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American Society, Stereotypical Roles, and Asian Characters in M*A*S*HStevens, Ashley Marie 21 April 2016 (has links)
No description available.
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Allegiance and Identity: Race and Ethnicity in the Era of the Philippine-American War, 1898-1914Cadusale, M. Carmella 29 August 2016 (has links)
No description available.
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Mieko Gavia : The Dog ProjectGavia, Mieko 17 June 2011 (has links)
No description available.
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Cumulative GriefPham, Xuan 18 December 2020 (has links) (PDF)
A written thesis to accompany the M.F.A. Exhibition Cumulative Grief, in which the artist's personal and familial narrative explores the complexity and nuances of racial grief.
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From Self-Doubt To Inner Peace: An Ethnographic NarrativeFabro, Dakota 01 January 2019 (has links)
In the midst of honing my craft as an educator, this ethnographic narrative was done for the purposes of taking an introspective look at the many moving parts of becoming an effective educator as well as developing an ethnographic view of the students who will pass through my classroom during my tenure as an educator. This ethnographic narrative examines my individual background, the educational spaces within which I find myself, communities I serve, and the students I was given the privilege of building relationships with within the classroom. This project serves as an in-depth analysis of the implicit biases one might hold as a teacher and a vehicle for continual introspection on my part as an effective and culturally-aware educator.
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Imagineered Imperial Tourism: Disney & US Empire in Hawai'iRachel E Bonini (8364543) 19 April 2022 (has links)
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<p>Many viewers—especially those from the continental United States—have praised Disney for such recent actions as casting Pacific Islanders in the animated feature film <em>Moana</em> (2016) and assembling a group of cultural advisors (named the Oceanic Story Trust) to guide the filmmakers’ creative decisions. However, my project contends that Disney continues to play a significant role in the maintenance of settler colonialism in Hawai‘i, despite these seemingly progressive attempts at challenging Hollywood’s whitewashing. In this project, I argue that Disney creates and replicates the structures of settler colonialism in Hawai‘i through a mechanism that I term <em>imagineered imperial tourism</em>. In my formulation, imagineered imperial tourism involves commodifying historical narratives of colonization to serve the Disney brand by “innocently” repackaging them for the purpose of settler tourist consumption. To signal a Disney-specific branding and reproduction of settler colonial tropes and ideologies, I use the term “imagineered”—a play on Disney’s trademarked term <em>Imagineering</em>, which names the work of the creative team tasked with engineering the company’s most innovative devices, built environments, and technologies.</p>
<p>Through a sustained study of Disney’s relevant productions—from the feature films <em>Lilo & Stitch</em> (2002) and <em>Moana</em> to its built environments at the Walt Disney World Resort in Orlando, FL, and Aulani, A Disney Resort & Spa in Ko Olina, Hawai‘i—I suggest that over time, Disney has normalized a version of Native Hawaiian people and history in US popular culture that reproduces common settler colonial discourses which have structured popular perceptions of Hawai‘i. The company’s almost century-long history of media production has cemented these discourses into a set of public pedagogies that have been reproduced across generations. Disney’s Pacific Island-themed productions and attractions are rife with tropes of native primitivism and imperialist nostalgia. They also reveal the primacy of the discursive framework of hegemonic multiculturalism vis-à-vis the commodified “spirit of aloha,” a sentiment which is superficially rooted in Native Hawaiian epistemologies and branded as a key selling point by the tourism industry. Furthermore, Disney has actively colonized Hawaiian lands since 2007, capitalizing on the Islands’ exploitative tourist industry while also obscuring longstanding battles over land ownership and denying Native Hawaiians sovereignty over their stolen lands. Ultimately, I suggest that Disney’s ostensibly “innocent” repackaging contributes to the violent erasure of Native Hawaiian history in popular culture. </p>
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Mindful Movement as a Cure for ColonialismGanoe, Kristy L. 07 May 2013 (has links)
No description available.
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Property, Mobility, and Epistemology in U.S. Women of Color Detective FictionIstomina, Julia 22 May 2015 (has links)
No description available.
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This is My Family: An ErasureRehman, Sadia 02 August 2017 (has links)
No description available.
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Exploring the social construction of masculinity and its differential expression in culturally different populations using a mixed method approachDavis, Bryan January 2019 (has links)
No description available.
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