I den här studien har jag undersökt vilka berättelser unga och barn möter genom barn- och ungdomslitteratur och även på vilka sätt som denna typ av litteratur finns tillgänglig att läsa. Studien innehåller även ekonomiska aspekter. Jag har utgått från dessa frågeställningar: • Hur kan olika skrift- och ordval möjliggöra inkludering i text? • Hur kan litteratur göras tillgängligt för flera olika lässätt? • Hur ser representation av icke normativa människor ut i barn och ungdomslitteratur? Jag har valt att arbeta med just dessa frågeställningar eftersom vi i skolan arbetar med berättelser, texter och sagor under hela skolgången och har skyldighet att ge våra elever en demokratisk grund och material som de kan känna igen sig i och relatera till. Material och metoder som vi väljer måste vara tillgängliga för alla oberoende av funktionsvariationer. Undersökningen har resulterat i en bok som är skriven på ett sätt där alla karaktärerna är avidentifierade, utan några fysiska, biologiska eller funktionella attribut. Genom denna avidentifiering får läsaren möjlighet att läsa in sin egen karaktär eller sig själv i berättelsen och skapa egna bilder. Boken är tillgänglig, inte bara utifrån inkludering i läsningen och berättelsen, utan även genom att en kan ta till sig texten med hjälp av olika lässätt. Den är skriven i alfabetsskrift, i punktskrift och finns som ljudbok. Under undersökningen, med avseende på lässätt, har det blivit allt tydligare att barn- och ungdomslitteratur kan vara svårt att få tag på som inläst material och att det är nästan omöjligt om en inte har tillgång till appar som till exempel Legimus. Angående representation i det begränsade antal sagor, biografier, berättande faktaböcker eller påhittade berättelser som jag använt, så finns sällan personer som anses utanför normen, inte ens i litteratur som utger sig för att vara inkluderande.

Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2017-10-16T15:41:55Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Renan Fagundes.pdf: 14965955 bytes, checksum: fa383276f6bcac970603bf242121e506 (MD5) / Made available in DSpace on 2017-10-16T15:41:55Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Renan Fagundes.pdf: 14965955 bytes, checksum: fa383276f6bcac970603bf242121e506 (MD5) Previous issue date: 2017-05-05 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / As reflexões que trago nesta dissertação têm por objetivo identificar os traços de africanidades na literatura infantil e juvenil em língua espanhola em seu contexto afro-diaspórico. Para apresentar tais traços de africanidades, tive que repensar, de que forma a matriz africana aparece nos contos em língua espanhola e em como consistem. Para isto, elenquei em forma de categorias de análise, as africanidades encontradas. Sendo estas categorias: As representações de Ananse; O poder e importância da palavra para as culturas africanas; Áfricas: memória e comunidade; A presença de animais/personagens. No que concerne ao desenvolvimento teórico e metodológico, parto do reconhecimento dos estudos clássicos que abordam a temática da literatura infantil e juvenil no decorrer da trajetória histórica deste gênero literário. Tais como: Támes (1990); Coelho (2000, 2006); Hunt (2010), entre outros/as. Todavia, me pauto principalmente nas discussões em relação à representação das personagens negras, como se detiveram as pesquisas de: Rosemberg (1985); Oliveira (2003, 2010); Gouvêa (2005); Jovino (2006); Araujo (2010, 2015); Debus (2012); entre outros/as. No tocante à elucidação teórica dos conceitos de africanidades(s) e afrocentricidade, quais são eixos norteadores desta pesquisa, se fez necessário estudos de cunho reflexivo dialogando-os com postulações de pesquisadores/as afro-brasileiros e africanos. Já, para a metodologia de análise dos contos, me baseio na práxis da africanidade, postulada por Silva (2008). Enegreço também que a análise se fará em uma perspectiva afrocentrada, priorizando base teórica afro-diaspórica. Em relação ao corpus deste estudo, as obras escolhidas foram: Anancy en Limón (2002), da Costa Rica e Multiculturalidad y Plurilingüismo – Tradición Oral y educación plurilingüe en África Central y Austral (2012), da Guiné Equatorial. Os resultados apontam que as pesquisas com literatura infantil e juvenil que discutem sobre representação de personagens negras, por mais que se tenha avanços ainda persistem resquícios de estereótipos como destacados por Rosemberg (1985), Oliveira (2003, 2010), Araujo (2010, 2015). Vale ressaltar o caráter didático e pedagógico das narrativas e importância da argumentação, articulação, desenvolvidos por Ananse, o poder da palavra, os animais e memória e comunidade para as culturas africanas. / The reflections I bring in this dissertation aim to identify the traits of Africanities in children's and young people's literature in the Spanish language in its Afro-Diasporic context. To present such traits of Africanities, I had to rethink how the African matrix appears in Spanish-language short stories and in what they consist. For this, I listened in the form of categories of analysis, the found africanities. Being these categories: The representations of Ananse; The power and importance of the word for African cultures; Áfricas: memory and community; The presence of animals / characters. With regard to theoretical and methodological development, I start from the recognition of the classical studies that approach the theme of children's and youth literature during the historical trajectory of this literary genre. Such as: Támes (1990); Coelho (2000, 2006); Hunt (2010), among others. However, I focus mainly on the issues regarding the representation of the black characters, the research of Rosenberg (1985); Oliveira (2003, 2010); Gouvêa (2005); Jovino (2006); Araujo (2010, 2015); Debus (2012); among others. With regard to the theoretical elucidation of the concepts of africanities and afrocentricity, which are the guiding axes of this research, it was necessary to carry out reflective studies by discussing them with postulations of Afro-Brazilian and African researchers. Already, for the methodology of analysis of short stories, I’m based on the African praxis, postulated by Silva (2008). I’m also explain that the analysis will be done in an afro centered perspective, prioritizing Afro-diasporic theoretical basis. Regarding the corpus of this study, the works chosen were: Anancy in Limón (2002), Costa Rica and Multiculturality and Plurilingualism - Oral Tradition and multilingual education in Central and Southern Africa (2012), from Equatorial Guinea. The results point out that the researches with children and young people's literature that discuss the representation of black characters, although there are still some vestige of stereotypes, as highlighted by Rosemberg (1985), Oliveira (2003, 2010), Araujo (2010, 2015 )). It is worth emphasizing the didactic and pedagogical character of the narratives and the importance of the argumentation, articulation, developed by Ananse, the power of the word, animals and memory and community for African cultures.

A proposta desta dissertação é investigar a literatura infanto-juvenil israelense, especificamente em obras selecionadas das décadas de 70 a 90 do século XX. Neste estudo, pretendemos também observar como operam os conceitos de mímesis e verossimilhança nestas obras com intuito de verificá-los através das análises destes textos a partir da representação ficcional quanto da veracidade histórica. Desta forma, organizamos uma pesquisa centrada na questão dos conflitos, medos e dores que permearam a literatura infanto-juvenil israelense que funciona como mola propulsora de nosso trabalho. Pretendemos, a partir das análises teóricas realizadas, localizar esses questionamentos e apresentar alguns apontamentos para a discussão sobre a natureza de nosso tema e seu desenvolvimento. Para isso, nossa pesquisa se baseará nas obras selecionadas Sumri (1978) e Pantera no porão (1995), ambas do escritor Amós Oz; além destas, também analisaremos a obra O Monstro da Escuridão (1976) de Uri Orlev. Por fim, desejamos apresentar nossas reflexões e, na medida do possível, avançar, mediante a descrição e a compreensão acerca dos conflitos, medos e dores que permeiam a literatura infanto-juvenil israelense. / Our aim is to investigate Israeli childrens and youth literature, especially in some works selected from the 70s to the 90s of the 20th century. In this study, we intend to observe how the concepts of mimesis and verisimilitude are presented in these works by means of analyses regarding both the fictional representation and the historical veracity. Our research is focused on the question of the conflicts, fears and sorrows that pervade Israeli childrens and youth literature, which are the aspects that motivate our study. Based on the theoretical analyses carried out, we identify these issues and present some reflections for the discussion on the nature of our theme and its development. The works analyzed are Sumchi (1978) and A panther in the basement (1995), both by Amós Oz, and The monster in the darkness (1976), by Uri Orlev. Through the description and comprehension of the conflicts, fears and sorrows in the works mentioned, our study may contribute to the scientific inquiry on Israeli childrens and youth literature.

Este trabalho apresenta um estudo sobre a literatura juvenil brasileira publicada na primeira década do século XXI, por meio da análise de obras premiadas pela Fundação Nacional do Livro Infantil e Juvenil (FNLIJ) e pela Câmara Brasileira do Livro (CBL), que outorga o prêmio Jabuti. A partir de dados sistematizados por Marisa Lajolo e Regina Zilberman, apresenta-se um breve panorama da literatura infantojuvenil brasileira entre o período de 1890 a 1980, contextualização que permite o delineamento do percurso e das tendências do gênero ao longo do tempo. Após, com base nos estudos desenvolvidos por Teresa Colomer, expõem-se os principais traços da literatura juvenil atual, os quais são cotejados com as características das narrativas juvenis brasileiras premiadas entre os anos de 2001 e 2009. Estabelecida uma tipologia da literatura juvenil brasileira contemporânea, estudam-se, respectivamente, as obras Luna Clara & Apolo Onze (2002), de Adriana Falcão, A distância das coisas (2008), de Flávio Carneiro, e O fazedor de velhos (2008), de Rodrigo Lacerda, nas quais se analisam, a partir dos estudos de teoria da narrativa desenvolvidos por Carlos Reis, Ana Cristina Lopes, Antonio Candido e Yves Reuter, entre outros, categorias como o enredo, a personagem, o narrador, o tempo, o espaço, a linguagem e as temáticas predominantes. Por meio da leitura, da observação, da análise e da comparação das obras que integram o corpus, procura-se demonstrar as características da literatura juvenil brasileira produzida na primeira década do século XXI, de maneira a responder quais as principais tendências do gênero e qual sua posição no cenário nacional. Verifica-se o surgimento de um bom número de autores novos, a diversidade de temáticas trabalhadas e o aumento da complexidade narrativa. / The present research offers a study on the Brazilian youth literature published in the first decade of the XXI century, through the analysis of books awarded by the National Foundation of the Children and Youth Books (FNLIJ) and by the Brazilian Camera of Books (CBL), that grants the Jabuti award. Starting from data systematized by Marisa Lajolo and Regina Zilberman, a brief panorama of the Brazilian children and youth literature from 1890 to 1980 is presented. Such contextualization allows the outline of the course and of the tendencies of this genre along that period of time. After that, having the studies developed by Teresa Colomer as a basis, it is exposed the main lines of the current youth literature, which are compared with the characteristics of the juvenile narratives that were awarded from 2001 to 2009. Once a typology of the Brazilian contemporary youth literature was established, the following works, Luna Clara & Apolo Onze (2002), by Adriana Falcão, A distância das coisas (2008), by Flávio Carneiro, and O fazedor de velhos (2008), by Rodrigo Lacerda, are studied. They are analyzed, based in the studies of theory of the narrative developed by Carlos Reis, Ana Cristina Lopes, Antonio Candido and Yves Reuter, among others, having categories as plot, character, narrator, time, space, language and the predominant themes, to be observed. Through the reading, the observation, the analysis and the comparison of the works that integrate the corpus, the research aims to present the characteristics of the Brazilian youth literature produced in the first decade of the XXI century, with the objective of answering which the main tendencies of the genre and which its position in the national scenery are. It is verified the appearance of a reasonable number of new authors, the diversity of themes approached and the increase of the narrative complexity.

Made available in DSpace on 2016-04-28T18:22:41Z (GMT). No. of bitstreams: 1 Maisa dos Santos Souza.pdf: 861921 bytes, checksum: c3b8d572bc3029f52c0a537be66e1180 (MD5) Previous issue date: 2013-07-01 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / I teach at EE Prof. Adherbal de Castro, at 6th grade/ 7th year, and I have a project called Venha Ler Comigo, which originated before that low ratings given to the school in the item area of content, skill and abilities writers. Each student receives among other things, the book Tchau (2004), by Lygia Bojunga, great success of children s literature, winner in 1985, the prize The best for the young considered by the national Book Foundation Children anf Youth. The desire to understand the reason for success of Tchau, a fact confirmed by the testimonies given by students of Venha Ler Comigo led me to investigate the ideology that underlies the work. Ideology, common sense and not critical sense, is understood as a set of ideas, thoughts doctrines or worldviews stored in the frame of an individual or group, oriented their social actions. Now, a book that came to meet of these values and beliefs would certainly be welcome. The analytical approach of a text should support me on theories of multifunctional, such as Systemic Functional Grammar, to clarify the conjunction between information-interaction-language, made respectively by metafunctions Ideational, Interpersonal and Textual. The aim of this research is to analyse the ideology that permeates a chapter of this tale O bife e a pipoca , book Tchau (2004), a successful book dedicated to children and young people, by Lygia Bojunga, examining the metafunctions Ideational and Interpersonal through Transitivity and Appraisal. The research should answer the following questions: (a) how is characterized the Transitivity in view of the ideology that is established in this chapter? (b) what is the role of Appraisal on this issue? The results show that a careful analysis of the lexicogramatical choices made in the systems of Transitivity and Appraisal can bring out the ideology that marks the chapter focus / Leciono na EE Prof. Adherbal de Castro, nas 6ª série/7ºano, e tenho um projeto denominado Venha Ler Comigo, que se originou diante da baixa classificação atribuída à escola, no item domínio dos conteúdos, competências e habilidades escritoras. Cada aluno recebe entre outras coisas, o livro Tchau (2004), de Lygia Bojunga, grande sucesso da literatura infantojuvenil, vencedor, em 1985, do prêmio "O melhor para o jovem" outorgado pela Fundação Nacional do Livro Infantil e Juvenil. O desejo de entender a razão do sucesso de Tchau, fato constatado pelos depoimentos dados pelos alunos do "Venha Ler Comigo" levou-me a investigar a ideologia que subjaz à obra. Ideologia, no senso comum e não sentido crítico, é entendida como o conjunto de ideias, pensamentos, doutrinas ou visões de mundo armazenado no enquadre de um indivíduo ou de um grupo, orientado para suas ações sociais. Ora, um livro que viesse ao encontro desses valores e crenças seria certamente bem vindo. A abordagem analítica de um texto deve apoiar-me em teorias de caráter multifuncional, tal como a Gramática Sistêmico-Funcional, que esclarecesse a conjunção entre informação-interação-linguagem, feitas, respectivamente, pelas Metafunções Ideacional, Interpessoal e Textual. O objetivo desta pesquisa de mestrado é analisar a ideologia que perpassa um capítulo do conto O bife e a pipoca , de Tchau (2004), livro de sucesso dedicado ao público infantojuvenil, de Lygia Bojunga, examinando as Metafunções Ideacional e Interpessoal, por meio da Transitivadade e da Avaliatividade. A pesquisa deverá responder às seguintes perguntas: (a) como se caracteriza a Transitividade tendo em vista a ideologia que se estabelece nesse capítulo? (b) qual é o papel da Avaliatividade nessa questão? Os resultados mostram que a análise detida das escolhas lexicogramaticais feitas nos sistemas da Transitividade e da Avaliatividade podem trazer à tona a ideologia que marca o capítulo em foco

En France et au Québec, la littérature pour la jeunesse fut longtemps négligée par les enseignants du secondaire ou exclue des cours de français. Or, en 1996, elle apparaît dans des listes ministérielles qui lui sont exclusivement consacrées et qui sont destinées aux professeurs du collège. Un an auparavant, les enseignants québécois sont invités à l’inclure dans des pratiques de lecture. Elle était jusqu’alors considérée comme relevant de la lecture personnelle des élèves. L’objectif de cette recherche est d’identifier les œuvres de littérature pour la jeunesse qui ont été sélectionnées pour l’enseignement secondaire français et québécois, puis de connaître les finalités que les prescripteurs leur confèrent et les pratiques pédagogiques que les enseignants mettent en œuvre lorsqu’ils l’introduisent dans leurs classes. La première partie retrace l’histoire de la littérature pour la jeunesse à travers celle des premiers supports, créés pour instruire, éduquer ou divertir les enfants dans les lieux divers qui leur sont ouverts (périodiques et livres variés). La deuxième partie évoque la place que l’enseignement secondaire a accordée à la littérature pour la jeunesse, dans ses différents programmes. Enfin, la troisième partie aborde les textes pour la jeunesse et les pratiques que les enseignants proposent à leurs élèves actuellement. Notre recherche appartient au champ de la didactique du français et touche aux domaines spécifiques des didactiques de la littérature et de la lecture. À visée descriptive, elle consiste à interroger des corpus figés, destinés aux enseignants (instructions officielles, notes de lecture et documents issus de revues pédagogiques), dans une perspective diachronique et synchronique. / In France and in Quebec, youth literature has been neglected for a long time by the secondary teachers or discorded from french lessons. Nevertheless, in 1996, it appeared in ministerial lists exclusively dedicated to it and intended to the high school teachers. One year before, the Quebec teachers were invited to include it in reading practices. It has been considered as a matter for pupils’ personal reading. The aim of this research is to identify youth literature works that have been selected for French and Quebec secondary teaching, then to know the purposes given by the teachers and their pedagogical practices when they introduce it in their classes. The first part relates the history of youth literature through the first teaching aids’ one, created to teach, to educate or to entertain children in the different places that are opened to them (periodicals and various books). The second part is about the place that the secondary teaching gave to youth literature, in its different programs. At last, the third part moves on the texts for the youth and the practices that nowadays teachers propose to their pupils. Our research belongs to the sphere of French language didactics and affects the specific fields of literature and reading didactics. It has a descriptive purpose and it asks questions to fixed corpus, intended to teachers (official instructions, reading notes and documents extracted from pedagogical reviews), in a diachronic and synchronic view.

Le théâtre pour la jeunesse est un théâtre de recherche où se redéfinissent à chaque fois le désir et les modalités d’une rencontre entre des créateurs et un public spécifique. Notre thèse met en lumière la construction historique de ce théâtre en France et en Italie et donne à comprendre les expérimentations menées par les pionniers du domaine. Elle se concentre sur l’apparition d’un nouveau protagoniste du champ théâtral, l’enfant, et cherche à savoir si celui-ci se situe bien au cœur des processus de création. Dans une première partie, nous soulignons le rôle déterminant qu’a joué l’animation théâtrale au tournant des années 1960-1970. De la France à l’Italie, on voit se transmettre l’idée d’une transition naturelle entre expérience artistique avec les jeunes et œuvre dramatique à leur intention ; en identifiant l’enfant comme partenaire possible de la création, l’animation préfigure la naissance de formes esthétiques nouvelles adressées aux jeunes spectateurs. Dans une deuxième partie, nous montrons comment, des années 1980 à nos jours, la recherche artistique s’est cristallisée sur l’enfant spectateur, cible spécifique des metteurs en scène et des dramaturges. Tout en réfléchissant aux conditions de son émancipation, les artistes s’approprient des matériaux textuels parfois inattendus ; un chemin peut se dessiner de l’adaptation à la création. En France, on assiste à l’émergence d’un répertoire dramatique qui appartient aujourd’hui de plein droit à la littérature de jeunesse, tandis que, dans les deux pays, l’enfant personnage conquiert sa place dans les textes et sur les scènes. Une relation spéculaire peut ainsi s’instaurer entre l’enfant spectateur et son double. / Theatre for young people is experimental—the desire for and the modalities of an encounter between creators and a specific audience undergo redefinition with each performance. This PhD thesis sheds light on how theatre for young people came to be in France and Italy throughout history, as well as on the experiments carried out by the pioneers in the field. The focus is on the emergence of the child as a new protagonist within the theatrical field and on attempting to determine whether he indeed lies at the core of the creative process. In the first part, the emphasis is on the significance of the role of theatrical animation at the turn of the 1960s. The idea of a natural transition from artistic experiences involving young people to theatrical works designed for them was passed on from France to Italy ; by identifying the child as a potential partner in the creative process, theatrical animation prefigured the onset of new aesthetic forms directed to young audiences. In the second part, the aim is to show how artistic research has been crystallizing on the child as a spectator, who has become a specific target for stage directors and playwrights from the 1980s onwards. While reflecting on how to emancipate him, artists have taken ownership of various textual materials—some of which unexpected—and a path can therefore be traced from adaptation to creation. In France, a theatrical repertoire which belongs to youth literature in its own right has been emerging. At the same time, in both countries, the child as a character has been earning his way in play scripts and on stages. Thus, a specular relationship can be established between the child as a spectator and his double.

Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2006.

Lo scrittore ed illustratore Antonio Rubino (1880-1964) fu artista di rilievo nel panorama letterario infantile del Novecento, prolifico nell’ideare opere connotate da forte ironia e da soluzioni espressive multimediali. La ricerca dà risalto a quanto pubblicato dall’artista sanremasco sulle pagine dei periodici per ragazzi nella prima metà del XX secolo, settore ad oggi privo di uno studio sistematico. Si tratta di un punto di vista favorevole a far emergere i contenuti trasmessi dall’autore al destinatario infantile, nonché a fare luce sul controverso rapporto con il fascismo e a tratteggiare l’evoluzione multimediale della sua produzione per l’infanzia. La definizione di una poetica rubiniana, che colga le matrici artistiche e le peculiarità ironiche della sua arte, conduce ad una riflessione educativa che interroghi la responsabilità assunta da Rubino nei confronti dell’infanzia lettrice. / The writer and illustrator Antonio Rubino (1880-1964) was a significant artist in the children’s literary panorama of the twentieth century. His works are connoted by strong irony and multimedia expressive solutions. This research is focused on Rubino’s works edited on children’s periodicals in the first half of the 20th century, a field that hasn’t been systematically studied yet by critics. This ideal point of view highlights the contents transmitted by the author to the young reader, underlines the relationship between the artist and the fascism and delineates the multimedia evolution of his children’s production. The analysis of the Rubino’s artistic thought, influenced by the contemporary trends, shows the peculiarities of his ironic style. It also guides to an educative consideration that examines the responsibilities of the author for young readers.

When youth novels were first written, Afrikaans speaking adolescents spent their time reading the original and absorbing youth novels then available. These suited their psychological and environmental development and they could identify with the language and style used in these novels. The contents were a representation of a world which they knew and in which they could feel secure. Although authors often dealt with issues relevant to the adolescent world, the plot reflected a secure and nurturing world where the readers and their life experiences were taken into account. In recent years the adolescent world has changed dramatically from a secure environment to a more exposed one, posing the question whether contemporary Afrikaans youth novels have retained the same traits mentioned earlier and answer to the same norms. The value of literature should never be underestimated; it can develop the imaginative skills and moral values of adolescent readers. Also, it has become clear that adolescents have a great need for reading material that deals with relevant issues. The main focus of this study is characterization and development of identity in selected youth novels by Barrie Hough, viz. My kat word herfs, Vlerkdans and Skilpoppe as revealed in textual analysis and empirical research. The literature study focuses on developmental psychology and the reading expectations of the adolescent, character development according to some narrative theories, e.g. reader response criticism and intertextuality theories. The main objective of this study is to analyze, interpret and evaluate the above three youth novels in order to establish whether or not the contemporary adolescent can identify with these specific stories. It has been found that the adolescent reader in the early years of the twenty first century is able to identify with the contemporary youth novels such as those by Barrie Hough. Although young readers do not want to steer clear of contentious themes and issues in youth novels, it seems that they still prefer evergreen classical topics and themes. This suggests that the modern adolescent is still positive about life and aspires to attain goodness and moral strength. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2006