O objetivo deste trabalho é identificar os modelos de realeza em Luís IX, rei da França entre 1226 e 1270, tendo como base principalmente a obra de Jean de Joinville intitulada Histoire de Saint Louis. No decorrer da análise, constata-se o caráter peculiar do documento como espelho de príncipe, gênero medieval que procura estabelecer um modelo ideal de realeza. Luís IX é nele retratado como um rei peregrino, cruzado que ampliou o reino de Deus na terra, buscando identificá-lo ao reino de Cristo, à Imitatio Christi. Joinville, senescal de Champagne, descreveu nessa obra grande parte da vida do rei, memórias resgatadas trinta anos depois de sua morte. Escrita de 1305 a 1309, a pedido de Joana de Navarra (1270-1305), esposa de Filipe o Belo (1268-1314), seu objetivo seria de enaltecer as palavras santas e as boas realizações do rei, que se tornaria São Luís. Escolheu-se este documento sobretudo por seu caráter de particular autoria, visto que Joinville, na condição de senescal laico, amigo e confidente do rei, narrou um longo período do governo do seu rei e senhor de um ponto de vista privilegiado. Uma característica muito marcante da monarquia capetíngia e do reinado de Luís IX especificamente foi a forte aliança com a Igreja. A Igreja era peça mestra do sistema feudal e sua justificadora ideológica, sendo a principal intermediária entre o rei e seu populus, dando-lhe a posse do reino, por meio da cerimônia de sagração e unção. Rei símbolo do período medieval francês, Luís IX aglutinou elementos das três funções sociais, propostas por Adalberon de Laon no século XI, a saber, a dos oratores, bellatores e laboratores. Tornou-se santo trinta e sete anos após sua morte, contribuindo para legitimar a dinastia capetíngia proposta e representada por Filipe o Belo. / The goal of this work is to identify the royalty models in Louis IX, king of France from 1226 to 1270. The basis of analysis is mostly Jean de Joinvilles work named Histoire de Saint Louis. During this analysis, we verify the peculiarity of the source, a mirror of prince, medieval gender whose goal is to establish an ideal of royalty. Louis IX is traced as a king-pilgrim, a crusade that enlarged the king of God on the hearth. He is identified with the kingdom of Christ and the Imitatio Christi. In that work, Joinville, seneschal of Champagne, described the main facts of the kings life, recovered memories thirty years after his death. Written from 1305 to 1309, by request of Joan of Navarra (1270-1305), Philip Le Beauxwife (1268-1314), his goal would be to value the holy words and good accomplishments of the king, Saint Louis. We chosen that source mostly for its trace of private authority, since Joinville, as laic seneschal, friend and confident of the king, described, from a privileged point of view, a long period of his king and lords government. The strong alliance with the Church would be one of the main traces of the Capetingean monarchy. The Church was the master piece of the feudalism, as well as its ideological support. It was the main mediator between the king and his populus, by giving him the power towards the kingdom through the ceremony of crownement. King-symbol of the French Medieval Ages, Louis IX grouped elements of the three social functions of the XIth century, according to Adalberon de Laon: the oratores, the bellatores, and the laboratores. He was canonized thirty seven years after his death, supporting the legacy of Philip Le Beauxs capetingean dynasty.

A través de esta investigaci6n perseguimos comprender el sentido que la imagen del ángel, tanto en su vertiente celestial como en la infernal, posee en los escritos de los poetas del 27. Para el desarrollo de este cometido era necesario el establecimiento de unos principios te6ricos a prop6sito de la figura del ángel, que son los que pretenden ser clarificados en el primer capítulo de nuestro estudio: diferenciaci6n entre el modelo judeocristiano del ángel y su formulaci6n textual; determinaci6n de la verdadera naturaleza literaria de los espíritus divinos; concreci6n del espacio de análisis. Dado que la pareja tradición/vanguardia es uno de los descriptores característicos del grupo poético del 27, las potencias angélicas son estudiadas no sólo atendiendo a la producción de otros autores contemporáneos de los escritores del 27 sino también dirigiendo la mirada hacia el pasado. De este modo, realizamos una pormenorizada revisión de las plasmaciones de ángeles y diablos en nuestra historia literaria desde la Edad Media hasta nuestros días, acudiendo a algunas manifestaciones angélicas sobresalientes de otros países. Trazado este viaje, nos internamos en la codificaci6n de la figura del ángel en los diez autores más reconocidos de la generación del 27, sin obviar las aportaciones de otras personalidades que conforman el denominado entorno del 27. Nos ocupamos de las materializaciones del ángel en todas las variedades de género practicadas por estos autores (poesía, teatro, narrativa, ensayo) a lo largo de toda su creación artística con el fin de obtener un conocimiento pleno y riguroso. A través de un estudio individualizado del ángel en cada uno de los poetas del 27, comprobaremos cómo éstos, aunando tradición, vanguardia y mundos personales, elaboraron un pro grama angélico literario en el que tenían cabida todas las variedades ex presivas de las entidades ultraterrenas. Sopesando todas las vías de desarrollo de la figura del ángel, lo cierto es que todos ellos encontraron en los espíritus alados un medio para apresar, respetando la esencia del ángel, su particular ultrarrealidad o trascendencia a la que aspirar, ya estuviera este nivel en ellos mismos o en la realidad circundante. Cernuda con su modelo masculino; Salinas y Guillén en su búsqueda de la verdad tras la apariencia; Prados en su viaje a lo inaprehensible, o Alberti en la realización dramatizada de su conflicto. El ángel, por tanto, seguía siendo emblema de lo invisible, o de lo que sólo cada poeta era capaz de captar. / Through this investigation we try to understand the sense that the image of the angel, as much in its celestial side as in the infernal, has in poets of the 27 ' s writings. For development of this assignment the estab lishment of theoretical principles with regard to the figure of the angel was necessary. Those principles are clarfied in the first chapter of our study: differentation between the judeochristian model of the angel and its textual formulation; determination of the true literary nature of the divine spirits; concretion of the analysis space. Due to the pair tradition/vanguard is one of the characteristic feature of the poetic group of 27, the angelic powers are studied not only considering other contemporary authors' works of the writers of 27 but also directing the glance towards the past. This way, we make a detailed revision of the image of the angels and devils in our literary history from Medieval Age to the present time, going to some excellent angelic manifestations of other countries. After this trip, we advance into the codification of the figure of the angel in the most recognized ten authors of the generation of 27, without forgetting the contributions of other personalities that conform the denominated surroundings of 27. We study the materializa tions of the angel in all varieties of genre practiced by these authors (poetry, narrative, theater, essay) throughout all its artistic creation with the purpose of obtaining a total and rigourous knowledge. Through an individualized analysis of the angel in each one of the poets of 27 we will verify how these combining tradition, vanguard, and personal worlds, elaborated a literary angelical program in wich all the expressive varieties of the ultra earth beings were contained. Examining the literary development of the angel in generation of 27, we can say that these writers found in the winged spirits an instrument to catch, respecting the essence of the angel, their particular ultrareality or trascendente to wich to aspire, as much if this level was in they themselves as if it was in surrounding reality. Cernuda and its masculine model; Salinas and Guillén' s search of the truth behind the appearance; Prados and bis strip to the inapren sible, or Alberti with the dramatized accomplishment of his conflict. The angel, therefore, continued being emblem of the invisible, or of wich only each poet was able to catch.

Antoni Gaudi was the architect of the Sagrada Familia from 1883 to 1926. Over this period of time he prepared the overall design and supervised the construction of the Nativity facade. One of Gaudi's main design objectives was to include tubular bells in the tall slender towers. It has been said that through his sound studies for these bells, Gaudi developed his musical sentiments most fully. Through the sound of bells, accompanied by song, he imagined a festive environment around the temple. These considerations might be seen as reflecting the overall spirit of the time, as Catalonia was in effect experiencing a cultural rebirth known as the Renaixenca . Originating with the call of the poets, this time of exuberant growth for Catalonia was one that was built upon the rebirth of language. As a result, language through poetry continued to be celebrated throughout the century, particularly through annual poetic contests called the Jocs Florals. This paper studies the facade of the Nativity as a expression of this culturally exuberant time by exploring how the Jocs Florals, and poetry in general, may have played a role in shaping its form and sound. The study also acknowledges the fact that Gaudi's inspiration for his design was derived from symbolism associated with the Catholic liturgy. The result is architecture that might be described as a union of religious and cultural symbolism, yet ultimately its festive expression is a poetic one. As such, the Sagrada Familia might be described as a celebration that is a call to gathering.

Made available in DSpace on 2015-04-17T15:02:11Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2731697 bytes, checksum: c6d4966d1294ba469b32bdc0500cd7fe (MD5) Previous issue date: 2013-05-15 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In the Bible we see stories in the meeting of the wives of Isaac, Jacob and Moses, a mythic image, the same plot and a myth. This research aims to highlight and analyze these features seeking to understand them and respond to guiding question "What is the function and meaning of this narrative for the ancient Israelites?". Justify the search in the search for meaning of a sacred history of antiquity that inspired and instructed the people - Jews, and became so important that was recorded in its main holy book. From Mircea Eliade, Gilbert Durand, Joseph Campbell, Arnold Van Gennep, Gershom Sholem, among others, traveled a path where a reading is made of three Bible stories. The methodology used is that of literature with a qualitative approach with reference to the Hebrew Bible and books specializing in myth and symbol, watch out for an analysis supported by the anthropological school of religion. As results stand out: A scenario redundant - a couple who is in a well - alluding to a microcosm and refers the image center, as Eliade - the navel of the world as well, which draws the two complementary forces (male and female) that promote the creation, a plot that evolves into an outcome - an alien who presents after a long journey stops and rests in a well. A woman finds. There is a dialogue between them. There offering water. The woman returns to her home and reported the incident. The alien remains in the well. Relatives of the woman they meet abroad and invites him to join. The alien remains some time with them. Is a marriage; The myth of androgen as primary justification for marriage in Judaism; The journey in search of the bride; The symbolism of the meeting; The mitocrítica these Bible stories. In any way disregard the many other forms of analysis and interpretation previously promoted by researchers, theologians and biblical scholars. This is just a glimpse into the object of the meeting of the wives of the Biblical patriarchs. A look influenced by theorists of symbolic hermeneutics, giving its contribution to the understanding of something that is bigger than any one mind may have already guessed, is that the religious phenomenon and its various forms to submit to the man. / Na Bíblia observamos nas histórias do encontro das esposas de Isaac, Jacó e Moisés: uma imagem mítica, um mesmo enredo e um mito. Esta pesquisa tem por objetivo destacar e analisar estas características buscando compreende-los e responder a pergunta norteadora qual a função e significado desta narrativa para os antigos israelitas? . Justificamos a pesquisa na busca por significado de uma história sagrada da Antiguidade que inspirou e instruiu um povo hebreus-, e tornou-se tão relevante que foi registrada no seu principal livro sagrado. A partir de Mircea Eliade, Gilbert Durand, Joseph Campbell, Arnold Van Gennep, Gershom Sholém, entre outros, percorremos um caminho onde é feita uma leitura destas três histórias bíblicas. A metodologia utilizada é a de pesquisa bibliográfica com abordagem qualitativa tendo como referência a Bíblia hebraica e livros especializados em mito e símbolo, atentos para uma análise amparada na escola antropológica da religião. Como resultados podemos destacar: Um cenário redundante um casal que se encontra em um poço -, aludindo a um microcosmos e que remete a imagem de centro, conforme Eliade o poço como umbigo do mundo, que atrai as duas forças complementares (masculino e feminino) que promovem a criação; Um enredo que evolui para um desfecho - apresenta um estrangeiro que depois de longa viagem pára e descansa em um poço. Uma mulher o encontra. Há um diálogo entre eles. Há oferecimento de água. A mulher volta a sua casa e relata o ocorrido. O estrangeiro permanece no poço. Parentes da mulher vão ao encontro do estrangeiro e o convida para entrar. O estrangeiro permanece algum tempo com eles. Ocorre um casamento; O mito do andrógeno primordial como justificativa para o casamento no judaísmo; A jornada em busca da noiva; A simbologia do encontro; A mitocrítica destas histórias bíblicas. De forma nenhuma desconsideramos as inúmeras outras formas de análise e interpretação promovida anteriormente por pesquisadores, teólogos ou biblicistas. Este é apenas mais um olhar sobre o objeto do encontro das esposas dos patriarcas bíblicos. Um olhar influenciado pelos teóricos da hermenêutica simbólica, dando a sua contribuição para o entendimento de algo que é maior do que qualquer mente possa já ter percebido, que é o fenômeno religioso e suas diversas formas de se apresentar ao homem.

abstract: The temple of the Sagrada Familia, by Gaudí, is nowadays one of the most emblematic buildings of Barcelona, and the most visited monument in Spain. Despite the high popularity surrounding the name of the architect, his great work, still unfinished, has divided public opinion in the city for decades and has starred since its inception in a complex and paradoxical cultural phenomenon. My object of study consists of four major novels of modern Spanish narrative (Antagonía [1973-81], by Luis Goytisolo, La ciudad de los prodigios [1986], by Eduardo Mendoza, Campo cerrado [1943], by Max Aub and El amante bilingüe [1990], by Juan Marsé): all of them stand out because of the interartistic dialogue they establish with the famous building, which is referred to more or less extensively in their plots. The study will prove that the textual references to the Sagrada Familia in each particular case contain important interpretive keys that illuminate the discursive characterization of the texts while at the same time opening a new avenue for reading them. To this end, I start by situating my object of interest within the studies on the literary city, a field where Barcelona has a unique tradition of reflecting on its novel. Then I trace the cultural reception of the Sagrada Familia as evidenced in literary testimonies of the early twentieth century, and continue by documenting the presence of the building in modern, post-Civil War narrative. After that, I explain the conceptual notions and terms on the phenomenon of the intersection between architecture and literature, which will guide the analysis of the texts. Finally, I carry out the literary analysis of the four aforementioned novels. The Sagrada Familia, as well as showing itself to be a versatile metafictional emblem at four different times in modern Spanish narrative, illustrates the possibilities of a literary analysis that takes into account the architectural component of the texts in order to illuminate their comprehension and their characterization. / Dissertation/Thesis / Doctoral Dissertation Spanish 2015

A pesquisa debruça-se sobre a arquitetura religiosa moderna produzida no Brasil, sua trajetória e seu processo de renovação ao longo do século XX, tendo a luz natural como o protagonista deste espaço e o uso das técnicas de proporcionamento na composição plástica das igrejas como eficazes em mobilizar a percepção humana. O objeto de estudo da presente pesquisa configura-se através da arquitetura religiosa produzida por personagens do Movimento Moderno no Brasil: Oscar Niemeyer, Edgar Guimarães do Valle, Dominikus Böhm, Gottfried Böhm, Adolf Franz Heep, Edgar Oliveira Fonseca, Joaquim Guedes, Hans Broos, Antônio Carlos Farias Pedrosa, Jerônimo Bonilha Esteves, Israel Sancovski e Carlos Alberto Naves. Numa delimitação histórica, restringe-se ao período entre 1940 e 1970, fase de implementação, assimilação e consolidação dos princípios modernos no Brasil. Através do estudo e análise das capelas e igrejas escolhidas, a pesquisa desvenda as formas pelas quais o arquiteto entendeu o conceito luminoso, o problema de medidas e de proporções e como isso se refletiu nas expressões e linguagens que envolvem a arquitetura. Para isso, o trabalho analisa treze obras. Os programas representativos dessa arquitetura a serem estudados serão capelas e igrejas católicas. / The research focuses on modern religious architecture produced in Brazil, its history and its process of renewal throughout the twentieth century and the natural light as the protagonist of this space and the use of proportioning techniques in plastic composition of the churches as effective to mobilize human perception. The study object of this research is configured through religious architecture produced by Modern Movement in Brazil characters: Oscar Niemeyer, Edgar Guimarães Valle, Dominikus Böhm, Gottfried Böhm, Adolf Franz Heep, Edgar Oliveira Fonseca, Joaquim Guedes, Hans Broos, Antonio Carlos Farias Pedrosa, Jeronimo Bonilha Esteves, Israel Sancovski and Carlos Alberto Naves. In a historical definition, is limited to the period between 1940 and 1970, the implementation phase, assimilation and consolidation of modern principles in Brazil. Through the study and analysis of the chosen chapels and churches, the research reveals the ways in which the architect got the bright idea, the problem of measurements and proportions and how it was reflected in the expressions and languages that involve architecture. For this, the paper analyzes thirteen works. Representative programs of this architecture to be studied will be chapels and Catholic churches.

No description available.

This thesis confronts the possibility of an architecture which limits and reveals, freedom for a way to live, for the activities of man which are vital to a good life. An architecture which is investigated and projected through making. Architecture Separates and makes Distinct, while finding meaningful connection. The work of drawing here attempts to project an architecture which is vital to man, by providing a connection to the activities of Man, in which the spirit of their beginning is recaptured and renewed through a reimagining of the Institutions of Man. Where a sense of Wonder is imperative, and the sense of the eternal in architecture is cultivated. One where a renewal is possible and sense of the cosmos is more evident. On the Threshold of 'Where the desire to express meets the possible' (Kahn) using architectural form. Awareness What is the form? Beginning with the room / Master of Architecture

[pt] Esta tese foi desenvolvida com o objetivo de analisar a caminhada histórica da atuação das Sociedades Bíblicas no Brasil, sob a ótica da difusão das Escrituras Sagradas. Para melhor contextualizar a temática, a análise teve início no tempo da transmissão oral da Palavra de Deus, antes de qualquer registro por escrito, e se desenvolveu pelos diversos contextos em que as Escrituras acompanharam o povo de Deus na história, tanto na realidade do povo de Israel quanto na perspectiva da igreja cristã. O trabalho de difusão das Escrituras, realizado pelas Sociedades Bíblicas no Brasil, constituiu o objeto principal do estudo. Analisou-se como se deu o processo de chegada e o desenvolvimento do trabalho das Sociedades Bíblicas em quase duzentos anos de atividades no país. De forma especifica, discorreu-se sobre o trabalho realizado pela Sociedade Bíblica do Brasil (SBB) desde a sua fundação, em 1948. Esse trabalho foi analisado a partir do ciclo de vida da Bíblia, método utilizado para a SBB tornar a Bíblia disponível, acessível e relevante na sociedade e na igreja. O trabalho foi desenvolvido sob as bases de uma pesquisa histórica. Sua área de concentração foi estabelecida na teologia sistemática-pastoral. Metodologicamente, a pesquisa foi realizada por meio de uma revisão bibliográfica, contemplada por historiadores e biblistas que são referenciais em relação a temática proposta. Foram também utilizadas pesquisas em documentos oficiais disponibilizados pela SBB. No último capítulo foram utilizados além da descrição histórica, uma análise de conteúdo com base nas atividades desenvolvidas pela SBB por meio do ciclo de vida da Bíblia. Os resultados evidenciaram que o trabalho de difusão das Escrituras, desenvolvido pelas Sociedades Bíblicas no Brasil, em especial a SBB, tem contribuído de forma significativa com a igreja e a realidade da sociedade brasileira em diversos aspectos sociais e espirituais. / [en] This thesis has been developed with aim of analyzing the the historical journey of the Biblical Societies in Brazil, from the point of view of the diffusion of the Holy Scriptures. In order to better contextualize the theme, the analyze had its beginning during the time of the oral transmission of the Word of God, before any written record, and it developed through several contexts in which the Scriptures followed God s people in history, both in the reality of the people of Israel and in the perspective of the Christian church. The work of spreading the Scriptures, held by the Bible Societies in Brazil, was established as the main object of study. It was analyzed how the process of arrival and development of the Bible Societies work in almost two hundred years of activities in the country. In a specific way, it was analyzed the work held by the Brazilian Bible Society (SBB) since its foundation in 1948. This work was analyzed starting from the life cycle of the Bible, a method used by the BBS to make the Bible available, accessible, and relevant in the society and in the church. The study was conducted on the basis of a historical research. Its area of concentration was established in the pastoral systematic theology. Methodologically, the research was made through a bibliographical review, overseen by historians and bible scholars, who are referential in relation to the proposed theme. Researches were also made in official documents provided by the BBS. In the last chapter, besides the historical description, it was used an analysis of content based on the activities developed by the BBS through the life cycle of the Bible. The results showed that the work of spreading the Scriptures, developed by the Bible Society in Brazil, especially the BBS, has contributed in a meaningful way to the church and to the Brazilian society in several social and spiritual aspects.

A história do livro didático brasileiro é recuperada neste trabalho no período correspondente à instalação do Estado Nacional, juntamente com a criação das escolas públicas elementares e secundárias, até a primeira década do século atual, com as propostas de ampliação da rede escolar do regime republicano. Nesta trajetória, acompanhamos a construção do saber escolar organizado pelo poder educacional, dividido entre o Estado civil e a Igreja Católica. Em meio às disputas entre os dois setores, o livro escolar desempenhava um papel fundamental na concretização dos projetos educacionais de ambas as tendências. O livro didático foi se transformando em uma importante mercadoria das empresas editoriais que se aliaram ao Estado na divulgação dessa produção cultural que tendia a se ampliar. O saber escolar contido no livro didático é analisado pelas disciplinas História Geral e do Brasil, desvendando o processo de transposição do saber erudito para o saber a ser ensinado. Dentro dessa problemática, situamos o papel dos autores dos livros didáticos de História e o \"lugar\" de sua produção. A partir da confecção do livro didático, na qual pudemos identificar os inúmeros agentes que interferiam em sua composição, buscamos identificar como este objeto cultural era usado por professores e alunos nos diferentes espaços escolares, detectando as questões que envolveram o processo de ensino e aprendizagem do período. / The history of the Brazilian textbook, in this research, is presented from the constitution of the National State, with the creation of public schools until the first decade of the twentieth century, with the expansion of schools under the republican regime. In this trajectory, we follow the construction of school knowledge organized by the educational power, divided between the civil state and the Catholic Church. The textbook, amid the disputes between the civil and religious powers, came to occupy a fundamental place in the realization of the educational projects of both tendencies. The research then presents the growth of the production of the school book and its transformation into an important commodity for the publishing companies that allied themselves with the policies of the State in the spreading of a cultural production that tended to expand. The textbook, in a second part of the research, is analyzed by the construction of school discipline. It selects, as a case study, the books of History of Brazil and of Universal History in the process of articulation carried out by the authors between historical and erudite religious knowledge in the production of historical school content. From the process of making the textbook and its different agents, the third part of the research presents how this cultural object was used by teachers and students in different school spaces, identifying the problems that involved the teaching and learning process of this period.