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21	Lutheran piety and visual culture in the Duchy of Württemberg, 1534 – c. 1700 Watson, Róisín January 2015 (has links) Early modern Lutherans, as is well known, worshipped in decorated churches. They adopted a path of reform that neither disposed of all ornament nor retained all the material trappings of the Catholic church. This thesis studies the fortunes of ecclesiastical art in the Duchy of Württemberg after its Reformation in 1534 and the place images found for themselves in the devotional lives of Lutherans up to c. 1700. The territory was shaped not just by Lutheranism, but initially by Zwinglianism too. The early years of reform thus saw moments of iconoclasm. The Zwinglian influence was responsible for a simple liturgy that distinguished Württemberg Lutheranism from its confessional allies in the north. This study considers the variety of uses to which Lutheran art was put in this context. It addresses the different ways in which Lutherans used the visual setting of the church to define their relationships with their God, their church, and each other. The Dukes of Württemberg used their stance on images to communicate their political and confessional allegiances; pastors used images to define the parameters of worship and of the church space itself; parishioners used images, funerary monuments, and church adornment to express their Lutheran identity and establish their position within social hierarchies. As Lutheranism developed in the seventeenth century, so too did Lutheran art, becoming more suited to fostering contemplative devotion. While diverse in their aims, many Lutherans appreciated the importance of regular investment in the visual. Ducal pronouncements, archives held centrally and locally, surviving artefacts and decoration in churches, and printed sources enable the distinctive visual character of Lutheranism in Württemberg to be identified here. 704.9
22	Att uppfatta allt mänskligt : underströmmar av luthersk livsförståelse i Selma Lagerlöfs författarskap. Swedish text with a German summery / Understanding Everything Human : Undercurrents of Lutheran Understanding of Life in the Writing of Selma Lagerlöf Brandby Cöster, Margareta January 2001 (has links) This thesis categorises some characteristic features in the 20th century Lutheran theology, in order to create a picture of the Lutheran theology and Lutheran pre-understanding of life which leave its marks on Selma Lagerlöf as well as on other contemporary expressions of faith and worldviews. Four Lutheran figures of thought are examined as undercurrents in the discourse of the writings of Selma Lagerlöf. They are a) The understanding of Word and Faith, which includes the understanding of justification by faith. b) Faith in God as Creator and in his providence. c) The doctrine of vocatio and God's two regiments. d) The theology of the Cross that emphasises the descent of God and God's taking part in the human life. This investigation has shown that the epic of Lagerlöf can be read in terms of Lutheran theology. The religious roots of Selma Lagerlöf are often described as ”a nothing” - a traditional background, a friendly non-doctrinal piety, and so forth. But this inconspicuous and unconscious religious background has a content, namely the Lutheran faith in the culture and society in which she grew up. Some of the great novels such as The story of Gösta Berlings saga, Jerusalem and The wonderful adventures of Nils and some stories, sagas and legends are investigated. The study shows how the Lutheran understanding of life is expressed in these texts and their interpretation of the reality. Selma Lagerlöf Martin Luther Lutheranism discourse undercurrents figure of thought pre-understanding inconspicuous religion pietism secularising dialectic theology epic narrative justification by faith Word of God Word and Faith creation and providence doctrine of vocatio and work theologia crucis Systematic theology Systematisk teologi
23	The New Reform Temple of Berlin: Christian Music and Jewish Identity During the <i>Haskalah</i> Teeple, Samuel 24 July 2018 (has links) No description available. Music History Judaic Studies Reform Judaism Christianity Protestantism Lutheranism Enlightenment Haskalah nationalism identity architecture salons religion nineteenth-century Berlin Hamburg Germany Prussia Israel Jacobson Giacomo Meyerbeer organ choir Jewish music
24	Swedish Belief and Swedish Tradition : The Role of Religion in Sweden Democrat Nationalism Stenbäck, Tomas January 2020 (has links) In the context of Western, European, Nordic, and Swedish radical nationalism, this study is an analysis of the various ways the political party the Sweden Democrats talks about religion; primarily about Swedish Evangelical-Lutheran Christianity and the Church of Sweden. The study investigates the party expressions on religion and nationalism, using theoretical models of interpretation, constructed for this specific purpose, out of hermeneutic methodology. The purpose has been to analyse the different functions of the various ways the Sweden Democrats talk about religion, and to investigate how the references to religion legitimize the ideology of nationalism, with the aim to answer the following questions: How do the Sweden Democrats’ talk on religion function as an identity marker? In what way is it possible to distinguish an aspiration for cultural purity in the Sweden Democrats’ talk on religion? Is it possible to distinguish neo-racism in the Sweden Democrats’ talk on religion? In which ways can the Sweden Democrats’ talk on religion be regarded as political strategy? The results demonstrate in which ways the Sweden Democrats apply religion to promote the party perceptions of nationalism, as well as to legitimize the party conceptions of the Swedish nation and the Swedish people: Swedish Christianity and the Church of Sweden are used to identify Swedish culture and to identify contrasting foreign culture. Swedish Christianity is used as the determining factor between the good Swedish people and the bad other people. Swedish Christianity is used as the determining factor between the right Swedish values and the wrong values of the other. Swedish Christian values are used as dividing criteria between the culturally pure Swedish people and the culturally impure other people. The degeneration of the Church of Sweden mirrors the degeneration of the Swedish society. Swedish Christian homogeneity will guarantee security for the Swedish people and the Swedish nation within the Swedish nation-state. Elements of religion and culture sort different peoples into different categories in the hierarchical view of humanity. Swedish Christianity and Swedish culture identify and define the Swedish people as innocent to the current precarious situation of the Swedish nation, and Swedish Christianity and Swedish culture identify and define the people of the other, which is to blame for this situation. The Swedish people is superior, to the non-Swedish people, because of superior Swedish religion and superior Swedish culture. Swedish Christianity is used to promote anti-democratic political positions. Swedish Christianity is used to legitimize coercion and force in the enforcement of Swedishness. Nation Nationalism Radical nationalism Populism Populist radical right PRR Right-wing populism Politics Legitimization Legitimation Belief Tradition Culture Religion Christianity Church Evangelical-Lutheranism Lutheranism Lutheran The Church of Sweden People The people Peoples Folk The folk Swedes Swedish Swedishness Sweden Identity Identification Purity Cultural purity Neo-racism New racism Culture racism Cultural racism Political strategy The Sweden Democrats Nation Nationalism Radikalnationalism Radikal nationalism Populism Högerpopulism Politik Legitimering Tro Tradition Kultur Religion Kristendom Kyrkan Evangelisk- Luthersk Luthersk Lutherdom Svenska kyrkan Folk Folket Svenskar Svensk Svenskhet Sverige Identitet Identifikation Renhet Kulturell renhet Nyrasism Ny rasism Kulturrasism Kulturell rasism Politisk strategi Sverigedemokraterna Religious Studies Religionsvetenskap Social Sciences Interdisciplinary Övrig annan samhällsvetenskap History of Ideas Idé- och lärdomshistoria History of Religions Religionshistoria Ethnology Etnologi Cultural Studies Kulturstudier Other Humanities not elsewhere specified Övrig annan humaniora
25	Les cantates de Nicolaus Bruhns (1665-1697) / The cantatas of Nicolaus Bruhns (1665-1697) Fructus, Michel 03 December 2009 (has links) Nicolaus Bruhns (1665-1697) fut organiste à la Marienkirche de Husum (Schleswig-Holstein), et Kapellmeister au service des ducs de Schleswig-Holstein-Gottorf. Si nous ne possédons aujourd’hui qu’une poignée de ses pièces pour orgue (quatre praeludia et un choral-fantaisie), nous pouvons apprécier l’ingéniosité de cet auteur à travers sa production d’œuvres sacrées, douze cantates où règne une énergie comparable à celle de son professeur Dietrich Buxtehude.Soucieux de mieux cerner les enjeux de l’identité créatrice, nous proposerons une approche contradictoire, fondée sur deux conceptions opposées de l’œuvre d’art : elle est par voie de conséquence le produit d’une culture (parce qu’elle est liée au contexte artistique qui la précède, au regard des éléments qui la constituent et qui sont facilement identifiables dans les œuvres du passé, toute œuvre peut être perçue et pensée comme une synthèse de différents modèles, une forme d’aboutissement culturel), mais aussi le fruit d’une individualité (une œuvre d’art est une élaboration unique, indépendante de toute autre production, au regard des facteurs d’unité qui la structurent ; toute œuvre peut alors être perçue et pensée comme une entité autonome).Cette étude nous permettra de mettre à jour un soubassement de l’activité psychique : l’estimation de la distance entre le fixe et le muable. / Nicolaus Bruhns (1665-1697) was an organist at the Marienkirche in Husum (Schleswig-Holstein), and Kapellmeister to the dukes of Schleswig-Holstein-Gottorf. If we own today only a handful of his pieces for organ (four praeludia and a chorale-fantasia), we can appreciate the cleverness of this author through his production of sacred works, twelve cantatas where the energy which appears is similar to that of his professor Dietrich Buxtehude.With the concern to better define the stakes of creative identity, we shall put forward a contradictory approach based on two opposite conceptions of the work of art : it is in essence the product of a culture (since it is linked to the artistic context which precedes it, according to the elements which constitute it and which are easily identifiable in the works of the past, any work can be perceived and thought as a synthesis of various models, a form of cultural achievement), but also the result of individuality (a work of art is a unique construction, independent from any other production according to the factors of unity which structure it ; any work may then be perceived and thought as an autonomous entity).This study will enable us to bring to light a basis of the psychic activity : the appraisal of the distance between the fixed and the changing. Baroque Basse continue Bokemeyer (Heinrich) Buxtehude (Dietrich) Cantate Chiffrages Continuo Figures musicales Fixe Héritage Husum Identité Kapellmeiter Luther Luthéranisme Motif générateur Muable Musique allemande Musique luthérienne Musique sacrée Œuvres vocales Organiste Orgue Protestantisme Réduction mélodique Réduction harmonique Ritornello Schleswig-Holstein Sinfonia Baroque Basso continuo Bokemeyer (Heinrich) Buxtehude (Dietrich) Cantate Figuring Continuo Musical figure Fixed Heritage Husum Identity Kapellmeiter Luther Lutheranism Pattern generator Changing German music Lutheran music Sacred music Vocal works Organist Organ Protestantism Melodic reduction Harmonic reduction Ritornello Schleswig-Holstein Sinfonia

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