The purpose of this thesis is to give a concise view of stylistic, iconographical, and iconological trends in Southern genre paintings and illustrations between 1830 and 1890 by native Southern artists and artists who lived at least ten years in the South. Exploration of artworks was accomplished by compiling as many artworks as possible per decade, separating each decade by dominant trends in subject matter, and researching to determine political and/or social implications associated with and affecting each image. Historical documents and the findings of other scholars revealed that many artworks carried political overtones reflecting the dominant thought of the white ruling class during the period while the significance and interpretation of other artworks was achieved by studying dominant personal beliefs and social practices.

Orientador: Nelyse Apparecida Melro Salzedas / Banca: Rozinaldo Antonio Miani / Banca: Maria Lúcia Vissotto Paiva Diniz / Resumo: Subjetividade, crônica, ilustração, jornalismo impresso e produção de sentido. O que esses termos têm em comum? Mais do que apresentar uma opinião pessoal, a crônica e a ilustração, frutos de uma indústria cultural que chega ao Brasil em meados do século XX, influenciam outra visão social, uma vez que se caracterizam pela busca incessante em captar um momento da realidade e interpretá-lo por meio do texto ou do traço. Os meios de comunicação atraem a atenção do leitor pelas diferentes maneiras de informar ou comentar uma notícia. Ao longo da evolução do jornalismo impresso, colunas de informação foram adaptadas ao jornal e o uso da ilustração passou a ser um recurso utilizado para produção de sentido na realidade. Tão subjetiva quanto as crônicas, editoriais e comentários, a ilustração hoje é empregada diariamente no meio impresso, devido ao avanço proporcionado pelas novas tecnologias e também pela boa recepção que obteve junto ao público leitor que cada vez mais consume imagens. A partir dessa perspectiva, temos a inegável importância de se estudar a relação entre o texto e a imagem para compreendermos a implicação do verbal e do não verbal através das novas propostas de comunicação. Na presente dissertação, verificaremos a produção de sentido entre determinadas crônicas de Arnaldo Jabor e ilustrações de Cido Gonçalves publicadas no Caderno 2 do jornal O Estado de S. Paulo entre 2006 e 2007. Analisaremos as mesmas como manifestações de uma indústria cultural consolidada e ainda forte. Verificar a relação texto e imagem é o objetivo principal a que nos propomos, refletindo sobre a importância da crônica e da ilustração no meio impresso. Pretendemos analisar as crônicas selecionadas averiguando como essas superam a efemeridade das notícias utilizando outros referenciais para situar os constantes conflitos sociais. Analisaremos ...(Resumo completo, clicar acesso eletrônico abaixo) / Abstract: Subjectivity, chronics, illustration, printed journalism and production of meaning. What do these terms have in common? More than presenting a personal opinion, chronics and illustrations, offspring of a cultural industry that arrives in Brazil in the beginning of the 20th century, influence other social vision, once they are characterized by a restless search to capture a moment of reality and interpret it through text or illustration. The means of communication attracts the reader's attention through different ways of informing or commenting a piece of news. During the evolution of printed journalism, columns of information were adapted to the newspaper and the use of illustration started being a resource used in the construction of a new production of meaning over the reality. As subjective as the chronics, editorials and comments, the illustration is used nowadays in a daily basis in the printed media, due to the evolution enabled by the new technologies and also by the good acceptance which received along to the readers which more and more consumes images. From this perspective, there is the undeniable importance of studying the relationship between text and image to understand the implication of the verbal and non-verbal through the new propositions of communication. In the present dissertation, we are going to check the production of meaning among determined chronics by Arnaldo Jabor and the illustrations of Cido Gonçalves published in Caderno 2 of the O Estado de S. Paulo newspaper between 2006 and 2007. We will analyze them as manifestations of a consolidated and strong cultural industry. Checking the relationship between text and image is the main objective proposed, reflecting over the importance of chronics and illustration in the printed media. We intend to analyze the selected chronics noticing how they overcome the ephemerity of the news using other referentials to site ...(Complete abstract click electronic address below) / Mestre

<p> </p><p><strong><p>Abstract</p></strong><p>My curiosity of students' use of images for reading led me to seek knowledge of the students view on the text illustrations in the literature and through interviews. This study is about how pupils in the school year 2 experience reading, especially with images. The purpose is to investigate the significance of illustrations in reading for students in school year 2. I also want to find out how students see themselves as readers and how the survey material believes that the students comprehend reading. Eight children, both girls and boys have participated in the interview. They had to read from three books in different formats with the same approach and questions. Interview and reading aloud were recorded and analyzed. The results suggest that the students are not always aware of their own development of reading process and the importances of the images are not considered as high among students. Notably, many of them used the images to get the information they needed to answer questions. Those who read other than books at home believe that they do not read, even if reading is about decoding information and messages. ´The broadens the concept of text´, which means that the text also includes the message that is mediated by other than through the written word, seems unfamiliar to the students. You can see that it is of importance for their reading comprehension among the students who read a lot at home.</p></p> / <p> </p><p><strong><p>Sammanfattning</p></strong><p>Min nyfikenhet över elevernas användande av bilder vid läsning ledde mig till att söka kunskap om elevernas syn på textillustrationer, i litteratur och genom intervjuer. Den här studien handlar om hur elever i skolår 2 upplever läsning, och då främst med bilder. Syftet består i att undersöka vad illustrationer kan ha för betydelse vid läsförståelse för elever i skolår 2. Jag vill också ta reda på hur eleverna ser sig själva som läsare och var eleverna befinner sig enligt olika kartläggningsmaterial om läsförståelse. Åtta barn, både tjejer och killar har deltagit i intervjun. De fick läsa högt ur tre böcker i olika format med samma tillvägagångssätt och frågor. Intervju och högläsning har spelats in och analyserats. Resultatet tyder på att eleverna inte alltid är medvetna om sin egen läsutvecklingsprocess och att betydelsen av bilder inte anses så stor bland eleverna. Noterbart är att många av dem använde sig av bilderna för att få den information de behövde för att svara på frågorna. De som läser annat än böcker hemma anser sig inte läsa, även om det innebär att avläsa information och meddelanden. Det vidgade textbegreppet, som innebär att text också innefattar budskap som medieras på annat sätt än genom det skrivna ordet, verkar obekant för eleverna. Det märks att det är av betydelse för deras läsförståelse bland de elever som läser mycket hemma.</p></p>

Abstract My curiosity of students' use of images for reading led me to seek knowledge of the students view on the text illustrations in the literature and through interviews. This study is about how pupils in the school year 2 experience reading, especially with images. The purpose is to investigate the significance of illustrations in reading for students in school year 2. I also want to find out how students see themselves as readers and how the survey material believes that the students comprehend reading. Eight children, both girls and boys have participated in the interview. They had to read from three books in different formats with the same approach and questions. Interview and reading aloud were recorded and analyzed. The results suggest that the students are not always aware of their own development of reading process and the importances of the images are not considered as high among students. Notably, many of them used the images to get the information they needed to answer questions. Those who read other than books at home believe that they do not read, even if reading is about decoding information and messages. ´The broadens the concept of text´, which means that the text also includes the message that is mediated by other than through the written word, seems unfamiliar to the students. You can see that it is of importance for their reading comprehension among the students who read a lot at home. / Sammanfattning Min nyfikenhet över elevernas användande av bilder vid läsning ledde mig till att söka kunskap om elevernas syn på textillustrationer, i litteratur och genom intervjuer. Den här studien handlar om hur elever i skolår 2 upplever läsning, och då främst med bilder. Syftet består i att undersöka vad illustrationer kan ha för betydelse vid läsförståelse för elever i skolår 2. Jag vill också ta reda på hur eleverna ser sig själva som läsare och var eleverna befinner sig enligt olika kartläggningsmaterial om läsförståelse. Åtta barn, både tjejer och killar har deltagit i intervjun. De fick läsa högt ur tre böcker i olika format med samma tillvägagångssätt och frågor. Intervju och högläsning har spelats in och analyserats. Resultatet tyder på att eleverna inte alltid är medvetna om sin egen läsutvecklingsprocess och att betydelsen av bilder inte anses så stor bland eleverna. Noterbart är att många av dem använde sig av bilderna för att få den information de behövde för att svara på frågorna. De som läser annat än böcker hemma anser sig inte läsa, även om det innebär att avläsa information och meddelanden. Det vidgade textbegreppet, som innebär att text också innefattar budskap som medieras på annat sätt än genom det skrivna ordet, verkar obekant för eleverna. Det märks att det är av betydelse för deras läsförståelse bland de elever som läser mycket hemma.

Mark Z. Danielewski's House of Leaves and Audrey Niffenegger's two visual novels The Three Incestuous Sisters and The Adventuress all contain examples of manipulated paratext - paratexts being the devices involved in the presentation of the text such as titles, author names, font, introductions, illustrations, appendices, advertising, and interviews. The emphasis these authors place on these usually inconspicuous devices is an expression of the irrational themes contained within these texts. The irrational is an underlying theme of the Gothic genre and through examining the use of manipulated paratexts this thesis demonstrates how these texts make use of the irrational Gothic elements that are present within the postmodern. While Danielewski and Niffenegger both have these similar themes, the effects they create are extremely different. Niffenegger creates écriture feminine, or feminine writing as described by Hélène Cixous, by prioritising illustrations that feature marginalised bodily expression in order to convey the narrative rather than text. Danielewski, on the other hand, produces a text that is a pure pastiche of Gothic and postmodern devices in order to emulate the postmodern media in its creation of hyperreality and to reproduce the sensation of a media that possesses and changes its consumers. House of Leaves is the instigator for a number of similar texts that have been published since the turn of the millennium which will be considered an emerging literary movement.

Illustrated pictures play an important role as mediators of mathematical concepts and relations in mathematical textbooks used in Swedish primary school classrooms. Theories of the meaning of semiotics for teaching and learning, as well as the Variation theory of learning, are used as a framework to investigate the critical aspects for developing multiplicative reasoning through visual presentations. In this study143 students in 3rd grade (age 9-10) participated in a test where multiplication is represented with illustrations, using both additive and multiplicative groupings. The students were also instructed to draw multiplication expressions with various visual supports. Students’ responses were analyzed by quantifying groupings based on the multiplication expressions students identify, as well as the extend of which they use additive and multiplicative visual representations and support in their own drawings. Results show indications of different properties of multiplication that can be presented in illustrations. How teacher knowledge can be used to identify the critical aspects for learning multiplication is here discussed, leading to suggestions regarding ways is which textbook pictures can be useful tools in teaching and learning.

The aim of the present thesis is to analyse how the narrative affects the various philosophical debates in Tristram Shandy and Jacques le fataliste. Contrary to what one expects from a philosophical novel, Sterne and Diderot do not impose upon the reader an authorial and authoritative discourse. Dominant discourses are constantly challenged and contradicted. The philosophical debates in both novels remain open and are left without a conclusion. The author's voice is but one amongst many others, and it is the narrative which maintains the dialogue between them by preventing one particular voice from invalidating the others. My argument hinges on Bakhtinian dialogism, which can be defined as the presence of interacting voices and views. In Tristram Shandy and Jacques le fataliste, dialogism occurs through the narrative structure allowing for the confrontation of the contradictory discourses in the philosophical debates, and enabling them to engage in dialogue, instead of establishing the authorial voice as the sole valid discourse in the text. Through those contradictions, the philosophical content takes on a different form, that of a refusal of systematic discourse. No dogmatic view is forced upon the reader. Sterne and Diderot do not offer a solution to the various philosophical questions debated in their novels. However, they do offer a philosophical method whereby the confrontation of contradictory ideas creates a dynamic for the pursuit of truth.

Abstract The thesis consists of two parts: theoretical and practical. In the theoretical part of my thesis I would like to describe the development of art, especially the prehistoric times, the specifics of the time and gradual changes, focusing on the life of prehistoric creatures and their development. Zoom personalities related to this topic, especially illustrators, painters, filmmakers, who are involved in public awareness about the picture of the time. Finally, I would like to mention the influence of authors and styles of the 20th century and approached the work of contemporary artists inspired by this theme. In the practical part of the thesis, deals with the presentation selected and died out creatures. To this I would like to take the theoretical and practical knowledge based on my work involved.

Orientador: Lygia Arcuri Eluf / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T18:31:06Z (GMT). No. of bitstreams: 1 Garcia_ClaudioLuiz_D.pdf: 52254118 bytes, checksum: ba69c3575117c45af05862bae6ab2a6c (MD5) Previous issue date: 2010 / Resumo: O conjunto de onze Livros de Horas é uma das partes do documento apresentado como conclusão do doutorado em artes. Este conjunto é composto por um relato da construção dos livros; pela criação de um vídeo mostrando as referências cinematográficas utilizadas no processo de criação dos retratos, assunto principal da narrativa dos livros. Trata-se de uma pesquisa em artes voltada à criação e ao ensino em artes. Foi realizada uma série de gravura em metal, desenhos e pinturas relacionados às experiências de ensino em artes / Abstract: The set of eleven books of Hours is a party to the document presented as doctor's degree in arts. This set consists of an account of the construction of books, the creation of a video film showing the references used in the creation of pictures, the main subject of the narrative of the books. This is a survey dedicated to creating arts and arts education. We performed a series of metal engraving, drawings and paintings related to the experiences of teaching in the arts / Doutorado / Artes Visuais / Doutor em Artes

Orientador: Joaquim Brasil Fontes / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-08T12:32:03Z (GMT). No. of bitstreams: 1 Linardi_AnaBeatrizdeAraujo_D.pdf: 37985075 bytes, checksum: 0067badedb92bc7e2f2e06c18a4618ed (MD5) Previous issue date: 2007 / Resumo: Este trabalho procura analisar as imagens que o pintor espanhol Salvador Dalí realizou para a obra de Cervantes, Dom Quixote. O resultado é um livro ilustrado marcado por uma singularidade: desde sua primeira edição, em 1945, novas imagens foram incorporadas com concessão de total liberdade aos editores para distribuí-las nos volumes, de forma que cada edição, até o presente, resulta diferente da outra. Com essa proposta artística diferenciada, Dalí subverte o instituído em relação aos processos tradicionais de ilustração de livros. Sua relação com a obra literária pode ser compreendida num universo mais amplo, a doutrina ut pictura poesis â?¿ conhecida como a teoria humanística da pintura, que aborda as relações entre poesia e pintura, questão que desde a antiguidade preocupa filósofos e teóricos da arte. Ao subverter as relações de organicidade entre imagem e texto, Dalí traz à tona a ambigüidade da tópica renascentista e possibilita ao leitor o confronto com a multiplicidade de significados de ambas as linguagens / Abstract: The present study try to analyse the images that the Spanish painter Salvador Dali accomplished to the Cervantes masterpiece, D. Quixote. The result is an illustrated book marked by one singularity: since its first edition, in 1945, new images were incorporated, allowing the editors total freedom to arrange them through the following publications, in a way that each edition, so far, is different from the previous one. With this singular artistic proposition, Dali subverts the conventions concerning the traditional process of book illustration. His approach to the literary production can be understood in a wider universe. This universe â?¿ the ut pictura poesis doctrine â?¿ is known as the humanistic theory of painting, comprehending the relations between poetry and painting, which, since the ancient times has been a concern of philosophers and art thinkers. By subverting the formal relations between image and text, Dali uncovers the ambiguity of renascence topic and allows the reader to compare the multiplicity of meanings of both languages / Doutorado / Educação, Conhecimento, Linguagem e Arte / Doutor em Educação