Global ETD Search

61	Ability and Abnormality West, Jessica 01 January 2016 (has links) This thesis addresses questions relating to perceptions of abilities and abnormalities found in everyday life. Abilities in this paper range from a total lack of ability to function in extreme disability to a level of ability expected by society to enhanced and radically enhanced abilities and their place in the realm of abnormality. We begin by establishing the differences between abilities and enhancements. Following this is a discussion regarding the ethical concerns of human enhancement. After this we turn to a discussion of abnormality and the social experience of abnormality. These discussions lead into establishing a basis for how many abilities are considered abnormal. This is then followed by a discussion that specifically addresses whether or not individuals who voluntarily undergo non-therapeutic enhancement may be subject to oppressive measures. Thesis University of North Florida UNF Dissertations Dissertations Academic -- UNF -- Philosophy philosophy bioethics biomedical ethics visibility ethics gene therapy genetics therapy therapeutic oppression discrimination violence enhancement Foucault Sandel Savulescu Miah Garland-Thomson Nussbaum ability disability disability studies human enhancement technology transhumanism science abnormality Continental Philosophy Ethics and Political Philosophy Feminist Philosophy Other Philosophy
62	Antithetical Commentaries on X, Y and the Disruption of Being Rocha, Eva 01 January 2016 (has links) Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage a ‘transgression’ that leads to the possibility of a transformative awareness of being. Subsequently, I present a series of ‘antithetical’ commentaries that neither explain nor expand the installation, rather, they create a non-binary duality that, through an entirely non-linear anti-narrative, work to erode the overlay of personal, civic and collective grids present in the memory space/time referenced in the video, TAG. Finally, in “Grid: Towards a Transgressive Humanism.” I propose a path by which installation art might serve to create transgressive opportunities for viewers, rather than the transcendence sought through religious rituals, which often reinforce stigmas, fears and authoritarian social dynamics, or worse, the reductive loop, of many contemporary approaches to art which proclaim their detachment in wordy displays, essentially leading to a form of aesthetic nihilism. This Transgressive Humanism is not presented as a dogma, but rather a revitalization of the work as a vessel of possibilities, an agent of creative growth for the artist and the viewer. transgressive humanism cultural techniques grid post contemporary art Contemporary Art Cultural History Esthetics Ethics and Political Philosophy Feminist, Gender, and Sexuality Studies Feminist Philosophy Fine Arts Latin American History Modern Art and Architecture Modern Literature Museum Studies Philosophy of Language Philosophy of Mind Photography Social and Behavioral Sciences Theory and Criticism
63	A Spectacle and Nothing Strange King, Taylor Z 01 January 2019 (has links) Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the room. ‘A spectacle and nothing strange’ is an arrangement of gestures, of made difference, of kinships, of orientations and possible futures, sustained tension, coded adornment, big dyke energy, shifts in hardness, leaning softness, much more than flowers, ...and in any case there is sweetness and some of that. lesbian queer orientation adornment sculpture art Art and Materials Conservation Art Practice Ceramic Arts Esthetics Feminist Philosophy Fiber, Textile, and Weaving Arts Fine Arts Furniture Design History of Gender Interior Design Metal and Jewelry Arts Painting Philosophy of Language Philosophy of Mind Poetry Printmaking Sculpture
64	From Self-Doubt To Inner Peace: An Ethnographic Narrative Fabro, Dakota 01 January 2019 (has links) In the midst of honing my craft as an educator, this ethnographic narrative was done for the purposes of taking an introspective look at the many moving parts of becoming an effective educator as well as developing an ethnographic view of the students who will pass through my classroom during my tenure as an educator. This ethnographic narrative examines my individual background, the educational spaces within which I find myself, communities I serve, and the students I was given the privilege of building relationships with within the classroom. This project serves as an in-depth analysis of the implicit biases one might hold as a teacher and a vehicle for continual introspection on my part as an effective and culturally-aware educator. Accessibility Asian American Studies Asian History Child Psychology Curriculum and Instruction Curriculum and Social Inquiry Developmental Psychology Educational Leadership Educational Psychology Elementary Education Elementary Education and Teaching Ethics and Political Philosophy Ethnic Studies Feminist Philosophy Gender Equity in Education Gifted Education History of the Pacific Islands Liberal Studies Multicultural Psychology Philosophy of Mind School Psychology Social Psychology Special Education and Teaching Theory and Philosophy United States History Women's Studies
65	Reimagining Movements: Towards a Queer Ecology and Trans/Black Feminism Benavente, Gabriel 30 March 2017 (has links) This thesis seeks to bridge feminist and environmental justice movements through the literature of black women writers. These writers create an archive that contribute towards the liberation of queer, black, and transgender peoples. In the novel Parable of the Talents, Octavia Butler constructs a world that highlights the pervasive effects of climate change. As climate change expedites poverty, Americans begin to blame others, such as queer people, for the destruction of their country. Butler depicts the dangers of fundamentalism as a response to climate change, highlighting an imperative for a movement that does not romanticize the environment as heteronormative, but a space where queers can flourish. Just as queer and environmental justice movements are codependent on one another, feminist movements cannot be separate from black and transgender liberation. This thesis will demonstrate how writers, such as Audre Lorde, Toni Morrison, Angela Davis, and Janet Mock, help establish a feminism that resists the erasure of black and transgender people. ecocriticism contemporary literature speculative fiction science fiction queer theory feminism english octavia butler janet mock toni morrison audre lorde climate change environmental justice african american activism transgender parable of the talents queer ecology African American Studies American Literature American Politics American Studies Arts and Humanities Continental Philosophy Ecology and Evolutionary Biology English Language and Literature Environmental Studies Feminist, Gender, and Sexuality Studies Feminist Philosophy Other Ecology and Evolutionary Biology Religion
66	Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Senger, Saesha 01 January 2019 (has links) This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the associated music – was an important, if overlooked or even trivialized, arena in which these shifting gender dynamics played out. This dissertation explores the significance of the Adult Contemporary format at the end of the twentieth century through analysis of chart performance, artist image, musical works, marketing, and contextual factors. By documenting these relevant social, political, economic, and musical factors, the notable role of a format and of artists neglected by scholars becomes clear. I explore these issues in the form of lengthy case studies. Examinations of how Adult Contemporary artists such as Michael Bolton, Wilson Phillips, Matchbox Twenty, David Gray, and Mariah Carey were produced and marketed, and how their music was disseminated, illustrate record and radio industry strategies for negotiating the musical, political, and social climate of this period. Significantly, musical and lyrical analyses of songs successful on AC stations, and many of their accompanying promotional videos highlight messages about musical genre, gender, race, and age. This dissertation ultimately demonstrates that Adult Contemporary-oriented music figured significantly in the culture wars, second and third wave feminism, expressions of masculinity, Generation-X struggles, postmodern identity, and market segmentation. This study also illustrates how the record and radio industries have managed audience composition and behavior to effectively and more predictably produce and market music in the United States. This dissertation argues that, amid broader social determinations for taste, the record industry, radio programmers, and Billboard chart compilers and writers have helped to make and reinforce certain assumptions about who listens to which music and why they do so. In addition, critics have weighed in on what different musical genres and artists have offered and for whom, often assigning higher value to music associated with certain genres, socio-political associations, and listeners while claiming over-commercialization, irrelevance, aesthetic insignificance, and bad taste for much other music. Adult Contemporary Format Radio Gender Politics Popular Music Studies Music Criticism African American Studies American Popular Culture Arts and Humanities Broadcast and Video Studies Composition Critical and Cultural Studies Ethnomusicology Feminist, Gender, and Sexuality Studies Feminist Philosophy Film and Media Studies Gender and Sexuality Journalism Studies Mass Communication Music Musicology Political Economy Politics and Social Change Race and Ethnicity Radio Social and Behavioral Sciences Social and Cultural Anthropology United States History Women's History Women's Studies

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