以數位出版產業為例，訪談印刷支援廠商、傳統出版業者、資訊系統廠商三種類型的廠商。廠商在進入數位出版產業時，依其本身資源不同，產生不同的創新，創新過程中選擇建構不同的新資源，使其達到產業中新的策略定位。本研究以數位出版產業為例，探討在不同策略定位下，資源建構與產業創新之關係。 研究發現廠商初期擁有之核心資源有助於創新的產生。並利用創新過程中，建構出更多相關之資源。藉由資源稟賦為引發創新之產生點，過程中產生創新。研究中之五個廠商個案中，數種資源稟賦引發14種創新案例，歸類為五種創新形式，包括產品、流程、策略、組織、行銷五種創新。 此外，研究發現廠商以不同之策略定位進入新產業，核心資源建構過程中，利用各種創新形式，達成其所預定之新產業中「數位出版內容加值者」、「數位出版技術提供者」、「數位出版整合營運者」三種策略定位。 數位出版產業尚屬新興產業，市場需求與技術發展變化快速。產業之競爭態勢亦尚未明朗，尚須密切注意潛在競爭者動態。除了本研究觀察之傳統出版業者、印刷支援廠商、資訊系統廠商之外，擁有眾多會員數或網路流量的入口網站是潛在競爭者。然而，各廠商核心資源不同，因此能在產業中佔有適當的位置。廠商應著重本身核心資源建構與創新，並且積極與其他廠商合作，共同推動市場發展，跨越市場鴻溝才是當務之急。 / Recently, there has been a number of studies pertaining to the industrial innovation, and many factors that contribute to the industrial innovation have been proposed. Cost down used to account for the competitiveness of the industries in Taiwan while now it must be considered that how to utilize the existing resources to create innovation, proliferate new resources, and achieve the new strategic positions. Digital publishing is springing up as a result of the change of social demand and the development of industrial technology. This attractive and innovative industry is taken as an example in this study, and one printing company, three publishers, and one computer firm were interviewed. Entering the digital publishing, the enterprises with different natural resource quality create various innovations, generate their own resources, and accomplish the new strategic position. The relation between the resources construction and the industrial innovation in digital publishing are studied in this research. The research discovers that the initial core resources are helpful for the creation of the innovation and the generation of related resources. Numerous natural resource endowments contribute 14 innovative cases which can be categorized into 5 types – product, process, strategy, organization, and marketing. In addition, it is also noted that enterprises construct different strategic positions while entering into new industries. In course of construction of the core resources, they attain the three strategic positions – the digital publishing content adder, the digital publishing technology provider, or the digital publishing integrated operator. Digital publishing is still an emerging industry.Therefore, the market demand and the technical development change drastically. Considering the unclear competitive situation, it may as well pay more attention to the competitors. Apart from the interviewed firms in this study, portal websites that have numbers of members or a large deal of flow are potential competitors. Owing to different core resources, however, those enterprises can stand in their own strategic positions. A company is supposed to focus on the accumulation of its core resources and innovation and to cooperate with other firms to develop the market.

隨著網際網路興起，資訊的交流與傳遞產生了革命性的變化，同時也影響了許多產業既有的經營與交易模式，電子商務以及產品/服務數位化的概念開始大行其道。近年來，網際網路的即時性與互動性，更促成平台經營模式的興起，藉由打破傳統交易模式中單向的供應鏈形式，平台建立了多方使用者對資訊及產品/服務在供給與需求上的循環性，促成交易成本降低，進而創造更多新的商機。 以傳統出版業為例，受限於書籍在印刷出版時高額的固定成本，廠商通常只能向已具有市場規模的知名作家或經濟人進行作品出版的提案與邀約；而對於消費者來說，也僅能就市場提供的產品進行選擇。另一方面，對於許多有潛力但尚未被發掘的創作者而言，也因為缺乏能實際接觸市場的機會與管道而遭到埋沒，而對廠商來說，過高的搜尋成本與投資風險也形成了發掘這些新銳作家的障礙。 本研究試圖以平台策略與經營模式為基礎，探討創作交流平台對於傳統出版業以及其數位化過程中所產生的衝擊與影響，並試圖建立一套能有效促成創作者、使用者與廠商三方獲益的資訊交流平台；最後，針對創作在數位化過程中最容易遭遇到的著作權問題，本研究也將以平台經營管理的角度加以審視分析，並提出相關政策上之建議。因此，本研究之研究問題係總結為以下三點： 1.創作交流平台對於傳統出版業與出版數位化的影響與競合關係 2.創作交流平台經營模式與成功關鍵之分析 3.創作交流平台著作權法律相關政策與議題之探討 / As Internet became more and more popular, there was a revolutionary change about transportation of information, and it also deeply influenced many industries’ original operation and transaction models. For this reason, e-commercial and digitization of products and services started to prevail. In recent years, because of Internet’s instantaneity and interactivity, platform business models start to spring up. By breaking through the traditional one-way supply chain, platforms try to find the circulation between each type user’s supply and demand of products or services. Platforms model decrease the transaction cost and help many people find the new business. Take traditional publishing industry for example, for fear of the high fixed cost of books publishing; publishers only publish books by well-known authors or through agents with good reputation. For customers, they can only passively choose from the items supplied. Besides, many potentially brilliant authors may be neglected under this circumstance, because they lack channels to approach the market and audiences. Considering the searching cost and risk, it’s also difficult for publishers to discover these potential creators. This research will be based on platform strategies and business models, discussing the influence and transformation result from creation communication platforms during digitization process of traditional publishing industry. Furthermore, this research will try to build up a platform business model to make users (including creators, audiences and publisher) profit. At last, this research also covers the copyright issue about creation communication platform, and brings up some advices for platform policies. After all, this research will focus on three questions as below: 1.Influence and transformation result from creation communication platforms during digitization process of traditional publishing industry. 2.Analysis about creation communication platforms’ business models and key factors for making success. 3.Discussion of creation communication platforms’ copyright issues and related business policies.

Ce mémoire a reçu la mention « exceptionnel » de la part du jury. / Ce mémoire a pour objet d’étude la maison d’édition Abrüpt, dont la variété et l’hybridité des productions interrogent les frontières de la textualité. On retrouve chez Abrüpt un ensemble hétérogène d’objets numériques et imprimés qui ne se limitent guère au codex classique : espaces web dynamiques, feuillets pliables et imprimables à la demande, installations spatiales en réalité virtuelle, robots littéraires – pour ne nommer que ceux-ci. Si de nombreux choix éditoriaux témoignent d’une continuité marquée avec la tradition imprimée, la particularité d’Abrüpt consiste à investir les potentialités créatives des technologies numériques, notamment par l’écriture du code informatique. La singularité de ce projet de maîtrise repose en partie sur l’étude de l’envers technique, laquelle donne à voir le processus de création et le fonctionnement des productions littéraires que l’on peut étudier en accès libre via des archives (« dépôts ») facilement appropriables (« clonables ») sous des conditions permissives (grâce à des « licences libres »). Nous procédons d’abord à une analyse thématique d’un ensemble de manifestes choisis parmi le catalogue de la maison d’édition, ce qui permet d’en révéler les orientations économiques, politiques et idéologiques. Nous interrogeons ensuite l’« implémentation » de telles visions du monde dans deux études de cas, « Naufrages » et « enfer.txt ». Les études critiques du code examinant les régimes « extra-fonctionnels » du code informatique situé dans son contexte sociohistorique, c’est notamment par elle que nous entendons faire émerger un surcroît de sens au texte « numériquement conditionné » et à en actualiser le discours latent. Nous intégrons à notre démarche une approche conceptuelle, en particulier au détour d’un approfondissement de la notion de « programme », et recourons à des heuristiques issues des pratiques computationnelles et de l’interprétation modélisante. / The subject of this dissertation is Abrüpt, a collective publisher whose diverse and hybrid productions question the boundaries of textuality. Its wide range of digital and printed objects are far from limited to the classic codex: dynamic web spaces, leaflets that can be folded and printed on demand, virtual reality installations, literary bots—to name but a few. While many of its editorial decisions remain in line with the printed tradition, the publisher’s particularity lies in its creative use of digital technologies, in particular through the writing of computer code. This master’s project examines the technical slope of Abrüpt’s works, attempting to reveal both the creative process and functioning of these literary productions which can be studied in open access via archives (“repositories”) that can be easily appropriated (“cloned”) under permissive conditions (thanks to “free licenses”). We begin with a thematic analysis of a set of manifestos selected from Abrüpt’s catalog, unveiling the economic, political and ideological orientations of the publisher. We then evaluate the “implementation” of such worldviews in two case studies, “Naufrages” and “enfer.txt”. The method of critical code studies examines the “extrafunctional” significance of computer source code situated in its sociohistorical context. It is through this method in particular that we intend to bring to the surface the additional meanings of these “digitally conditioned” texts, showing some possible actualizations of their latent discourse. We integrate a conceptual approach to our work, in particular through an in-depth examination of the notion of “program”, and draw on heuristics from computational practices and modeling interpretation.

Am Beispiel der altgermanistischen Edition wird dargelegt, dass das Buch als Publikationsort herausgefordert ist: Einerseits haben die Diskussionen zur ''New Philology'' gezeigt, dass die Möglichkeiten des Printmediums erschöpft sind. Andererseits hat sich durch die ''Neuen Medien'' der Erwartungshorizont der Leser-Benutzer gravierend verschoben. Obwohl die elektronische Datenverarbeitung im Editionsprozess seit Beginn des digitalen Zeitalters eine bedeutende Rolle spielt, fällt es dem Fach schwer, diesem Horizont und den daraus resultierenden Ansprüchen gerecht zu werden. Das liegt daran, dass – der Theorie nach – bei Medienumbrüchen das alte Medium dem neuen den Aktionsradius vorgibt, sodass Bremseffekte stets die Entwicklung beeinflussen. In der Praxis bedeutet dies, dass die digitalen Medien nur als Präsentationsvehikel ausgebeutet werden. Zwar werden Handschriften, Buchbestände und Texte erschlossen und im Internet zugänglich gemacht, sodass klassische Editionen (Faksimile, diplomatischer Abdruck, Fassungsedition oder historisch-kritische Ausgabe) nicht mehr nur im gedruckten Buch abgebildet werden. Jedoch macht schon die Rezeption an unterschiedlichen Endgeräten (E-Book-Reader, PC-Bildschirmen, Smartphones, Braille Displays etc.) Grenzen sichtbar. Noch deutlicher wird dies unterhalb der sich wechselseitig treibenden Wirkkräfte Standardisierung, Interoperabilität, Ausdifferenzierung, Kollaboration, Webapplikationen, Semantik, Zugänglichkeit, Barrierefreiheit und Legalität. Sie stellen für die komplexe Textedition einen völlig neuen Anforderungskatalog dar, der die statische Präsentation der Ergebnisse hinter sich lässt. Dieses traditionelle Ziel allen Edierens rückt gegenüber dem Editionsprozess und dem genuinen Potential der digitalen Medien, der Trennung der Präsentation vom Speicher, in den Hintergrund. Entscheidend wird sein, dass Editionsdaten für das fortgesetzte Bearbeiten offen und dabei auf verschiedensten Endgeräten flexibel präsentierbar bleiben. / Looking at recent publications of medieval German texts reveals two challenges to the dominance of the printed book as the principal place for publishing: On the one hand, the ''New Philology'' has shown that the possibilities of print are exhausted. On the other hand, the expectations of the 21st century reader/user have radically changed. Despite the fact that from the beginning, digital data processing has played a major role in the editing process, it is very hard to live up to these expectations. This is because - in theory - the old medium dictates limitations to the new one, slowing down the process of expansion and change. In practice this means that so far digital media have been used only as a vehicle for presentation. With manuscripts, book collections and texts being extensively captured and made available on the Internet, classical editions (facsimiles, diplomatic editions, edited versions and historical-critical editions) are increasingly being published outside the printed book. Nevertheless, the reception of this digital content on different devices (e-book readers, computer screens, smartphones, braille displays etc.) has its limitations. This becomes even more obvious when one considers the mutually active forces of standardization, interoperability, differentiation, collaboration, web applications, semantics, availability, accessibility and legality. These establish a whole new list of requirements that goes beyond the static presentation of the results of the editing process. While the traditional goal of all editing processes is losing its importance, it nevertheless opens up the genuine potential of digital media: the separation of presentation from memory. In the future, publishing data could be kept open for further processing and would remain flexible for presentation on all kinds of devices.

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The thesis is dedicated to the changes of the book market between its entities, libraries and final consumer of information (readers, library users) after the arrival of the internet. Development of the internet has brought searching of the new business models and opportunities for cooperation. Electronic publishing that, along with the internet availability, commenced to raise is the starting factor for the development of electronic books. The thesis outlines the roles of individual entities of the book market, i.e. publisher and seller (distributor, book-seller and digital platform) and libraries during the production, sale and accessing books with the focus on electronic books. After description of used terminology, especially different approaches to the definition of "an e-book", the next chapter presents hardware devices and software programs that enable reading e-books. The third chapter introduces the role of a publisher in the process of publishing printed and electronic e-books. The aim of the chapter is to highlight different strategies of processing the printed and electronic text, incl. possibilities of self-publishing which gives new possibilities to the author's hands. The fourth chapter describes distribution and sale of printed and mainly electronic books and also defines the new...

在數位出版產業中，台灣出版業者面對網路改革的壓力，積極尋找網路數位出版發展趨勢與商業模式，並且華文網路市場機會的興起以及網路社會上智慧財產權的日益重要，本研究將以智慧財產權管理的角度探討在網路中，臺灣出版業者如何尋找新的商業模式掌握此次出版業的革命商機，為廠商提出發展建議。 網路數位出版，意指在內容出版的過程，從內容創造、流通到利用都是以數位化的技術進行，並且在網路的環境中完成這些過程。網路數位出版平台，指的是溝通內容創造與內容利用兩端的中間者。負責聯絡兩方平台業者所面對的智財權議題以著作權最為重要，因為數位出版產業立基於內容發展，而著作權主要說明內容的管理。 本研究從網路長尾理論出發，以該現象形成的原因作為分析廠商的智財權管理的面向，分析專業數位出版平台—商業周刊網站，以及業餘數位出版平台—PIXNET，尋找商業模式與智財權管理的關連性。 根據個案訪談的結果分析，專業數位出版平台內容發行與智財權管理皆為以業者角度為主的單向，然而業餘數位出版平台的內容發行與智財權管理都是以互動的方式完成，平台之商業模式確實影響智財權的管理。除此之外，對於未來數位出版平台的發展，專業與業餘之間的藩籬逐漸消弭，成為兩者的綜合，本研究亦建議業者朝向專業與業餘並行的發展方向前進。 / The importance of intellectual property increases with the growth of Chinese internet market. Taiwan publishers are now confronted with the pressure from internet innovation and thus are forced to find out a new business model and more opportunity. This study will focus on the possible business model of digital publishing and the strategy of IP management which Taiwan publishers should adopt. Digital publishing suggests an all-digitalized publication process. Every step of publication, from content creation, editing, publishing, selling to application, can be completed all through the internet. The platform of digital publishing serves to communicate both side of content providers and users. Hence, copyright of the digital content and the management of copyright becomes one of the most important intellectual property issues. The thesis will begin with Chris Anderson’s Long Tail theory. Two websites of digital publishing in Taiwan will be chosen for analysis: the Business Weekly as the commercial plaform and PIXNET Blog as the avocational one. Through the comparison, the study aims to find out the connections between the business model and the intellectual property management. According to the case studies, the content and the intellectual property management of commercial platform are unidirectional, decided by managers. On the other hand, tthese of avocational one are bidirectional, influenced by website managers and users. Intellectual property managements are influenced by different business model. However, it would be the trend that the barrier between commercial platform and the avocational one will melt away and the business model of website in the future will change. The business model and intellectual property management of digital publishing platform should combine characteristics of both commercial and avocational one.