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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 161 to 167 of 167 (0.065 seconds)Spelling suggestions: "subject:"[3cultural tourism]"" "subject:"[accultural tourism]""
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Lidová kultura jako faktor rozvoje cestovního ruchu v regionu Valašsko / The folk culture as a factor of tourism development in the region of ValašskoBLÁHOVÁ, Petra January 2013 (has links)
The aim of this thesis is to highlight the importance of folk culture for tourism development and to suggest options for better evaluation and effective use of the potential of folk culture tourism in the selected region based on the results of the analysis in the region of Wallachia. In the introduction of the practical part I deal with the current supply of Wallachia. The fundamental part was quantitative marketing research in the form of a questionnaire survey. The aim of the survey was to identify the participants of tourism in terms of demographic characteristics, determine the purpose of the visit, analyse their financial expenses, and identify subjective perception of culture and assessment of infrastructure and services in the region. I designed a new product called "Wallachia hunt", which aim was to involve young people in the Wallachia culture, tourism allows participants to actively and an interesting way to travel around the region and specifically to discover its natural and cultural wealth. "Wallachia hunt" is based on the worldwide known activity called geocaching. In my work I have put together a detailed proposal for annual testing of this activity.
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Mayská kultura v perspektivě antropologie turismu / Maya Culture in the Perspective of Anthropology of TourismSoučková, Kristina January 2017 (has links)
My thesis is based on a broader context of theories and categories of tourism and touristic experiences elaborated by authors belonging to a comparatively new subdiscipline of social and cultural anthropology - the anthropology of tourism. I focus on Mexico, the area of my interest and a part of el Mundo Maya (Maya World) through the eyes of tourism categorization of Valene Smith (1989). I specify two distinct (but yet similar) anthropological fields - one being Riviera Maya with fieldwork in Cancún, Tulum and Chichén Itzá and the other one Ruta Maya with fieldwork in San Cristobal de las Casas and the village of Chamula. I focus on the area of a popular beachspot and adjacent Maya ruins as a destination of historical tourism and also on the area of Chiapas highlands with an authentic Maya village which is a popular destination of ethnic or more accurately cultural tourism. My work is about the process of construction of the (English speaking versus Spanish speaking) tourist image of ancient Maya and the Maya of today. The conclusion of my fieldwork helps me illustrate the term monumentalization of the Maya (Canclini, 2005) or inventing the great Maya through touristic artefacts, experience and travellers' guides. Key words Anthropology of tourism, Maya tourism, Tulum, Chichén Itzá, Cancún, San...
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CHANGING PERCEPTIONS: PUBLIC ART AS AN ECONOMIC DEVELOPMENT TOOL IN THE REVITALIZATION OF YOUNGSTOWN, OHIO AND THE MAHONING VALLEYLevengood, Wilma K. January 2017 (has links)
No description available.
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La instrumentalización política de la cultura durante el primer franquismo: la Universidad Internacional Menéndez Pelayo (UIMP) y el Festival Internacional de Santander (FIS), 1945-1957Ferrer Cayón, Jesús 08 February 2012 (has links)
A partir del análisis de los orígenes y de la creación de la Universidad Internacional Menéndez Pelayo (UIMP) y del Festival Internacional de Santander (FIS), se profundiza en el conocimiento de la historia de ambas instituciones durante el primer franquismo y la relación que en ellas hubo entre política, ciencia, cultura e identidad nacional, a la vez que se demuestra el papel primordial de legitimación política internacional que la dictadura del general Franco asignó a la cultura con el fin de combatir el aislamiento diplomático que sobre España pesaba entre los ecuadores de las décadas cuarenta y cincuenta del pasado siglo. Asimismo, otros aspectos abordados en este trabajo son los referidos a la historia de los cursos de español para extranjeros y la historia de los festivales de música, relativas ambas a nuestro país, así como a la aproximación histórica a la vida cultural de Santander en la inmediata posguerra civil. / From the analysis of the origins and creation of the International University Menéndez Pelayo (UIMP) and the International Festival of Santander (FIS), it delves into the knowledge of the history of both institutions during the early Franco and the relationship that they were between politics, science, culture and national identity, as well as demonstrated the essential role of international political legitimacy to the dictatorship of General Franco assigned to culture in order to combat the diplomatic isolation of Spain weighed between equators decades of the forties and fifties of last century. Also, other issues addressed in this paper are those related to the history of Spanish courses for foreigners and the history of music festivals, both concerning our country, and the historical approach to the cultural life of Santander in the immediate post-Civil War.
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Imagineered Imperial Tourism: Disney & US Empire in Hawai'iRachel E Bonini (8364543) 19 April 2022 (has links)
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<p>Many viewers—especially those from the continental United States—have praised Disney for such recent actions as casting Pacific Islanders in the animated feature film <em>Moana</em> (2016) and assembling a group of cultural advisors (named the Oceanic Story Trust) to guide the filmmakers’ creative decisions. However, my project contends that Disney continues to play a significant role in the maintenance of settler colonialism in Hawai‘i, despite these seemingly progressive attempts at challenging Hollywood’s whitewashing. In this project, I argue that Disney creates and replicates the structures of settler colonialism in Hawai‘i through a mechanism that I term <em>imagineered imperial tourism</em>. In my formulation, imagineered imperial tourism involves commodifying historical narratives of colonization to serve the Disney brand by “innocently” repackaging them for the purpose of settler tourist consumption. To signal a Disney-specific branding and reproduction of settler colonial tropes and ideologies, I use the term “imagineered”—a play on Disney’s trademarked term <em>Imagineering</em>, which names the work of the creative team tasked with engineering the company’s most innovative devices, built environments, and technologies.</p>
<p>Through a sustained study of Disney’s relevant productions—from the feature films <em>Lilo & Stitch</em> (2002) and <em>Moana</em> to its built environments at the Walt Disney World Resort in Orlando, FL, and Aulani, A Disney Resort & Spa in Ko Olina, Hawai‘i—I suggest that over time, Disney has normalized a version of Native Hawaiian people and history in US popular culture that reproduces common settler colonial discourses which have structured popular perceptions of Hawai‘i. The company’s almost century-long history of media production has cemented these discourses into a set of public pedagogies that have been reproduced across generations. Disney’s Pacific Island-themed productions and attractions are rife with tropes of native primitivism and imperialist nostalgia. They also reveal the primacy of the discursive framework of hegemonic multiculturalism vis-à-vis the commodified “spirit of aloha,” a sentiment which is superficially rooted in Native Hawaiian epistemologies and branded as a key selling point by the tourism industry. Furthermore, Disney has actively colonized Hawaiian lands since 2007, capitalizing on the Islands’ exploitative tourist industry while also obscuring longstanding battles over land ownership and denying Native Hawaiians sovereignty over their stolen lands. Ultimately, I suggest that Disney’s ostensibly “innocent” repackaging contributes to the violent erasure of Native Hawaiian history in popular culture. </p>
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Les politiques culturelles et le processus de développement dans le monde arabe : analyse d’une série d’indicateurs / Cultural policies and the development process in the Arab world : analysis of selected indicatorsMehadji, Meriem 02 October 2014 (has links)
En 2010, le bilan sur les objectifs du millénaire pour le développement (OMD) a révélé que l’ensemble des pays ainsi que les différents acteurs impliqués dans ce processus devaient redoubler leurs efforts afin de mettre en place des projets adaptés à la nature des diverses sociétés. À cet effet, la question de la « culture » s’est imposée comme un facteur évident et inhérent à l’accomplissement de ces objectifs. C’est dans ce cadre que se pose notre problématique de recherche à travers une zone géostratégique qui subit de grands bouleversements au niveau politique, économique et social. De cette manière, la culture peut-elle constituer un élément de base dans les programmes de développement entrepris dans les États arabes ? Cette présente thèse s’achemine à travers trois principales étapes. D’abord l’intégration de la culture dans ce processus en tant que secteur à part entière. Ensuite, les moyens et les méthodes utilisés par les différents acteurs engagés et concernés par le domaine de la culture dans les pays arabes. Enfin, les indicateurs spécifiques à la région à travers lesquels apparaissent les limites, mais également le potentiel des États arabes. Pour finir, cette démarche fait office de défrichement, car le développement à travers le secteur culturel reste peu exploité dans le monde arabe. Toutefois, les changements qui s’opèrent depuis quelques années dans la région peuvent conduire à une véritable reconsidération du secteur culturel et de sa relation avec le processus de développement. / In 2010, the appraisal of the Millennium Development Goals (MDGs) indicated that all the countries and the different actors involved in this process should underlay their efforts to implement projects adapted to the nature of the various societies. To this end, the issue of "culture" has emerged as an obvious and inherent factor in achieving these goals.Our research issue raises in this context through a geostrategic area which undergoes great changes in the political, economic and social level. Thus, can the culture constitute a basic element in the development programs undertaken in the Arab States? The present thesis is developed through three main stages. First, the integration of culture in this process as a real sector. Then, the means and methods used by the different actors involved and concerned with the field of culture in the Arab countries. Finally, specific indicators related to the region which could show the limits, but also the potential of Arab States.This approach acts as clearing, insofar as the development through cultural sector remains largely untapped in the Arab world. However, the changes occurring in recent years in the region can lead to a genuine reconsideration of the cultural sector and its relationship with the development process.
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Cultural tourism investment and resident quality of life : a case study of Indianapolis, IndianaGullion, Christopher Scott 10 December 2013 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / This thesis will explore issues concerning cultural tourism investment and resident quality of life in the Midwestern city of Indianapolis, Indiana. It is important to understand from a cultural tourism perspective how further attempts to grow and invest in tourism will affect resident perception of quality of life and future cultural tourism investment. To achieve this goal, data from the 2012 Indianapolis Quality of Life survey was statistically analyzed to specifically examine how residents' perceived quality of life affects cultural tourism investment. This allows for the study of what city-service attributes (i.e. safety, attractions, transportation, et cetera) identify as potential indicators of whether residents' perception of quality of life affects cultural tourism investment and if there were any correlations between demographic factors of age, gender, ethnicity, and household income with the perception that investing in cultural events and attractions for tourists is good for residents. Results indicated that several key city-service attributes identify as potential indicators of whether residents' perception of quality of life in Indianapolis affects residents' perceptions that investing in cultural tourism for tourists is good for residents. In addition, several key city-service attributes identified as potential indicators of residents' perception of quality of life in Indianapolis excluding perceptions of cultural tourism investment. Finally, results indicated that demographic factors of gender, age, ethnicity, and income were not significant when it came to affecting the perception that investing in cultural events and attractions for tourists is good for residents.
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