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21	Semana Santa y textos literarios de la pasión en la región de Murcia Mira Ortíz, Isabel 29 June 2006 (has links) En la presente tesis se han investigado las Procesiones de Semana Santa en cada uno de los pueblos de la Región de Murcia, destacando las formas particulares de celebrarlas en cada lugar, reflejando todo ello a través de las tradiciones, la religiosidad popular, el patrimonio escultórico, y el simbolismo de determinados actos, como son "El Caracol" realizado por los Armaos de Jumilla, o "La Caracola" realizada por los Armaos de Cieza. La parte histórica se ha proyectado a través de Textos Literarios de la Pasión, así como del desarrollo de Cofradías y Hermandades, conformándose de esta forma una visión cultural de la Rememoración de la Pasión , Muerte y Resurrección de Cristo en la Región de Mucia en general y en cada pueblo en particular. La implicación en los actos de Semana Santa que cada pueblo potencia y la presencia cultural que en cada lugar alcanza, revela el compromiso asumido por las gentes, la fe, la devoción y la profunda religiosidad popular que los impulsa.La tesis ha sido estructurada en dos partes; la primera recoge la Semana Santa pueblo a pueblo en la Región de Murcia, y la segunda una visión general de la misma pero a través de los Textos Literarios de la Pasión, incluyendo cuantos hemos hallado. Por tanto, el tema ha sido estudiado desde los comienzos de las manifestaciones pasionarias y cofradieras, que se produjo hacia el comienzo del siglo XV. Los textos han sido presentados agrupándolos por materias y formando con cada una de ellas capítulo propio, entre los que figuran: Publicaciones pasionarias en prensa, Autos de Pasión, Cuentos, Pregones, Vía Crucis, etc. Se da por terminado el trabajo con las correspondientes conclusiones, así como bibliografía consultada. / In this thesis, the author has investigated the different Easter processions that take place in each one of the towns/villages in the Murcia region, pointing out how each of them specifically celebrates this holy festivity. All this has been done within the framework provided by cultural traditions, popular religious beliefs, sculptural heritage and the symbolism of specific events such as "El Caracol," performed by the Armaos in Jumilla (Murcia), or "La Caracola," performed by the Armaos in Cieza (Murcia). The more historic analysis has been conducted by means of an in-depth study of literary texts regarding the passion of Christ. Another source used in this thesis has been the study of the development of religious brotherhoods, thus presenting a cultural overview of how the passion of Christ, his death and resurrection are acted out globally in the region and individually in each town. The implications of the different Easter celebrations that each town promotes/enhances, and the cultural relevance that they have within the region, shows how truly devoted, faithful and committed to these traditions the inhabitants of each town are. This thesis has been structured in two main parts: the first one describes the different Easter celebrations that take place in each town in the Murcia region; the second part provides a general/global approach to the Easter celebrations, but this time using all available literary texts dealing with the passion of Christ as the main source, i.e. from the first literary manifestations in the 15th century to the most recent ones. These texts have been classified according to their specific typology, devoting one chapter to each. This includes Easter journalistic publications, passion plays, short stories, religious proclamations, texts featuring the way of the cross narrative, etc. The thesis ends with the corresponding conclusions as well as the list of references used. Easter floats Processions Literary texts PasosEaster Textos Literarios Religiosidad Pasión Procesiones Semana Santa Religiosity Literatura Española 8 80 81
22	Fervent Faith. Devotion, Aesthetics, and Society in the Cult of Our Lady of Remedios (Mexico, 1520-1811) Granados Salinas, Rosario 21 June 2014 (has links) This study examines the cult of Our Lady of Remedios from an art-historical perspective. Choosing this specific cult statue as a case study is not arbitrary: Remedios is among the oldest Marian images in the New World and was named first patroness of Mexico City in 1574, when the city council became the patron of her shrine and a confraternity was founded to better disseminate the cult. As a result, the statue was carried fifty-seven times through the streets of New Spain's capital in three hundred years (an average of one procession every five years), thus outnumbering any other religious event that was not part of the liturgical calendar. The fame of Our Lady of Remedios was closely linked to her role as Socia Belli of the Spanish army, as she was believed to have protected Hernán Cortés and his allies during the conquest of Mexico-Tenochtitlán in 1520-21. Her character as protector in times of war was enhanced in the centuries to come, when she was called to the city on every occasion when the Spanish Crown was involved in military campaigns. Her protection, however, was mainly requested in times of drought and epidemics, a reason for which her fame as protectress of the city grew intensively, and all sectors of society (Spanish, Indians, and Castas) followed her with the same fervent faith. This dissertation is a monographic study of a miraculous image that has hitherto been overlooked in the history of colonial religiosity of New Spain despite its symbolic relevance for the society of its time. It considers the sixteenth-century statue and the ways it was displayed to its devotional audiences as documents that inform us about its social role. By placing this cult image in the ritual context to which it belonged, both spatial and spiritual, this study considers the devotional gaze with which her devotees engaged her showing how devotion, aesthetics and politics were intertwined during colonial Mexico. / History of Art and Architecture Latin American studies Colonial Mexico City confraternity Nuestra Señora de los Remedios processions sibyls art history miraculous images religious history
23	Psallendae Mariae: Marian Processional Chants of the Ambrosian Rite Bruno, Emilie 07 December 2012 (has links) This interdisciplinary study examines a collection of chants intrinsically connected to the larger body of Western Chant: the psallendae. These chants of the Ambrosian rite, the form of Christian worship proper to the archdiocese of Milan, were sung during religious processions. With over 700 psallendae assigned to the Church calendar, this study examines only those assigned to feast days of the Virgin Mary, and in doing so, reveals a rich history of devotion to her. The primary sources examined are thirteenth-century manuscripts and medieval liturgical manuals. The processional chants are subjected to a thorough literary and musical analysis. Rooted in François-Auguste Gevaert's thematic theory, and using tools of reticular and stemmatic analysis, the psallendae are grouped according to melodic profile. Each group is then reduced to a core melodic theme, which, when juxtaposed with the ancient practice of religious processions, makes a compelling argument for the psallendae as among the oldest Christian chants. St. Ambrose Ambrosian Chant Medieval Religious processions Marian Blessed Virgin Mary Psallenda Melodic theme Ambrosian Rite Milan
24	Irmandade do Senhor Bom Jesus dos Passos: festas e funerais na Natal oitocentista Pontes, Annie Larissa Garcia Neves 16 June 2008 (has links) Made available in DSpace on 2015-05-14T12:23:19Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2025855 bytes, checksum: 72db99cccc3cb094acf67f5fce6f44ba (MD5) Previous issue date: 2008-06-16 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The various Religious Brotherhoods created in Brazil during Colonial and Imperial periods had as model the similar Portuguese organizations, spread out since Middle Ages. These organizations are destined to promote the cult to one devoted saint, and in accordance with a basis of solidarity and sociability, they created a matrix of auto-aid and assistance that spread out, assuming proper characteristics in each historical context where each one of them was build. The religious brotherhoods were created between sacred and profane, and their ideals were the fraternal communion and the public cult increasing, bringing together body and spiritual necessities. The historiographical analysis of the party considers the field where ritualizations of festive commemorations occurs and sustains the existence of human being, a time that does not exists without reference to the past or the memory. The study of the party itself confers, thus, the opening of present times to the past, under a kind of a new and regenerable time. In the party there s a relation of education and learning that allows the men to know certain time dimensions that they fears and there s unknown for them: through the party men would learn to domesticate the past towards repetition and the future for the expression of hopes. Paradoxically, the suspension that the party carries through in the usual time would allow to men be sensible to time continuity. They were constituted also to answer to religious and beneficent purposes, stand by a mutual aid discourse, frequently don t having any distinction between religious or social interests. Understanding the proper ritual of the processions and funeral rites as an education practice of a Tridentine Biblical History full of Christian dogmas, based upon an Iberian and baroque matrix, this work is linked to the Universidade Federal da Paraíba History s Graduate Program research line History Teaching and Historic Knowledge , intending to discuss History and Historical Culture of the XIX in Natal, Rio Grande do Norte Province capital, with special focus on imaginary that surrounds the universe of religious brotherhoods in that city, taking as object the Brotherhood of Our Lord Good Jesus of Steps, and the parties and funerals organized by and for their brothers, including the analysis of its last wills. / As diversas Irmandades Religiosas criadas no Brasil durante os períodos Colonial e Imperial tinham como modelo as organizações fraternais portuguesas, difundidas desde o medievo. Tratavam-se de organizações fraternais com o objetivo de promover o culto a um santo devoto, e tinham por base a solidariedade e a sociabilidade, criando uma matriz de auto-ajuda e assistência que se desdobraria, assumindo características próprias de acordo com o contexto histórico das regiões em que cada uma delas se fixou. As irmandades religiosas se equilibravam entre o sagrado e o profano, seu ideal era a comunhão fraternal e o crescimento do culto público, onde as necessidades do espírito misturavam-se às do corpo. A análise historiográfica da festa se propõe a considerar o arcabouço que a ritualização da comemoração festiva dá à existência humana, uma vez que não existe festa sem alusão ao passado ou à memória. O estudo da festa confere, assim, a possibilidade de abertura do presente da festa para o passado sob a forma de um tempo regenerável. Existe nela uma relação de ensino e aprendizagem que permite ao homem conhecer certas dimensões temporais que ele teme e desconhece: através dela aprenderia a domesticar o passado pela repetição e o futuro pela expressão de esperanças. Paradoxalmente, a suspensão que a festa realiza no tempo ordinário lhe permitiria ser sensível à continuidade do tempo. As irmandades, por sua vez, se constituíram a partir da necessidade de aliar a religiosidade a objetivos beneficentes e de ajuda mútua, não havendo distinção entre interesses religiosos ou sociais. Entendendo o próprio ritual das procissões e ritos fúnebres como meios de ensino de uma História Bíblica Tridentina permeada de dogmas cristãos, calcados em um saber histórico de matriz ibérica e barroca, este trabalho vincula-se à linha de pesquisa Ensino de História e Saberes Históricos do PPGH-UFPB, pretendendo discutir dentro deste recorte a História e a Cultura Histórica natalenses do XIX, com foco especial sobre o imaginário que circunda o universo das irmandades religiosas potiguares, tomando como objeto a Irmandade de Senhor Bom Jesus dos Passos e as práticas ligadas às festas por ela organizadas e também às exéquias de seus irmanados, incluindo a análise de seus testamentos. Irmandades Religiosas Século XIX Festas Procissões Funerais Morte Religious Brotherhoods 19th Century Parties Processions Funerals Death CIENCIAS HUMANAS::HISTORIA
25	Psallendae Mariae: Marian Processional Chants of the Ambrosian Rite Bruno, Emilie January 2012 (has links) This interdisciplinary study examines a collection of chants intrinsically connected to the larger body of Western Chant: the psallendae. These chants of the Ambrosian rite, the form of Christian worship proper to the archdiocese of Milan, were sung during religious processions. With over 700 psallendae assigned to the Church calendar, this study examines only those assigned to feast days of the Virgin Mary, and in doing so, reveals a rich history of devotion to her. The primary sources examined are thirteenth-century manuscripts and medieval liturgical manuals. The processional chants are subjected to a thorough literary and musical analysis. Rooted in François-Auguste Gevaert's thematic theory, and using tools of reticular and stemmatic analysis, the psallendae are grouped according to melodic profile. Each group is then reduced to a core melodic theme, which, when juxtaposed with the ancient practice of religious processions, makes a compelling argument for the psallendae as among the oldest Christian chants. St. Ambrose Ambrosian Chant Medieval Religious processions Marian Blessed Virgin Mary Psallenda Melodic theme Ambrosian Rite Milan
26	Condamnation et procession : la migration d'une pensée anthropocentrique Bourbeau, Charles 21 April 2023 (has links) Titre de l'écran-titre (visionné le 11 avril 2023) / Ce mémoire reflète mon parcours des dernières années qui a abouti à la présentation de l'exposition À travers les sempiternelles déplorations. Ce projet de création se développe autour d'une reprise du récit du chemin de croix de la tradition chrétienne : la Passion du Christ. J'ai décidé de le déployer en 2 parties distinctes, mais également liées. La première est une série de 14 tableaux de paysages désertiques, montagneux et rocailleux où l'action est en attente ou, à l'inverse, déjà passée. La contemplation du vide et l'absence du vivant priment sur l'analyse symbolique d'une action ou alors d'une dimension grandiose que l'on retrouve souvent dans les peintures de paysages. C'est une vision apocalyptique d'un territoire en désolation, appauvri et inquiétant; un territoire qui serait en dormance. Cet ensemble de tableaux forme un corpus pictural dont la cohésion tient à l'absence de personnages et au côté désertique. De cet ensemble se dégage une certaine ambiance d'interrelation et d'anticipation qui annonce l'orientation de ces tableaux, sous forme d'arrière-plans, dans un récit vidéographique qui met en scène la procession de la condamnation. On retrouve dans la vidéo 14 stations qui mettent en scène différentes actions durant la mise à mort d'un condamné. Ce texte fait état de mes questionnements concernant l'avenir de notre humanité, de la relation que l'on entretient avec le non-humain ainsi qu'entre-nous. Évidemment, ces questionnements sont liés à mon interprétation personnelle et sensible de ce qui me semble refléter une destruction. La condamnation et la procession, thèmes centraux de ma recherche, se déploient ici pour naviguer à travers le paysage; dans un univers symbolique et allégorique teinté de cynisme. Création (Arts) Anthropocène dans l'art. Crise écologique -- Art. Fin du monde dans l'art. Processions -- Art. Vide (Philosophie) dans l'art.
27	MANIFESTAÇÕES DA FÉ CATÓLICA: um estudo sobre as festas de Nossa Senhora dos Remédios, Nossa Senhora da Conceição e Nossa Senhora do Rosário em São Luís (1850- 1875). / MANIFESTATIONS OF THE CATHOLIC FAITH: a study on the typical parties Nossa Senhora dos Remédios, Nossa Senhora da Concepção and Nossa Senhora do Rosário in São Luís (1850- 1875). OLIVEIRA, Milena Rodrigues de 29 August 2016 (has links) Submitted by Maria Aparecida (cidazen@gmail.com) on 2017-07-31T13:08:15Z No. of bitstreams: 1 Milena Rodrigues de Oliveira.pdf: 1301743 bytes, checksum: 58b76e6506bc7781113c82770b7b0f78 (MD5) / Made available in DSpace on 2017-07-31T13:08:54Z (GMT). No. of bitstreams: 1 Milena Rodrigues de Oliveira.pdf: 1301743 bytes, checksum: 58b76e6506bc7781113c82770b7b0f78 (MD5) Previous issue date: 2016-08-29 / FAPEMA / This study researched the main religious festivals that took place in São Luís in the 1850 period to 1875, religious festivals encompassed three stages, the first was the Mass that took place within the Church, the second was the procession and the third involved party off, this study decided to study in more detail the second and third stage of the festival, among the parties have chosen three to specify in more detail on specific chapters, these were Our Lady of Remedios that was frequented by merchants, Our Lady of the Rosary I accepted slaves and Our Lady of the Conception who accepted free and brown. The period 1850-1875 was chosen by the availability of documentation and the greater control that the Catholic Church decided to carry on his devotees in the second half of the nineteenth century, used as appointments reference, which were documents regulating the administration of the brotherhoods, newspapers, collection laws and even pastoral letters, for a better foundation on the subject also left for a literature that has helped us to further deepen our object. / Este estudo pesquisou sobre as principais festas religiosas ocorridas em São Luís do Maranhão no período de 1850 a 1875, as festas religiosas englobavam três etapas, a primeira era a missa que acontecia dentro da Igreja, a segunda era a procissão e a terceira envolvia a festa de largo, esta pesquisa resolveu estudar de forma mais detalhada a segunda e a terceira etapa da festividade, dentre as festas escolhemos três para especificar com mais detalhes em capítulos específicos, estas foram Nossa Senhora dos Remédios que era frequentada por comerciantes, Nossa Senhora do Rosário que aceitava escravos e Nossa Senhora da Conceição que aceitava livres e mulatos. O período de 1850 a 1875 foi escolhido pela disponibilidade de documentação e pelo maior controle que a Igreja Católica resolveu exercer sobre seus devotos na segunda metade do século XIX, utilizamos como referência compromissos, que eram documentos que regulavam a administração das irmandades, jornais, coleção de leis e até cartas pastorais, para uma melhor fundamentação acerca do tema partimos também para uma pesquisa bibliográfica que nos ajudou a aprofundar ainda mais o nosso objeto. História Regional do Brasil
28	Prozessionsfeste und dramatische Spiele in interreligiösen Vergleich eine religionsphänomenologische Studie zu Fastnacht, Fronleichnam, ʻAšura und Purim Nielen, Holger January 2005 (has links) Zugl.: Bonn, Univ., Diss., 2005
29	Les projets politiques et les fondements historiques de la communauté chiite au Bahreïn depuis l’indépendance 1971 / The political projects and the historical foundations of Shi’a in Bahrain since independence in 1971 Al shaikh, Aayat 12 May 2018 (has links) Le chiisme au Bahreïn est un phénomène sociopolitique complexe. A l’époque contemporaine, les projets politiques chiites transnationaux et nationaux ont connu une nouvel ascension. Les analyses politiques et médiatiques dominants réduisent souvent le chiisme dans le champ sociopolitique bahreïni aux projets politiques dominants en Iran, en Iraq, et au Liban, qui projettent le renforcement de leur pouvoir religieux et politique. Or, les chiites de Bahreïn sont souvent assimilés à des adeptes des politiques menées par les clercs influents outre le pays insulaire. Ils sont considérés comme des instruments de l’hégémonie des acteurs chiites. Ces grilles de lecture ne représentent qu’une approche réductrice et partielle du champ chiite. Certes, le chiisme bahreïni est influencé par les acteurs et les politiques régionales et transnationales, mais l’analyse de ses fondements et de son évolution démontre qu’il est spécifique à son contexte local. Le champ chiite local est façonné par des interactions sociopolitiques diverses, tels que des processus de socialisation politique, la transnationalisation, la pratique des rites particuliers, l’organisation des institutions, les relations avec l’Etat, etc. A l’époque contemporaine, les acteurs chiites bahreïnis sont influencés par des théories et des projets qui émanent de la sphère transnationale, cependant ils développent des projets sociopolitiques distincts. Dans ce contexte spécifique du Bahreïn, l’Etat même dominant, ne peut pas contrôler ses acteurs et leurs projets sociopolitiques, qu’ils soient transnationaux ou nationaux. / Shiism in Bahrain is a complicated socio-political phenomenon. The contemporary era is marked by a new rise of national and transnational shi’a political projects. Dominant political and media analysis consider shi’ism in the Bahraini context as a simplest extension of dominant political projects in Iran, Iraq, and in Lebanon.However, Bahraini shi’a are frequently assimilated to unconditional followers of influential non-Bahrainis clerics and their politics. In that framework, shi’a in Bahrain are considered as instruments of the shi’a actors’ hegemony. Those methods of interpretation appear superficial.Certainly, as we noted above, regional and transnational actors and politics affect the shiism in Bahrain, but the examination of its basis and its evolution demonstrate that it’s specific to the local schema. Various socio-political interactions shapes the local political sphere; such as political socialization processes,transnationalization, rites’ practicing, institutions’ organization's, relations avec the State, etc. In the contemporary period Bahrainis shi’a actors are indeed influenced by the theories and the projects stems from the transnational sphere, however, they develops their own and distinct socio-political projects. In this specific context, the State, even dominant, control neither these actors, nor their projects whether they are transnational or nationals. Achoura Akhbarisme Ahl al-bayt Ayatollah Chiisme Chiisme duodécimain Fatwa Fiqh Imam Ja ‘farite Madhab Maraj ‘ Marja ‘iyya Taqqiya Taqlid Umma Usûlisme Wahhabisme Sunnisme Sunnite Chiite Wilâya al-faqîh Waqf Projets politique Association politique Islam Parlement Élection Démocratie Institutions Institutionnalisation Démocratisation Politique Abolition Constitution Séparation de pouvoirs Conflit Confession Confessionalisation Etat Transnationnalisation Sphère Insurrection Groupuscule Militarisation Intifada Procession Fondements historiques Communauté Histoire Mémoire collective Laïcité Islamisation Clerc Réforme Parti Hawza Ashoura Akhbararism Ahl al bayt Ayatollah Chiism Fatwa Feqh Hawza Imam Ja ‘farit Madhab Maraj ‘ Marja ‘iyya Taqqiya Taqlid Umma Usulism Wahhabism Sunnism Sunni Shi 'a Wilaya al-faqih Waqf Political projects Political association Islam Parlement Election Democracy Institutions Institutionalization Democratisation Politics Abolition Constitution Separation of powers Conflict Confession Confessionalization State Transnationalization Sphere Insurrection Groupuscule Militarization Intifada Processions Historicals foundations Community History Collective memory Secularism Islamization Clerc Reform Party 956

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