Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman. The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her evolution from modernist frame to postmodern appropriation. First, I look at the Brangwens. They establish the tropes of the Lawrentian-Woman and provide the base from which to compare the model’s subsequent mutations. Next, I examine modern British writers and their appropriation of the Lawrentian-Woman. The Lawrentian-Woman’s attributes remain intact, but are deconstructed in ways that explore women’s continued liminality in patriarchal society.

In the western culture, historically speaking, there are different ideas of what gives an individual authority or power. There is also historical evidence of an unequal balance between men and women and throughout this thesis I will argue that this is still the case in contemporary society. This unbalance is evident in the ways in which women make use of their bodies in acts such as dieting and pregnancy, how women take on the role of caregivers, and the view of women in leadership positions. I maintain that one of the biggest concerns and contributors to this problem is the subject/object relationship in which women find themselves. In this dichotomy, women find themselves to be a subject and autonomous person while at the same time cognizant of the way they are viewed by others as objects. Within this subject/object dynamic, women become non-subjects and lose their autonomy. A large part of this ongoing relationship is due to the ways in which women use and are expected to use their bodies as well as minds due to social norms that have been passed down through the culture. This can stem from the way women physically maneuver their bodies as well as how others perceive their bodies typically in an inferior or sexualized way. The duality for women as objects is illustrated not only in the way men view women but in how women view other women as well. I will argue that many of the issues surrounding the subject/object dualism can be related back to the ways in which women, throughout their lives, use their bodies. I will illustrate how through the social education of women regarding how to utilize and experience their bodies, women often times lack both in physical ability as well as in leadership roles. I will illustrate how this takes place with young girls and how they maneuver their bodies in regards to physical capabilities. I will then examine the pregnancy process and the ways in which the subject/object relationship manifests due to the female body being seen as a human incubator and a thing that needs medical attention. Finally, I will look at the workplace and the different leadership styles that women are assumed to take as well as the potential resistance that accompanies the challenges to these norms. The types of barriers that are constructed for women to traverse and how those affect the abilities of women to function in a position of power within a university illustrate issues of gender equality for all women. Throughout the thesis, I will explore in detail some of the different barriers that have an impact on women. I argue that barriers have been constructed to hinder women and their perceived abilities within several contexts.

In this paper I attempt to formulate the Christianity-based ecocentric ethics, to answer the ecofeminists' quest to spiritually ground such ethics; I use the living example of the practices of the Catholic ''green sisters''.

There are different versions of the ethical approach known as “care ethics”, making care ethics more like a cluster of approaches rather than a singular one. Hence the question is not just whether care ethics is a suitable feminist ethic, but which version(s) of care ethics feminists should endorse. Considering which versions of care ethics are capable of recommending the sort of political activism that is required for progressive political change goes some distance in answering this question. The concern about whether care ethics can recommend the political activism needed for feminist aims arises because such activism exposes those the activist has intimate relationships with to various sorts of harm. I argue that when construed as an ethical theory that incorporates a decision procedure for generating correct conduct, care ethics recommends against the sorts of actions that are required of political activists and for the practical goals of feminists. Construed as an ethical framework that has the more modest concern of providing conceptual orientation and critical tools for interpreting and reflexively interrogating the ethical landscape, however, care ethics can overcome the challenge presented by political activism when including what Bernard Williams calls “ground projects” amongst its available tools. However, because feminist care theorists and others sympathetic with care ethics have criticized aspects of Williams’ account of ground projects, I first respond to these concerns in order to accommodate these criticisms and demonstrate that I am not importing something into care ethics as a framework that does not have a place there.

No description available.

Married women in the banking and management consulting firms in Nigeria encounter challenges that affect their commitment to their families while working long hours in demanding jobs. This study explores the challenges married women encounter and the impacts they have on women’s family lives, social lives, and health. I analyze primary and secondary sources to understand how organizational work culture such as long working hours, work competitiveness, and Nigeria’s unstable economy negatively affect the work-life balance of married women in banking and management consulting firms. Although participants shared the belief that their workplaces practiced “equality,” their descriptions of daily life activities indicate that women did not enjoy egalitarian conditions at work or at home. This study brings to light the challenges faced by married women and suggests how the Nigerian government can promote gender equality in the workplace through the review and amendment of the Nigerian Labor policy.

As humanity grapples with its significant global footprint in this era, there is a growing fascination with delving into the experiences and viewpoints of other animal species. This juncture offers an opportune moment to delve into the aesthetics of non-human animals by using diverse interdisciplinary methods and viewpoints. Insights of feminist aesthetics demonstrate how traditional understanding of aesthetics and aesthetic experience are heavily influenced by cultural assumptions about gender. Aesthetics as a humanistic discipline has determined the portrayal of non-human animals as beings with no capacity for aesthetic sensibility. In this thesis, I aim to bring to emergence the connection between human exceptionalist assumptions about aesthetics and the production of scientific knowledge about non-human animals. I defend the necessity of recognizing birds as beings with surprising and complex aesthetic sensibilities. Currently most scientists favor the adaptationist idea that the perception of beauty is influential in non-human animal lives only insofar as it serves to advertise fitness, and favor the reproduction and survival of the species. By weaving together insights from feminist philosophy of science and post-humanist studies of the human-animal bond, I present a framework capable of challenging human exceptionalist accounts of aesthetics. Particularly, I promote a methodology sensitive to the construction of gender in scientific portrayals of birds and their aesthetic preferences. I intertwine feminist critiques to pinpoint and challenge adumbrations of androcentrism in both animal sciences and aesthetics. Finally I examine, through an ungendered framework, instances of bowerbird behavior, and pinpoint aesthetic agency as an ability that we share in orchestration with other non-human animals. I conclude by proposing new avenues for research of non-human animal aesthetics.

Virtue in early modern France was a broad concept considered by clergymen, philosophers, and moralists as an instrument for measuring and implementing human ethics. This unprecedented research seeks to track the development of the notion of virtue from a gendered and dichotomous notion to a unique and undivided term. The word virtue is constantly present in French texts such as manuels de conduite1 , since the medieval period. Thus, it can be regarded as one of the most significant concepts defining genders in Western civilization. However, it is difficult for modern readers to grasp the complexity of the debate unless it is explained through its socio-historical and cultural implications regarding gender behavior. What is the author referring to when he/she uses the word virtue? Is it chastity for women, strength for men, or just the achievement of the highest moral standard? What are the social implications of virtue? Through an inter and multidisciplinary study involving literature, religion, philosophy, folklore, women and gender studies, and sociology, this cutting-edge research revolves around the literary analysis of conduct manuals, plays, novels and treatises, from the middle ages to the 18th century. Its objective is to map the evolution of the notion of virtue by evidencing social fluctuation of gender differences and conceptualizing our western civilization through the lenses of its moral discourse.

No description available.

Abstract This thesis sets out to explore the cultural differences between Sweden and the United States by examining the substantial changes made to Men Who Hate Women, including the change in the book’s title in English to The Girl With The Dragon Tattoo. My thesis focuses in particular on changes in the depiction of the female protagonist: Lisbeth Salander. Unfortunately we do not have access to translator Steven T. Murray’s original translation, though we know that the English publisher and rights holder Christopher MacLehose chose to enhance Larsson’s work in order to make the novel more interesting for English-speaking readers, which resulted in Murray translating under the pseudonym Reg Keeland as he did not agree to the translation made by MacLehose and Knopf. Furthermore, this thesis touches on the ethics of translation, and will likewise argue the importance of facilitating a dialog concerning misogyny and rape culture.