Orientadores: Matteo Bonfitto Júnior, Tatiana da Motta Lima Ramos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-21T08:11:06Z (GMT). No. of bitstreams: 1 Olinto_Lidia_M.pdf: 11190474 bytes, checksum: bf072815a99c9c0b6f0921043078d66c (MD5) Previous issue date: 2012 / Resumo: Na concepção mais usual da noção de "precisão cênica", o enfoque dado à dimensão formal · mostra-se mais evidente que outros aspectos de ordem não formal, como, por exemplo, as configurações de ordem psíquica do desempenho cênico. Todavia, essa acepção formalista, essencialmente próxima ao conceito tradicional de "coreografia" ou "marcação cênica", não poderia ser aplicada de maneira genérica. As propostas de alguns encenadores exigem do artista em cena (ator/bailarino/performer) uma precisão de caráter psicofísico, ou seja, um tipo de mobilização mais integral e consciente dos recursos atorais, sendo eles físicos e não físicos. Pode-se afirmar ser esse o caso de grande parte das experimentações cê nicas de Jerzy Grotowski, dentre as quais estão os espetáculos Akropolis, O Príncipe Constante e Apocalypsis cum Figuris - o trio de peças mais famoso no repertório do Teatro Laboratório. Esses espetáculos apresentam algumas especificidades em torno da precisão cênica em nível psicofísico e, partindo dessa premissa, a presente pesquisa se propõe a descrevê-las e discuti-las teoricamente / Abstract: The regular use of the notion of "scenic precision" tends to give emphasis to its esthetical dimension, whereas the non formal aspects involved in the concept, as the psychic configuration of the scenic performance, are not taken into consideration. However, the first mentioned formalistic conception of scenic precision, which is close to the notion of choreography, should not be assumed and generally applied to all circumstances. One can consider that some staging propositions require from the artist - an actor, a ballet dancer or a performer - a psychophysical precision, an integral and conscious mobilization of his physical and non physical acting resources. This is the case of most of Jerzy Grotowski's productions as, for example, the famous plays Akropolis, The Constant Prince and Apocalyssis cum Fuguris. Based on this premise, this dissertation describes and discusses the peculiarities of these three plays with respect to the notion of scenic precision / Mestrado / Artes da Cena / Mestra em Artes da Cena

Orientador: Renato Ferracini / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-21T22:18:43Z (GMT). No. of bitstreams: 1 Possani_MariaAlice_M.pdf: 1210685 bytes, checksum: a515441da6d7e415f7a9ce1f23721036 (MD5) Previous issue date: 2012 / Resumo: Essa dissertação tem como eixo principal as reflexões sobre o treinamento de ator (ou trabalho do ator sobre si) a partir do encontro entre o referencial conceitual do Projeto Temático Memória(s) e Pequenas Percepções e a minha experiência artística e pedagógica. O referido Projeto Temático é coordenado por Renato Ferracini, também orientador deste mestrado. Busquei pistas para pensar o treinamento principalmente nas falas de atores que trabalham com Eugenio Barba, atores do Lume e do Matula Teatro, grupo ao qual pertenço. Também em textos escritos deixados por Stanislavski e Grotowski, atravessando-os pelos referenciais conceituais que orientam o Projeto Temático, dentre os quais destaco a ideia de memória como criação, ou recriação em tempo presente, e as micropercepções como um território potente para o trabalho do ator. Destaco ainda que muitas das reflexões sobre o treinamento surgiram a partir da prática pedagógica: na experiência do ensino, a necessidade de revisitar minha trajetória pessoal, a fim de tornar visíveis os rastros do caminho percorrido. Assim, essa pesquisa incluiu uma orientação em treinamento para atores da Cia Cupim, grupo formado por ex-alunos de uma Escola de Teatro em que leciono / Abstract: The main focus of this dissertation is to discuss the effect on an actor's training (or the actor's work upon him- or herself) from the meeting between the Thematic Project Memory/ies and Small Perceptions' conceptual reference and my artistic and pedagogic experience. This Thematic Project is coordinated by Renato Ferracini, who is also the tutor for this master's degree. I searched for clues to think about training specifically about the speech of the actors that work with the Eugênio Barba, Lume and Matula Teatro (the group with whom I work) actors. I also searched in texts by Stanislavski and Grotowski, going through them with reference to the main concept of the aforementioned Thematic Project, namely the Idea of memory as creation, or recreation in present time, and the micro-perceptions as a keen area for the actor's work. Throughout the dissertation, I highlight that many of the reflections on the training emerged from the teaching experience and revisiting my own personal trajectory as an actor. This research then includes an actor's training orientation for the Cia Cupim, a theater crew formed by ex-students of a theater school where I teach / Mestrado / Artes da Cena / Mestre em Artes da Cena

Orientadores: Sara Pereira Lopes, Mario Alberto Santana / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-20T19:34:39Z (GMT). No. of bitstreams: 1 Novais_DouglasRodrigues_M.pdf: 986891 bytes, checksum: d9190e69c8259abb219d91ab63a25f14 (MD5) Previous issue date: 2012 / Resumo: O Presente trabalho apresenta um estudo histórico-filosófico introdutório sobre as questões da técnica e da ação cômica no trabalho do ator. Com o objetivo de identificar os principios que fundamentam cada um desses campos para propor um estudo que não se encerre na teoria, mas que sirva ao trabalho prático do ator, efetuamos um resgate e uma atualização das teorias clássicas sobre os assuntos e as confrontamos com três entrevistas de reconhecidos atores da área / Abstract: This dissertation attempts to present a historical-philosophical introductory study on the technique and comic action in the actor's work. In order to identify the principles underlying each of these fields to propose a study not only restricted to the theory but also useful for practical work, we relied on classical theories and also confronted three interviews with different acknowledged actor / Mestrado / Artes da Cena / Mestre em Artes da Cena

La thèse que nous proposons part de l’idée que questionner la dimension spatiale du phénomène touristique serait une forme de compréhension des transformations des lieux géographiques et des sociétés qui les entourent. Concentrer le regard dans la haute Amazonie brésilienne, nous révèle un des biomes le plus diversifié, complexe et attractif pour la curiosité humaine et qui est en même temps la région avec le moins de flux touristiques du Brésil. Un tel paradoxe nous oblige à analyser cette partie du globe pour ses spécificités, mais faisant aussi partie d’un tout et cela nous conduit à adopter une approche systémique du tourisme. La mise en tourisme des lieux amazoniens sera le focus du système que nous étudions en essayant de comprendre comment les acteurs de la haute Amazonie brésilienne interagissent pour y faire des lieux touristiques. Ainsi deux questionnements majeurs seront le focus à suivre tout au long de notre raisonnement. Premièrement, comment les lieux amazoniens sont-ils devenus touristiques au fil du temps ? et deuxièmement, comment les actions des acteurs stimulent-elles la transformation des lieux touristiques amazoniens ? Pour cela nous proposons une lecture empirique et pragmatique du phénomène touristique fondé sur différentes échelles géographiques. Le regard multiple sur les intentions des populations locales, des flux de voyageurs, ainsi que celles menées par les acteurs politiques et économiques, nous emmène à penser en termes de dynamiques spatiales une spécificité géographique : l’organisation d’un espace peu structuré, à baisse densité démographique, avec une forte présence de ressources socio-environnementales et en voie d´insertion dans un espace touristique mondial. / The thesis that we propose starts from the idea that questioning of the spatial dimension of tourism would be a way to understanding the transformations of the geographical places and societies that surround them. Concentrating the focus on the upper Brazilian Amazon, reveals us one of the most diversified, complex and attractive biome for the human curiosity, and which is also the region with the least touristic flows of Brazil. This paradox forces us to analyze this part of the globe for its specificities, but as it is also a part of a whole, we are led to adopt a systematic approach of the tourism. Our goal will be to analyze interactions between different actors of the upper Brazilian Amazon and it creates touristic places. Thus, two major questionings will be the guideline to follow throughout our reasoning. Firstly, how did the Amazonian places become touristic over the time? and secondly, how the actions of the actors stimulate the transformation of the Amazonian touristic places? This is the reason why we propose an empirical and pragmatic reading of the tourist phenomenon based on different geographical scales. Changing the distance and the angle of the observation will be the method used to confront the various representations of the actors around the tourism development. The multiple view on the intentions of the local populations, travelers' flows, as well as those led by the politics and economics actors, makes us think about the geographical specificities: the organization of an unstructured space, with lower population density, but with a strong presence of social and environmental resources and in the process of integration into a world tourist space.

Evaluations have gained popularity for improving public policy measures, programmes and institutions in the field of science, technology and innovation (RTI). Though the frequency and quality of evaluations have increased, in terms of impact indicators and methodological diversification, concerns have been raised about their effectiveness to fuel change in policy making. This raises the issue of the low absorption level of evaluation findings by policy making in general and in Austria in particular. Recent research emphasises the need for a holistic perspective on the benefits and usefulness of evaluations in order to allow a more thorough consideration of complex interdependencies and effects that can occur at different levels and in different forms. While previous research has put much emphasis on the conduct of evaluations and their implementation, there are less empirical studies that address institutional or contextual explanations when it comes to the effects of evaluations. This study aims to contribute to the narrowing of this gap in the literature by investigating how individual and composite actors (such as organisations), as well as, the policy itself are affected by policy evaluations, drawing attention to the factors and mechanisms that shape evaluation effects. Making use of the concepts of "policy learning", actor-centred institutionalism and recent research in the field of evaluation utilisation for the analysis, this study developed a conceptual framework that proposes three groups of conditioning factors and mechanisms: Actors and their interactions, the institutional context, and the evaluation itself. A multiple case study approach, using evaluated programmes in the Austrian research, technology and innovation (RTI) policy scene, was employed to examine the effects of evaluations at various levels, the conditioning factors and mechanisms, as well as, the ensuing pathways of effects. Results indicate that evaluations generate a wide range of diverse effects, beyond individual learning, and clearly and visibly impact programme development. Several contextual aspects shape evaluation effects. The current structures and practices endorse evaluations as routine, which may reduce chances of broader learning, and distance the evaluation and the possibility to learn from it from an interested audience. The thesis concludes with implications for theory and practice, and suggestions for paths of future research.

The purpose of this dissertation is to study the Vale do Rio Pardo Rural Territory (TRVRP), here characterized as a community public policy forum, which was recognized as a Rural Territory integrated into the National Program for Sustainable Development of Rural Territories (PRONAT)by the Ministry of Agrarian Development (MDA) in 2013, defining it with a geographical delimitation that was not demanded by the social actors. The TRVRP unites two distinct macro regions, the South region of the Territory (referring to the Pardo River Valley) and the North (referring to the upper Serra do Botucaraí region, included in the new territorial delimitation made by MDA). In view of the above, the main objective of this study was to analyze the relationships that were built between the agents that defined a certain conformation, territorial management and the public policy community forum. Specifically, it was sought to identify the main social actors that lead to the PRONAT social concertation in the TRVRP; to find out what are the main tensions and to analyze the characteristics of this social protagonism assumed by these actors. For this, it has been used as reference a study conducted by Paulo Niederle and Cátia Grisa in the year of 2013, in which the authors identified some guiding questions to carry out these case studies. Thus, the focus of the analysis was centered in the intersections between what, from the native point of view, is conceptualized as politics, using as a method of cognitive analysis t approach This analysis has as its main merit the perception built by Bruno Jobert and Ève Fouilleux, which is based on the manner in which disputes and negotiations are related to the production of public policy references, highlighting where they occur in forums / arenas, as well as the form of decoding the different actors create and the representations that maintain these references. To this end, six social actors were identified and characterized as spokespersons, who were the protagonists in the TRVRP tensions negotiations. During the research, three critical moments were analyzed, which refer to the main stresses brought for reflection: the lack of cohesion and territorial identity and the need to divide the Territory, the Multi-territorial Conference on Technical Assistance and Rural Extension (ATER), and the Discussions and tensions in the disputes of the investment proposals of the Infrastructure Program (PROINF). This process of immersion with the object of study occurred due to the fact that the author of this dissertation is part of the team of the Extension and Territorial Development Center (NEDET) that advises the Territorial Board of TRVRP. Therefore, the instruments used in the TRVRP ideas production forum served to weaken the traditional forms of domination perpetuated in the Territory. In addition, it succeeded in favoring the empowerment of social actors who were previously submissive to the will of the State. However, it is necessary to continue this process and identify the changes of spokespersons over time. Certainly, the emergence of new ideas will be linked to struggles of legitimizing new actors who will replace the former spokespersons of the TRVRP public policy community forum. / A presente dissertação tem por objeto de estudo o Território Rural Vale do Rio Pardo (TRVRP) aqui caracterizado como fórum de comunidade de política pública, que em 2013 foi reconhecido pelo Ministério do Desenvolvimento Agrário (MDA) como Território Rural integrado ao Programa Nacional de Desenvolvimento Sustentável dos Territórios Rurais (PRONAT), e demarcado com uma delimitação geográfica que não era a demandada pelos atores sociais. O TRVRP uniu duas macrorregiões distintas, a região Sul do Território (referente ao Vale do Rio Pardo propriamente dito) e a região Norte (referente à região do Alto da Serra do Botucaraí, incluída na nova delimitação territorial feita pela MDA). Diante do exposto, o presente trabalho teve como objetivo principal analisar quais as relações que se constroem entre os agentes que definiram uma determinada conformação, gestão do Território e fórum de comunidade de política pública. Especificamente, buscou-se identificar os principais atores sociais que protagonizam a concertação social do PRONAT no TRVRP; averiguar quais os principais tensionamentos e analisar quais as características desse protagonismo social assumidas por esses atores. Para isso, nos baseamos em um estudo realizado por Paulo Niederle e Cátia Grisa no ano de 2013, no qual os autores identificaram algumas questões orientadoras para realização de estudos de casos. Dessa forma, o foco da análise ficou centrado nas interseções entre o que, do ponto de vista dos atores, é conceitualizado como política, usando como método de análise a abordagem cognitiva. A analise possui como principal método a concepção construída por Bruno Jobert e Ève Fouilleux, que baseia-se na forma como pautam as disputas e negociações que são relacionadas à produção de referenciais de políticas públicas, dando destaque para onde elas ocorrem, nos fóruns/arenas, bem como, a forma de decodificação que os diferentes atores criam e as representações que mantêm esses referenciais. A análise identificou seis atores sociais caracterizados como porta-vozes, que protagonizaram as negociações dos tensionamentos no TRVRP. Durante a pesquisa foram analisados três momentos críticos, que se referem aos principais tensionamentos trazidos para reflexão: a falta de coesão e identidade territorial e necessidade de divisão do Território, a Conferência Multiterritorial de Assistência Técnica e Extensão Rural (ATER), e as discussões e tensionamentos nas disputas das propostas de investimento do Programa de Infraestrutura (PROINF). Esse processo de imersão junto ao objeto de estudo se deu pelo fato da autora dessa dissertação integrar a equipe do Núcleo de Extensão e Desenvolvimento Territorial (NEDET) que assessora o Colegiado Territorial do TRVRP. Os instrumentos utilizados no fórum de comunidades de política pública do TRVRP serviram para enfraquecer as formas tradicionais de dominação perenizadas no Território. Além disso, conseguiu favorecer o empoderamento dos atores sociais que antes eram submissos a vontade do Estado. Contudo, precisa-se dar continuidade a esse processo e ao longo do tempo ir identificando as alterações de porta-vozes. Certamente o surgimento de novas ideias estará ligado a lutas por legitimação de novos atores que virão a ocupar o lugar dos antigos porta-vozes do fórum de comunidades de política pública do TRVRP.

Objective: Public projects are used to delivery policy objectives. From a financial perspective, the Major Projects Authority (MPA) estimated a whole life investment of £488 billion for 199 major projects in 2014, only a small subset of the total number of public projects. Given the financial exposure, the impact of endemic public project failures could put the economic health of the nation at risk. This thesis studies the challenges facing public projects. It applies an organisational capabilities lens to investigate projectification, when organisations shift away from functional-based organising (FBO) toward project-based organising (PBO). Research Design: This study adopts an interpretivist research paradigm, with a constructionist epistemology and an idealist ontology, and employs an abductive research strategy. Structurally, it follows the Cranfield Executive Doctorate in Business Administration (DBA) methodology, with a linking document that summarises three complementary research projects: a systematic literature review (SLR) followed by two empirical studies that investigate the Department of Health (DoH) during the early phases of the Next Stage Review Implementation Programme (NSRIP). The findings are derived from over 250 academic literature sources, 100 government publications and 41 semi-structured interviews. ...[cont.]

1 Charles University in Prague Faculty of Science Department of Social Geography and Regional Development ACTORS AND MECHANISMS OF REGIONAL DEVELOPMENT ON EXAMPLE OF THE ÚSTÍ REGION Dissertation thesis summary Petr Hlaváček Supervisor: Doc. RNDr. Jiří Blažek, PhD. Ústí nad Labem 2010 2 CONTENT Introduction and theoretical framework Hypotheses and structure of the dissertation Conclusion Selected literature 3 Introduction and theoretical framework Current research of regional development sees themes focused on the institutional context of regional development in the foreground [Rutten, Boekema 2007], regional mechanisms are evaluated, key categories and groups of actos for the long-term improvement of the competitiveness of the region are sought [Breschi, Malerba 2007]. The theory is that regional development operates with various actors concepts. Traditional neo-classic approaches stemming from the individualized concept of a actor in the market environment are often completed with institutional approaches that highlight the understanding of the actor as an entity interwoven by many specific market mechanisms and social structures - production chains, subcontractor relationships and further formal and informal boundaries that define market potential. From the institutional economy point of view, the actor...

L'Algérie fait partie des principaux pays méditerranéens dont le climat est des plus propices à la culture de l'olivier. Concentré dans les montagnes, en Kabylie, l'huile d'olive est représentative de toutes les productions de terroir qui souffrent surtout d'un manque avéré d'organisation professionnelle. Le besoin de redynamiser la filière oléicole en Algérie est ainsi devenu une nécessité majeure. De ce fait, l'objectif de notre recherche est, d'identifier les acteurs impliqués dans le processus de production, de transformation (Maâsras) et de commercialisation de l'huile d'olive, au niveau de notre région d'étude. Notre travail de recherche vise aussi à analyser les dispositifs institutionnels et les relations formelles ou informelles de la filière afin d'en évaluer les contraintes qui entravent la valorisation de ce produit de terroir. Et s'interroger ensuite sur l'introduction du changement institutionnel pour corriger ou voire améliorer le niveau de performances et la durabilité de la filière. Notre application empirique à la commune de Beni Maouche, en Kabylie, a démontré que le devenir de l'huile d'olive de cette région, dépend de la capacité d'implication des acteurs locaux et de l'appui institutionnel dans le maintien du lien à l'origine et la confiance qui rime avec la proximité. / Algeria is one of the main Mediterranean countries where the climate is more conducive to the cultivation of olive trees. Concentrated in the mountains of Kabylie, olive oil represents all the land productions that suffer most from the lack of proven professional organization. The need to revitalize the olive oil sector in Algeria has become a major necessity. Therefore, the objective of our research is to identify the actors involved in the processes of production, transformation (Maâsras) and olive oil marketing with in our study area. Our research also aims at analyzing the institutional arrangements as well as formal or informal relations in the sector, in order to assess the constraints that hamper the valorization of this local product, and then question the introduction of institutional change to correct or improve the level of performance and sustainability of the sector. Our empirical application to the town of Beni Maouche in Kabylia, has demonstrated that the future of the olive-oil, from this region depends on the local actor's capacity to be involved and on the institutional support in maintaining the source link and trust together with maintaining proximity.

This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is used in sociological role theories. These theories often presume what stage acting is about in order to use it as a simile for every day acting. My intention is to investigate how stage actors actually work with their roles, in particular how they work with emotions, and how it affects their private emotions. The thesis draws on participant observation and interviews with actors during the rehearsal phase of two productions at a large theatre in Sweden. The results show that the inhabiting of a role for the stage is more difficult and painstaking than has been assumed in role theories so far. Shame and insecurity are common, particularly in the start up phase of the rehearsals. Interestingly, these emotions do not disappear with growing experience, but instead become recognized and accepted as part of the work process. The primary focus is the interplay between the actors' experience and expression of emotions, often described in terms of surface and deep acting, concepts which are elaborated and put into a process perspective. Analysis of the rehearsal process revealed that actors gradually decouple the privately derived emotional experiences that they use to find their way into their characters from the emotions that they express on the stage. Thus private experiences are converted to professional emotional experiences and expressions, triggered by situational cues. When the experience has been expressed the physical manifestation can be repeated with a weaker base in a simultaneous experience, since the body remembers the expression. It is important though, that the emotional expression is not completely decoupled from a concomitant experience; then the expression looses its vitality. The ability to professionalize emotions makes the transitions in and out of emotions less strenuous but can infiltrate and cause problems in the actors' intimate relations.