Orientador: Rubem Murilo Leão Rêgo / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-21T08:45:05Z (GMT). No. of bitstreams: 1 Silva_RogeriodeSouza_D.pdf: 1814710 bytes, checksum: b64a24789a11852f6653cc1d7bda741a (MD5) Previous issue date: 2012 / Resumo: O presente trabalho discute a importância do movimento hip hop na transformação da vida de milhares de jovens das periferias das grandes cidades brasileiras. Para isso, analisa a trajetória social e intelectual de Mano Brown, líder do grupo de rap Racionais MC's. Defendemos que o movimento hip hop, mesmo com as suas contradições e incongruências, possibilita que os seus integrantes alcancem uma visão crítica do mundo, ganhem visibilidade social e, no limite, não adentrem no mundo do crime / Abstract: This paper discusses the importance of the hip hop movement in transforming the lives of thousands of young people from the suburbs of large cities. For this, analyzes the history of social and intellectual Mano Brown, leader of the rap group Racionais MC's. We believe that the hip hop movement, even with its contradictions and inconsistencies, allows its members to reach a critical view of the world, gaining social visibility and, ultimately, does not delve into the world of crime / Doutorado / Sociologia / Doutor em Sociologia

Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-10T17:37:19Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Nó de ar - Paul Celan leituras destinos. Tese de Thiago Ponce de Moraes.pdf: 1762465 bytes, checksum: c9f55df1306e9f90183ab871985d5529 (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-15T15:36:16Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Nó de ar - Paul Celan leituras destinos. Tese de Thiago Ponce de Moraes.pdf: 1762465 bytes, checksum: c9f55df1306e9f90183ab871985d5529 (MD5) / Made available in DSpace on 2017-05-15T15:36:16Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Nó de ar - Paul Celan leituras destinos. Tese de Thiago Ponce de Moraes.pdf: 1762465 bytes, checksum: c9f55df1306e9f90183ab871985d5529 (MD5) / A presente tese aborda abrangentemente a obra poética e em prosa do poeta romeno Paul Celan, tendo como objetivo pensá-la a partir de uma reflexão sobre escrita e leitura, que acaba por se encaminhar para uma reflexão mais ampla sobre a linguagem. Nesse sentido, a própria forma de escrita deste trabalho – que parte da leitura de discursos e de textos em prosa de Celan, bem como da leitura de seus poemas – é um problema fundamental para a tese. Tal problema se constitui, em última análise, como interrogação metodológica fundadora do modo vacilante e indecidível pelo qual a leitura se desempenha ante as palavras do poeta. Dividida em duas partes principais – e, posteriormente, repartida outras várias vezes: como meridianos –, a tese ambiciona provocar as instâncias estáveis de qualquer escrita que se proponha a dialogar com poemas. Sendo assim, a tese busca a todo tempo pensar a possibilidade de relação com o outro – sentido e destino da arte –, relação tão indissociável quanto a de escrita e de leitura, repensando o próprio papel da escrita que se queira crítica / This thesis comprehensively approaches the poetry and prose works of the Romanian poet Paul Celan, aiming to think about them from a reflection on writing and reading, which ultimately moves toward a broader reflection on language. In this sense, the very form of writing of this work – that departs from the reading of Celan’s speeches and prose, as well as of his poems – is a fundamental problem for the thesis. This problem is, at last, a methodological questioning that founds the faltering and undecidable way through which the reading performs before the poet’s words. Divided into two main parts – and subsequently distributed other several times: as meridians – the thesis aims to provoke the stable instances of any writing that proposes to establish a dialogue with poems. Thus, the thesis intends to think thouroughly the possibility of relation with the other – art’s way and destiny –, a relation that is as inseparable as the one concerning writing and reading, at the same time rethinking the very role of a writing that longs to be critic

Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-09T18:04:21Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 1. DISSERTAÇÃO LUIZA Versão final.pdf: 1064454 bytes, checksum: 2347543c843eefda0b64ef5bbef3e4d3 (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-06-06T15:38:31Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 1. DISSERTAÇÃO LUIZA Versão final.pdf: 1064454 bytes, checksum: 2347543c843eefda0b64ef5bbef3e4d3 (MD5) / Made available in DSpace on 2017-06-06T15:38:31Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 1. DISSERTAÇÃO LUIZA Versão final.pdf: 1064454 bytes, checksum: 2347543c843eefda0b64ef5bbef3e4d3 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico / Por meio de uma abordagem comparativa, a presente dissertação discute o tema da migração no romance Azul-corvo (2010), de Adriana Lisboa e no longa-metragem Terra estrangeira (1996), de Walter Salles. Correspondendo às mudanças culturais, sociais e geopolíticas projetadas na pós-modernidade, essas obras tematizam os deslocamentos pelos espaços contemporâneos, apresentando personagens em trânsito que evidenciam crises existenciais, identitárias e afetivas. Assim, essas narrativas de deslocamento colocam em voga as concepções de identidades subjetivas e coletivas, reinscrevendo o tema do nacional, engendrando problematizações a respeito das experiências de exílio e, ao mesmo tempo, inscrevendo o olhar plural e dialógico que caracteriza as novas concepções identitárias em formação. É sob tais perspectivas que procuramos elucidar e analisar as figurações dos sujeitos migrantes que protagonizam tais narrativas, levando em consideração tanto a elaboração dos espaços de migração, como de seus lugares de origem e discutindo a incidência ou não de possibilidades de reterritorialização, a se desenhar de acordo com o contexto social e político específico de cada uma das obras / Through a comparative approach, this dissertation address the theme of migration in Adriana Lisboa's novel Azul-corvo (2010) and Walter Salles' feature film Terra estrangeira (1996). Corresponding to the cultural, social and geopolitical changes projected in postmodernity, these works discuss the displacement in contemporary spaces, presenting characters in transit that show existential, identity and affective crises. Therefore, these narratives of displacement put in vogue the conceptions of subjective and collective identities, reinscribing the theme of the national, engendering problematizations about the experiences of exile and, at the same time, inscribing the plural and dialogical look that characterizes the new identity conceptions in formation. According to such perspectives, we seek to elucidate and analyze the figurations of the migrant subjects that are staring in the narratives, considering both the elaboration of the migration spaces and their places of origin and discussing the incidence or not of possibilities of reterritorialization, to be drawn according to the specific social and political context of each of the works

Notre étude s’attache à cerner les figures du sujet lyrique dans la poésie de Jacques Dupin (1927- 2012), Philippe Jaccottet (1924- ) et Jacques Réda (1928- ), trois écrivains majeurs de l’après-guerre dont le travail poétique a contribué à l’évolution de la poésie lyrique contemporaine. Sans pour autant négliger l’œuvre antérieure et postérieure de ces poètes, notre étude se concentrera principalement sur les ouvrages des années 1960 et 1970. A cette période, en effet, la poésie lyrique s’est trouvée prise dans une situation critique sans précédent du fait l’avènement du structuralisme et du « textualisme » proclamé par l’avant-garde. En réaction au textualisme des années 1960 et 1970, Dupin, Jaccottet et Réda poursuivent une quête opiniâtre du lyrisme. Notre étude n’a pour but ni d’élaborer des critères globaux et universels afin de définir les caractéristiques universelles de la « poésie lyrique » en tant que genre littéraire, ni d’élaborer une réflexion philosophique sur le Sujet ou l’En-soi. A travers l’analyse des figures de sujet lyrique, nous étudierons les caractéristiques de chacun de nos poètes, ainsi que les modes de la poésie lyrique au cours de cette période malaisée. La notion de « sujet lyrique » nous servira de paramètre en vue d’éclairer la singularité et l’historicité des poèmes, voire de la poétique propre à chaque écrivain. Traditionnellement, la poésie lyrique est souvent associée à l’emphase ou au sentimentalisme. La poésie de Dupin, Jaccottet et Réda s’acharnent à se dégager de l’embrasse du lyrisme traditionnel encombré d’égocentrisme. La poésie lyrique n’est plus un genre qui exprime les sentiments et la subjectivité du poète. Nos poètes sont à la recherche d’une nouvelle forme de poésie lyrique, qui convienne à leur époque. L’impersonnalité, que nous trouvons souvent dans leur poétique, s’associe à la production d’une nouvelle modalité de la subjectivité, éloignée de la métaphysique de la subjectivité. Le refus d’une certaine forme de subjectivité coexiste avec la recherche d’une parole singulière, ainsi que d’une nouvelle figure de sujet lyrique. / Our study aims to examine the figures of the lyric subject in the poetry of Jacques Dupin (1927- 2012), Philippe Jaccottet (1924-) and Jacques Réda (1928-), three major poet of the postwar whose poetic work contributed to the evolution of contemporary lyric poetry.Without neglecting the anterior and posterior work of these poets, our study will focus mainly on the works of the 1960s and 1970s. At that time, in fact, the lyric was taken in a critical situation without precedent because of the advent of the structuralism and the “textualism” proclaimed by the avant-garde. In response to textualism of 1960s and 1970s, Dupin, Jaccottet and Réda continue an obstinate search of lyricism.Our study doesn’t aim to develop global and universal criteria to define the universal characteristics of "lyric poetry" as a literary genre, nor to develop a philosophical reflection on the subject or the En-soi. Through the analysis of the figures of lyric subject, we will study the characteristics of each of our poets, as well as patterns of lyric poetry during the difficult period. The notion of "lyric subject" will serve as a parameter in order to clarify the singularity and the historical nature of the poems, and those of the poetic peculiar to each writer.Traditionally, lyric poetry is often associated with the emphasis or sentimentality. The poetry of Dupin, Jaccottet and Reda struggle to free themselves from the traditional lyricism based on the egocentricity. Lyric poetry is no more a genre that expresses the feelings and subjectivity of the poet. Our poets are looking for a new form of lyrical poetry, which is suitable for the times. The impersonality, we often find in their poetic, is associated with the production of a new form of subjectivity, far from the metaphysics of subjectivity. The refusal of some form of subjectivity coexists with the search for a singular word and the new figure of lyric subject.

Tesis para optar al grado de Magíster en Literatura / Esta investigación aborda la manifestación del motivo del viaje al Averno en dos novelas argentinas, Adán Buenosayres1 (1948), de Leopoldo Marechal (1900-1970), y Sobre héroes y tumbas2 (1961), de Ernesto Sábato (1911-2011). La parte específica del Adán Buenosayres que se ha elegido corresponde al capítulo III. En él, se relata el viaje nocturno que emprende Adán Buenosayres, protagonista de la obra, en compañía de sus amigos hacia Saavedra, con el fin de asistir al velorio de Juan Robles, personaje que goza de gran admiración entre los criollistas del grupo. En el caso de Sobre héroes y tumbas, se ha seleccionado el "Informe sobre ciegos", especie de crónica de viaje escrita en primera persona con fines "científicos". En él, su autor, Fernando Vidal Olmos, relata su incursión al mundo de la Secta, una siniestra organización internacional conformada por malignos ciegos. Pese a lo disímiles que son entre sí las tramas, los viajes de Adán y Fernando tienen algo en común: la posibilidad de ser interpretados como manifestaciones del motivo del viaje al Averno. Ahora bien, lo que esta investigación persigue no es la mera constatación de un periplo de connotaciones infernales, sino la observación de las particularidades que adquiere el motivo en cuestión en función de la dinámica propia del género novelesco.

Rönnbyskolan and Rönnby förskola is a school area situated in the city of Västerås, Sweden that consist of a total of five buildings. The main buildings are built in 1973 which makes their energy use of interest. Due to the individual goals for Sweden to lower its energy use by 2020, the city of Västerås has begun an energy efficiency process to reduce energy use in potential buildings. In this degree project, a survey of the buildings’ energy consumption has been reviewed and possible energy reduction methods have been presented. This was made by studying the surveys of the buildings ventilation systems, the heating systems, the envelope and the buildings application by taking measurements. The results from the measurements have been studied and confirmed with the literature study and suggestions of energy effective solutions are presented based on energy calculations. Based on the results, four different technological installations and four building engineering actions have been evaluated. The calculations were supplemented with a model built and simulated in the simulation tool IDA ICE. Economical aspects were taken into account, which shows the connection between energy savings and economic profit. Due to high investment costs, only a few actions were cost effective. The result of the study showed that the buildings can reduce their energy consumption by 17 % or 34 kWh/ m2, year using the measures that turned out profitable.

Cette thèse porte sur le Salon de la Jeune Sculpture, de 1949, date de sa création, à 1978, date de la mort de Denys Chevalier, son président fondateur. Elle a pour objet l’analyse de trente éditions annuelles du Salon, qui ont eu lieu dans les parcs et jardins parisiens, accueillant les œuvres de près de mille-cinq-cent exposants. Elle interroge dans une première partie le parcours de Denys Chevalier, critique d’art, ainsi que les ambitions du Salon : rendre visible la sculpture, encourager sa rencontre avec le public, et exposer un panorama des diverses tendances esthétiques du temps. Alors que la figuration domine les quinze premières années, examinées dans une seconde partie, l’entrée progressive de la sculpture abstraite entraîne le départ d’une partie des sculpteurs figuratifs en 1964. Ainsi, la troisième partie porte sur la période 1965-1978. Le Salon de la Jeune Sculpture quitte alors les jardins du musée Rodin, et réoriente ses choix esthétiques en même temps qu’il investit de nouveaux espaces de plein air. À travers l’histoire du Salon de la Jeune Sculpture et de son fondateur Denys Chevalier, cette thèse interroge la situation institutionnelle et esthétique de la sculpture dans le second XXe siècle, à une époque où le champ sculptural subit de profondes mutations liées à sa définition, et pose la question de son autonomie. / This Ph. D. dissertation focuses on the Salon de la Jeune Sculpture from its creation in 1949 to the death of Denys Chevalier, its founding member, in 1978. This dissertation seeks to analyze thirty annual Salons which took place in parisian parks and gardens where artworks by nearly one thousand five hundred exhibitors were displayed. The first chapter explores the career of the art critic Denys Chevalier, the ambitions of the Salon – how to display the sculptures, how to assist the audience in their discovery of the sculptures – and the aesthetic trends of the time. While figurative art prevailed over the first fifteen years at the Salon (second chapter), the gradual entry of abstract sculpture causes most of the figurative sculptors to leave in 1964. Thus the third chapter covers the period from 1965 to 1978. The Salon de la Jeune Sculpture then leaves the gardens of the Rodin Museum, redirects its aesthetic choices and adjusts to new outdoor spaces. Through the history of the Salon de la Jeune Sculpture and its founder Denys Chevalier, this dissertation investigates the aesthetic and institutional situation of sculpture in the second half of the twentieth century, at a time when the sculptural field undergoes profound transformations related to its definition and raises the question of its autonomy.

Airpower played an important supporting role in the Korean War, and as General of the Army Douglas MacArthur pursued victory in the war and President Harry S Truman's objectives altered throughout the first year of the conflict, tension arose between the two men. One issue in these frictions was the restriction of airpower. Not only MacArthur, but also his admiring subordinate Lieutenant General George E. Stratemeyer commanding the Far East Air Forces, and Fifth Air Force commander Major General Earle E. Partridge opposed the restrictions which had been imposed on airmen from the outset of the conflict. Stratemeyer did so partly because of his loyalty to MacArthur, who wanted latitude in coping with the situation in the field and defeating the Communist enemy. Partridge did so because he thought they endangered his personnel and limited the effectiveness of airpower in the war. These commanders had a fundamentally different opinion from Washington regarding the likelihood of overt Soviet intervention in the war, and because they did not think the Korean War would become a world war, they were more willing than Washington to prosecute the war more aggressively. MacArthur's conflict ended with his removal in April 1951, and Stratemeyer (who suffered a heart attack weeks afterward) continued to advocate for forceful American foreign policy in Asia during his retirement. Partridge eventually earned four stars and long after the war likewise continued to disfavor the restrictions which had been put in place. Between oral history interviews in 1974 and 1978, however, Partridge reconsidered the issue of restrictions. He expressed that the Korean War had been a considerable challenge without a wider war, implying that restrictions had perhaps been important.

Orientador: Adriana Nunes Ferreira / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-08-26T23:07:41Z (GMT). No. of bitstreams: 1 Albuquerque_DiogoD.B._M.pdf: 2351852 bytes, checksum: b146dbb052defcd92e3d033473101df8 (MD5) Previous issue date: 2015 / Resumo: A presente dissertação tem como objetivo apresentar as teorias do ciclo econômico elaboradas por Kalecki e Schumpeter, expor as suas diferenças e destacar seus pontos de convergência. Por meio de uma análise sistemática das obras destes autores, se averiguou que eles se distinguiram no enfoque sobre o tema. Kalecki apresentou uma teoria do ciclo baseada em um estudo sobre a demanda, enquanto Schumpeter demonstrou o ciclo por meio da sua análise sobre a oferta. Esses autores serviram de referência para diversos estudos sobre o tema, entre eles os realizados por Possas e Minsky, que também têm suas teorias aqui expostas. Pretendeu-se demonstrar como Possas e Minsky conseguiram reunir elementos Kaleckianos e Schumpeterianos para compor suas respectivas teorias. Por fim, defende-se que as teorias de Kalecki e Schumpeter sobre o ciclo econômico são complementares e que as teorias elaboradas por Possas e Minsky ajudam a comprovar esta conclusão / Abstract: The present dissertation aims to present the business cycle theories elaborated by Kalecki and Schumpeter, expose them differences and highlight their points of convergence. Through a systematic analysis of the works of those authors, it was checked that they have distinguished themselves in the focus on the subject. Kalecki presented a theory of the cycle based on a study of the demand, while Schumpeter demonstrated the cycle through its analysis of the offer. These authors served as reference to several studies on this topic, including those made by Possas and Minsky, who also have their theories here exposed. It was intended to demonstrate how Possas and Minsky managed to gather Kaleckians and Schumpeterians insights to compose their respective theories. Finally, argues that Kalecki and Schumpeter's theories about the economic cycle are complementary and that theories developed by Possas and Minsky helped substantiate to this conclusion / Mestrado / Teoria Economica / Mestre em Ciências Econômicas

No description available.