Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-03-21T19:51:15Z No. of bitstreams: 1 alexandroferreiradesouza.pdf: 438800 bytes, checksum: 8c706a7d37775f0f92044a46ee1ba79c (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-03-22T12:41:08Z (GMT) No. of bitstreams: 1 alexandroferreiradesouza.pdf: 438800 bytes, checksum: 8c706a7d37775f0f92044a46ee1ba79c (MD5) / Made available in DSpace on 2017-03-22T12:41:08Z (GMT). No. of bitstreams: 1 alexandroferreiradesouza.pdf: 438800 bytes, checksum: 8c706a7d37775f0f92044a46ee1ba79c (MD5) Previous issue date: 2009-03-02 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Esta dissertação tem por objetivo a análise de temas na obra A paixão segundo G.H., de Clarice Lispector, que podem ser descritos como análogos aos temas de uma vivência religiosa em consonância com a perspectiva de religião apresentada pelo filósofo e teólogo alemão Rudolf Otto em sua obra O sagrado. Ao apresentar em linhas gerais e estabelecer o pensamento de Otto como referencial teórico-conceitual, pretende-se iluminar e descrever a experiência da personagem-título do romance como uma experiência religiosa marcada por aquela característica realçada pelo pensador alemão na sua obra em questão: a vivência do divino como experiência dos sentimentos antagônicos do terror e do fascínio. Partindo do conceito de numinoso apresentado e definido por Otto, em O sagrado, como o aspecto irracional da religião vivenciado de forma sentimental, intenta-se discutir as dificuldades da apreensão e comunicação da vivência do numinoso e o aspecto totalmente outro da experiência relatada por G.H. / This study has as aim the theme analysis in the work A paixão segundo G.H., of Clarice Lispector, that can be described as akin to a perspective of the religion showed by the philosopher and theologian Rudolf Otto in his work The idea of the Holy. To show in general lines and to establish Otto’s thought as reference, intending to illuminate and to describe the experience of the character G.H. as a religious experience appointed by that characteristic enhanced by the german thinker in his work: the divine living as the feeling experience antagonistic to the terror and the fascination. Departing from the concept of numinous showed and defined by Otto, in The idea of the Holy, as the unreasonable aspect lived in a sentimental way, intending to discuss the difficulties of the communication's of living of the numinous and the Wholly Other aspect of the experience related by G.H.

In The Passion According to GH, Clarice Lispector novel, published in 1964, to verify how is the disintegration mimetic narrative, occurs an everyday and trite situation - a woman, identified only as G. H, kill a cockroach - but this fact in the story takes many dimensions and results an existential quest of character. This quest unleash changes in the psychology of GH, which are reviewed in the study, in the light of Freudian theory, especially the theory of drive, the element "strange" and the pleasure principle. We also verify the process of abjection, Kristeva, and their correspondence in the narrative. The analysis is done by inserting the reading in an attempt to show as getting rid of the referential illusion and the failure of the narrative, which finds its limits in silence. / Em A paixão segundo G. H., romance de Clarice Lispector, publicado em 1964, no qual se busca verificar como se dá a desintegração mimética na narrativa, ocorre uma situação cotidiana e banal uma mulher, identificada apenas como G. H, mata uma barata , mas esse fato adquire muitas dimensões na narração e origina uma busca existencial da personagem. Essa busca desencadeia transformações na psicologia de G. H., as quais são revistas, no estudo, à luz da teoria freudiana, principalmente, da teoria das pulsões, do elemento estranho e do princípio de prazer. Também se busca verificar o processo da abjeção de Kristeva, e suas correspondências na narrativa. A análise se faz pela inserção na leitura na tentativa de mostrar como acontece o desfazer-se da ilusão referencial e o fracasso da narrativa, que encontra seus limites no silêncio.

S’il y a deux mots qui nous appellent encore, nous convoquent, nous incitent à rêver et en même temps résistent à bien des égards à livrer leur « vérité », ce sont bien les mots « communauté » et « femme ». Cette thèse s’efforce de les rapprocher, de les garder dans la proximité et ce à partir des écrits de Clarice Lispector. Étant donné que l’oeuvre de l’écrivaine brésilienne, composée dans sa grande majorité de personnages et narrateurs féminins, met souvent en scène des face-à-face féminins, nous examinons comment ces rencontres témoignent d’une possible communauté des femmes. Cependant, tel qu’annoncé dans le titre de cette étude, la communauté des femmes dont il est question dans l’oeuvre de Lispector est celle qui existe sporadiquement oscillant entre conflit et complicité. Pour tenter de donner une forme et un vocabulaire à une telle communauté des femmes, nous parcourons les principales théories de la communauté, notamment celles développées par Jean-Luc Nancy, Maurice Blanchot, Jacques Derrida et Roland Barthes ainsi que certaines théories du féminisme. Ensuite, nous explorons des notions qui « provoquent » l’irruption de la communauté des femmes comme la répétition, le rythme, l’inspiration et le don. En fin de compte, ce résumé aurait pu n’avoir qu’une phrase, une seule phrase qui résume toute la thèse : la communauté de celles qui n’ont pas de communauté ou pas une communauté comme les autres. / If there are two words that still call us, summon us, make us dream and at the same time resist in many ways to deliver their "truth", they are community and woman. This thesis strives to bring them closer, to keep them in proximity in referring to the writings of Clarice Lispector. Since the work of the Brazilian writer, composed largely of female characters and narrators, often features women's face-to-face, we examine how these encounters reflect a possible community of women. However, as announced in the title of this study, the community of women in question in Lispector's work is one that exists sporadically oscillating between conflict and complicity. In an attempt to give form and vocabulary to such a community of women, we go through the main theories of the community, especially those developed by Jean-Luc Nancy, Maurice Blanchot, Jacques Derrida and Roland Barthes as well as some theories of feminism. Then we explore concepts that "provoke" the emergence of the community of women as repetition, rhythm, inspiration and gift. Ultimately, this summary could have had only one sentence, one sentence that sums up the whole thesis: the community of women without community or not a community like the others.

[pt] Esta pesquisa investiga quatro narrativas de Clarice Lispector escritas para crianças: O mistério do coelho pensante , A mulher que matou os peixes , Quase de verdade e A vida íntima de Laura , no empenho teórico de formular concepções e cenas de infância implicadas nos dispositivos estético-literários dessas obras. / [en] This research investigates four narratives written by Clarice Lispector for children: The mystery of the thinking bunny, The woman who killed the fish, Almost true and Laura s private life, in the theoretical effort of formulating conceptions and scenes of childhood implied in the aesthetical and literary devices of these works.

Cette thèse envisage la relation qui prend forme par le biais du texte littéraire, lors de son écriture et de ses lectures subséquentes, dans la perspective d’une amitié, telle que l’amitié textuelle posthume entre les autrices Clarice Lispector (1920-1977) et Hélène Cixous (1937- ) la donne à penser. Bien que la mort de Lispector soit survenue avant que Cixous ait pu la lire, celle-ci a perçu dans son écriture un appel à l’amitié qui s’est répercuté autant dans sa pensée que dans son écriture et ses enseignements, influençant considérablement sa conception de l’écriture féminine. Il demeure que l’approche qu’a eue Cixous du texte lispectorien a été fortement critiquée parce que jugée trop envahissante, voire déformante, et ce, malgré les multiples invitations à la lectrice que recèle les textes de Lispector. Celle-ci somme sa lectrice à reconnaître non seulement le rôle qu’elle joue dans la constitution du texte, mais aussi à accepter sa part de la responsabilité qu’implique l’autorité du texte. L’étude de certains de ses romans montre que Lispector met de l’avant une manière d’être en relation avec autrui par le biais du texte qui tient de l’amitié. Entre l’approche lispectorienne, qui appelle à une reconnaissance de la subjectivité, ce à quoi Cixous a adhéré pleinement, et celle des critiques de la lecture de Cixous, qui prônent une lecture objective fondée sur la connaissance, il y a donc un conflit portant sur le statut du texte littéraire et sur le rapport que l’on peut entretenir avec lui. Cette relation inédite entre Lispector et Cixous est une invitation à revoir l’amitié de même que la manière dont on peut concevoir la relation qui prend forme par le biais du texte littéraire. Pour mieux comprendre le malaise que suscite le fait de rapprocher cette relation à une amitié, seront étudiées les définitions que les philosophes de l’Antiquité Platon, Aristote et Cicéron ont données à l’amitié pour mieux cerner, notamment, les enjeux relatifs à la réciprocité et à la vie en commun des amis. Montaigne et Maurice Blanchot ayant écrit au sujet de l’amitié une fois leur ami disparu, ils nous permettent de penser ce lien entre l’amitié et le texte, en ce que ce dernier permet la poursuite de la première après la mort de l’ami, alors que la réciprocité et la vie en commun sont rendues impossibles. Or, si le texte permet à l’amitié de se poursuivre au-delà de la mort, Emmanuel Levinas et Hans-Georg Gadamer considèrent que tout rapport au texte et toute herméneutique impliquent une relation qu’il faut simplement reconnaître. Cette amitié entre Lispector et Cixous s’avère donc un exemple d’amitié textuelle, laquelle est une invitation à revoir la manière dont on entre en relation avec le texte et dont on vit l’amitié en dehors de lui, comme quoi, à l’instar de toute relation, l’amitié et le texte se trouvent modifiés lorsqu’ils sont envisagés dans la perspective de leur relation. / This dissertation examines the relationship that takes shape within the literary text, through writing and reading it, as a friendship. The posthumous textual friendship between authors Clarice Lispector (1920-1977) and Hélène Cixous (1937- ) serves as an example as to how such a relationship can occur through the literary text. While Lispector was already dead when Cixous first read her, the latter heard a calling in the former’s writing, which she perceived as an invitation to be friends. Lispector’s oeuvre had a considerable influence on Cixous’ writing, teaching and thinking, even modifying her conception of écriture féminine. Nonetheless, her reading of Lispector’s texts was harshly criticized, as some found it to be domineering, even though Lispector often directly asks her reader to engage with the text so as not to leave her alone. She also invites her reader to recognize her share of the responsibility that comes with creating the text, suggesting a way to relate to another within the text that is akin to a friendship. This way to engage with the text calls for a recognition of everyone’s —writers’ and readers’— subjectivity, an approach Cixous took to heart. As for the critics, their approach to the literary text is based on knowledge instead of on the relationships to which it gives shape. This clash explains why they deemed Cixous’ reading as utterly unacceptable, these conflicting visions being irreconcilable. Lispector’s and Cixous’ uncanny friendship reads as an invitation to envision friendship as a new way to engage with the literary text. To better understand the reluctance to define any relationship taking place within the literary text as a friendship, we will examine how friendship has been defined philosophically since Antiquity through the works of Plato, Aristotle and Cicero, in which the questions of reciprocity and proximity arise. Then, Montaigne and Maurice Blanchot, who wrote texts about their respective deceased friend, will help us to consider the relationship between friendship and the text, as the latter serves to keep the friendship alive after their friend’s death, when reciprocity and proximity are no longer possible in the living world. Since the text allows for friendship to be carried on after one of the friend’s passing, it can also be envisioned as the place for friendships to take place. Emmanuel Levinas and Hans-Georg Gadamer both consider that any relation to the text and hermeneutics as a whole implies a relationship that requires to be recognized as such. Therefore, the relationship between Lispector and Cixous is considered an example of textual friendship that allows us to rethink how we engage with the text but also how we experience friendship. Just like friends both impact one another, friendship and the literary text also affect one another when viewed through the lens of relationship.

[pt] A dissertação investiga a apropriação da imagem da escritora Clarice Lispector na internet. Clarice Lispector é consagrada pelo universo acadêmico e pela crítica literária – isto é, dos agentes que constroem as regras da arte - como um dos cânones do campo artístico brasileiro (BOURDIEU, 1986). Atualmente as representações sobre a escritora – fragmentos de seus textos e sua imagem - são amplamente disseminadas pelas redes socais na internet, tornando-se objetos de desejo de um público maior e mais heterogêneo. A proposta deste trabalho é refletir sobre algumas das instâncias de legitimação de Clarice Lispector na internet: a) o site do Instituto Moreira Salles, que conta com documentos raros, biografia e mapeamento de textos da e sobre a escritora, a partir da pesquisa de acadêmicos de prestígio na área da literatura. O site, que se constrói como um dos principais repositórios sobre Clarice Lispector, acaba sendo menos visitado, por ser orientado para uma pesquisa mais acadêmica. b) páginas no Facebook sobre Clarice elaboradas por seus fãs. Serão analisadas as páginas com maior número de visualizações. Tendo como corpus da investigação o espaço das tecnologias descentralizadores e personalizadas, leva-se em consideração a inexistência de códigos de éticas formais. O estudo procura compreender a dinâmica dos leitores-consumidores que fazem parte de um público, anteriormente à margem do processo de criação, que atuavam apenas espectadores, e que contemporaneamente tornaram-se participantes fundamentais na produção de conteúdo, ao recriarem e resignificarem conteúdos retirados das obras claricenas. Para tanto, a pesquisa empreendeu a coleta de postagens em páginas com mais de 50 mil seguidores dedicadas a Clarice Lispector na rede social Facebook, buscando uma análise comparativa com o material empiricamente observado no website institucional sobre a escritora brasileira desenvolvido pelo Instituto Moreira Salles (IMS). Entrevistas também foram realizadas para obtenção de informações precisas sobre o fluxo, na produção de micronarrativas claricenanas, movimentado pelos fãs amadores e pelos profissionais literários. De uma forma geral, buscou-se compreender o papel dessas duas forças respectivamente ativas e que integram a composição heterogênea do fenômeno Clarice Lispector nas redes sociais. / [en] The dissertation investigates the appropriation of the image of the writer Clarice Lispector on the internet. Clarice Lispector has been consecrated by the academic universe and literary review - namely, agents who construct the rules of art - as a canonical member of the Brazilian artistic field (BOURDIEU, 1986). Currently, the representation of the writer - fragments of her novels and her image - are widely disseminated throughout the social networks on the Internet, becoming objects of desire of a larger and more heterogeneous public. The purpose of this academic work is to reflect on some instances of legitimation of Clarice Lispector on the Internet: a) The website of Instituto Moreira Salles which has rare documents, biographical materials and mapping of texts from and about the writer, based on academic research of prestigious scholars of the literary field. The website, which is being built as one of the main repositories on Clarice Lispector s literary production, which is less visited because it is oriented towards more academic research. b) Facebook pages about Clarice made by her fans. Pages with the highest number of views will be analyzed. Taking as corpus of research the sphere of decentralized and personalized technologies, the investigation takes into consideration the inexistence of formal codes of conduct. The study seeks to understand the dynamics of consumer-readers who are part of an audience, previously at the margins of the creative process, who were only spectators, and who at the same time became key participants in the production of content by re-creating and reframing content taken from Clarice Lispector s novels. Therefore, the research collected posts dedicated to Clarice Lispector in pages with more than 50.000 followers in the social network Facebook, seeking a comparative analysis with the material empirically observed in the institutional website about the Brazilian writer developed by Instituto Moreira Salles (IMS). A series of interviews were held to obtain accurate information about the workflows in the production of Clarice Lispector micronarratives, driven by amateur fans and literary scholars. In General, the research sought to understand the role of these two active forces, which integrate the heterogeneous composition of the phenomenon of Clarice Lispector in social networks.

Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2017-07-14T20:41:55Z No. of bitstreams: 1 Disserta??o j? defendida Marilva - com revis?o do abstract.pdf: 1128920 bytes, checksum: 2a687ce5aa7e5de316bb04940ce131b3 (MD5) / Made available in DSpace on 2017-07-14T20:41:55Z (GMT). No. of bitstreams: 1 Disserta??o j? defendida Marilva - com revis?o do abstract.pdf: 1128920 bytes, checksum: 2a687ce5aa7e5de316bb04940ce131b3 (MD5) Previous issue date: 2016-09-30 / This research aimed to study the chronicles of Clarice Lispector, gathered in the book A Descoberta do Mundo, published in 1984, the result of seven years of publication of the writer for the Jornal do Brazil, between August 1967 and December 1973. From everyday situations involving people of daily cohabitation, the chronicles the author's open space to reflect about life and about other, because they touch in the pain and in the existential anguish, consequences of being in the world. In a similar exercise to a daily, Clarice Lispector brings to the pages of his chronicles a face little known, that deals day to day with their children, their servants, their friends; recalling past events, but also touches on issues such as women, happiness, well-being, the importance of family and the other excluded. In this way, it is possible to find chronicles that reaffirm the reflective tendency present in the Clarice Lispector of the short stories and novels, in which it was consecrated as hermetic and introspective. / Este trabalho de pesquisa buscou estudar as cr?nicas de Clarice Lispector, reunidas no livro A Descoberta do Mundo, publicado em 1984, fruto de sete anos de publica??o da escritora para o Jornal do Brasil, entre agosto de 1967 e dezembro de 1973. A partir de situa??es do cotidiano, envolvendo pessoas do seu conv?vio, as cr?nicas da autora abrem espa?o para refletir sobre a vida e sobre o outro, pois tocam nas dores e ang?stias existenciais, consequ?ncias do estar no mundo. Num exerc?cio semelhante a um di?rio, Clarice Lispector traz para as p?ginas de suas cr?nicas uma face menos conhecida, em que trata do dia a dia com os filhos, suas empregadas, seus amigos; rememora fatos passados, como tamb?m toca em temas como a mulher, a felicidade, o bem-estar, a import?ncia da fam?lia e o outro exclu?do. Deste modo, ? poss?vel encontrar cr?nicas que reafirmam a tend?ncia reflexiva presente na Clarice Lispector dos contos e romances, nos quais foi consagrada como herm?tica e introspectiva.

Made available in DSpace on 2016-04-26T18:11:09Z (GMT). No. of bitstreams: 1 Vera Helena Saad Rossi.pdf: 4609409 bytes, checksum: c83a73f7f1d372e8b881599ab4c05d96 (MD5) Previous issue date: 2011-08-08 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The main object of this research is the journalistic production of Clarice Lispector over the years of 1950-1970, a time when she actively collaborated with major carioca newspapers. This is an important part of the writer s work, which we know better now, thanks to the work of the researcher Aparecida Maria Nunes. Assuming, hypothetically, that the journalist reveals the writer, we seek to establish relations between the Clarice Lispector journalistic and literary writing. The corpus is made up of 83 interviews conducted by the writer for the magazine Manchete in the section Possible Dialogues with Clarice Lispector, where we have 59 interviews between May 1968 and outubro1969, and the magazine Fatos e Fotos/Gente, where we have 24 interviews conducted between December 1976 and October 1977. We analyze the warp of the dialogue during the interviews under the concept of Freudian unheimlich (uncanny) and "dialogism"of Bakhtin. We have also studied the "newjournalism" and "nonfiction novel" genres, whose main representative was Truman Capote, author of In Cold Blood, who argued that non-fiction could be as artistic and compelling as fiction. Methodologically the research is bibliographic and documentary: on one hand, we make the state of the art of critical reception of Clarice, on the other, we study the material relating to journalistic collaborations / O principal objeto desta pesquisa é a produção jornalística de Clarice Lispector ao longo dos anos de 1950-1970, época em que colaborou ativamente com periódicos cariocas de grande circulação. Trata-se de uma parte relevante da obra da escritora, como se descobre melhor agora, graças ao trabalho da pesquisadora Aparecida Maria Nunes. Admitindo, como hipótese, que a jornalista revela a escritora, buscamos estabelecer relações entre o texto jornalístico e a escritura clariciana. O corpus da pesquisa constitui-se nas 83 entrevistas realizadas pela escritora para as revistas Manchete, na seção Diálogos Possíveis com Clarice Lispector, em que temos 59 entrevistas, no período de maio 1968 a outubro1969 e Fatos e Fotos/Gente, em que temos 24 entrevistas realizadas entre dezembro de 1976 e outubro de 1977. Analisamos a urdidura do diálogo nestas entrevistas jornalísticas à luz do conceito freudiano unheimlich (estranho ou sinistro) e do "dialogismo" do Bakhtin. Também estudamos os gêneros "new-journalism" e romance de nãoficção , cujo principal representante foi Truman Capote, autor de A sangue frio, quem sustentou que a não-ficção poderia ser tão artística e atraente quanto a ficção. Metodologicamente, a pesquisa é bibliográfica e documental: de um lado, fazemos o estado da arte da recepção crítica de Clarice, de outro, levantamos o material referente às colaborações jornalísticas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Imagens de um corpo de mulher: (re)criações na obra de arte de Clarice Lispector e Frida Kahlo é uma pesquisa de ordem literária e filosófica, que tem como objetivo encontrar um corpo de mulher através da análise de parte da produção literária de Clarice Lispector e plástica de Frida Kahlo, experimentada também pela pesquisadora no exercício desta escrita acadêmica. Com o método comparativo, esta dissertação propõe apresentar zonas fronteiriças entre a plasticidade e a textualidade, tanto da palavra, quanto da imagem. Tendo como ponto de interseção o corpo, há uma escritora que pinta e uma pintora que escreve: neste duplo deslocamento, vislumbram-se cruzamentos das quais insurgem corporalidades cuja constância é estar em transformação. Nos processos criativos das duas artistas pesquisadas, são tênues os limiares entre vida e arte. Coloca-se em questão o conceito de representação, já há muito tempo em crise, e possibilita o uso do termo (re)criação. No livro Água Viva, de Clarice Lispector, uma personagem-pintora realiza uma metaescrita, discutindo as limitações e os alcances do próprio ato de escrever. Nos quadros de Frida Kahlo, é recorrente a presença de uma figura corpórea marcada por procedimentos cirúrgicos, fruto da condição enferma que acompanhou a artista por toda sua trajetória. Cada uma, a seu modo e a partir de seu próprio corpo vivente, produziu (re)criações que implicam, em suas obras de arte, o leitor e o fruidor, inclusive a pesquisadora. Diante desse panorama, destacam-se os imbricamentos entre a Literatura e a Pintura, assim como entre a Arte e a Filosofia. Este trânsito não só aponta, mas também gera corpos poético-conceituais. A cintilação destes encontros, pois, é o devir aqui estudado um corpo de mulher por vir / Images of a womans body: Clarice Lispector and Frida Kahlos art re-criation is a literary and philosophic research that aims to find a womans body through the analysis of part of Clarice Lispectors literature and Frida Kahlos plastic arts, also experimented by the researcher during this academic writing.Using the read-across approach, this thesis proposes to present the connection between plasticity and textuality, both the word and the image. Taking as a point of intersection the body, there is a writer who paints and a painter who writes: in this exchange its possible to see a meeting point from where corporalities whose constancy is to be transforming emerge. There is a thin line between life and art in the creative processes of the two researched artists. The representation concept, not often used, is discussed, which makes possible the use of the word re-creation.In Clarice Lispectors book called Água Viva, a writer-characterwrites about the limits and scopes of her own writing act.It is common to find in Frida Kahlos paints a corporeal figure with surgical procedures scars due to her ailing condition that lasted her whole career. Each one in their own way and from their own living body produced re-creations that involve, in their artwork, the reader and spectator, including the researcher.According to what has been discussed we highlight the connections between literature and painting, as well as between art and philosophy. This relation not only points, but also creates poetic and conceptual bodies. These connectionsrefer to a series of transformations, studied here - a woman's body to come

Clarice Lispector foi uma das maiores escritoras brasileiras e, por essa razão, uma das mais estudadas. Muitas relações se fizeram entre sua escrita e a de alguns dos principais ícones da literatura mundial. Entretanto, o mesmo não aconteceu com seus textos produzidos aproximadamente a partir da década de 1970, a ficção derradeira da autora. As obras produzidas principalmente durante essa década, com algumas consagradas exceções, foram um tanto negligenciadas pela crítica. As pesquisadoras Marta Peixoto e Sônia Roncador procuraram provar que a pouca atenção às obras da ficção tardia da autora se deve ao fato de que as mesmas apresentam tendências que vão contra as características do que Clarice produziu anteriormente, como se a escritora tivesse desejado criar um repertório de formas que contradiziam sua produção de antes de 1970. Para demonstrar tal intenção de Lispector, este trabalho procura analisar as características do manuscrito Objeto gritante nunca publicado , o qual, após uma série de alterações significativas, acabou por se transformar na obra Água viva. Caso o projeto do manuscrito não tivesse sofrido redirecionamentos substanciais, teria sido a primeira ocorrência, em livro, das novas formas da escrita clariciana que começavam a se manifestar naquela época, mas que vieram a se consolidar nas suas obras posteriores / Clarice Lispector was one of the greatest Brazilian writers and has been one of the most studied. Many comparisons were made between her writing and some of the major literary icons worldwide. However, this did not happen to her later fiction produced in the 70s. These pieces, with a few exceptions, were somewhat neglected by critics. Some researchers such as Marta Peixoto and Sonia Roncador sought to prove that the lack of attention to Clarice's later fiction is due to the fact that it shows trends that go against the characteristics of what this author previously produced, as if the writer had wished to create a repertoire of ways that contradicted her production before1970. To demonstrate this intention, this paper analyzes the characteristics of the Objeto gritante manuscript - never published - which, after a series of changes, turned out to become the book Água viva. If the manuscript had not suffered substantial redirections, it would have been the first formal occurrence of Clarice's new writing style, but that consolidation only occurred in her later work