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Denna studie syftar till att få fram parametrar som medvetet kan användas i ljusdesignprocessen, för att skapa miljöer där människor emotionellt trivs och mår bra. Det har i tidigare forskning huvudsakligen fokuserats på funktionellt ljus, vilket har resulterat i rekommendationer vad gäller belysningsstyrka på arbetsområde. Men något som ännu inte är lika utforskat är hur ljus påverkar oss emotionellt och hur vi upplever miljöer beroende på hur estetiskt utformad miljön är. Studiens syfte är att klargöra förhållanden mellan kontrasters karaktärer och ljusfärg, förhållandet mellan kontrasters karaktärer och känslor, och förhållandet mellan ljusfärg och känslor. Studien var upplagd som en hypotesprövande laborationsundersökning, där tre olika begrepp användes för att arbeta fram kontraster. De begrepp det gällde var ljusets avstånd till yta, ljusflöde och ljuskäglans uppfattade avslut. Dessa begrepp nyttjades i fyra olika ljusscener som fick utvärderas och där huvudhypotesen var att mjuka kontraster påverkar en upplevelse av varm ljusfärg och hårda kontraster inverkar på upplevelse av kall ljusfärg. Vidare fick respondenter svara på vilka känslor som förknippades med mjuka/hårda kontraster respektive varm/kall ljusfärg. Resultaten visar att det kan finnas en koppling mellan mjuka kontraster och varm ljusfärg respektive hårda kontraster och kall ljusfärg. I denna undersökning finns dock en osäkerhetsfaktor, i och med ett något högt SDCM-värde. Det kan ha påverkat färgkvaliteten, vilket kan ha inverkat på slutresultatet. Resultaten visar också att hårda kontraster och kall ljusfärg upplevs stelt, offentligt, exklusivt och kallt. Vidare skapar mjuka kontraster och varm ljusfärg gemensamma känslor som mysigt, varmt, trivsamt, tryggt och inbjudande. Dessa resultat kan ligga som grund vid utformning av miljöer som ska utstråla en viss atmosfär, där kontraster och ljusfärg är en del i att inverka. / The aim of this study is to obtaining parameters that can be consciously used in the lighting design process, to create environments where people feel good and comfortable. Previously research has focused on functional light, which has resulted in recommendations regarding illumination in the work area. But there are not equally explored how light affects us emotionally and how we experience environments depending on how aesthetically designed the environment is. The purpose of the study is to clarify the relationships between the characters of the contrasts and the color of light, the relationship between the characters of the contrasts and emotions, and the relationship between color of light and emotions. The study was disposed as a hypothesis-testing laboratory examination, where three different concepts were used to influence contrasts. The concepts in question were the distance of light to the surface , luminous flux and the perceived end of the light beam. These concepts were used in four different light scenes to be evaluated, and the main hypothesis was that soft contrasts affect the experience of warm color of light and hard contrasts affect the experience of cold color of light. Furthermore, respondents were able to respond to the feelings associated with soft / hard contrasts and warm / cold color of light. The results show that there may be a link between soft contrasts and warm color of light and hard contrasts and cold color of light. However, in this survey, there is an uncertainty factor, with a somewhat high SDCM value. This may have affected color quality, which may have an impact on the end result. The results also show that hard contrasts and cold colors of light are experienced stiff, public, exclusive and cold. Furthermore, soft contrasts and warm color of light create common feelings as cozy, warm, pleasant, safe and inviting. These results can form the basis for designing environments that radiate a certain atmosphere, where contrasts and colors of light are a part of influencing.

The European Union is a supranational structure of its own, created to bring peaceafter years of war on the ground of shared economic interests. In the 1970s, the polity started torealize its need of a European identity to further pursue its integration process efficiently, openinga door on a whole new sphere. This latter shift brought new issues on the table, questioning thefeatures of a common identity bringing the European countries of the Union together andeventually introduced the concept of EU citizenship as a condition of (EU)ropean belonging. Onthe other side of the Atlantic, Argentina has been on the quest of its own identity since theindependence from Spain in 1810. In the twentieth century, the country started to identify withEurope, resulting in the creation of a European identity in a non-geographically Europeancontinent and far from the concept of EU citizenship. This thesis seeks to study the differentunderstandings of a European identity. The leading question is: How are European citizenshipand European identity interwoven in the expression of belonging to Europe in the officialdiscourse in the EU and Argentina? According to a model of the sociologist Delanty, we willdeconstruct the concept of citizenship according to three features and look at citizenship as acommunity of Rights, a participatory behaviour and an identity with means of culturalcohesiveness and historical traditions in both the EU and Argentina’s official discourse. Ourfindings show, neither the study of EU rights and participatory behaviour of Eu citizens inArgentina allow us to understand the identification of Argentina with Europe, in opposition withthe EU. Indeed, being a European in the EU refers to belonging and participating in a politicalsphere and eventually could lead to a political identity. In Argentina being European refers to acultural, if not eugenic identity which can be explained by the history of the country.

A pesquisa procura e refletir sobre convergências conceituais entre a análise psicossocial e o significado dos lugares e a análise geográfica, sobretudo em relação ao encontro geografia/educação. A pesquisa procura demonstrar como a geografia vem desenvolvendo teórica e praticamente uma abordagem capaz de produzir uma solução societária para a reapropriação selvagem dos lugares, por parte de indivíduos e grupos que perderam o sentimento de pertencimento, em relação a seus contextos sócio-geográficos. / The research tries to demonstrate and reflect on conceptual convergences between psychosocial analysis and the significance of places and the geographical analysis, especially in relation to the encounter of geography and education. The research tries to demonstrate how the geography has been developing practically and theoreticically an approach capable of producing a sociatary solution for the wild reapropriation of places by individuals and groups that lost the feeling of belonging, in relation to their socio-geographical contexts.

Tomamos o trabalho de três dramaturgos brasileiros contemporâneos, a saber: Newton Moreno, Fernando Bonassi e Roberto Alvim e suas respectivas peças Dentro, Três cigarros e a última lasanha (em coautoria com Victor Navas) e Pinokio na tentativa de apreender/identificar, a partir de uma perspectiva de análise estética e histórica, o que seria a nossa contemporaneidade, entendida aqui nos termos do que o teórico britânico Raymond Williams, principal referência de nosso estudo, chamou de estrutura de sentimento: um conteúdo de experiência e de pensamento que, histórico em sua natureza, encontra formalização nas obras de arte. É a partir de uma análise que tencione as formas ou convenções dramatúrgicas criadas por cada um dos autores de nosso corpus, inclusive os desvios que operam em relação ao modelo aristotélico-hegeliano de drama, e o conteúdo histórico-social que se precipita nessas formas, orientado, segundo o entendimento de Fredric Jameson, pelas dinâmicas do capitalismo enquanto sistema econômico vigente, que buscamos identificar, ainda que em termos imprecisos, o que seria a nossa contemporânea estrutura de sentimento. Amparam a nossa análise, em sua perspectiva formal, os estudos mais recentes sobre a poética do drama moderno e contemporâneo, que têm em Jean-Pierre Sarrazac seu principal organizador. Assim, buscamos compreender estética e historicamente os dramaturgos propostos e suas dramaturgias, guiando-nos pelo pensamento dos teóricos citados; e, como objetivo último, nos lançamos na tentativa de discernir a estrutura de sentimento dominante de nossa época e suas relações com as estruturas dramatúrgicas criadas no nosso presente histórico. / We take the work of three contemporary Brazilian dramatists: Newton Moreno, Fernando Bonassi and Roberto Alvim and their respective plays Dentro, Três cigarros e a última lasanha (co-authored with Victor Navas) and Pinokio with the intend to see/identify, from an aesthetic‟s and historic‟s perspective of analysis, what is our contemporaneity, here understood by what the Britain theoretical Raymond Williams, our study‟s main reference, calls structure of feeling: a content of experience and thought which, historical in its own nature, it‟s embodied in art. From an analysis which puts in tension the dramaturgical forms or conventions created by each one of our corpus‟ authors, including the shifts they operate in Aristotelian-Hegelian drama standard, and the historical and social content that decants in these forms, guided, according to the Fredric Jameson‟s understanding, by the capitalist‟s dynamic as the present economic system, we intend to identify, even if in inaccurate terms, what is our contemporary structure of feeling. Support our analysis, in its formal perspective, the recent studies about modern and contemporary drama poetic, which have in Jean-Pierre Sarrazac its main organizer. Thus, we intend to understand aesthetically and historically the dramatists proposed and their dramaturgies, guiding ourselves by the above theoretical‟s thought; and, last but not at least, we throw ourselves in the attempt of distinguish the structure of feeling dominant in our time and its relations with the dramaturgical structures created in our historical present.

Cílem této práce je doložit hloubku a důležitost sepětí člověka s přírodou a na základě této myšlenky vystavět výtvarný projekt, zúžený na vztah člověka a stromu Tento projekt by měl děti citlivě vést ke schopnosti hlubšího vnímání a pozorování přírody, k uvědomění si její nenahraditelnosti a krásy. Teoretická část práce se zaobírá zobrazením přírodních motivů s akcentací motivu stromu v průřezu dějinami umění a částečně literatury. Strom tedy vnímáme jako symbol, který může přírodu jako takovou charakterizovat. Část praktická sleduje význam environmentální tematiky ve výtvarné výchově a zaměřuje se na uvedení výtvarného projektu do školní praxe.

Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-08-10Bitstream added on 2014-06-13T18:48:35Z : No. of bitstreams: 1 goncalves_f_me_assis.pdf: 622059 bytes, checksum: d59e72fba43995dc6c51401cd4de2989 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este trabalho tem por objetivo analisar a poesia de Machado de Assis sob o prisma da americanidade. Considerada uma tendência de dimensão continental, a representação poética do instinto de americanidade se configura como uma teoria relativamente nova dentro dos estudos literários, apresentando-se desse modo, em processo. Entretanto, a partir de estudos realizados, podemos alistar algumas características sinalizadoras de sua presença em composições literárias: representação poética de elementos indigenistas, nacionalistas, da paisagem americana e do sentimento de apreço à América. A fim de primeiro contextualizar a poesia de Machado de Assis dentro dos estudos literários brasileiros, iniciaremos nosso trabalho com uma apreciação do contexto cultural do Brasil no século XIX e dos volumes de poesia: Crisálidas, Falenas, Americanas e Ocidentais. No segundo capítulo, faremos uma breve exposição crítica das primeiras resenhas, bem como de trabalhos recentes destinados à poesia machadiana. No terceiro capítulo, procuraremos apontar a preocupação de Machado de Assis com os temas relacionados ao que hoje denominamos instinto de americanidade e, sobretudo, realizaremos nessa terceira parte da pesquisa a análise dos poemas machadianos sob a ótica da americanidade. No terceiro tópico, realizaremos um confronto entre a poética de Walt Whitman e Machado de Assis a fim de compreender similitudes e/ou diferenças nos modos de representação do instinto de americanidade. O último item do trabalho destina-se ao exame da representação machadiana do índio. Através dessa pesquisa, pretendemos demonstrar a manifestação do instinto de americanidade na poesia de Machado de Assis e suas formas de representação. Com a leitura, não única nem definitiva, objetivamos contribuir com a fortuna crítica dedicada à produção em verso do autor. / This work analyzes the poetry of Machado de Assis through the lens of americanity. Considered a tendency of continental dimension, the poetic representation of americanity’s feeling is a new theory in literary studies. However, from studies, we can list some characteristics that mark the presence of the theory in literary compositions, such as: the poetic representation of Indians, of nationalism, of nature and others elements of American continent. Therefore, in the first chapter, in order to contextualize this poetry within Brazilian literary studies; our work begins with an examination of the cultural context of nineteenth century Brazil and of works of Machado de Assis: Crisálidas, Falenas, Americanas e Ocidentais. In the second chapter, we demonstrate the first criticisms about these compositions and a brief review of the recent work about the poetry of Machado de Assis. In the third chapter, points to Machado de Assis’ preoccupation with issues related to the essence of americanity. Also in the third chapter, we analyze the poetry of Machado de Assis from the perspective of americanity’s feeling. In the third topic of this chapter, we analyze the poetry of Walt Whitman and Machado de Assis to understand similarities and/or differences in the poetic representation of americanity’s feeling. In the last topic of work we analyze the poetic representation of Indian in poems by Machado de Assis. Through this research, we demonstrate the expression of americanity’s feeling in the poetry of Machado de Assis and its forms of representation. At last, we expect our research to contribute to the future criticism of the author’s poetry.

A pesquisa procura e refletir sobre convergências conceituais entre a análise psicossocial e o significado dos lugares e a análise geográfica, sobretudo em relação ao encontro geografia/educação. A pesquisa procura demonstrar como a geografia vem desenvolvendo teórica e praticamente uma abordagem capaz de produzir uma solução societária para a reapropriação selvagem dos lugares, por parte de indivíduos e grupos que perderam o sentimento de pertencimento, em relação a seus contextos sócio-geográficos. / The research tries to demonstrate and reflect on conceptual convergences between psychosocial analysis and the significance of places and the geographical analysis, especially in relation to the encounter of geography and education. The research tries to demonstrate how the geography has been developing practically and theoreticically an approach capable of producing a sociatary solution for the wild reapropriation of places by individuals and groups that lost the feeling of belonging, in relation to their socio-geographical contexts.

abstract: “The Moral Sense of Touch: Teaching Tactile Values in Late Medieval England” investigates the intersections of popular science and religious education in the late fourteenth and fifteenth centuries. Taking an interdisciplinary approach, the project draws together a range of textual artifacts, from scientific manuals to private prayerbooks, to reconstruct the vast network of touch supporting the late medieval moral syllabus. I argue that new scientific understandings of the five senses, and specifically the sense of touch, had a great impact on the processes, procedures, and parlances of vernacular religious instruction in late medieval England. The study is organized around a set of object lessons that realize the materiality of devotional reading practices. Over the course of investigation, I explore how the tactile values reinforcing medieval conceptions of pleasure and pain were cultivated to educate and, in effect, socialize popular reading audiences. Writing techniques and technologies—literary forms, manuscript designs, illustration programs—shaped the reception and user-experience of devotional texts. Focusing on the cultural life of the sense of touch, “The Moral Sense of Touch” provides a new context for a sense based study of historical literatures, one that recovers the centrality of touch in cognitive, aesthetic, and moral discourses. / Dissertation/Thesis / Doctoral Dissertation English 2016

Submitted by Luiz Augusto Rosa null (luiz.augusto.rosa@outlook.com) on 2018-03-19T12:34:56Z No. of bitstreams: 1 Dissertação - Luiz Augusto Rosa.pdf: 2095745 bytes, checksum: 4ecf357b59fc4edc60e2425328bf65b2 (MD5) / Rejected by Satie Tagara (satie@marilia.unesp.br), reason: Faltou a ficha catalográfica: anexar a ficha catalográfica na sequência da página de rosto (na versão impressa é no verso). on 2018-03-19T16:16:19Z (GMT) / Submitted by Luiz Augusto Rosa null (luiz.augusto.rosa@outlook.com) on 2018-03-19T18:55:21Z No. of bitstreams: 1 Dissertação Completa - Luiz Augusto Rosa.pdf: 2206500 bytes, checksum: 9e8f5f65501eb60ef2c7c0f6bb093043 (MD5) / Approved for entry into archive by Satie Tagara (satie@marilia.unesp.br) on 2018-03-19T19:35:12Z (GMT) No. of bitstreams: 1 rosa_la_me_mar.pdf: 2206500 bytes, checksum: 9e8f5f65501eb60ef2c7c0f6bb093043 (MD5) / Made available in DSpace on 2018-03-19T19:35:12Z (GMT). No. of bitstreams: 1 rosa_la_me_mar.pdf: 2206500 bytes, checksum: 9e8f5f65501eb60ef2c7c0f6bb093043 (MD5) Previous issue date: 2018-02-02 / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Nessa dissertação buscamos fazer uma análise filosófica das teorias sobre a emoção, sentimento, self e consciência de António Damásio frente ao contexto neurobiológico contemporâneo. No primeiro capítulo, nós fizemos uma revisão de literatura sobre os dois paradigmas da consciência vigentes na neurobiologia, no caso, o paradigma cognitivista, onde revisamos os trabalhos de Crick, Baars, Dehaene, Tononi, Koch e LeDoux, e o paradigma afetivista, onde revisamos as ideias centrais de Panksepp. No segundo capítulo, nós revisamos as ideias centrais de Damásio sobre emoção, sentimento, self e consciência, analisando tanto a atualização conceitual e neurobiológica no decorrer de suas obras principais quanto como cada teoria está embasada nas ideias de James sobre os processos emocionais e nos paradigmas discutidos no primeiro capítulo. No terceiro capítulo, nós revisamos as ideias centrais do modelo construtivista da emoção de Russell e Barrett, as posições de Damásio e outros autores sobre a problemática da possibilidade de consciência em animais não-humanos, avaliamos as teorias centrais de Damásio frente ao contexto neurobiológico atual, e analisamos tanto os problemas conceituais inerentes à teoria da consciência de Damásio quanto as posições de Damásio sobre o problema da causação mental e identidade mente-cérebro. Nós esperamos, com essa dissertação, ter contribuído, mesmo que modestamente, com um debate que vem ganhando grande impacto na literatura especializada, que vai muito além do aqui foi apresentado. / In this dissertation we sought to make a philosophical analysis of Antonio Damásio’s theories on emotion, feeling, self, and consciousness in the face of the contemporary neurobiological context. In the first chapter, we reviewed the literature on the two paradigms of consciousness in neurobiology, in this case, the cognitive paradigm, where we reviewed the works of Crick, Baars, Dehaene, Tononi, Koch and LeDoux, and the affectivist paradigm, where we reviewed Panksepp’s core ideas. In the second chapter we review Damasio’s central ideas on emotion, feeling, self, and consciousness, analyzing both the conceptual and neurobiological actualization in the course of his major works, and how each theory is based on James’ ideas on emotional processes and the paradigms discussed in the first chapter. In the third chapter, we reviewed the core ideas of Russell’s and Barrett’s constructivist model of emotions, the stance of Damasio and other authors on the problematic about the possibility of consciousness in nonhuman animals, we assessed Damasio’s central theories in the face of the current neurobiological context, and we analyzed both the conceptual problems inherent in Damasio’s theory of consciousness and Damasio’s stance on the problem of mental causation and mind-brain identity. We hope, with this dissertation, to have contributed, even modestly, to a debate that has been gaining great impact in the specialized literature, which goes far beyond what was presented here. / 2015/14849-3