I denna studie undersöks och jämförs hur rytmisk notläsning med barn, 5–8 år, framställs i vetenskapliga texter under 2000-talet. Fokus för studien är vilka strategier som skildras men även forskning om vilka effekter notläsning kan ha på läs- och skrivutveckling refereras. För att besvara studiens syfte och frågeställning används metoden allmän litteraturstudie med systematisk ansats samt en informell intervju med tre forskare inom neurologi. Fyra vetenskapliga artiklar är inkluderade i studien. Alla har granskats kvalitets- och kunskapskritiskt. Den vetenskapsteoretiska ansatsen för studien är kulturhistorisk men min långa bakgrund som rytmikpedagog, skolad och erfaren i Dalcroze-metodik, är den vinkel jag oundvikligen betraktar resultatet ur. Ett av studiens resultat är att ämnet inte ägnats någon större uppmärksamhet från forskare under 2000-talet och det därför finns mycket att göra för att utveckla praxis. De huvudsakliga resultaten i de studerade artiklarna är att a) barn tenderar att prioritera tonhöjd framför rytm i notbilden, b) underliggande puls på rytmens minsta värde, snarare än puls som motsvarar taktens värde, förenklar för notläsningsförmågans utveckling, c) god notläsning kräver tidigt utformade strategier snarare än övning och d) rytmisk notläsning kan utvecklas på ett likartat sätt som läs- och skrivförmåga och bör stödjas ur det perspektivet med aktiviteter som innefattar ljuda, skriva och läsa. I intervjudelen framkommer bland annat att rytmisk träning kan främja tal- och skriftspråklig utveckling men att det inte förekommer några direkta transfereffekter mellan läsning och notläsning. / In this study, the 21st century scientific literature addressing rhythmic music reading in children aged 5–8 is explored and compared. The described strategies are the main focus of the study but research on music reading´s effect on the development of reading and writing skills is also discussed. In order to meet the purpose of this study and answer the scientific question, the methods general literature study with systematic approach together with informal interviews with three neurology-scientists, are applied. Four scientific articles are included in the study. They were all thoroughly reviewed from a quality- and knowledge perspective. The scientific theory used for this study is Vygotskij´s cultural-historical psychology but my own background as a teacher of eurythmics, educated and experienced in Dalcroze´s methodology, is inevitably the light in which I view the results of this study. One of the study´s results, is that this subject did not yet render much attention from researchers during the 21st century, leaving a lot of room for further development of practice. The main results of the studied articles are that a) children tend to prioritize tone before rhythm when reading notated music, b) underlying beat on the shortest note-duration in the rhythm, rather than beat that corresponds to the “worth” of the bar, simplifies the development of music reading skills, c) accomplished music reading demands early developed strategies rather than practice and d) rhythmic music reading may develop in a trajectory similar to that of language and literacy acquisition and should be fostered within that perspective through all of the following: oral and aural exercises, writing and reading. The interview-section shows, amongst other things, that rhythmic training may promote the development of articulation and writing, but there are no direct transfer effects between reading and music reading.

This two years master's thesis examines the experience of children who read to a dog. The theoretical framework is inspired by sociocultural theory developed by Roger Säljö and the concept carnival inspired by Mikhail Bakhtin. The sociocultural theory has been chosen because it emphasizes the role of practice, instruments and communication in learning and the concept carnival has been chosen to analyze the experience of reading to a dog. The method used is qualitative interview and observation. A total of eight interviews and two observations when children read to a dog have been collected. One interview is with a teacher and seven interviews are with the children (six children participated and one child was interviewed twice). The method of analysis is a process in three stages where the first stage is to explore what the children say, the next stage examines the meaning of what is being said and the third stage understands it in relation to the theoretical framework and prior done research. Important results are that most of the children participating in this thesis have a positive experience of reading to a dog. The children read to a dog in different rooms, at different times and the children read to several dogs. The instrument used was fiction books. Since the purpose was to read only to the dogs the role of the teacher who was in the room during the sessions was described by the children as passive. The observations showed a more active role where the teacher helped the children with difficult words. Most children pet the dog while reading and they gave the dog a treat afterwards. The discussion of this thesis focuses on the role of the libraries. It also gives examples on how to develop reading to dogs and what studies can be done in the future. For the program to evolve more literacy activities can be incorporated and the role of the adult and the dog can be more active. This is a two years master’s thesis in Archive, Library and Museum studies.