Made available in DSpace on 2015-04-14T13:38:29Z (GMT). No. of bitstreams: 1 432764.pdf: 770576 bytes, checksum: 62d00ba0d75eadb7438cb95b051a9c3c (MD5) Previous issue date: 2011-03-30 / Este trabalho aborda o Poema sujo (1976), de Ferreira Gullar, a partir de uma an?lise hermen?utica que sustenta a tese de ser o seu valor est?tico t?o fundamental quanto o seu teor pol?tico. Esta tese concebe o Poema como resultado das experimenta??es pol?ticas e est?ticas pelas quais o poeta passou. A originalidade e o car?ter inaugural deste trabalho consistem na vis?o posta sobre o Poema como obra pol?tico/est?tica que, longe de outros casos que podem ser caracterizados de igual forma, ? elaborado a partir da mem?ria de um sujeito hist?rico que se insere de forma ficcional na linguagem, tomando o passado como instante presente. Por este ato, a mem?ria particular do poeta ? uma identifica??o com um povo compreendido como realidade hist?rica tang?vel, e, consequentemente, uma eterniza??o de sua pr?pria exist?ncia. Essa s?ntese resulta numa obra po?tica que se distancia do mero comprometimento pol?tico e dos transes lingu?sticos nos quais imergiram poetas do mundo inteiro, e, ao mesmo tempo, efetua um amalgamento de ideia e linguagem que torna o Poema sujo um momento especial na arte contempor?nea brasileira

Made available in DSpace on 2015-04-14T13:38:44Z (GMT). No. of bitstreams: 1 387987.pdf: 810742 bytes, checksum: 3edf29b2fc40bbee3da3c3d42541e094 (MD5) Previous issue date: 2007-01-12 / A tese apresentada postula a vig?ncia dial?tica de uma polifonia do olhar e, atrav?s dessa proposi??o, mostra o qu?o m?ltiplas em significa??o s?o as narrativas, al?m de coadunar-se diretamente com o contexto cultural da atualidade. O olhar ?, nessa proposta, considerado um vetor flex?vel que se instrumentaliza para (re)elaborar, pela palavra dita e escrita, novos pain?is liter?rios e culturais. Os aportes te?ricos seleciona-dos concatenam-se ? pluralidade textual e abrangem os campos da hist?ria e v?rias linhas da teoria da literatura. As narrativas selecionadas s?o analisadas com o intento de evidenciar a pertin?ncia da id?ia desenvolvida e, por conseguinte, j? construtos do olhar polif?nico. Aqui est?o o olhar hibrida??o de O queijo e os vermes; o olhar pactos rompidos que O resto ? sil?ncio dimensiona; Terra papagalli e um olhar genealogia ; os olhares ausentes do Ensaio sobre a cegueira e o olhar errante situado por Imita??o da morte.

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2018-11-12T17:56:54Z No. of bitstreams: 1 2013 - N?bya Dalvi Calabrez.pdf: 2204521 bytes, checksum: 71b05e242a3884d827606854f30c0359 (MD5) / Made available in DSpace on 2018-11-12T17:56:54Z (GMT). No. of bitstreams: 1 2013 - N?bya Dalvi Calabrez.pdf: 2204521 bytes, checksum: 71b05e242a3884d827606854f30c0359 (MD5) Previous issue date: 2013-08-23 / CAPES / Petrobras / Filtration and invasion of drilling fluids are phenomena that occur during the process of drilling oil wells. It is necessary to know the filter cake behavior, which is formed in order to prevent unwanted invasion of filtrate, which can cause irreversible damage for the reservoir rock, making impossible the well to produce oil. The goals of this work were: to study filtration and invasion of drilling fluids, under static and dynamic conditions, characterize the mudcake, obtain comparative results between different fluids (water base mud and emulsion) and model static filtration. For this, experiments were conducted in a high temperature/high pressure cell filtration, using filter paper as filter medium. The cake formed from the filtration of these fluids was characterized according to parameters such as porosity, permeability, compressibility, thickness, shear strength and friction factor. In a comparison between different fluids, it was observed that the water-based mud provided a mudcake more permeable and more porous than emulsion mudcake. Thus, water-based mud allowed more filtrate passed through the filter medium. The factors relevant to the estimation of the friction factor were determined. It was concluded that the compressibility index of the filter cake was a factor which had great influence on the estimation of this parameter. The model allowed the prediction of static filtration, slowness and mudcake thickness curves as a function of time. / A filtra??o e a invas?o de fluidos de perfura??o s?o fen?menos que ocorrem durante o processo de perfura??o de po?os de petr?leo. ? necess?rio conhecer como se comporta a torta de filtra??o formada a fim de evitar invas?es indesejadas do filtrado, o que pode causar danos muitas vezes irrevers?veis a rocha reservat?rio, tornando o po?o invi?vel para a produ??o do ?leo. Os objetivos desse trabalho foram: estudar os fen?menos de filtra??o e invas?o de fluidos de perfura??o base ?gua e emuls?o, sob condi??es est?ticas e din?micas, caracterizar a torta formada, obter resultados comparativos entre diferentes fluidos (base ?gua e emuls?o) e modelar a filtra??o est?tica. Para isso, foram conduzidos experimentos em uma c?lula de filtra??o high temperature/high presssure, utilizando papel de filtro como meio filtrante. A torta formada, a partir da filtra??o desses fluidos, foi caracterizada de acordo com par?metros como: porosidade, permeabilidade, compressibilidade, espessura, resist?ncia ao cisalhamento e fator de fric??o. Na compara??o entre os resultados experimentais para diferentes fluidos, observou-se que o fluido a base ?gua, por formar uma torta mais perme?vel e mais porosa, permitiu que mais filtrado passasse pelo meio filtrante, quando comparado ao fluido base ?leo (emuls?o). Foram estudados os fatores relevantes na estima??o do fator de fric??o da torta de filtra??o e concluiu-se que a compressibilidade da torta foi um fator que teve grande influ?ncia na estima??o desse par?metro. A modelagem da filtra??o est?tica possibilitou a previs?o do comportamento das curvas de filtra??o, de slowness e da espessura da torta em fun??o do tempo.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-12-04T21:23:19Z No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-12-09T00:34:11Z (GMT) No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) / Made available in DSpace on 2017-12-09T00:34:11Z (GMT). No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) Previous issue date: 2017-04-18 / Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico (CNPq) / O objetivo desta pesquisa foi investigar a experi?ncia est?tica em Dan?a Contempor?nea a partir de obras constru?das com movimentos n?o-representativos, considerando que sua dramaturgia prima por ser n?o-linear, e sua constru??o se d? atrav?s da materialidade do movimento e do corpo, pela sua investiga??o. Assim, discutimos sobre como acontecem as experi?ncias est?ticas a partir de entrevistas com apreciadores das obras coreogr?ficas escolhidas para compor a pesquisa, al?m do referencial te?rico sobre Dan?a Contempor?nea e sua dramaturgia com autores como Laurence Louppe, Patr?cia Leal, Rosa Hercoles, Paulo Caldas, Ana Carolina Mundim, entre outros. A pesquisa foi conduzida pela metodologia qualitativa, de car?ter participante, e se caracteriza ainda em um estudo de caso, tendo como objeto norteador a dramaturgia e a experi?ncia est?tica do espet?culo ?Ego? (2015) do Grupo de Dan?a da UFRN, e do espet?culo ?ESCrito Absurdo? (2016) dos criadores Vladimir Rodriguez (Col?mbia) e Omar Carrum (M?xico). Tamb?m buscamos informa??es com Diana Fontes, coordenadora geral do Encontro de Dan?a de Natal/RN, por ser um evento que lida diretamente com apresenta??es e, portanto, com experi?ncias est?ticas em Dan?a Contempor?nea de diversas vertentes. Assim, fizemos recolhimento de material bibliogr?fico atrav?s das entrevistas realizadas com os artistas e apreciadores dos espet?culos supracitados. Al?m dos depoimentos recolhidos dos apreciadores do trabalho coreogr?fico ?Nuance?, que foi constru?do para experimentar a constru??o de dramaturgia apenas com o movimento n?o-representativo e a possibilidade de uma obra coreogr?fica ser atividade de media??o de si mesma, bem como atividade de forma??o de p?blico. A relev?ncia da pesquisa se d? pela contribui??o para as discuss?es sobre p?blico e experi?ncias est?ticas em Dan?a Contempor?nea, pois ainda h? poucos estudos registrados no Brasil, e mais especificamente em Natal/RN sobre este tema. / The objective of this research was to investigate the aesthetic experience in Contemporary Dance from works built with non-representative movements, considering that its dramaturgy is nonlinear, and its construction takes place through the materiality of movement and body, through its investigation. Like this, we discussed about how happen the aesthetic experiences starting from interviews with connoisseurs of the choreographic works chosen to compose the research, beyond the theoretical reference about Contemporary Dance and its dramaturgy with authors like Laurence Louppe, Patr?cia Leal, Rosa Hercoles, Paulo Caldas, Ana Carolina Mundim, among others. The research was conducted by the qualitative methodology, of participant character, and was characterized still in a case study, having as a guiding object the aesthetic experience of the spectacle ?Ego? (2015) of the Grupo de Dan?a da UFRN, and of the spectacle ?ESCrito Absurdo? (2016) of the creators Vladimir Rodriguez (Colombia) and Omar Carrum (Mexico). We also sought information with Diana Fontes, general coordinator of the Encontro de Dan?a de Natal/RN, as it is an event that deals directly with presentations and, therefore, with aesthetic experiences in Contemporary Dance from various perspectives. Like this, we collected bibliographical material in field research, produced through interviews with the artists and connoisseur of the two spectacles above mentioned. Beyond the testimonials collected from the connoisseur of the choreographic work ?Nuance?, which was built for to experience the construction of dramaturgy with only the non-representative movement and the possibility of a choreographic work as an activity of mediation of itself, as well as to be activity of formation of public. The relevance of the research is given by the contribution to the discussions about audiences and aesthetic experience in Contemporary Dance, because still there are few studies registered in Brazil, and more specifically in Natal/RN about this subject.

Submitted by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2015-01-23T16:14:43Z No. of bitstreams: 5 dhelfson.pdf: 6044793 bytes, checksum: e594c51a9700816657703929a344cb6e (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2015-02-10T10:56:54Z (GMT) No. of bitstreams: 5 dhelfson.pdf: 6044793 bytes, checksum: e594c51a9700816657703929a344cb6e (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) / Made available in DSpace on 2015-02-10T10:56:54Z (GMT). No. of bitstreams: 5 dhelfson.pdf: 6044793 bytes, checksum: e594c51a9700816657703929a344cb6e (MD5) license_url: 52 bytes, checksum: 3d480ae6c91e310daba2020f8787d6f9 (MD5) license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) license.txt: 2109 bytes, checksum: aa477231e840f304454a16eb85a9235f (MD5) Previous issue date: 2013 / A retra??o gengival ? o deslocamento apical da margem gengival em rela??o ? jun??o cemento-esmalte, levando ? exposi??o radicular. Esta condi??o cl?nica pode causar hipersensibilidade dentin?ria cervical (HSDC), comprometendo a est?tica e interferindo na qualidade de vida. O objetivo deste trabalho foi avaliar o efeito do recobrimento radicular na HSDC, est?tica e qualidade de vida de pacientes portadores de retra??es gengivais classe I e II de Miller. O objetivo secund?rio foi avaliar os fatores etiol?gicos de retra??o gengival. Vinte e dois pacientes com idade variando entre 18 a 50 anos apresentaram 25 retra??es gengivais em dentes caninos e pr?-molares superiores sens?veis. Os seguintes par?metros cl?nicos foram avaliados: largura e altura das retra??es gengivais nas faces vestibulares foram medidas com um compasso de ponta seca e aferidas com o aux?lio de um paqu?metro. Tamb?m avaliou-se a altura e espessura da gengiva queratinizada, ?ndice de placa, sangramento ? sondagem, profundidade de sondagem e n?vel de inser??o cl?nica. A HSDC foi avaliada utilizando est?mulos evaporativo (jato de ar) e t?rmico (Endo-Ice?) por 5 segundos. Para mensura??o da hipersensibilidade utilizou-se escala de avalia??o num?rica. A satisfa??o est?tica e qualidade de vida foram avaliadas pelos pacientes e pelo question?rio OHIP-14 modificado, respectivamente. A etiologia das retra??es gengivais tamb?m foi investigada atrav?s de anamnese e exame cl?nico. Todas as retra??es foram tratadas atrav?s da t?cnica cir?rgica de retalho posicionado coronalmente associado ao enxerto conjuntivo subepitelial. Os par?metros cl?nicos foram avaliados no baseline e 3 meses ap?s o tratamento. A m?dia de recobrimento radicular, ap?s 90 dias, foi de 67,90%. Completo recobrimento radicular foi alcan?ado em 44% dos dentes tratados. Foi obtido redu??o estatisticamente significativa na HSDC (p <0,001), na melhora da qualidade de vida (p <0,001), e melhora dos par?metros periodontais ap?s 3 meses. Todos pacientes ficaram satisfeitos com a est?tica alcan?ada. Houve correla??o entre qualidade de vida e est?tica. N?o houve correla??o entre a porcentagem de recobrimento radicular e HSDC estimulada por ar (p = 0,256) ou frio (p = 0,563). Houve correla??o entre a dimens?o defici?ncia f?sica do OHIP-14 e quantidade de tecido queratinizado (p = 0,010) e recobrimento radicular (p = 0,035). Conclui-se que o recobrimento radicular apresentou um efeito positivo na HSDC e qualidade de vida, com melhora dos par?metros cl?nicos periodontais. O principal fator etiol?gico identificado para a retra??o gengival foi o trauma devido ? escova??o. / Disserta??o (Mestrado) ? Programa de P?s-Gradua??o em Odontologia, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2013. / ABSTRACT Gingival recession is the apical displacement of the gingival margin in relation to the cement-enamel junction, leading to root exposure. This condition may cause cervical dentin hypersensitivity (CDH), compromising the esthetics and interfering with quality of life. The objective of this study was to evaluate the effect of root coverage on the CDH, aesthetics and quality of life of patients with gingival recessions class I and II Miller. The secondary aim was to investigate the etiologic factors of gingival recessions. Twenty-two patients aged 18-50 years presented 25 gingival recessions in sensitive upper canines and premolars. The following parameters were assessed: width and height of the gingival recessions were assessed with a compass needle point and measured with a caliper. It was assessed the height and thickness of keratinized gingiva, plaque index, bleeding on probing, probing depth and clinical attachment level. The CDH was assessed by evaporative (air jet) and thermal (Endo-Ice?) stimuli for 5 seconds. Dentin hypersensitivity was measured using a numerical scale. The aesthetic satisfaction and quality of life were evaluated by the patients and the OHIP-14 form, respectively. The gingival recession etiology was also investigated by anamnesis and clinical exam. All gingival defects were surgically treated by the coronally advanced flap technique combined with sub-epithelial connective tissue graft. All clinical parameters were evaluated at baseline and 3 months after treatment. The mean root coverage after 90 days was 67.90%. Complete root coverage was achieved in 44% of the treated teeth. There was a statistically significant decrease in CDH (p <0.001), improvement in quality of life (p <0.001), and improvement in periodontal parameters after 3 months. All patients were satisfied with the aesthetics achieved. There was a correlation between quality of life and aesthetics. The percentage of root coverage was not correlated with the CDH stimulated by air (p = 0.256) or cold (p = 0.563). There was a correlation between the disability dimension of OHIP-14 form and the amount of keratinized tissue (p = 0.010) and root coverage (p = 0.035). It was concluded that the root coverage had a positive effect on CDH and quality of life. The clinical periodontal parameters were improved. In addition, it was noted that the main etiologic factor identified for the gingival recession was trauma due to brushing.

Made available in DSpace on 2014-12-17T14:00:18Z (GMT). No. of bitstreams: 1 LucianaIPO_DISSERT.pdf: 1837335 bytes, checksum: 46bc753e294d5cb336c2c40d36607fc7 (MD5) Previous issue date: 2013-04-11 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The research that led to this dissertation adopted a set of scenic/ideological aspects inherent to the productions of the Culture Industry as its object of research. The intellectual output of Theodor W. Adorno and Max Horkheimer underscored the approaches on this subject, since it provides the same set of scenic/ideological features to be explored because, according to the authors, scenes produced by the culture industry are linked to the dominant ideology, since they act in favor of maintaining the status quo. The first objective was the definition this set of features inherent to the scene produced by the culture industry, through the exploration of literature produced by Adorno and Horkheimer, so it was possible to define a set composed of nine elements: Construction of characters as characteristic types; Stereotypes; Naturalization of Stereotyped language; Simplistic playwriting; Reuse dramatic formula; Love and sexuality as themes of plots; Utilization of tragic element; Objetive representation; Approximation of fiction and reality. The second goal was the analysis of scene produced by the culture industry nowadays, so that it was possible to verify if any scenic/ideological aspects indicated by Adorno and Horkheimer in the mid-twentieth century were present among the productions from this beginning of the twenty-first century. Through the analysis of three soap operas produced in Brazil in 2012, it was found that the nine scenic/ideological aspects as indicated by Adorno and Horkheimer appeared in the observed productions. Additionally, a new scenic/ideological feature, not indicated by Adorno and Horkheimer is present: the merchandising / A pesquisa que deu origem a essa disserta??o adotou um conjunto de aspectos c?nico/ideol?gicos, inerentes ? encena??o produzida pela ind?stria cultural, como objeto de investiga??o. A produ??o intelectual de Theodor W. Adorno e Max Horkheimer norteou as abordagens sobre o objeto, providenciando o conjunto de caracter?sticas c?nico/ideol?gicas a ser explorado, pois, de acordo com os autores, encena??es produzidas pela ind?stria cultural est?o atreladas ? ideologia dominante, visto que agem em favor da manuten??o do status quo. O primeiro objetivo proposto consistiu na defini??o desse conjunto de caracter?sticas inerentes ? encena??o produzida pela ind?stria cultural, atrav?s da explora??o de bibliografia produzida por Adorno e Horkheimer, de modo que foi poss?vel definir um conjunto formado por nove elementos: Constru??o de personagens como tipos caracter?sticos; Estere?tipos; Naturaliza??o de linguagem estereotipada; Dramaturgia simpl?ria; Reutiliza??o de f?rmulas dram?ticas; Amor e Sexualidade como temas dos enredos; Utiliza??o do elemento tr?gico; Representa??o objetiva; Aproxima??o de fic??o e realidade. O segundo objetivo consistiu na an?lise de encena??es produzidas pela ind?stria cultural atualmente, a fim de que fosse poss?vel verificar se algum dos aspectos c?nico/ideol?gicos, indicados por Adorno e Horkheimer em meados do S?culo XX, fazia-se presente em meio a encena??es produzidas no in?cio do S?culo XXI. Atrav?s da an?lise de tr?s telenovelas, produzidas no Brasil no ano de 2012, foi poss?vel verificar que os nove aspectos c?nico/ideol?gicos buscados, indicadas por Adorno e Horkheimer, apareceram nas encena??es observadas. Al?m disso, uma nova caracter?stica c?nico/ideol?gica, n?o indicada por Adorno e Horkheimer, se faz presente: o merchandising

Made available in DSpace on 2014-12-17T14:20:23Z (GMT). No. of bitstreams: 1 EduardoPS_TESE.pdf: 3784271 bytes, checksum: 849830dbd2f14b3522f66052ac9aa627 (MD5) Previous issue date: 2012-02-13 / The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through which the contemporaneity reveals itself. At baseline, three aspects are considered looking for an analytical ontology of the act of representation and imagery: the transition of representation in the oral culture of societies for writing, from these to typography, and finally the creation of a representation device. Resorted to, therefore, the argument by some genealogy reference points that technological instances such as writing, printing and photography, the evolution of this process, correspond, in itself, a consequent shift technique, for each representation precedent. In the area of the image, the most salient aspect of this change in foward process is the emergence of hyper-reality: the instances of hyper-realistic representation. In the Western context, the 'simulation of the world' - essential idea of mimesis is the work of an autonomous an conventional system. It should be noted, then the fact that under unreflective of the post-industrial societies, the mass-media image is coating with natural or fake code including - according to Baudrillard - tends to replace the real world in the "perpetuation of a large chain of simulacra." Hence in modern times, in the postindustrial society, during the crisis of the representation regimen and perception, centered in the referent. In this limit, new settings are established by aesthetic representations of imagery in contemporary culture: establishing spaces of simulation [Jean Baudrillard] the spectacle [Guy Debord] and hypermodernity [Gilles Lipovetsky] in which they operate. In these assemblages, saps the emergence of Hyper-reality Representation Instances - as seen in this study aesthetic events to configure itineraries of a new sensibility. It is the nature of this practice sign-iconic, ingrained in the creation of current artistic expression, which this research engaged in peering: the hyper-realistic setting, taking empirical support central to contemporary imagery production, diverse formats of analog representation. / A abordagem que empreende este trabalho gira em torno da emerg?ncia de estruturas ic?nicas, reflexionando sobre o sentido de diferentes modalidades de representa??o imag?tica por meio das quais a contemporaneidade se revela. ? partida, tr?s aspectos s?o considerados para uma anal?tica em busca da ontologia do ato da representa??o imag?tica: a transi??o da representa??o nas sociedades de cultura oral para a escrita; destas para a tecnologia tipogr?fica e, finalmente, a constitui??o de dispositivo de representa??o fotogr?fica. Recorre-se, portanto, ? argumenta??o por meio de alguns pontos de refer?ncia geneal?gica de que inst?ncias tecnol?gicas como a escrita, a tipografia e a fotografia, na evolu??o desse processo, correspondem, per si, a uma viragem t?cnica consequente, em rela??o a cada representa??o precedente. No dom?nio da imagem, o aspecto mais proeminente dessa mudan?a no decurso avan?ado consiste na emerg?ncia da hiper-realidade: das inst?ncias de representa??o hiper-realista. No contexto ocidental, a simula??o do mundo ideia essencial da mimesis - ? obra de um sistema aut?nomo e convencional. Sublinha-se, ent?o, o fato de que, no ?mbito irreflexivo das sociedades p?s-industriais, a imagem mass-midi?tica se reveste com o falso c?digo de natural ou inclusive de acordo com Baudrillard tende a substituir o mundo real na perpetua??o de uma larga cadeia de simulacros . Da?, na modernidade, em plena sociedade p?s-industrial, decorrer a crise do regime de representa??o e de percep??o, centrado no referente. Neste limite instauram-se novas configura??es est?ticas de representa??es imag?ticas na cultura contempor?nea: instituindo espa?os da simula??o [Jean Baudrillard], do espet?culo [Guy Debord] e da hipermodernidade [Gilles Lipovetsky] em que operam. A estes agenciamentos, acode a emers?o das Inst?ncias de Representa??o Hiper-real vistas neste estudo como ocorr?ncias est?ticas a configurarem itiner?rios de uma nova sensibilidade. ? da natureza dessa pr?tica signo-ic?nica, incrustada na cria??o da express?o art?stica atual, que esta pesquisa se ocupou em perscrutar: a configura??o hiper-realista, tomando como suporte emp?rico central a produ??o imag?tica contempor?nea, em formatos diversificados da representa??o anal?gica.

Made available in DSpace on 2014-12-17T14:36:08Z (GMT). No. of bitstreams: 1 LaiseTPB.pdf: 4563357 bytes, checksum: 953c6a54428f7fb56000232785deb6d8 (MD5) Previous issue date: 2008-03-27 / The speeches about the body in interface with the technology, that fulfill the contemporary discussions, have been a stage of innumerable ethical, epistemological, aesthetic and ontological reflections. These happened bodies of the biotechnological scene also invade the dance, making several possible dialogues, making old concepts instable, opening way to revealing explorations and bringing with it implications and reflections. In this context, this research has as objective to discuss relations between body and technology in the dance; to understand the aesthetic configurations of the monster in the dance as possibility to question the body; to establish relations between the monstrous body in the dance and the conceptions of body in the Physical Education. We believe to be able to contribute for the reflection in the field of the Physical Education, since the work visualizes to extend the field of the discussions on aesthetic body and, as well as evidencing dialogues between different areas of the knowledge, as the Art and the Physical Education. From the point of view of the method, the work follows orientation of the Phenomenology for an aesthetic image appreciation of the videos in the choreographies In'perfeito and Viol?ncia of Cena 11, Dance Group that has marked new aesthetic configurations in the brazilian dance. Thus, we took for us the reflections on the "significant scenes" proposed by Bicudo (2000), to appreciate the dance of Cena 11. We emphasize that, after the identification of the Significant Scenes, it was necessary to approach these scenes from close senses, from which we detach the appearance, the space and the gesture. We evidence that, the bodies revealed by the group Cena 11, show an aesthetic that it interlaces the beauty, the ugly and the grotesque. An aesthetic of the unharmony, capable to transgress the oppositions, dialoguing with multiple antagonisms and that it amplifies the apollonian aesthetic linear rules, so predominant in the history of the dance and the Physical Education. We identify some indicatives that take us to the problematizations on an affective and anarchic body, when questioning the tyranny of the perfect corporality; the naturalization of the pain; the closed gesture in a finished and unique grammar; the standardization of feminine and masculine roles and the negation of the feeling. From these indicatives, we discuss the aesthetic of the deformed bodies of Cena 11, approaching it of the conceptions of body in the Physical Education, sometimes criticizing the rationalists and naturalistic views, sometimes dialoguing with more recent perspectives studied by researchers of this area of knowledge, which point to a reflection on the body under the optics of the sensible / Os discursos sobre o corpo em interface com a tecnologia, que permeiam as discuss?es contempor?neas, t?m sido palco de in?meras reflex?es ?ticas, epistemol?gicas, est?ticas e ontol?gicas. Esses corpos advindos do cen?rio biotecnol?gico tamb?m invadem a dan?a, possibilitando di?logos diversos, desestabilizando velhos conceitos, abrindo caminho a explora??es desveladoras e trazendo consigo implica??es e reflex?es. Nesse contexto, esta pesquisa tem como objetivo discutir rela??es entre corpo e tecnologia na dan?a; compreender as configura??es est?ticas do monstro na dan?a como possibilidade de questionar o corpo; estabelecer rela??es entre o corpo monstruoso na dan?a e as concep??es de corpo na Educa??o F?sica. Acreditamos poder contribuir para a reflex?o no campo da Educa??o F?sica, visto que o trabalho visualiza ampliar o campo das discuss?es sobre corpo e est?tica, bem como evidenciar di?logos entre diferentes ?reas do conhecimento, como a Arte e a Educa??o F?sica. Do ponto de vista do m?todo, o trabalho segue orienta??o da Fenomenologia para uma aprecia??o est?tica de imagens dos v?deos das coreografias In?perfeito e Viol?ncia do Cena 11, grupo de dan?a que tem marcado novas configura??es est?ticas na dan?a brasileira. Assim nos apropriamos das reflex?es sobre as cenas significativas propostas por Bicudo (2000), para apreciar a dan?a do Cena 11. Enfatizamos que, ap?s a identifica??o das Cenas Significativas, buscou-se aproximar essas cenas a partir de sentidos pr?ximos, das quais destacamos a apar?ncia, o espa?o e o gesto. Constatamos que os corpos revelados pelo grupo Cena 11 evidenciam uma est?tica que entrela?a o belo, o feio e o grotesco. Uma est?tica das desmedidas, capaz de transgredir as oposi??es, dialogando com m?ltiplos antagonismos e que amplifica os preceitos lineares e as est?ticas apol?neas t?o predominantes na hist?ria da dan?a e da Educa??o F?sica. Identificamos alguns indicativos que nos levam ?s problematiza??es sobre um corpo afetivo e anarquista, ao questionarem a tirania da corporalidade perfeita; a naturaliza??o da dor; a gestualidade fechada em uma gram?tica ?nica e acabada; a padroniza??o de pap?is femininos e masculinos e a nega??o do sentir. A partir desses indicativos, discutimos a est?tica dos corpos deformados do Cena 11, aproximando-a das concep??es de corpo na Educa??o F?sica, ora criticando as vis?es racionalistas e naturalistas, ora dialogando com perspectivas mais recentes pronunciadas por pesquisadores dessa ?rea de conhecimento, as quais apontam para uma reflex?o sobre o corpo sob a ?tica do sens?vel

Made available in DSpace on 2014-12-17T14:36:13Z (GMT). No. of bitstreams: 1 MarcilioSV_TESE.pdf: 3255728 bytes, checksum: ca1407566edb24c2564b409407d774af (MD5) Previous issue date: 2010-12-12 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / By means of the Pastoral one an Education celebrated in the body and the laugh, visible is unmasked by means of can?onetas and of the licentious gesticulations of the jokers of this idleness. For such, we support ourselves in the phenomenological of Merleau-Ponty, the tradition and transmission of the verbal as it is conceived by Paul Zumthor, as well as in the phenomenology of the memory of the jokers and in the studies of cultural history and the philosophy of the body. The objective research to argue the body and the laugh as learning of the culture, as well as carrying through the production of a cartography of the potiguar pastoral ones, in the direction to argue the elements of the licentious gesticulations for the look and of can?onetas for hearing. The research is of phenomenological nature and when appealing the Phenomenology as an attitude, recognizes our look on the phenomenon, what if we show for while searching citizens and we assume the reduction and the lived world as methodological boarding to think the searched phenomenon. As he was evidenced in this study, one searched to dimensional the reach of a reflection centered in the body and the laugh through the listening of can?onetas of the Pastoral one and the vision through the licentious gestures; a reflection centered in the body of the joker of Pastoral / Por meio do Pastoril desvenda-se uma Educa??o celebrada no corpo e no riso, vis?vel por meio das can?onetas e da gestualidade licenciosa dos brincantes desse folguedo. Para tal, apoiamonos na fenomenologia de Merleau-Ponty, na tradi??o e transmiss?o da oralidade como ? concebida por Paul Zumthor, bem como na fenomenologia da mem?ria dos brincantes e nos estudos da hist?ria cultural e da filosofia do corpo. A pesquisa objetiva discutir o corpo e o riso como aprendizagem da cultura, bem como realizar a produ??o de uma cartografia dos pastoris potiguar, no sentido de discutir os elementos da gestualidade licenciosa pelo olhar e das can?onetas pelo ouvir. A pesquisa ? de natureza fenomenol?gica e ao recorrermos a Fenomenologia como uma atitude, reconhecemos o nosso olhar sobre o fen?meno, ?quilo que se mostra para n?s enquanto sujeitos pesquisadores e assumimos a redu??o e o mundo vivido como abordagens metodol?gicas para se pensar o fen?meno pesquisado. Conforme ficou evidenciado nesse estudo, buscou-se dimensionar o alcance de uma reflex?o centrada no corpo e no riso atrav?s da escuta das can?onetas do Pastoril e da vis?o atrav?s dos gestos licenciosos; uma reflex?o centrada no corpo do brincante de Pastoril

Made available in DSpace on 2014-12-17T14:36:34Z (GMT). No. of bitstreams: 1 LiegeMFS_DISSERT.pdf: 1711528 bytes, checksum: 46ad55bd0f2ee34ea6eaa0abb48a7b8e (MD5) Previous issue date: 2011-02-22 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Talking about body and beauty seems fairly familiar to physical education. We understand that the body language in the area provides many meanings over the appearance, beauty and aesthetics, thus requiring the need of criticism and the need to interrogate her to realize how physical education has been re-signified. For this purpose, considering the multiplicity of meanings that surround the body and beauty, we discussed the implications that this brings to the area of Physical Education, analyzing the conception of body and beauty in the studies in this area, at the masters level, from some questions: What conceptions of body and beauty have been discussed in the studies of physical education at the masters level? What is the relationship between the meanings of body and beauty products analyzed and identified in the models of beauty outlined in Physical Education? We understand the importance of this research and its contribution to the epistemological analysis of existing studies. And, mainly because there is a lack of studies that discuss these productions. For construction of this text and for our reflections, we rely on thoughts like David Le Breton, Claude Levi- Strauss, Michel Foucault, Maurice Merleau-Ponty, Ana Marcia Silva, Carmen Smith, Isabel Mendes, Karenin Porpino Nobrega and flounder. The present study is characterized as a qualitative research, and content analysis proposed by Laurence Bardin (1977) for data processing. The corpus was composed of eight essays in the area of Physical Education, published in the CAPES Theses Database for the period 2004 to 2008, selected from the subject and body beauty. The initial reading allowed us to select meaningful units and guide our discussions on two main themes, which make up the two chapters of the work. In the first chapter, entitled Body, beauty and culture, as evidenced understandings of body, nature and culture that are present in the work is considered. In the second chapter, Standard Body Transformations and beauty, we present the concepts of body and beauty found in the dissertation, focusing on the mutability of representations of the models of beauty in body singularities in the relations of power-knowledge and the importance given the body in society, especially with regard to physical education professionals. We have thus found that, considering the dissertations analyzed, the understanding of body and beauty has been resignified, when dealing with other aesthetic conceptions that consider the uniqueness expressed in the human body and the culture of which the individual belongs / Falar em corpo e beleza parece algo bastante familiar ? Educa??o F?sica. Compreendemos que a linguagem do corpo na ?rea possibilita sentidos e significados diversos sobre a apar?ncia, a beleza e a est?tica, exigindo, portanto, a necessidade da cr?tica e a necessidade de interrog?-la para percebermos o modo como a Educa??o F?sica vem sendo ressignificada. Para tanto, partindo da multiplicidade de sentidos que envolvem o corpo e a beleza, buscamos as implica??es que essa discuss?o traz para ?rea da Educa??o F?sica, analisando a concep??o de corpo e beleza na produ??o acad?mica dessa ?rea, em n?vel de mestrado, a partir de alguns questionamentos: Quais concep??es de corpo e beleza t?m sido discutidas na produ??o acad?mica da Educa??o F?sica em n?vel de mestrado? Qual a rela??o entre os significados do corpo e da beleza identificados nas produ??es analisadas e os modelos de beleza delineados na Educa??o F?sica? Compreendemos a relev?ncia desta pesquisa e sua contribui??o epistemol?gica ao analisar os estudos j? existentes. E, principalmente, porque h? uma aus?ncia de estudos que discutam essas produ??es. Para edifica??o deste texto e para nossas reflex?es, nos apoiamos em pensamentos como os de David Le Breton, Claude L?vi-Strauss, Michel Foucault, Maurice Merleau-Ponty, Ana M?rcia Silva, Carmem Soares, Isabel Mendes, Karenine Porpino e Petrucia N?brega. O presente estudo caracterizase como uma pesquisa de natureza qualitativa, tendo a An?lise de Conte?do proposta por Laurence Bardin (1977) para tratamento dos dados. O corpus de an?lise foi composto por 8 disserta??es da ?rea de Educa??o F?sica, publicadas no Banco de Teses da CAPES no per?odo de 2004 a 2008, selecionados a partir da tem?tica corpo e beleza. A leitura flutuante permitiunos selecionar unidades significativas e pautar nossas discuss?es em 2 eixos tem?ticos, os quais comp?em os 2 cap?tulos do trabalho. No primeiro cap?tulo, intitulado Corpo, Beleza e Cultura, s?o evidenciadas as compreens?es de corpo, natureza e cultura, que est?o presentes nos trabalhos dissertativos. No segundo cap?tulo, Padr?o Corporal e Transforma??es da beleza, apresentam-se as concep??es de corpo e de beleza encontradas nas disserta??es, com enfoque na mutabilidade das representa??es dos modelos de beleza, nas singularidades corporais, nas rela??es de poder-saber e na import?ncia dada ao corpo na sociedade, sobretudo, no que se refere aos profissionais de Educa??o F?sica. Constatamos, assim, que, considerando as disserta??es analisadas, a compreens?o de corpo e de beleza vem sendo ressignificada, ao tratar de outras concep??es est?ticas, que consideram as singularidades expressas no corpo humano e na cultura da qual o indiv?duo faz parte