Orientador: Nina Virginia de Araujo Leite / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-15T20:52:30Z (GMT). No. of bitstreams: 1 Colucci_VeraLucia_D.pdf: 1189356 bytes, checksum: aaa4ff2f6859376624661a6325af185f (MD5) Previous issue date: 2010 / Resumo: Freud (1856-1939), inventor da psicanálise, foi um grande escritor de cartas. Calcula-se que ao longo de sua vida escreveu mais de 20.000 cartas. Todavia, as cartas a Fliess (Masson 1986), escritas entre 1887 e 1900 têm um lugar diferenciado das demais. No presente trabalho desenvolvemos a idéia de que a escrita das cartas a Fliess (1858-1928) são parte da invenção da psicanálise. O aforismo de Lacan "o inconsciente é estruturado como uma linguagem" impõe a consideração da divisão do sujeito Freud articulada ao seu desejo na teorização da psicanálise. A verdade buscada incessantemente por Freud levou-o à invenção psicanálise. Nesse percurso de muito trabalho e solidão intrínsecos ao objeto que não se deixa apreender, Fliess ocupou o lugar de outro semelhante, que acolhe e estimula, e também daquele que representa o saber científico. Como Freud mesmo chegou a dizer comparando-se com o trabalho do físico Einstein, que tivera Newton e tantos outros como mestres, seu trabalho era sem precedentes, Freud. Na solidão que essa condição lhe impunha, pela injunção da invenção de um saber inédito, ele tinha que supor o saber científico em algum lugar. Foi Fliess, seu amigo muito amado, o parceiro de sua incursão por territórios não nomeados e não descritos anteriormente. Joseph Breuer (1842-1925), que também fora muito próximo de Freud, predecessor desavisado nos primeiros espantos diante do enigma da histérica - Breuer tratou Bertha Pappenheim, conhecido caso Anna O, de 1880 a 1882 -, não suportou sustentar a etiologia sexual da neurose e afastou-se científica e pessoalmente de Freud. Charcot, a cujas demonstrações clínicas no Hospital La Salpetrière Freud assistira entre 1885-1886, franqueara o "ça n'empêche pas d'exister", que deslocava a palavra de autoridade superior da teoria para o real, mas também não demonstrou interesse especial em se aprofundar na psicologia das neuroses. Foi Wilhelm Fliess quem, na sua certeza fascinante acerca das causas e processos vitais da natureza, pôde sustentar para Freud o lugar da verdade científica para que Freud, dividido, pudesse articular a verdade do sujeito. A importância desta abordagem da escrita das cartas de Freud a Fliess, frisando a condição da escrita, está no que se pode colher de sua potência de transmissão. Concordando com Erik Porge (1998), as cartas a Fliess não devem ser vistas como objeto de curiosidade histórica ou documentos de uma subjetividade. A escrita das cartas implicou Freud de um modo radical, pois era com a escrita, articulada à teorização do enigma das neuroses, que Freud assumia seu dizer, e isso se fez graças ao moedor de significante, cujos dentes são as letras, como diz Pommier (2004). A escrita das cartas a Fliess tem a potência da transmissão do cerne da estrutura da invenção do fazer teórico da psicanálise de Freud: a letra de Freud. A amizade de grande intimidade entre esses homens, cujos caminhos só mais tarde se mostraram opostos, produziu um laço que é o discurso da psicanálise. É esse o reconhecimento que nosso trabalho procura expressar / Abstract: Freud (1856-1939), the inventor of psychoanalysis, was a prolific letter-writer, having written approximately 20,000 letters during his lifetime. But there is a special group of missives by Freud that have a special place in his life and in the history of psychoanalysis, namely, those he wrote to Wilhelm Fliess (1858-1928), between 1887 and 1900. In this thesis I elaborate on the idea that the writing of the letters to Fliess (Masson 1986) is part of the very invention of psychoanalysis. Lacan's aphorism "the unconscious is structured like a language" leads us to consider the division of the subject Freud and to articulate this division to his desire in the theorization of psychoanalysis. It can be said that the truth Freud incessantly sought, led to his invention of psychoanalysis. During the laborious and solitary quest intrinsic to an object that cannot be grasped, Fliess concurrently occupied, on the one hand, the place of the similar other that takes in and encourages and, on the other hand, the other who represents scientific knowledge. In the loneliness of unprecedented his unprecedented task, Freud himself went so far as to compare himself to Einstein, who held Newton and so many others as masters. In his task of inventing unprecedented knowledge, Freud had to suppose the existence of scientific knowledge somewhere. Fliess, his dear friend, became a partner to this navigation into uncharted waters, waters never before named or described. Fliess, in his fascinating certainty about the vital causes and processes of nature, sustained for Freud the place of scientific truth, and this allowed Freud, divided, to articulate the truth of the subject. The study of Freud's letters to Fliess, which underlines the condition of writing, is important for what can be gleaned from its power of transmission. As Erik Porge (1998) insists, the letters to Fliess should not be taken as historical curiosities or documents by a subjectivity. The writing of these letters radically implicated Freud in his new field. From this point of view, writing, articulated with the theorization of the enigma of the neuroses, was Freud's fundamental means of expressing himself, and the task was carried out thanks to the grinder of the signifier, whose teeth are letters, in Pommier's words (2004). The writing of the letters to Fliess has the power to transmit the essence of the structure of the invention of Freud's theoretical production of psychoanalysis: Freud's own letter. The intimate friendship between these two men, whose paths diverged only much later, produced a bond that is the discourse of psychoanalysis. The present thesis attempts to express this recognition / Doutorado / Doutor em Linguística

Nossa proposta consiste em realizar uma investigação teórica em torno do conceito de trauma na obra freudiana, assim como das problemáticas a que responde. Objetivamos pesquisar se a teoria do trauma teria de fato desaparecido no período situado entre o abandono da teoria da sedução e os construtos de 1920, como defendem alguns autores na literatura psicanalítica. Nossa hipótese é que a noção de trauma teria continuado a sustentar a teoria freudiana do sofrimento psíquico, não só por meio de aparições esporádicas do conceito nesse período, mas também, implicitamente, por meio das problemáticas a ele relacionadas como a da etiologia das neuroses e dos grandes casos clínicos de Freud: Dora, Homem dos Ratos e Homem dos Lobos. Assim, primeiramente rastreamos a noção de trauma e suas ramificações ao longo da obra e, em seguida, fizemos um estudo desses três casos clínicos, em busca de possíveis configurações traumáticas na história de seus protagonistas. Chegamos ao entendimento de que Freud não trata sempre do mesmo tipo de trauma ao longo dos seus escritos: o termo se mantém, mas com acepções diferentes. Haveria, assim, subtipos do trauma implícitos no discurso freudiano trauma por efração, trauma como falta de mediação entre fantasia e realidade e, ainda, pistas para se pensar um trauma como falha narcísica. A partir desses subtipos, abordamos as consequências clínicas da releitura desse conceito, do ponto de vista do diagnóstico diferencial. Em seguida, apontamos como o aspecto eminentemente econômico que permeia a categoria de trauma influiu na visão de Freud sobre os dispositivos utilizados pelo analista na clínica. Acompanhar as ramificações, assim como o alcance clínico da noção de trauma, consiste em uma tarefa que pode nos oferecer ferramentas teóricas para compreensão dos tipos de constelações traumáticas subjacentes aos sofrimentos intoleráveis daqueles que procuram a clínica psicanalítica / Our proposal is to perform a theoretical investigation regarding the concept of trauma in Freuds work, as well as the set of problems it responds to. We aimed to research if the theory of trauma would have in fact disappeared in the period between the abandon of the seduction theory and the constructs of 1920, as defended by some authors in the psychoanalytic literature. Our hypothesis is that the notion of trauma would have continued to sustain the Freudian theory of psychic suffering, not only through sporadic appearances of this concept during this period, but also, implicitly, by means of the set of problems related to it as the etiology of neurosis and of the major clinical cases of Freud: Dora, Rat Man and Wolf Man. Thus, primarily we searched for the notion of trauma and its ramifications throughout the wok and, afterwards, we performed a study of these three clinical cases, looking up for possible traumatic configurations in the history of their protagonists. We came to the understanding that Freud does not always treat the same kind of trauma throughout his writings: the term remains, but with different meanings. There would be, therefore, implicit subtypes of trauma in the Freudian discourse trauma by rupture, trauma as lack of mediation between fantasy and reality and, yet, clues to think of a trauma as a narcissistic fault. From these subtypes, we approached the clinical consequences of the reinterpretation of this concept, from the differential diagnosis viewpoint. Next, we pointed out how the eminently economic aspect that permeates the category of trauma influenced in Freuds view about the devices used by the analyst in the clinic. Following the ramifications, as well as the clinical scope of the notion of trauma, consists in a task that may offer us theoretical tools for the understanding of the types of traumatic constellations underlying the intolerable suffering of those who look for the psychoanalytic clinic

Orientador: Osmy Faria Gabbi Junior / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T23:36:02Z (GMT). No. of bitstreams: 1 Almeida_JoaoJoseRodriguesLimade_D.pdf: 11611923 bytes, checksum: 6ec8a458cfd4d25653c8485f34afb3c7 (MD5) Previous issue date: 2004 / Resumo: Esta tese é uma exposição crítica de elos conceituais manifestos pela teoria de Lacan e pela psicanálise pragmática, esta última circunscrita aos trabalhos de Marcia Cavell e de Jurandir Freire Costa. Sem descuidar a investigação exegética, pretende-se aqui apresentar uma visão panorâmica das composições conceituais e dos sentidos que adquirem as palavras no conjunto de cada prática teórica. Pelo fato de que recorrem a certas concepções de linguagem como forma de resolução de problemas metaffsicos e clínicos herdados da teoria de Freud, denomino os dois tipos de teoria como "psicanálises lingüísticas". Seu comportamento, no entanto, é tratado como compulsivo, uma vez que a prática teórica obedece cegamente a um conjunto de técnicas e procedimentos incorporados à ação de sanear a teoria de impurezas conceituais. Cada uma das psicanálises lingüísticas adotou a sua própria concepção de linguagem. Lacan, como alternativa à concepção referencialista da linguagem pressuposta por Freud, utilizou uma concepção idealista, e a psicanálise pragmática, uma concepção comportamental, para atender a seus respectivos fins. O trabalho consiste em questionar a substancialização da linguagem, no caso de Lacan, e o desvio mentalista e mecanicista, no caso da psicanálise pragmática. Aparentemente nada indica que a clínica necessitasse de tais supostos, nem que estas teorias não houvessem introduzido novos problemas metafísicos / Abstract: This work is a critical exposition of conceptuallinks manifestedby the Lacanian theory and the pragmatic psychoanalysis, the latter circumscribed to texts of both Marcia Cavell and Jurandir Freire Costa. It is intended to get a panoramic presentation from the conceptual composition and ftom the meaning that the words acquire in the whole of each theoreticalpractice,without overlooking the exegeticalinvestigation.The two types of psychoanalytical theory are called "linguistic psychoanalysis", as they appealled to certain conceptions of language as a form of resolution of metaphysical and clinical problems inherited from Freudian theory. Nonetheless, their theoretical behaviour are considered as compuJsive,inasmuch as their theoreticalpractice blindly obey to a set of technicsand procedures incorporated to the action of cleaning the theory ftom conceptualimpurities.Each one adoptedits own conceptionoflanguage. Lacan, as an alternative to the referential conception of language presupposed by Freud, employed an idealist conception, and the pragmatic sychoanalysisresorted to a behavioral point of view, to accomplish their respective tasks. The work consists in questioning Lacan's substantialization of language, and the mentalism and mecanicism presented in the pragmatic psychoanalysiscase. Nothing seems to indicate that clinics would need such resorts, nor that those theories would not introduced new metaphysical problems / Doutorado / Doutor em Filosofia

This essay focuses on psychoanalytical notions in Robert Bloch’s novel Psycho. The theoretical framework is based on Sigmund Freud’s theory of psychoanalysis. Slavoj Žižek’s idea that the house serves as a symbol of Freud’s concept of the Super-Ego, Ego and Id is presented and further developed. Moreover, it is exemplified how the idea of repression as a defense mechanism can be traced in the novel. It is then explained that repression is used as a tool for making the reader feel sympathy for Norman Bates. In addition, Wolfgang Iser’s reception theory is used to explain how Bloch uses gaps and pre-intentions in order to create anticipation and retrospection in the reader to produce suspense and horror. The intention is to prove that the attention to the psychological issues is what makes the monster of the novel more sympathetic and recognizable to us as readers. Thus, the result is that we position ourselves closer to the monster, which leaves us wondering if we could, due to our shared psychology, be monsters as well.

La présente thèse procède à une analyse archéologique des discours sur le « romantisme politique » sous la République de Weimar pour mettre en évidence que ce paradigme constitue un idéologème fondamental de l’univers intellectuel et politique de l’époque. Par le recours à une conception de la « réception » qui met entre parenthèses la fonction « auteur » il s’agit d’analyser les stratégies discursives qui se structurent autour du paradigme « romantique » entre 1918 et 1933. A partir de l’étude d’un corpus d’auteurs pour qui la référence romantique est centrale (Sigmund Rubinstein, Carl Schmitt, Hans Freyer, Othmar Spann, Karl Mannheim, Wilhelm von Schramm, Paul Tillich) ainsi que des réseaux sociaux qui s’organisent autour d’eux, il est possible d’affirmer l’existence d’une sensibilité « romantique » centrale au monde weimarien, qui transcende les oppositions politiques traditionnellement conçues comme imperméables (gauche/droite, conservateur/progressiste, nationaliste/universaliste, etc.) et qui se construit dans l’opposition fondamentale à l’individualisme matérialiste du libéralisme capitaliste. / This PhD thesis offers an archeological analysis of the discourses on « political romanticism » in the Weimar Republic. It shall endeavour to analyze the discursive patterns which revolved around the « romantic » paradigm between 1918 and 1933 by resorting to a concept of « reception » which minimizes the importance of the « author ». By studying the works of thinkers who explicitly refer to « political romanticism » (Sigmund Rubinstein, Carl Schmitt, Hans Freyer, Othmar Spann, Karl Mannheim, Wilhelm von Schramm, Paul Tillich) and the social networks they belong to one may assert the existence of a romantic « sensibility » which is at the core of the intellectual universe of the Weimar Republic, transcends political differences traditionally considered as essential (left/right, conservative/progressive, nationalist/universalist etc.) and is fundamentally opposed to the materialist individualism of capitalist liberalism.

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Sylvia Plath’s poetry continues to receive considerable attention from a variety of groups and has been the target for such diverse critical approaches as Feminism, Ecocriticism, and Marxism, to name but a few. My paper focuses on a less investigated area of her poems: Space, and more specifically uncanny space in her later poetry. Here, I take a closer look at seven of her poems using as my preferred methods deconstruction and psychoanalytical theory.

This thesis analyses the Spanish part of Philipp Sigmund of Dietrichstein's grand tour which took place from 1671 to 1672, examining various archival sources, such as correspondence, spending overviews, instructions, and route plans. It looks into the motivations behind and circumstances of the grand tour, describing its participants, course, and Philipp Sigmund's activities in Spain. A key part of the thesis is an edition of transliterated correspondence from the journey to Spain, including an analysis of internal and external characteristics of the letters. Keywords: grand tour, traveling, Spain, Dietrichstein, Philipp Sigmund of Dietrichstein, 17th century, aristocracy

I have come to a point where I feel a need to understand more about my own work methods and my motivations. Departing from a process diary written during my master studies, I take a closer look at my own artistic process — the questions which inform my work, the questions that arise in it, and how my work is an attempt to understand those questions. Wherein lies the urgency for me to work with art in the way that I do?  This is an essay about a search, about trying to make sense of something, about not knowing. It is also an exploration of how my work in the non-verbal domain transforms my not knowing, how working with art is a tool for thinking and understanding.

This study employs psychoanalytical theories to explore how the conscious, unconscious, and subconscious workings of the mind, combined with a search for identity, are presented and dealt with in Toni Morrison’s novel Beloved (1987). It is done through a close reading and in-depth textual analysis of thematic concerns raised in the work. Previous research has primarily relied on some specific aspects of psychoanalytic theory and applied it to Beloved. The theoretical framework provides a rationale for this paper to research two events in particular that highlight the mother-daughter relationships between Sethe and her Ma’am and between Sethe and her daughter Beloved. These relationships are consequently analyzed by employing psychoanalytical concepts offered by Freud, Lacan and Kristeva. By utilizing psychoanalytical criticism, the characters’ conscious and unconscious motives and feelings are revealed and explained, as well as the meanings and the undercurrents that lie underneath the text’s consciousness. The results suggest that Sethe murdered her daughter Beloved to keep her from becoming a slave and enduring the dreadful and traumatic consequences of slavery, which was similar to what Sethe went through when she was abandoned by her Ma'am. Sethe’s childhood psychological principles and trauma shaped her identity as a mother as she witnessed her mother abandoning her at a young age by being tortured and killed. The events around Sethe’s mother’s death and the fact that Sethe never identifies her mother’s dead body, scar Sethe for life and instill in Sethe a sense of “lack” and an abnormal feeling of maternal love where she is ready to kill her children to save them from the horror of slavery.