Made available in DSpace on 2016-04-04T18:21:58Z (GMT). No. of bitstreams: 1 Larissa de Souza Pereira.pdf: 3341363 bytes, checksum: fd834709f42cdb17b257c0b966023047 (MD5) Previous issue date: 2011-02-18 / The cultural, social, and architectonic importance of the city of Ouro Preto is very much explored, but aspects as its rich sensory information spaces and also its recollection value are not so emphasized. This factor shows the difficulty in understanding the urban organism as an esthetic object . Therefore, it is intended to discuss the poetics , a chosen concept to approach the sensible qualities which make up the impression of place produced by the temporal, historical, cultural, and emotional factors. For that reason, an analysis was made about the configuration of the city of Ouro Preto, situated in the state of Minas Gerais, featuring aspects of the creation of the urban fabric, and above all, the apprehensible esthetic aspects of its public spaces, monuments, perspectives and framing, which are the result of a constitution and the fact of being in a social community. Thereby, the diversity of facets in the establishment of this urban organism is evident and resulted in a monumental combination replete of meaning. The debates and analysis about the sensible apprehension in this city can be conducted by the mythic figure of a labyrithine space , which is also able to express how the spontaneous process of urbanization, although not necessarily deprived of intention, differs a lot from the planned urban space, and is intimately related to the basic activity carried out on the ground where it is settled. Presenting the mutual tranformation of the physical and social relations. / A cidade de Ouro Preto tem sua import?ncia cultural, social e arquitet?nica bastante explorada, mas aspectos como o espa?o rico em informa??es sensoriais e como arcabou?o da mem?ria geralmente s?o pouco destacados. Esse fator remete ? problem?tica da dificuldade de se compreender o organismo urbano como objeto est?tico . Assim, pretende-se discutir a po?tica , conceito adotado para abordar as qualidades sens?veis que criam o sentido de lugar gerado por fatores temporais, hist?ricos, culturais e afetivos. Para isso, foi realizada a an?lise da configura??o da cidade de Ouro Preto, em Minas Gerais, destacando os aspectos da forma??o do tecido urbano e, sobretudo, os aspectos est?ticos apreens?veis a partir de seus espa?os p?blicos, monumentos, perspectivas e enquadramentos, resultantes de uma constitui??o e de uma viv?ncia comunit?ria e social. Assim, torna-se evidente a diversidade de aspectos no processo de estabelecimento deste organismo urbano que resultou em um conjunto monumental repleto de significado. Os questionamentos e as an?lises sobre a apreens?o sens?vel nesta cidade podem ser conduzidos por meio da figura m?tica do espa?o labir?ntico , que tamb?m ? capaz de expressar como o processo de urbaniza??o espont?neo, por?m n?o destitu?dos de inten??o, difere-se profundamente do espa?o urbano planificado e est? relacionado de forma ?ntima ? atividade b?sica exercida no ch?o sobre o qual se estabelece, apresentando a rela??o rec?proca de transforma??o f?sica e social

Made available in DSpace on 2015-04-14T13:38:32Z (GMT). No. of bitstreams: 1 436418 - Parcial.pdf: 369872 bytes, checksum: 7abbdae05b7aaa5e127dcb3f421e7370 (MD5) Previous issue date: 2012-01-02 / The study in question plans to discuss the relation between writing a literary text and the teaching of Creative Writing. For that purpose, the idea of some authors and theorists are verified about the subject. Aside from that, it presents briefly the process of creating a fictional novel entitled Amor ? Guilhotina, describing the trajectory out of the literary text since the germ of the literary work until its relation with philosophy. / O presente estudo pretende discutir a rela??o entre a escrita de um texto liter?rio e o ensino da Escrita Criativa. Para tanto, verificam-se as ideias de alguns escritores e te?ricos sobre o assunto. Al?m disso, apresenta de forma breve o processo de cria??o ficcional da novela intitulada Amor ? guilhotina, descrevendo a trajet?ria percorrida fora do texto liter?rio desde o germe Liter?rio da obra at? a sua rela??o com a filosofia.

Submitted by Fernanda Ciolfi (fernanda.ciolfi@puc-campinas.edu.br) on 2016-05-10T18:21:59Z No. of bitstreams: 1 Marcus Ven?cius de Brito Coelho.pdf: 2953095 bytes, checksum: fe524280cf5ddaefcbc93892ab4f2d39 (MD5) / Made available in DSpace on 2016-05-10T18:21:59Z (GMT). No. of bitstreams: 1 Marcus Ven?cius de Brito Coelho.pdf: 2953095 bytes, checksum: fe524280cf5ddaefcbc93892ab4f2d39 (MD5) Previous issue date: 2015-12-11 / This study set out the concerns of the author referring to the difficulties faced in the implementation and enforcement of the law 10.639 / 2003 in schools, especially regarding the following questions: What kind of difficulties have been encountered in the implementation of this law? How has been the participation of schools and its professionals? What relationship can be established between the implementation of the law and the critical theory of the Struggle for Recognition proposed by Axel Honneth? Thus, this work describes and analyze the Identity Memory of Promotion of Equality Diversity program (Mipid, from the Portuguese name) and its implementation in the Municipal Center for Child Education, CEMEI Margarida Maria Alves concerning the effectiveness of the law 10.639/2003. Such intent has the following specific goals: to study as the implementation of bill 10.639/2003 proceeded regarding the SME/PMC in kindergarten; study the program annual reports and educational projects of the surveyed school; to map and describe the Mipid Program and Projects involving the ethnic-racial theme of the surveyed school. As for the object of the research, it was bounded by the annual reports of Mipid Program and the pedagogical projects and minutes of pedagogical meetings of the school researched and blog. These sources were outlined and criticized by the methodological framework by Adalberto Marson (s / d), and the theoretical references of Stuart Hall (year), Axel Honneth (1992) and M?rio Vieira de Mello (1963). This research started from the hypothesis of the existence of aestheticism (a term by de Mello) in Mipid and its developments in the municipal school units of Campinas. It was concluded that, despite the existence of aestheticism in Mipid, in the school culture present at CEMEI Margarida Maria Alves the effectiveness of Law 10.639/2003 was carried out through ethical culture. / O presente estudo partiu das inquieta??es do autor referente ?s dificuldades enfrentadas para a implementa??o e cumprimento da Lei 10.639/2003 no ?mbito escolar, que redundaram, sobretudo com as seguintes quest?es: Que tipos de dificuldades foram encontrados para a implementa??o desta lei? Como foi a participa??o das escolas e de seus profissionais? Qual a rela??o que se pode estabelecer entre a implementa??o da lei e a teoria cr?tica da luta por reconhecimento de Axel Honneth? Assim, foi descrito e analisado o Programa Mem?ria Identidade Promo??o da Igualdade na Diversidade (Mipid) e sua implementa??o no Centro Municipal de Educa??o Infantil, Cemei Margarida Maria Alves na efetividade da Lei 10.639/2003. Tal intento apresenta os seguintes objetivos espec?ficos: estudar como se procedeu a implementa??o da lei 10.639/2003 na SME/PMC na Educa??o Infantil; estudar relat?rios anuais do programa e os projetos pedag?gicos da escola pesquisada; mapear e descrever o Programa Mipid e Projetos que envolvem a tem?tica ?tnico-racial da escola pesquisada. Quanto ao objeto da pesquisa, ele foi delimitado pelos Relat?rios anuais do Programa Mipid e pelos Projetos Pedag?gicos e livros atas de reuni?es pedag?gicas da escola pesquisada e blog. Essas fontes foram delimitadas e criticadas por meio do referencial metodol?gico de Adalberto Marson, e dos referenciais te?ricos de Stuart Hall, de Axel Honneth e de M?rio Vieira de Mello. Esta pesquisa partiu da hip?tese da exist?ncia do esteticismo (termos este, de Mello) no Programa Mem?ria Identidade Promo??o da Igualdade na Diversidade (Mipid) com seus desdobramentos nas unidades escolares municipais de Campinas. Concluiu-se que, a despeito da exist?ncia do estetismo no Mipid, na cultura escolar presente no Cemei Margarida Maria Alves a efetividade da Lei 10.639/2003 foi realizada por meio de cultura ?tica.

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-10-30T18:18:54Z No. of bitstreams: 1 2016 - Lilyan Guimar?es Berlim.pdf: 8659835 bytes, checksum: 7c1a0bff7a0ddc1e839d674f71b6cc82 (MD5) / Made available in DSpace on 2017-10-30T18:18:54Z (GMT). No. of bitstreams: 1 2016 - Lilyan Guimar?es Berlim.pdf: 8659835 bytes, checksum: 7c1a0bff7a0ddc1e839d674f71b6cc82 (MD5) Previous issue date: 2016-09-30 / CAPES / The fashion and textile industry is one of the largest business segment in the world. However, this segment has been the subject of ethics, aesthetics and environmental criticism, especially so-called "fast fashion", a high-speed production system, integrated with information technology, which manages releases, sales, inventory and manufacturing clothes, turning datasheets of garments in a finished product within points of sale in a few days. The fast fashion phemomenon settled in the fashion industry in the last decades of the twentieth century as a result of the dynamics of global capitalism in search of lower cost and reduced production, time, space, distribution and sale. The fast fashion, however, has been socially criticised as it?s based on precarious work and promoting hyper consumption which leads to quick disposal of clothing, consumption of natural resources at breakneck scale and also the standardization of the body and spread a subtle homogenization of the appearance, promoted by the fashion media. The research has mapped and analysed the relationship between fashion and social criticism, with emphasis on appearance, construction and current settings of the ethical criticism and aesthetics to fast fashion. It has also mapped and analysed some answers that the market has given to such criticism, as well as alternative proposals built by various social groups, in particular the slow fashion movement: its concept, ideas and production proposals, consumption and engagement. From the politicization of consumption and macro trends that are configured as a socio-cultural background of the fashion consumption trends, we see the various forms of expression of these criticisms and seek to understand its incorporation into the market. For this, we rely on the theoretical framework of Boltanski and Chiapello (2009), which considers the incorporation of criticism as necessary to the moral justification of capitalism and its maintenance. The results indicate that the criticisms are expressed and are incorporated by fashion design professional, in consumption practices. in the pursuit of sustainable business forms, creating value associated with the shared economy, the adoption of Corporate Social Responsibility, in changes in production processes and the use of lower-impact materials. We also verified that as a way of incorporating criticism as a counterpoint to the hegemonic practices of production and consumption, the movement "slow fashion" proposes not only deceleration time of production and consumption of clothes, but also empowerment and political activism in the area of fashion design. In conclusion, the research identified as a response to criticism, the existence of changes in the sector and the growing ethicization fashion. / A moda e a ind?stria t?xtil constituem um dos maiores segmentos de neg?cios do mundo. Associadas simbioticamente, chamamos este campo de ind?stria da moda. O segmento vem sendo alvo de cr?ticas ?ticas, est?ticas e ambientais. Estas cr?ticas se dirigem, principalmente, ao que tem sido chamado de ?moda r?pida?, ou fast fashion, um sistema de produ??o de alta velocidade, integrado ?s tecnologias de informa??o, que gerencia lan?amentos, vendas, estoques e manufatura de roupas, transformando fichas t?cnicas de pe?as de vestu?rio em um produto acabado dentro de pontos de venda em poucos dias. O fast fashion ? uma consequ?ncia das din?micas do capitalismo global em busca do menor custo, em um menor espa?o de tempo de fabrica??o, distribui??o e venda, baseando-se em trabalho prec?rio (muitas vezes em condi??es an?logas ? escravid?o), na promo??o do hiperconsumo e do descarte r?pido de roupas e, consequentemente, do consumo de recursos naturais em escala vertiginosa, com impactos ambientais de grande extens?o, e, ainda, na padroniza??o do corpo e na difus?o de uma sutil homogeneiza??o do parecer, promovida pelas m?dias de moda. Tais pr?ticas se estabeleceram na moda nas ?ltimas d?cadas do s?culo XX como consequ?ncia das transforma??es do capitalismo global. A presente pesquisa mapeou e analisou as rela??es entre a moda e a cr?tica, o surgimento, a constru??o e as atuais configura??es da cr?tica ?tica e est?tica ao fast fashion e as respostas que o mercado vem dando ?s mesmas, assim como as propostas alternativas constru?das por segmentos do mercado, em especial, o movimento ?moda lenta?, ou slow fashion: seu conceito, ideias e propostas de produ??o, consumo e engajamento. A partir da an?lise da politiza??o do consumo e das macrotend?ncias, que se configuram como um pano de fundo sociocultural ?s tend?ncias de consumo, verificamos a express?o destas cr?ticas e sua incorpora??o pelo corpo social; identificamos a? uma chave explicativa para a incorpora??o das cr?ticas pelo mercado de moda, corroborando com o quadro te?rico de Boltanski e Chiapello (2009), que entende a incorpora??o das cr?ticas como necess?ria ? justifica??o moral do capitalismo e sua manuten??o. Os resultados indicaram que tanto o corpo social quanto o mercado expressam e incorporam as cr?ticas nas pr?ticas de consumo de moda; na busca por formas de novos neg?cios sustent?veis; na cria??o de valor associado ? economia compartilhada; na ado??o da Responsabilidade Socioambiental Empresarial e da ?tica nos neg?cios; nas altera??es em processos produtivos; e no uso de mat?rias primas menos impactante. Verificamos tamb?m que, como incorpora??o das cr?ticas e como contraponto ?s pr?ticas hegem?nicas de produ??o e consumo, o movimento slow fashion prop?e n?o apenas a desacelera??o do tempo de produ??o e consumo de roupas, mas tamb?m um empoderamento e ativismo pol?tico na ?rea do design de moda, tanto na produ??o quanto no consumo. A pesquisa identificou a exist?ncia de altera??es no setor em fun??o da incorpora??o das cr?ticas, em especial a crescente eticiza??o da moda.

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2018-05-10T18:21:02Z No. of bitstreams: 1 2017 - Bianca Rangel Antunes da Silva.pdf: 2187606 bytes, checksum: 927fe528eb48db49953e8f982d4320d5 (MD5) / Made available in DSpace on 2018-05-10T18:21:02Z (GMT). No. of bitstreams: 1 2017 - Bianca Rangel Antunes da Silva.pdf: 2187606 bytes, checksum: 927fe528eb48db49953e8f982d4320d5 (MD5) Previous issue date: 2017-12-21 / During the drilling of oil wells, the pressure differential between the rock formation and the annular region can cause a filtration process and consequent invasion of drilling fluid into the rocks, causing irreversible damage to the well. Therefore, studies to control the properties of the well formed mudcake are fundamental. The mudcake formed should be thin and of low permeability, thus minimizing the filtration and the invasion of the fluid. The main purpose of this work was to study the characteristics of the filtration pie formed during the drilling process of oil wells, using non-Newtonian fluids that follow the Power law model, and applying the simplified theory of filtration adapted for non-Newtonian fluids to achieve the specific objective that was the lifting of the parameters of permeability, porosity, thickness and correction factor obtained from experimental data of filtered volume versus time, in Static conditions, at different pressures. Experimental results were obtained in different filtration conditions (pressure, viscosifier agent and weighting material) seeking to compare and know the mechanisms that control filtration in static conditions. Filtration tests were carried out at 300 psi, 500 psi and 700 psi, using a HTHP cell and prepared non-Newtonian drilling fluids containing xanthan gum (XG) and carboxymethylcellulose (CMC) as viscosifier agent, in addition to calcite and barite. Filtration parameters such as permeability, porosity, pie thickness, filtration time and filtered volume have been evaluated. The permeability of the pie was determined, with the aid of a software of estimation of parameters, using the simplified theory of filtration adapted for non Newtonian fluids proposed by Massarani and Coelho de Castro(1980). The results obtained were confronted with those obtained by other methodologies. The experimental tests also showed that the properties of the pie vary with the filtration pressure. / Durante o processo de perfura??o de po?os de petr?leo, o diferencial de press?o entre a forma??o rochosa e a regi?o anular pode ocasionar um processo de filtra??o e consequente invas?o de fluido de perfura??o nas rochas, causando opera??es irrevers?veis ao po?o. Por isso, s?o fundamentais estudos para controlar as propriedades da torta de filtra??o formada na parede do po?o. A torta formada deve ser fina e de baixa permeabilidade, minimizando assim a filtra??o e a invas?o do fluido. Este trabalho teve como objetivo principal estudar as caracter?sticas da torta de filtra??o formada durante o processo de perfura??o de po?os de petr?leo, utilizando fluidos n?o Newtonianos que seguem a lei da pot?ncia,e aplicando a teoria simplificada da filtra??o adaptada para fluidos n?o Newtonianos para atingir o objetivo espec?fico que foi o levantamento dos par?metros de permeabilidade, porosidade, espessura e fator de corre??o obtidos a partir de dados experimentais de volume de filtrado versus tempo, em condi??es est?ticas, em diferentes press?es.Foram obtidos resultados experimentais em diferentes condi??es de filtra??o (press?o, viscosificante e adensante) buscando comparar e conhecer os mecanismos que controlam a filtra??o em condi??es est?ticas. Foram realizados ensaios de filtra??o a 300 psi, 500 psi e 700 psi, utilizando uma c?lula HTHP e preparados fluidos de perfura??o n?o-Newtonianos contendo Goma Xantana (GX) e carboximetilcelulose (CMC) como viscosificantes, al?m de barita e calcita. Foram avaliados os par?metros da filtra??o como permeabilidade, porosidade, espessura da torta, tempo de filtra??o e volume de filtrado. A permeabilidadeda torta foideterminada, com o aux?lio de umsoftware de estima??o de par?metros, utilizando-sea teoria simplificada da filtra??o adaptada para fluidos n?o Newtonianos proposta por Massarani e Coelho de Castro (1980). Os resultados obtidos foram confrontados com os obtidos por outras metodologias. Os ensaios experimentais mostraram tamb?m que as propriedades da torta variam com a press?o de filtra??o.

Made available in DSpace on 2014-12-17T15:48:02Z (GMT). No. of bitstreams: 1 HugoFM_DISSERT.pdf: 1847783 bytes, checksum: 58d9312a629dabdd3fe4b15c8dc44101 (MD5) Previous issue date: 2012-07-26 / The Exception Handling (EH) is a widely used mechanism for building robust systems. In Software Product Line (SPL) context it is not different. As EH mechanisms are embedded in most of mainstream programming languages (like Java, C# and C++), we can find exception signalers and handlers spread over code assets associated to common and variable SPL features. When exception signalers and handlers are added to an SPL in an unplanned way, one of the possible consequences is the generation of faulty family instances (i.e., instances on which common or variable features signal exceptions that are mistakenly caught inside the system). In this context, some questions arise: How exceptions flow between the optional and alternative features an LPS? Aiming at providing answers to these questions, this master thesis conducted an exploratory study, based on code inspection and static analysis code, whose goal was to categorize the main ways which exceptions flow in LPSs. To support the study, we developed an static analysis tool called PLEA (Product Line Exception Analyzer) that calculates the exceptional flows of LPSs, and categorize these flows according to the features associated with handlers and signalers. Preliminary results showed that some types of exceptional flows have more potential to yield failures in exceptional behavior of SLPs / O mecanismo de tratamento de exce??es ? amplamente utilizado para a constru??o de sistemas robustos. No contexto de Linhas de Produto de Software (LPSs) n?o ? diferente. Uma vez que mecanismos de tratamento de exce??es est?o embutidos nas principais linguagens de programa??o da atualidade (como Java, C# e C++), podemos encontrar sinalizadores e tratadores de exce??es espalhados entre os artefatos de c?digo associados a caracter?sticas (do ingl?s: features) opcionais e obrigat?rias de uma LPS. Quando tratadores ou sinalizadores de exce??es s?o adicionados a uma LPS de forma n?o planejada, uma das poss?veis conseq??ncias ? a gera??o de produtos falhos (i.e., produtos em que exce??es lan?adas por features vari?veis ou obrigat?rias s?o erroneamente tratadas). Neste contexto, surge a pergunta: Quais as consequ?ncias de se usar o mecanismo de tratamento de exce??es em LPSs? Com o objetivo de responder a esta pergunta, este trabalho conduz um estudo explorat?rio, baseado em inspe??o de c?digo e an?lise est?tica de c?digo, cujo objetivo foi caracterizar as principais formas em que exce??es fluem em LPSs. Para apoiar a realiza??o deste estudo desenvolvemos a PLEA (Product Line Exception Analyzer), uma ferramenta baseada em analise est?tica de c?digo que calcula os fluxos excepcionais de uma LPS e os classifica de acordo com as features associadas aos seus tratadores e sinalizadores. Resultados preliminares mostraram que alguns tipos de fluxos excepcionais tem mais potencial para originarem falhas no comportamento excepcional das LPSs

Made available in DSpace on 2014-12-17T13:57:18Z (GMT). No. of bitstreams: 1 EugenioMFM_cap1_ate_cap3.pdf: 4243028 bytes, checksum: 0824b5a3ad87d2c5552820ffd0431fe8 (MD5) Previous issue date: 2003-11-18 / This study intends to establish a relation between environmental degradation, particularly the devastation of the green canopy, and public health. Utilizing a mapping of the trees included in the researched area, each individual tree was analyzed according to its age, taxonomic listing, architecture, shape and size (determined by aesthetic/convenience reasons or deformed by pruning). Initially investigated were the covert reasons lying underneath the constant aggression against trees (which many times seem to contain elements of hatred and contempt) within the urban environment. In addition to that, the aspects concerning environmental modifications and the consequent impact on public health were also assessed. Two main problems promptly emerged as a result of the removal of trees: a) without a canopy to protect the areas, they became subject to winds directly blown from SW Africa and impregnated with aerosol partic les, which are common causes for respiratory disorders and, b) direct UV solar radiation, which causes some types of skin cancers and eye disorders. To reach such results, we studied the origins and formation of UV radiation induced cancers and searched for the UV radiation spectra of action, e.g., usual intensity and quantity reaching clear and shadowed spaces in a certain area and its consequences. In a second instance, we also searched for pertinent data resources in order to confirm the increase of skin cancer cases due to exposure to UV radiation and the relation between the destruction of the green canopy and the above mentioned problems. We believe that a few significant results have been achieved by this study, namely: the relation between a culture based on medieval beliefs and its consequences on the environment; how this culture exploits and deforms nature in pursuit of financial and psychological interests to a point of transforming the landscape into a copy of something devoid of any relation to latitude and altitude; and above all, the indifference concerning the alarming results carried by these modifications / O presente trabalho teve como principal objetivo, verificar o estado de conserva??o da coberta vegetal da cidade de Natal e sua rela??o com a qualidade de vida. No entanto, ao longo dessa ingl?ria trajet?ria de contar ?rvore a ?rvore em seus lugares e estado de conserva??o, nos deparamos com algo muito mais sinistro e preocupante do que somente a destrui??o do patrim?nio verde: a associa??o muito pr?xima entre o desaparecimento dessa coberta vegetal e o surgimento de aspecto degenerativos e m?rbidos da sa?de de humanos inseridos nessa paisagem, o que causou uma modifica??o na estrutura da pesquisa que terminou por estabelecer a rela??o entre modismos paisag?sticos, ignor?ncia e gan?ncia administrativas, suas mesquinhas causas e desastrosos efeitos, na sa?de p?blica. Para evitar que outros n?o tivessem as d?vidas que tivemos, adentramos os mist?rios da est?tica: dos cl?ssicos aos renovadores locais; do meio ambiente: do simples gr?o de areia ? forma??o da paisagem; das condicionantes ambientais: do sol ? radia??o ultravioleta; do c?ncer: do DNA ? Oncog?nese, e deste ? morbidade em Natal e no RN; terminado por esbo?ar um pequeno e pr?tico guia de sobreviv?ncia nessa que se proclama a cidade mais saud?vel do mundo, apesar dos ?ndices e evid?ncias contradit?rios

Made available in DSpace on 2014-12-17T14:00:16Z (GMT). No. of bitstreams: 1 AcassiaBO_DISSERT.pdf: 3200486 bytes, checksum: 3c4c36016ae25045667dc5563a456500 (MD5) Previous issue date: 2011-07-08 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This paper aims at studying UFRN Parafolcl?rico Group, whose aesthetic formation is subjected to our analysis, specially at its two last performances, that is, Flor do L?rio (Lily Flower), 2004, and Debaixo do Barro do Ch?o (Under the Mud of the Ground), 2008. Three targets are envisaged here: to analyze the aesthetic ideas backing Parafolcl?rico Group exhibitions; to evaluate how their many folk elements interact with different artist languages in order to compose a certain choreography; and finally, to identify the aesthetic conformation placed behind the two different choreographs of the last performances, their trends and innermost features that differentiate them. In accordance with the Analysis of Contents (BARDIN, 2006), interviews have been made with the choreographers and the staff of the spectacles, resulting in elucidating answers to the understanding of their thematic axis. On the first chapter we called attention to motivating subjects as recollection, personal experiences, bibliography research, research in loco regarded as propelling forces of the creative works. Herein, folk culture is depicted as a dynamic process opening a frank dialogue with contemporary events and reinforcing their continuity. On the second chapter, we approached the aesthetic conformation and the scenic elements (costumes, light, scenario, make-up), integrating the studied spectacles and disseminating folk songs in various ways. As what concerns the subjects discourse, we have obtained support in authors like Robatto (1994); Lobo; Navas (2008); Burke (1989); Canclini (2006); Dufrenne (2005); Medeiros (2005); Pavis (2005); Silva (2005), among others. Those authors have provided us with an indispensable theoretic support which, added to the interviews, convinced us that the Parafolcl?rico Group s aesthetic conception tends to identify itself with the artist languages and other techniques of that Group. It also made sure that the Group s course aims at an aesthetic conception which is not limited to popular culture manifestations, like dance, but admits to play with other media in order to communicate its art. In view of this situation, we arrived to two conclusions: first: the group s interchanges emphasize the dynamic character of popular culture which, by establishing contacts with different realities, receives influences capable of extending its own continuity; second: the contemporary state of arts also improves multiple interchanges opening way, so, for many accomplishments in their field. Therefore, UFRN Parafolcl?rico Group inserts itself in the contemporary scenery by performing new evaluations of the popular dances as long as it puts them in contact with different technical, aesthetic, artist and culture combinations / Esta pesquisa tem como estudo de caso o Grupo Parafolcl?rico da UFRN, cuja conforma??o est?tica ? analisada, principalmente nas suas duas ?ltimas produ??es, intituladas Flor do L?rio (2004) e Debaixo do Barro do Ch?o (2008). Temos como objetivos: refletir sobre a concep??o est?tica que vem configurando as produ??es coreogr?ficas do Grupo Parafolcl?rico da UFRN; discutir como se estabelece o di?logo entre os elementos da cultura popular com diversas linguagens art?sticas no processo de composi??o das coreografias; identificar a conforma??o est?tica que atravessa o compor das core?grafas dos dois ?ltimos espet?culos produzidos, bem como as caracter?sticas dessas produ??es, as converg?ncias e idiossincrasias que marcaram esses trabalhos. A partir do recurso metodol?gico da An?lise de Conte?do (BARDIN, 2006), foram realizadas entrevistas com as core?grafas dos espet?culos mencionados e com o elenco participante dessas montagens, o que propiciou uma leitura flutuante das respostas e elabora??o de eixos tem?ticos que foram discutidos no texto. No primeiro cap?tulo, evidenciamos os trajetos motivacionais como a mem?ria, as experi?ncias pessoais, a pesquisa bibliogr?fica, a pesquisa in loco enquanto propulsores dos trabalhos de cria??o. Evidenciamos um posicionamento sobre cultura popular como um processo din?mico que consegue dialogar com os acontecimentos do tempo presente, promovendo, dessa forma, sua continuidade. No cap?tulo seguinte, adentramos na conforma??o est?tica e nos elementos c?nicos (figurino, ilumina??o, cen?rio, maquiagem) que integram os espet?culos estudados e comunicam a dan?a popular de maneiras diversas. Para embasar nossas pondera??es em rela??o aos discursos dos sujeitos entrevistados, nos fundamentamos em autores como Robatto (1994); Lobo; Navas (2008); Burke (1989); Canclini (2006); Dufrenne (2005); Medeiros (2005); Pavis (2005); Silva (2005), entre outros. Esses autores nos deram um aporte te?rico imprescind?vel que, juntamente com os depoimentos dos entrevistados, nos possibilitou identificar que a concep??o est?tica que vem se configurando no Grupo tende a estabelecer contatos com linguagens art?sticas e com t?cnicas diversas de movimento. Essa realidade nos mostra que os trajetos c?nicos realizados pelo Grupo Parafolcl?rico da UFRN apontam para uma concep??o est?tica que n?o se fixa apenas na cultura popular, sobretudo suas dan?as, mas que pode interagir com outros meios para comunicar sua arte. Tal situa??o nos apresentou duas constata??es interessantes em que, primeiramente, os interc?mbios realizados reafirmam o car?ter din?mico da cultura popular que, ao estabelecer contatos com outras realidades, absorve influ?ncias, possibilitando sua pr?pria continuidade. Outra constata??o ? que o contexto contempor?neo das artes tamb?m promove interc?mbios diversos, permitindo, dessa maneira, outras possibilidades de produ??es art?sticas. Nesse sentido, o Grupo Parafolcl?rico da UFRN se insere na cena contempor?nea por possibilitar novas leituras sobre as dan?as populares enquanto material criativo ao coloc?-las em contato com outras formata??es t?cnicas, est?ticas, art?sticas e culturais

Made available in DSpace on 2014-12-17T14:20:22Z (GMT). No. of bitstreams: 1 SandraMF.pdf: 572131 bytes, checksum: 153cba1ebc66c0efa30055c7b1c4d457 (MD5) Previous issue date: 2006-11-30 / Exalt?e par la philosophie et rel?gu?e ? second plan par la sociologie, pour son appartenance ? la vie priv?e, l amiti? devient, ? partir des an?es 70, um th?me d int?t?ret nom plus sous la perspective classique de la philia, avec son insistance sur la fraternit?, ?galit? et dans l ?quivalence des amis.Les ?tudes de Hannah Arendt,Blanchot,Derrida et Foucault d?s?quilibrent cette vison, et la r?d?finissent em tant qu ne rapport qui donne lieu ? l alterit? et permet les manifestations des singularit?s entre amis. En reprendant ces penseurs, Michel Foucault tente r?habililiter l amiti? en tant qu ne ?thique et une esth?tique de l existence qui conduit ? la transformation du sujet, stylisant son existence dans la pr?sence de l autre. Bas?s sur cette r?habilitation, nous penserons l amiti? comme une exp?rience ?thique et afective intense qui cherche autotransformation des amis, une forme de vie qui refuse les formes impos?es de rapports et subjectivit?s / Enaltecida pela filosofia e relegada a segundo plano pela sociologia por tratar-se de assuntos referentes ? vida privada, a amizade a partir do anos 70, tem sido objeto de interesse n?o mais sob o foco da perspectiva cl?ssica da philia com sua ?nfase na fraternidade, na igualdade, e na equival?ncia entre amigos. Os estudos de Hannah Arendt, Blanchot, Derrida e Foucault tentam desestabilizar essa vis?o, redefinindo-a como um relacionamento que d? lugar ? alteridade e permite as manifesta??es das singularidades entre amigos. Seguindo esses pensadores Foucault tenta reabilit?-la no contexto de uma ?tica e est?tica da exist?ncia que conduz ? transforma??o do sujeito, estilizando sua exist?ncia na presen?a do outro. Com base nessa reabilita??o pensaremos a amizade como experi?ncia ?tica, afetiva, intensa, que visa a autotransforma??o dos amigos, uma forma de vida que recusa as formas impostas de relacionamento e de subjetividade

Made available in DSpace on 2014-12-17T14:20:31Z (GMT). No. of bitstreams: 1 GerluziaOA_TESE.pdf: 5560848 bytes, checksum: 3aaaa2f24effe93fadf312c813bf2713 (MD5) Previous issue date: 2014-05-30 / Antonin Artaud, a name that reminds us of areas ranging from theater to poetry, linguistics to psychoanalysis, is a multipurpose name that transits as poet, painter, writer, actor, screenwriter, playwright and theater director. Artaud s route is raw material for researchers of various hues interested in a life and work that allows panning in different fields of knowledge. It raises the question of language and manipulation of signals in terms of magical forces and the relationship maintained through them with the cosmos and the divine. Artaud searches through a language of signals, gestures and objects that express themselves by objective forms and the use of words as solid objects. For him, the language of words must give way to the language of signals, whose objective aspect is what strikes us most immediately. Our work indicates the possibility of realization and recognition of the aesthetic of cruelty present in the writing drawings of artaudian s work, realizing thus, that art as a record of culture hence as double of life allows us a more critical and transforming look to the society, thinking about the aesthetics of cruelty as Artaud proposes and thinks cruelty: as appetite for life. Our dialogue held during the construction of this journey has the company, besides the one of Antonin Artaud, other authors such as Jacques Derrida, Gilles Deleuze and Felix Guatarri, among others which, during the hike and framing of this route help us to think about the aesthetics of cruelty in an Artaudian perspective / Antonin Artaud, nome que nos remete a ?reas que v?o do teatro ? poesia, da lingu?stica ? psican?lise, ? um nome polivalente que transita nas atividades de poeta, pintor, escritor, ator, roteirista, dramaturgo e diretor teatral. A trajet?ria de Artaud ? mat?ria-prima para pesquisadores dos mais variados matizes, interessados numa vida e numa obra que possibilitam garimpar em v?rias ?reas do conhecimento. Ele coloca a quest?o da linguagem e da manipula??o de signos em termos de for?as m?gicas e da rela??o mantida, atrav?s deles, com o cosmos e com o divino. Artaud busca uma linguagem atrav?s dos signos, de gestos e objetos que se expressam pelas formas objetivas e pelo uso das palavras como objetos s?lidos. Para ele, a linguagem das palavras deve dar lugar ? linguagem por signos, cujo aspecto objetivo ? o que mais nos atinge de imediato. Nosso trabalho aponta a possibilidade da percep??o e do reconhecimento da est?tica da crueldade nos desenhos escritos presentes na obra artaudiana, percebendo, assim, que a Arte como registro da cultura portanto, como duplo da vida , nos possibilita um olhar para a sociedade mais critico e transformador, pensando a est?tica da crueldade como Artaud prop?e e pensa a crueldade: como apetite de vida. Nosso di?logo mantido durante a constru??o dessa caminhada tem a companhia, al?m de Antonin Artaud, de autores como Jacques Derrida, Gilles Deleuze e F?lix Guatarri, dentre outros que, no decorrer da caminhada e constru??o desse percurso nos ajudam a pensar a est?tica da crueldade numa perspectiva artaudiana