The purpose of this bachelor’s thesis is to examine the libraries' view of their own role and its relation to democracy, to identify any obstacles to the library's mission on being an inclusive public space. We do this through a qualitative content analysis, based on intersectional theory, on the proposal for a National Strategy for Libraries, The Treasure Trove of Democracy. We conclude that depictions of libraries and librarianship represented in the empirical material limits the ability to break down discriminatory structures within the institution.

Sloyd is related to craft knowing, making traditions and materiality. The meaning of knowing in sloyd is vaguely articulated and thereby can be interpreted by teachers in different ways. This study aims at contributing to an articulation of craft knowing within sloyd education. The study was carried out in the form of two learning studies, each one focusing on a specific object of learning. The knowing of sawing straight was studied through phenomenographic analysis of video recordings of students’ work with handsaws in wood. Different ways of knowing this capability have been described. The second study focused on the knowing of interpreting symbols in sloyd objects. Different ways of perceiving this capability have been described through the learning study’s three iterative lesson interventions. The two objects of learning are discussed as pointing out different aspects of craft knowing in sloyd education. Craft knowing has been recognized as embodied thinking and interaction with tools and materials in order to achieve certain intentions (Dormer, 1994; Illum, 2004). It is often described as embedded in our actions (Polanyi, 1966) and manifested in specific actions: as knowing-in-action (Schön, 1983). Furthermore, it is multimodal and derives from practical knowledge traditions where dexterity, visuality and materiality are central modes of communication (Kress & van Leeuwen, 2006). When engaging in sloyd activities one engages in different communal shared craft techniques and strives to obtain and express intended shapes, functions, lines, patterns and affiliations. To be able to say and make something in a ‘right way’ can be understood as a specific literacy (Gee, 2015). Some aspects of craft knowing are presented and discussed in terms of craft literacy: as embodied interactions with materials and tools in specific ways. These descriptions can contribute to our shared understanding of the meaning of craft knowing as well as the meaning of sloyd knowing.

Syftet med denna studie är att utifrån ett bildningsideal liksom didaktiska och ämnesdidaktiska perspektiv utveckla förståelse för medielärares förhållningssätt till utmaningar som uppstår i undervisningen utifrån mediaämnenas sammansatta karaktär. Detta besvarades utifrån tre frågeställningar. 1. Hur beskriver medielärare sin undervisning och didaktik? 2. Hur beskriver medielärare sin undervisning relaterat till medieämnenas sammansättning av olika perspektiv? 3. Hur kan medielärares beskrivningar förstås utifrån ett bildningsideal?Studien har en teoretisk ansats utifrån begreppen didaktik och bildning. Lärarnas beskrivningar utgår från semistrukturerade intervjuer som har analyserats tematiskt. Det som framkommer i studien är att medielärare har en tydlig praktisk didaktik och att ämnesinnehållet ofta kretsar kring kommunikation på olika sätt. De olika perspektiven som ingår i medieämnena, samhälleliga, estetiska, språkliga, etiska och tekniska, har lite olika tyngd och det framgår särskilt om lärarna återfinns på det estetiska- eller på det samhällsvetenskapliga programmet. Medielärarna skulle kunna utveckla sin undervisning och bli mer medvetna på olika sätt utifrån dessa perspektiv. Framför allt skulle en större medvetenhet kring de etiska och språkliga perspektiven vara önskvärt. Studien kommer fram till att det är förtjänstfullt att förstå medielärare utifrån ett bildningsideal. Bildningsbegreppet skulle kunna bidra till att ge medielärare ett holistiskt perspektiv i sin analys av den didaktiska praktiken och ge en bra balans i medielärares undervisning utifrån medieämnenas mångfald av aspekter. Att analysera medieämnena utifrån bildningsbegreppet skulle även kunna bidra till att förtydliga och konkretisera de aspekter som förespråkare för Critical Media Literacy anser vara viktiga för mediedidaktik. / The purpose of this study is, based on an educational, bildung, ideal as well as didactic and subject-didactic perspectives, to develop an understanding of media teachers' approaches to challenges that arise in teaching based on the composite nature of media subjects. This was addressed through three research questions: 1. How do media teachers describe their teaching and didactics? 2. How do media teachers describe their teaching in relation to the nature of media subjects’ different perspectives? 3. How can media teachers' descriptions be understood from an educational, bildung ideal perspective? The study has a theoretical approach based on the concepts of didactics and education. The teachers' descriptions are based on semi-structured interviews that have been thematically analysed. The findings of the study indicate that media teachers have a clear practical understanding of their didactics, and the subject matter often revolves around communication in various ways. The different perspectives included in media subjects, societal, aesthetic, linguistic, ethical, and technical, have varying degrees of importance, particularly depending on whether the teachers are found in the aesthetic or social science program. Media teachers could enhance their teaching and become more aware in various ways based on these perspectives. Specifically, a greater awareness of ethical and linguistic perspectives would be desirable. The study concludes that it is rewarding to understand media teachers from an educational, bildung ideal perspective. The concept of education, bildung could help provide media teachers with a holistic perspective in their analysis of didactic practice and achieve a good balance in media teachers' teaching based on the diversity of aspects within media subjects. Analysing media subjects from an educational, bildung perspective could also help to clarify and concretize the aspects that proponents of Critical Media Literacy consider important for media didactics.

Titel: Att spara eller inte spara? - En studie om universitetsstudenters sparande och vad som påverkar sparbeteendet Författare: Edvin Pettersson och Sandra Trinh Handledare: Camilla Strömbäck Bakgrund: Enligt livscykelhypotesen är det irrationellt för studenter att spara pengar. Däremot utifrån ett riskhanteringsperspektiv finns det anledningar till att spara vilket inte överensstämmer med livscykelhypotesen. Utöver denna diskrepans har tidigare forskning visat att det finns flera faktorer som kan påverka en individs sparande. Dock har tidigare forskning ofta varit kvantitativ och enbart fokuserat på hur en faktor påverkar sparande men inte om faktorerna påverkar varandra eller givit en bred bild över området. Syfte: Syftet med studien är att undersöka svenska universitetsstudenters sparande och behovet av det utifrån ett riskhanteringsperspektiv, samt identifiera, analysera och systematisera vilka faktorer som påverkar sparandet. Genomförande: För att besvara studiens syfte har en kvalitativ metod använts där semistrukturerade intervjuer har genomförts med tio svenska universitetsstudenter. Utifrån tidigare forskning uppmärksammades fem faktorer som påverkar sparande. Dessa faktorer låg sedan till grund för intervjuguiden och analysmodellen som skapades. Slutsats: Utifrån ett riskhanteringsperspektiv är det rationellt för svenska universitetsstudenter att spara. Det har gjort att de kan hantera likviditetskriser samt bygga upp ett eget kapital för att kunna ta lån i framtiden. Mental bokföring och finansiell bildning har gjort det enklare för studenterna att hantera sina självkontrollsproblem vilket har möjliggjort att de kan spara. / Title: To save or not to save? - A study about university students’ saving and what affects the saving behavior Authors: Edvin Pettersson and Sandra Trinh Supervisor: Camilla Strömbäck Background: According to the life cycle hypothesis, it is irrational for university students to save money. However, it might be necessary for university students to have a savings buffer to be able to manage liquidity risks and to afford more expensive purchases. Previous research has shown that there are several factors that affect a person’s saving behavior, but it has yet to investigate how different factors work together to affect the saving behavior. Aim: The aim of this study is to examine Swedish university students’ savings and the need for from a risk management perspective, as well as identify, analyze, and systematize which factors affect the saving behavior. Completion: To answer the research questions we have completed semi-structural interviews with ten Swedish university students. This study has used a qualitative method to be able to examine how students reflect on the needs to have savings and to identify if different factors work together to affect the university students’ saving behavior. From previous research we have identified five factors that affect a person’s saving behavior and these factors have been the basis for the creation of the interview guide and the model of analysis. Conclusion: From a risk management perspective it is rational for Swedish university students to save money to be able to manage their liquidity risks and build up their equity to enable loans in the future. Both mental accounting and financial literacy have been helpful for the students to practice self-control, which has made it possible for the students to save money.

This thesis investigates the aesthetic interpretation of learning processes in television produced and broadcast in Sweden between 1956 and 1969. The thesis explores how these programmes are linked to concepts of Bildung by their aesthetics, by which the intangible cultural heritage is entrusted in the form of oral and visual traditions, storytelling and games/play, where learning is the common denominator. The programmes are divided into three categories: aesthetics of attentiveness, aesthetics of tale/storytelling and aesthetics of play. The detailed, thick, descriptions of the programmes emanating from the close-readings shall be, together with the aesthetic categories that I have formulated and expressed in a model, regarded as the survey’s key findings. The starting point of the central theoretical model of the thesis is André Malraux’s idea of an imaginary museum of imagination in which photo reproductions can constitute a collective memory, and thus bepart of an intangible heritage. Based on this idea of ​​an imaginary museum, I have constructed a conceptual model called a medial museum, valid in its own time as well as for posterity. The theoretical models that the study gain support from are characterized by phenomenological and hermeneutical perspectives, as I refer to  a phenomenological-hermeneutical method when analysing the programmes, and at the same time underline the phenomenological-hermeneutically based aesthetics in the analysed programmes, where aesthetic interpretation of learning processes in terms of attentiveness, tale and play is of a phenomenological-hermeneutic character. For a broad perspective on learning processes, theoretical support is acquired both from the German philosopher Hans-Georg Gadamer and his hermeneutic of traditions and from the French philosopher Jacques Rancière and his emancipatory ideas of pedagogy and aesthetics. Furthermore, the French philosopher Paul Ricœur and his thoughts on importance of storytelling for knowledge formation have had significant influence on the work. Regarding the concepts of play, I have made use of both Gadamer’s ideas of ​​art experience as play and of Donald W. Winnicott’s theories about play as transitional area. In the programmes’ aesthetics is found a depiction of a broadened interpretation of Bildung, where processes of learning comprise a direct sensual perceiving, attentiveness, storytelling/tale and play. Moreover, within the programmes’ managing of an intangible cultural heritage, I have found an expression of an interplay between modernity and tradition, with emphasis on the historical significance of the present, and rooting in the past of everyday life, where expectation on the future and the memory of the past can co-exist. To summarise, the study suggests the possibility to understand aesthetics as an epistemology using sensuous experience as basis for a conceptual knowledge about how to understand the world. Thereby, one can comprehend aesthetics as pedagogy per se.

Bakgrund: År 2022 kantades av Rysslands invasion av Ukraina, börsnedgång, stigande inflation och styrräntor. Det bidrog till att allt fler sökte hjälp av finansiella rådgivare för att utifrån livssituationen få hjälp med att nå sina sparmål och maximera sin avkastning. I tidigare forskning råder det delade meningar kring om den finansiella rådgivaren faktiskt bidrar till positiva ekonomiska utfall hos kunden. Å andra sidan får den finansiella rådgivaren, åtminstone privat, kunskap till sig via sitt arbete som torde leda till en hög finansiell bildning. Huruvida det faktiskt bidrar till positiva ekonomiska utfall i den finansiella rådgivarens egna investeringsbeslut och sparande under 2022 leder således till frågan, om de kan hjälpa andra, kan de även hjälpa sig själva? Syfte: Studien syftar till att skapa en förståelse för hur finansiella rådgivares privata sparande och investeringsbeslut samvarierar med olika faktorer såsom livssituation, psykologiska bias och erfarenheter under 2022. Vidare ämnar studien utforska hur finansiella rådgivare ställer sig till ytterligare utbildning inom beteendeekonomi och huruvida de tror att det kan bidra till bättre finansiellt beslutsfattande. Metod: En kvalitativ metod har använts för att uppfylla studiens syfte. Tio finansiella rådgivare intervjuades genom semistrukturerade djupintervjuer. Slutsats: Studien finner att placering i livscykeln, psykologiska bias samt erfarenhet samvarierar med den finansiella rådgivarens privata investeringsbeslut och sparande under 2022. Placeringen i livscykeln samvarierar främst med riskaversionen, därutöver har de finansiella rådgivarna inte kunnat motstå fall av samtliga undersökta bias i studien. Erfarenheten samvarierar med en minskad benägenhet att falla offer för vissa psykologiska bias, förutom överkonfidens, där effekten snarare är den motsatta. Vidare anser de finansiella rådgivarna att ytterligare utbildning inom beteendeekonomi inte skulle vara värdeskapande för deras privata investeringsbeslut, samtidigt som de anser sig ha behov av det i sitt arbete. / Background: The year 2022 was characterized by the invasion of Ukraine, the downturn of the stock market, rising inflation and increases in the benchmark interest rate. This led to the increasing search for financial advisors who, using life circumstances, could assist the individual in reaching personal saving goals and maximizing returns on investments. In prior research, there are divided opinions about whether financial advisors contribute to positive financial outcomes for the client. The financial advisors, at least privately, gain knowledge through their work which should lead to a high level of financial literacy. Whether it contributes to positive financial outcomes in the financial advisor's own investment decisions and savings in 2022 thus leads to the question, if they can help others, can they also help themselves? Aim: The study aims to create an understanding of how financial advisers' private investments decisions and savings in 2022 have been affected by various factors such as life situation, psychological bias, and experiences. Furthermore, the study intends to explore financial advisers' perception of how further education in behavioral economics could have contributed to better financial decision-making. Method: A qualitative method has been used to fulfill the purpose of the study. Ten financial advisors were interviewed through semi-structured in-depth interviews. Conclusion: The study finds that placement in the life cycle, psychological bias, and experience had an impact on financial advisors’ private investment decisions and savings during 2022. The placement in the lifecycle primarily influences the risk aversion, while the financial advisors have not been able to withstand cases of all investigated biases in the study. Experience has contributed to mitigating the impact of psychological biases to some extent while also creating overconfidence. The financial advisors believe that additional education in behavioral economics would not add value to their private investment decisions, while they consider themselves to need it in their work.