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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 71 to 78 of 78 (0.02 seconds)Spelling suggestions: "subject:"guillermo"" "subject:"uillermo""
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El periodismo literario de Guillermo Thorndike: Una lectura de El año de la barbarie (1969) como pieza fundacional del género en el Perú y LatinoaméricaYun Bendezu, Hanguk Jesus 26 April 2021 (has links)
Esta tesis postula a Guillermo Thorndike (Lima, 1940-2009) como uno de los primeros
exponentes del periodismo literario contemporáneo en América Latina y en Perú por su libro
El año de la barbarie (1969). En este texto, Thorndike combina las técnicas del periodismo
literario con recursos de su estilo y su propuesta como autor, para reconstruir un episodio
histórico. El uso de este género le permite recrear la tensión y los dramas humanos envueltos
en el incidente, y de esta manera narrar la historia de un modo más vívido y cercano. Como
marco teórico, la tesis recoge el debate sobre la definición del periodismo literario y las distintas
etapas que atraviesa este género en América Latina y Perú. La investigación también revisa la
biografía del autor y su forma de entender el periodismo, a través de entrevistas con
personalidades que lo conocieron o estudiaron. Además, presenta un análisis narratológico del
libro, explorando su utilización de las técnicas narrativas. Al estudiar a Thorndike, esta tesis
enriquece la comprensión sobre cómo se forjó el periodismo literario en su vertiente
contemporánea en América Latina y Perú, y aporta a la valoración de un autor muchas veces
soslayado.
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Las multitudes políticas de Lima y Callao de 1912 y la elección de BillinghurstLeceta Gálvez, Humberto 07 September 2016 (has links)
La presente tesis "Las multitudes políticas de Lima y Callao de 1912 y la elección de Billinghurst" para optar el grado de Doctor en Historia, mereció larga dedicación desde que apareció como inquietud por investigar el gobierno y la administración de dicho mandatario (1912-1914), pero por la magnitud y alcances de la misma hubo que reformularla y orientarla a una propuesta de caracterización de aquél período: el populismo temprano y urbano, el primero del siglo y, tal vez el segundo en aparecer en la Historia del Perú.
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Totalitarismo y ficción. Goya y sus espectros en el cine de Guillermo del ToroPonce Tarre, Jorge Esteban 10 July 2023 (has links)
[ES] El mexicano Guillermo del Toro, ha contribuido a enriquecer la estética y mitología del
cine fantástico y de terror. Gracias a los seres dentro de sus filmes, e inspirados en los
espectros de las pinturas y grabados de Francisco de Goya y Lucientes, el realizador
presenta, mediante ensoñaciones maravillosas, los traumas y conflictos que se han
arrastrado durante la historia; sobre todo en épocas de conflictos bélicos y sociales. La
investigación que aquí se plantea, busca reivindicar el valor estético y ético de la obra de
Goya dentro del cine contemporáneo. Así se propone un recorrido iconológico
comparativo que rescata la influencia del arte del aragonés en los largometrajes del
latinoamericano. / [CA] El director mexicà Guillermo del Toro, ha contribuït a enriquir l'estètica i la mitologia del
cinema fantàstic i de terror. Gràcies als éssers dins dels seus films, i inspirats en els
espectres pictòrics de les pintures i gravats de Francisco de Goya y Lucientes, el
realitzador presenta, mitjançant ensomnis meravellosos, els traumes i conflictes que s'han
arrossegat durant la història; sobretot en èpoques de conflictes bèl·lics i socials. La
investigació que ací es planteja, vol reivindicar el valor estètic i ètic de l'obra de Goya
dins del cinema contemporani. Així es proposa un recorregut iconològic comparatiu que
rescata la influència de l'art de l'aragonés en els llargmetratges del llatinoamericà. / [EN] Guillermo del Toro, the Latin American director, has contributed to enriching the
aesthetics and mythology of fantasy and horror films. Thanks to the beings in his films,
inspired by the pictorial spectrums of the paintings and engravings of Francisco de Goya
y Lucientes, the director presents, through fantastic reveries, the traumas and conflicts
that have dragged through history, especially in times of war and social conflicts. The
research proposed here seeks to vindicate the aesthetic and ethical value of Goya's work
within contemporary cinema. Thus, a comparative iconological tour is proposed that
rescues the influence of the art of the Aragonese in the Latin-American movies. / Ponce Tarre, JE. (2023). Totalitarismo y ficción. Goya y sus espectros en el cine de Guillermo del Toro [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/194753
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The child’s perspective of war and its aftermath in works of adult prose and film in Mexico and SpainNickelson-Requejo, Sadie 01 June 2011 (has links)
This dissertation investigates the literary and cinematic use of the child’s perspective to present the Mexican Revolution and the Spanish Civil War and their aftermath in several Mexican, Spanish, and international (Mexican-Spanish collaborative) narratives of the 20th and early 21st Centuries written by adult authors and filmmakers, and targeted for adult audiences. The Mexican narratives are Cartucho and Las manos de mamá by Nellie Campobello, Balún Canán by Rosario Castellanos, and Bandidos, a film by Luis Estrada; selected Spanish works are El espíritu de la colmena by Víctor Erice, Cría cuervos by Carlos Saura, and El sur by Adelaida García Morales; and both international works are films by Guillermo del Toro, El espinazo del diablo and El laberinto del fauno. I attempt to determine the textual or cinematic function of the child as first person (homodiegetic) narrative viewer in these works, and I study the different ways in which this child’s point of view is constructed in order to depict the overwhelming tragedy of war. I note patterns and diversities in subject matter presented by the narrative voice, and observe the characteristics of the child narrative viewer’s world and priorities (as presented by the authors and filmmakers), paying careful attention to how each perceives and understands his or her country’s violent upheaval and its aftermath. The theoretical
framework of this investigation draws mainly from trauma theory, Gothic studies, and the tradition of the fairy tale. I illustrate how within the war narrative in addition to the author’s/filmmaker’s desire to recreate the sentiment that a child would evoke in adult readers and viewers, the child narrative viewer is employed for three main reasons: to play upon or against preexisting notions of the child’s innocence; to represent (possibly
subversively) the nation; and as therapeutic means of returning to a paradise lost or creating a paradise never experienced. / text
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Myths on the Move: A Critical Pluralist Approach to the Study of Classical Mythology in Post-Classical WorksDelbar, David Carter 01 June 2019 (has links)
The Classical Tradition, now more commonly known as Classical Reception, is a growing sub-discipline in Classics which seeks to trace the influence of Greco-Roman culture in post-classical works. While scholars have already done much to analyze specific texts, and many of these analyses are theoretically complex, there has yet to be a review of the theories these scholars employ. The purpose of this study is to provide researchers with a theoretical tool kit which allows them greater scope and nuance when analyzing usages of classical mythology. It examines five different approaches scholars have used: adaptation, allusion, intertextuality, reception, and typology. Each theory is followed by an example from Spanish literature or film: Apollo and Daphne in Calderón's El laurel de Apolo, Orpheus in Unamuno's Niebla, Dionysus in Unamuno's San Manuel Bueno, mártir, Persephone in del Torro's El laberinto del fauno, and the werewolf in Naschy's Waldemar Daninsky films. This thesis argues that a critical pluralist approach best captures the nuance and variety of usages of classical mythology. This allows for both objective and subjective readings of texts as well as explicit and implicit connections to classical mythology.
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Gothic Agents Of Revolt: The Female Rebel In Pan's Labyrinth, Alice's Adventures In Wonderland And Through The Looking GlassMarkodimitrakis, Michail-Chrysovalantis 21 April 2016 (has links)
No description available.
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"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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"Así me gustas gordita": Representaciones de la gordura en la música popular y la literatura del Caribe hispanoBraden, Emily 17 December 2007 (has links)
This thesis examines contemporary musical and literary representations of female fatness in the Hispanic Caribbean. Chapter I explores the stereotype of a greater acceptance and valorization of fatness within the African Diaspora using contemporary feminist scholarship on cultural aesthetics and the body. Fatness is discussed as being both sexually transgressive and traditionally feminine. Chapter II juxtaposes male representations of “la gorda” in the lyrics of popular music of from Cuba, the Dominican Republic and Puerto Rico with the feminist politics of underground hip hop. Chapter III analyzes Guillermo Cabrera Infante’s hyperbolic representation of La Estrella, his fictionalization of Cuban bolero singer Fredy Rodriguez, in Ella cantaba boleros y “Metafinal” (1996). The aquatic subtexts and grotesque characterization of La Estrella’s body construct her as an icon of musical authenticity and exceptionality as well as a symbol of strength and resistance.
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