Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-02-29T20:31:30Z No. of bitstreams: 1 LeniseDosSantosSantiago_TESE.pdf: 1262749 bytes, checksum: e8155a4b6f3aeb7a3894fccf5785d029 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-02-29T23:59:27Z (GMT) No. of bitstreams: 1 LeniseDosSantosSantiago_TESE.pdf: 1262749 bytes, checksum: e8155a4b6f3aeb7a3894fccf5785d029 (MD5) / Made available in DSpace on 2016-02-29T23:59:27Z (GMT). No. of bitstreams: 1 LeniseDosSantosSantiago_TESE.pdf: 1262749 bytes, checksum: e8155a4b6f3aeb7a3894fccf5785d029 (MD5) Previous issue date: 2015-03-31 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Dar a ver Sert?o e Sevilha: matizes hisp?nicas na po?tica de Jo?o Cabral de Melo Neto ? um estudo sobre as possibilidades de leitura l?rica da poesia cabralina, a partir das obras do poeta pernambucano, que evidenciam o di?logo intercultural e a vertente po?tica espanhola absorvida por Jo?o Cabral de Melo Neto, em sua conviv?ncia andaluza. As interfaces hisp?nicas assimiladas pela poesia cabralina, por meio da literatura ou pelo contato direto com a cultura, est?o registradas nos 133 poemas que t?m a Espanha como tema, nos quais podemos observar que a matriz da tradi??o hisp?nica, rica na sua diversidade, foi elemento preponderante para o poeta Jo?o Cabral descobrir o cerne da sua l?rica ?s avessas. A partir do corpus hisp?nico, ser? explorada a assimila??o est?tica da poesia espanhola na obra de Jo?o Cabral de Melo Neto, com o objetivo de desmistificar as quest?es da aridez l?rica e da antimusicalidade na po?tica cabralina em que, a partir da apropria??o dos elementos hisp?nicos investigados como signo de l?rica e musicalidade, concebe-se uma leitura desvinculada do signo construtivista, tessitura evidenciada pelo cr?tico Antonio Candido desde o surgimento da poesia de Jo?o Cabral com o poema Pedra do sono (1942). A referida est?tica foi adotada posteriormente pela cr?tica liter?ria que a denominou ?poesia cerebral? por sua configura??o herm?tica, tessitura do rigor, concretude da linguagem e m?trica retesada. Os resultados obtidos a partir deste estudo visam provocar uma leitura que favore?a a ac?stica l?rica da poesia cabralina no sentido de amenizar os aspectos da constru??o ?rida. / Dar a ver Sert?o e Sevilha: matizes hisp?nicas na po?tica cabralina is a study on the lyric reading possibilities of Cabralian poetry, from the work of the poet from Pernambuco, that shows the intercultural dialogue and the Spanish poetical approach absorbed by Jo?o Cabral de Melo Neto during his Andalusian experience. Hispanic interfaces incorporated by the Cabralian poetry through literature or through the direct contact with the culture are registered on the 133 poems that have Spain as theme, in which we can see the matrix of Hispanic tradition, rich in its diversity, was the preponderant element for the poet Jo?o Cabral to discover the core of his lyric backwards. From Hispanic corpus, it will be explored the aesthetical assimilation of Spanish poetry in the work of Jo?o Cabral de Melo Neto, with the objective of demystifying the issues of lyrical dullness and anti musicality on Cabralian poetics in which, from the appropriation of Hispanic elements investigated as a signal of lyrics and musicality, originates a reading unattached from the constructivist signal, tessitura evidenced by the critic Antonio Candido since the origin of JCMN poetry with the poem Pedra do sono (1942). The mentioned aesthetics was adopted later on by the literary critics that named it as ?brain poetry? for its hermetical configuration, tessitura of rigor, concreteness of language and stiff metrics. The results obtained from this study aim to induce a reading that favors the lyrical acoustic of the Cabralian poetry in the effort to ease the aspects of the arid construction.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-23T00:13:58Z No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-25T19:28:44Z (GMT) No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) / Made available in DSpace on 2016-04-25T19:28:44Z (GMT). No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) Previous issue date: 2015-03-20 / No contexto das produ??es po?ticas da modernidade e da p?s-modernidade (HUTCHEON, 1999), este trabalho, a partir da no??o de nomadismo (DELEUZE, 2012), conjuntamente com a no??o de escritura do fil?sofo Derrida (2009), tem como escopo estudar no romance Harmada (1993), do artista Jo?o Gilberto Noll, o aspecto da escritura n?made nolliana e do t?dio no sentido da desconstru??o do modelo romanesco. A narrativa em foco instaura uma fic??o em tr?nsito, promovidos pelos nomadismos da escritura do narrador errante que, na constitui??o da obra, vai se destecendo ao desenrolar da linguagem, numa trama que invade o corpo dos personagens repletos de t?dio e estrangeiros de si mesmos, moventes nas espacialidades fragmentadas e flu?das do narrar. Nessa perspectiva, a pesquisa circunscreve-se com fundamenta??o te?rico-metodol?gica no horizonte das discuss?es p?s-estruturalistas, concernentes aos pensadores-te?ricos- cr?ticos: Derrida (2009), Deleuze (1995), Foucault (1996; 2001), Barthes (1977), Svendsen (2006). Neste horizonte de compreens?o cr?tica, a escritura nom?dica de Harmada entrela?a-se em tr?s movimentos: primeiro, na linguagem do autor; segundo, nos personagens, levando o narrador-protagonista, sem nome, a viver contundentes crises e dolorosas ambiguidades existenciais, colocadas atrav?s da met?fora do artista fracassado sob o signo da ?falta?, enquanto busca de outros modos art?sticos poss?veis de ser e estar no mundo; e, por ?ltimo, a inst?ncia de leitura n?made como efeito de presentifica??o (GUMBRECHT, 2010) para uma experimenta??o do leitor. Por fim, nosso trabalho aborda a rela??o entre a escritura nom?dica e a experi?ncia do t?dio como pot?ncia estrat?gica do fazer literatura nas artes de Noll. / In the context of poetic productions of modernity and postmodernity (Hutcheon, 1999), this paper, from the concept of nomadism (Deleuze, 2012), together with the philosopher Derrida's notion of writing (2009), has the objective to study Harmada the novel (1993), written by artist Joao Gilberto Noll, the aspect of Nolliana nomadic scripture and boredom towards deconstruction of the Romanesque style. The narrative focus on introducing a transit fiction, promoted by nomadisms scripture of the wandering narrator who, in the work constitution, will the conduct of language, a plot that invades the body of the characters full of boredom and foreigners themselves, moving in fragmented and fluid spatiality of narrating. In this perspective, the research is limited with theoretical and methodological foundation in poststructuralist discussions in relation to considerations of literary aesthetics and concerning the thinkers-te?ricos- critics: Derrida (2009), Deleuze (1995), Foucault (1996, 2001), Barthes (1977), Svendsen (2006). Against the background of critical understanding, the nomadic writing Harmada interlace in three stages: first, in the author's language; Second, the characters, the narrator-protagonist leading, unnamed, living overwhelming crises and painful existential ambiguity, placed through the artist's metaphor failed under the sign of "missing" while searching for other possible artistic ways of being in the world; and, finally, the nomadic reading instance as presentification effect (GUMBRECHT, 2010) for a reader experimentation. Finally, our work addresses the relationship between the nomadic scripture and the experience of boredom as a strategic power in the literature do Noll gear.

Made available in DSpace on 2014-12-17T15:25:21Z (GMT). No. of bitstreams: 1 AntonioFCGJ_DISSERT.pdf: 926567 bytes, checksum: 41d1bc2cbee4298a0d5ba2fc2414a095 (MD5) Previous issue date: 2012-11-01 / Este trabalho ? uma discuss?o sobre as fun??es sociais da Hist?ria e da Mem?ria. Para tanto, foi pensado diante do 80? anivers?rio da Revolu??o de 1930, marco da (re)funda??o da capital paraibana, pois esta mem?ria e a produ??o historiogr?fica a respeito do tema nos ? bastante instigante. Falar de Jo?o Pessoa, seja da cidade, seja do indiv?duo; no que se refere aos epis?dios de 1930, ? tocar em um assunto bastante passional, onde chegar a um consenso ? algo extremamente improv?vel. O objetivo deste trabalho ? problematizar as fun??es sociais da Hist?ria e suas utiliza??es, notadamente por meio do nosso objeto de estudo, buscando contribuir para a compreens?o de como a mem?ria e a escrita da Hist?ria s?o frutos do trabalho constante das sociedades que as engendram. Estudar sobre a produ??o da mem?ria e da historiografia bem como a fun??o da escrita da Hist?ria sobre esses epis?dios, entendendo-os como espa?os espec?ficos de disputas, notadamente sobre os embates de mem?rias nos ?ltimos dez anos, trazendo novas reflex?es sobre as fun??es sociais destas mem?rias

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-04-11T20:03:38Z No. of bitstreams: 1 AnnaCristinaAndradeFerreira_TESE.pdf: 12054552 bytes, checksum: 2ff355ea16a1655126a2d51cb8f0aced (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-04-13T22:32:06Z (GMT) No. of bitstreams: 1 AnnaCristinaAndradeFerreira_TESE.pdf: 12054552 bytes, checksum: 2ff355ea16a1655126a2d51cb8f0aced (MD5) / Made available in DSpace on 2018-04-13T22:32:06Z (GMT). No. of bitstreams: 1 AnnaCristinaAndradeFerreira_TESE.pdf: 12054552 bytes, checksum: 2ff355ea16a1655126a2d51cb8f0aced (MD5) Previous issue date: 2017-12-08 / O ato de habitar se relaciona com o sentimento de pertencimento que o indiv?duo desenvolve em rela??o ao local que habita, sendo o tempo um fator primordial nesse processo. Grupos que ocupam o espa?o por um longo per?odo tender?o a encar?-lo como seu, aplicando ali sua cultura, seu modo de viver e de construir. Quando se fala em projetos de reabilita??o de ?reas hist?ricas, sobretudo as que se encontram degradadas, pode-se prever uma gama de usos que podem ser inseridos, mantidos ou restabelecidos nesses espa?os, e dentre todos eles o que mais tem suscitado discuss?es ? o uso habitacional. Essa pesquisa se focou em entender se, e como, ocorre a integra??o entre os programas nacionais de promo??o da habita??o e os de reabilita??o urbana de ?reas hist?ricas, e se de fato pode-se verificar no Brasil a exist?ncia de uma pol?tica urbana efetiva para ?reas hist?ricas, considerando todos os problemas envolvidos, ou apenas a realiza??o de a??es pontuais que, al?m de n?o promoverem a recupera??o ?reas antigas degradadas, ainda dificultam o processo, por contribuir para a especula??o imobili?ria dessas ?reas. A utiliza??o do estoque constru?do dos centros antigos poderia auxiliar na diminui??o do d?ficit habitacional, mas ? preciso que os projetos se baseiem de fato na sustentabilidade continuada, e que a preocupa??o principal se desloque da explora??o econ?mica para a recupera??o socioecon?mica das ?reas antigas. O recorte tem?tico dessa pesquisa foram os programas nacionais voltados a diminuir o d?ficit habitacional, desde o BNH at? os dias de hoje com o Programa Minha Casa Minha Vida, e os programas de reabilita??o de ?reas hist?ricas realizados a n?vel nacional a partir da d?cada de 1970, quando as ?reas urbanas hist?ricas passam a ser consideradas de forma ampla, com todos os seus problemas. O objetivo desta tese foi entender os direcionamentos definidos para as a??es de recupera??o de ?reas hist?ricas, a partir do enfoque do uso habitacional, e para que popula??o se voltam, tendo como an?lise o caso do centro hist?rico de Jo?o Pessoa, onde se buscou entender como ocorreu a atua??o dos programas de reabilita??o, diante da diversidade de problemas que uma ?rea urbana subutilizada pode apresentar, como a degrada??o das edifica??es, evas?o de usos, infraestrutura obsoleta e comunidades de menor renda. E se em compara??o com outras cidades, houve a percep??o de erros cometidos e a mudan?a de postura, pois o entendimento desse processo pode auxiliar na proposi??o de novas possibilidades de atua??o. / The act of dwelling is related to the consciousness of belonging that the individual develops in relation to the place where he lives; where time is the main factor in this process. Groups that occupy an area for a long time, tend to face it as their own, applying their culture, way of life and construction. When we refer to rehabilitation projects in historical areas, especially those that are degraded, we can visualize a set of uses that can be inserted, maintained and restored in these spaces, and among all the more controversial is the use of housing. This research was focused on the understanding of whether and how the integration between national housing promotion programs and those of urban rehabilitation of historical areas occurs, and if in fact, it is possible to verify in Brazil the existence of an effective urban policy for historical areas considering all the problems involved, or just the execution of punctual actions that, in addition to not promoting the recovery of old degraded centers, still hamper the process, for contributing to real estate speculation in these areas. The built stock of the old centers might help in the reduction of the housing deficit, but it is necessary that the projects are based in fact on the continued sustainability of these areas, and that the main preoccupation moves of the economical exploration for the recuperation socioeconomic of the ancient areas. The thematic clipping of this research were the national programs aimed at reducing the housing deficit, from the BNH to the present with the Minha Casa Minha Vida Program, and the rehabilitation programs of historical areas carried out at the national level from the 1970s when as historical urban areas are considered broadly, with all their problems. The objective of this thesis was to understand the directions defined for the actions of recovery of historical areas, based on the focus of housing use, and for which population they converge, having as an analysis the case of the historical center of Jo?o Pessoa, where it was sought to understand rehabilitation programs, given the diversity of problems that an underutilized urban area can present, such as building degradation, use avoidance, obsolete infrastructure and lower income communities, and if compared to other cities, there were the perception of mistakes made and the change of posture, since the understanding of this process can help in the proposition of new possibilities of action.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-12T14:09:59Z No. of bitstreams: 1 EudesRaonySilva_DISSERT.pdf: 22550637 bytes, checksum: 69997dc71110c526cc8ccf199374bbce (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-17T12:21:29Z (GMT) No. of bitstreams: 1 EudesRaonySilva_DISSERT.pdf: 22550637 bytes, checksum: 69997dc71110c526cc8ccf199374bbce (MD5) / Made available in DSpace on 2017-01-17T12:21:29Z (GMT). No. of bitstreams: 1 EudesRaonySilva_DISSERT.pdf: 22550637 bytes, checksum: 69997dc71110c526cc8ccf199374bbce (MD5) Previous issue date: 2016-08-01 / As transforma??es urbanas que a cidade de Jo?o Pessoa (PB) sofreu ao longo dos s?culos trouxeram consigo uma s?rie de consequ?ncias para seu n?cleo inicial, universo de estudo desta pesquisa. Sua gradativa perda na relev?ncia econ?mica para outras zonas da cidade veio acompanhada do surgimento de algumas patologias urbanas, usualmente vistas em muitas ?reas centrais nas grandes cidades brasileiras: degrada??o e descaracteriza??o do patrim?nio edificado, im?veis vazios ou subutilizados, esvaziamento do uso residencial, sensa??o de inseguran?a, entre outros. Esta disserta??o apresenta uma an?lise dessa realidade no Centro Antigo de Jo?o Pessoa, zona delimitada pelo per?metro de tombamento rigoroso estipulado pelo IPHAEP ? Instituto do Patrim?nio Hist?rico e Art?stico do Estado da Para?ba. A partir da observa??o da morfologia urbana da cidade, do levantamento de usos e da conserva??o do patrim?nio edificado no per?metro estudado, a disserta??o investigou as poss?veis correla??es entre essas tr?s vari?veis, e diagnosticou, com isso, as incompatibilidades geradoras das patologias ali existentes. O estudo morfol?gico se fundamentou na teoria descritiva conhecida como Sintaxe Espacial, onde se busca observar analogias entre a forma urbana e as rela??es sociais ali existentes, assumindo a proposi??o de que ambas podem ser mutuamente influenciadas. / The city of Jo?o Pessoa (Para?ba, Brazil) underwent urban transformations over the centuries that brought with them a number of consequences for its initial core, which is the study universe of this research. Its gradual loss of economic relevance to other parts of the city was accompanied by the emergence of some urban problems, usually seen in many downtown areas in large Brazilian cities such as degradation and mischaracterization of the built heritage, empty or underutilized buildings, decline of residential use, feeling of insecurity, among others. This paper presents an analysis of this reality in Old Town Jo?o Pessoa, within the historic perimeter set by IPHAEP (Historical and Artistic Heritage Institute of the State of Para?ba). The aim of the thesis was to investigate the possible correlations among these three variables: observation of the city urban morphology, uses and conservation of the built heritage in the studied perimeter, thereby diagnosing the incompatibilities that generate the existing conditions - besides suggesting possible solutions. The morphological study was based on the descriptive theory known as Space Syntax, which seeks to observe analogies between urban form and its existing social relations, assuming the proposition that both can be mutually influenced.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T19:16:35Z No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-04T21:44:59Z (GMT) No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Made available in DSpace on 2017-04-04T21:44:59Z (GMT). No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) Previous issue date: 2016-02-29 / A obra de Jo?o Gilberto Noll ? caracterizada por tra?os recorrentes bastante singulares. De um lado, as quebras com determinados padr?es usuais a formula??es ret?rico-discursivas (pessoa, g?nero, n?mero, tempo, modo, grau etc., afora a peculiaridade dos enredos); de outro, o fato de seus personagens-protagonistas n?o possu?rem pontos de fixa??o ou de refer?ncia minimamente precisos (nome, profiss?o, descri??o f?sica, la?os familiares e afetivos, resid?ncia fixa etc.). Em conjunto, estes fatores geram enorme ambiguidade, a ponto de, n?o raro, um personagem n?o s? se confundir com outro, mas, literalmente, fundir-se com o outro. Diante destas caracter?sticas, esta pesquisa se apresenta como um estudo dos procedimentos por meio dos quais essa confus?o identit?ria se instaura e se dissemina no romance Lorde (2004), de Jo?o Gilberto Noll, analisando seus efeitos sobre a articula??o de seu personagem-protagonista. Junto a esta an?lise, os resultados obtidos s?o discutidos levando em conta sua poss?vel motiva??o social, concebendo-a como um processo imanente ? composi??o do texto. Para tanto, a discuss?o ser? fomentada teoricamente, principalmente, a partir de conceitos oriundos do que se denominaria aqui como a filosofia da n?o identidade ? conforme postulada por Theodor Adorno (1982); (1985); (2008); (2009) e desenvolvida por seus interlocutores contempor?neos. Para auxiliar no entendimento da rela??o entre obra liter?ria e sociedade, s?o considerados os trabalhos de Antonio Candido (1980) e de Theodor Adorno (2003). Al?m disso, para melhor compreender os processos repressores da sexualidade sofridos pelo personagem do romance analisado, tamb?m s?o utilizados conceitos oriundos da psican?lise de Sigmund Freud (2010a); (2010b); (2010c). Assim sendo, a escolha de Lorde como objeto de an?lise deste trabalho justifica-se na medida em que os tra?os t?picos ? escrita de Noll, que resvalam em invari?vel e inevit?vel confus?o identit?ria, s?o como que radicalizados no referido romance. / The work of Jo?o Gilberto Noll is characterized by recurrent strokes quite unique. On the one hand, the breaks with rhetorical-discursive formulations certain usual standards (person, gender, number, time, manner, degree etc., besides the peculiarity of plots); on the other hand, the fact of his characters-players do not have attachment points or minimally accurate reference (name, occupation, physical description, family and emotional ties, place of residence etc.). Together, these factors create enormous ambiguity as to, often, a character not only be confused with another, but literally merge with the other. Given these characteristics, this research is presented as a study of the procedures by which this identity confusion is established and spreads in the novel Lorde (2004), by Jo?o Gilberto Noll, analyzing their effects on the articulation of his character-player. Along with this analysis, the results are discussed in light of its possible social motivation, conceiving it as an immanent process of the text composition. Therefore, the discussion will be fostered theoretically based on concepts coming from what would be named here as the philosophy of non-identity - as postulated by Theodor Adorno (1982); (1985); (2008); (2009) and developed by his contemporaries interlocutors. The works of Antonio Candido (1980) and Theodor Adorno (2003) are considered to assist in understanding of the relationship between literary work and society. In addition, to better understand the sexual repressive processes suffered by the character of the novel analyzed, concepts from the psychoanalysis of Sigmund Freud (2010a); (2010b); (2010c) are also used. Therefore, the choice of Lorde as object of analysis in this work is justified because the typical traits of Noll?s writing, who slip on invariable and inevitable identity confusion, are radicalized in that novel.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-27T23:37:26Z No. of bitstreams: 1 AlyereSilvaFarias_TESE.pdf: 3393204 bytes, checksum: 027912313dd6c428bcf3fa81bd723aa9 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-27T23:49:53Z (GMT) No. of bitstreams: 1 AlyereSilvaFarias_TESE.pdf: 3393204 bytes, checksum: 027912313dd6c428bcf3fa81bd723aa9 (MD5) / Made available in DSpace on 2017-04-27T23:49:53Z (GMT). No. of bitstreams: 1 AlyereSilvaFarias_TESE.pdf: 3393204 bytes, checksum: 027912313dd6c428bcf3fa81bd723aa9 (MD5) Previous issue date: 2015-12-04 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Este trabalho buscou analisar as metamorfoses na narrativa ?Meu tio o Iauaret??, de Jo?o Guimar?es Rosa, com o objetivo de investigar a instabilidade da transforma??o e seus efeitos, tanto no texto, quanto no discurso dos personagens. Publicada em 1961, na revista Senhor, a narrativa foi reescrita por Jo?o Guimar?es Rosa, e a nova vers?o do texto passou a fazer parte da colet?nea p?stuma Estas Est?rias em 1969. A primeira metamorfose analisada ocorre nas palavras que comp?em esse texto. Para analisar as transforma??es de ordem linguageira e discursiva, utilizamos como m?todo a Compara??o Diferencial (HEIDMANN, 2003, 2010, 2012) para averiguar as altera??es propostas em rascunho por Guimar?es Rosa, antes de sua morte, que foram adotadas para a edi??o do livro. A segunda transforma??o se d? com o personagem principal da narrativa, que se apresenta como homem e on?a a um homem perdido que chega ? sua casa no meio do sert?o. Com o objetivo de analisar a perspectiva do ser em transforma??o e do seu interlocutor a respeito da metamorfose, evocamos aspectos filos?ficos distintos: utilizamos o levantamento hist?rico-filos?fico sobre o homem, feito pelo fil?sofo neokantiano Ernst Cassirer (2012), para refletir sobre o personagem interlocutor, que se define como homem; tecemos aproxima??es com o Dasein heideggeriano (2008) e conceitos como impessoalidade e fala??o (HEIDEGGER, 2003, 2010, 2013), para analisar o processo de metamorfose experimentado pelo personagem principal. Buscamos refletir tamb?m sobre a sua compreens?o de si, como ser em metamorfose, aproximando o percurso do personagem principal do processo de constru??o do Corpo sem ?rg?os (DELEUZE e GUATTARI, 1997b). Para realizar um estudo comparativo diferencial entre duas realiza??es da mesma narrativa, precisamos construir nossos compar?veis a partir da rela??o entre a narrativa rosiana e obras que tamb?m apresentam personagens que se metamorfoseiam. Selecionamos quatro textos para dialogar com a narrativa rosiana: o epis?dio de Aracne e Minerva, de Ov?dio (MET VI 1-145), a novela kafkiana A metamorfose (KAFKA, 1986), o folheto A mo?a que virou cadela, de Antonio Lucena (2004) e o epis?dio ?Red-Handed? (2011) da s?rie para televis?o Once upon a time, de Edward Kitsis e Adam Horowitz. A escolha de narrativas que se inserem em contextos diferentes evidencia o car?ter n?o-hier?rquico da Compara??o Diferencial e possibilita a reflex?o sobre os seres em transforma??o a partir dos tra?os contextuais identificados no discurso dos personagens metamorfoseados. O estudo da narrativa ?Meu tio o Iauaret?? ressalta a perspectiva de que a transforma??o f?sica do personagem n?o estabelece, por si s?, o abandono do modo impessoal, e nem sempre dissolve as fronteiras entre as esp?cies. A metamorfose rosiana, ? inst?vel, apresenta um personagem que n?o ?sofre? uma transforma??o, mas a desfruta conscientemente e consegue apagar os limites estabelecidos entre homem e on?a a ponto de compor um ser que acredita poder utilizar, de maneira premeditada, o seu devir-animal (DELEUZE e GUATTARI, 2003) nos momentos de intera??o humana. Consideramos que a narrativa rosiana ultrapassa a transforma??o que ? identific?vel aos olhos do homem comum, abandona os estados definitivos e explora o estar-sendo (HEIDEGGER, 2008), sob a ?tica exclusiva do ser em metamorfose. / This study aims to analyse the metamorphosis in the narrative ?Meu tio o Iauaret?? by Jo?o Guimar?es Rosa, in order to investigate the instability of the transformation and its effects, both in the text and in the speech of the characters. It was published in 1961, in the ?Senhor? magazine and the narrative was rewritten by Jo?o Guimar?es Rosa, and the new version of the text has become part of the posthumous collection Estas Est?rias in 1969. The first analyzed metamorphosis occurs in the words that are part of these texts. To analyze the transformations of language and discursive order, the Differential Comparison (HEIDMANN, 2003, 2010, 2012) was used as method to investigate the changes proposed in draft by Guimar?es Rosa, before his death, which were adopted for the book edition. The second transformation takes place with the main character of the narrative, who appears as a man and as a jaguar to a lost man who comes to his house in the middle of the backlands. In order to analyze the prospect of the being in transformation and his interlocutor about the metamorphosis, different philosophical aspects were evoked: we used the historical-philosophical survey of the man made by neo-Kantian philosopher Ernst Cassirer (2012) to reflect on the interlocutor character, who defined himself as a man; we made approaches with Heidegger?s Dasein (2008) and concepts such as das Man and das geredete (HEIDEGGER, 2003, 2010, 2013), to analyze the process of metamorphosis experienced by the main character. In addition, we also sought to reflect on his understanding of himself as a being in metamorphosis, approaching the course of the main character to the process of building the ?corps-sans-organes? (DELEUZE and GUATTARI, 1997b). In order to carry out a differential comparative study between two achievements of the same narrative, we need to build our comparable from the relationship between the Rosa?s narrative and the literally works which also feature characters who metamorphose themselves. We selected four texts for dialogue with Rosa's narrative: the episode of Aracne and Minerva, by Ovidio (MET VI 1-145), the Kafka novel A metamorfose (KAFKA, 1986), the booklet A mo?a que virou cadela, by Antonio Lucena (2004) and the episode ?Red-Handed? (2011) from the television series Once upon a time, by Edward Kitsis and Adam Horowitz. The choice of narratives which fall in different contexts highlights the non-hierarchical nature of Differential Comparison and enables reflection on the changing beings from the contextual features identified in the discourse of metamorphosed characters. The study of the narrative ?Meu tio o Iauaret?? highlights the view that the physical transformation of the character does not establish, by itself, the abandonment of the impersonal way, and it does not always dissolve the boundaries between species. The Rosa's metamorphosis is unstable, it shows a character that does not undergo transformation, but enjoys it consciously and can erase the limits between the man and the jaguar as to compose a being who believes he is able to use, in an aforethought way, his devenir-animal (DELEUZE and GUATTARI, 2003) in moments of human interaction. Thus, we consider that Rosa's narrative goes beyond the transformation that is identifiable in the eyes of the common man, he abandons the definitive states and explores the Dasein (HEIDEGGER, 2008), under the unique perspective of the being in metamorphosis.

I den här uppsatsen har jag undersökt vad det kan bero på att det uppstår brister i polisens dokumentation av de straffprocessuella tvångsmedlen. Riksdagens ombudsmän, JO, har kritiserat polisen under flera år för att det brister i dokumentationen av ärenden. Jag har genom en kombination av kvantitativa och kvalitativa metoder undersökt dokumentationen av 140 ärenden gällande innehav av narkotika för att se vilka brister som finns, hur stora dessa brister är och vad det kan bero på. I resultatdelen kommer jag att presentera hur stort problemet är och jag kommer även att komma med förslag till lösning. Den huvudsakliga teorin som använts är Lispkys teori om gräsrotsbyråkraten samt forskning av Otto Petersson, Gunnar Ekman och Rolf Granér & Maria Knutsson. Samtliga svenska forskare har undersökt den vandring en polis gör från legalistisk gröngöling till lagens autonoma, långa arm. Resultatet är överraskande med ett utslag av ca 53% av ärenden som hade tydliga drag av autonomi. Hur stort problemet är totalt sett är svårt att överblicka. Klart är att något bör göras för att komma till rätta med detta. Sen är frågan om det bara gäller dokumentation eller det är ett större institutionellt problem.

Sammanfattning av uppsatsen: Syftet med denna uppsats är att undersöka ett nytt alternativt sätt för mig att närma mig improvisation med flygeln som medium utifrån givna byggstenar hämtade ur traditionell japansk musik. Genom att välja ut byggstenar baserade på traditionell japansk musik skapar jag ett ramverk som tillåter nya idéer och impulser att ta plats. Byggstenarna namnges: sinnestillstånd, sound och struktur. Dessa fokuserar på filosofiska, tonrelaterade och strukturella idéer. I undersökningen använder jag byggstenarna i fyra fria improvisationer som analyseras vartefter och förbättras till nästa kommande experiment. Arbetet resulterade i en improvisationsteknik som öppnade upp för nya impulser och ett närmande som skilde sig från hur jag vanligtvis musicerar. Den krävde aktivt närvarande och acceptans över det som klingade i stunden samtidigt som musiken strävade framåt och hela tiden utvecklades. Arbetet visade på hur gamla musikaliska idéer från en annan kultur kan generera inspiration för nya musikaliska idéer. Arbetet gav även en mersmak för vad denna teknik kan leda till i framtida forskningsprojekt inom exempelvis komposition, ensemblespel och pedagogiskt närmande till improvisation.

This essay focuses on Louisa May Alcott's Little Women as a feminist novel and explores the representations of feminisms in the text. First, I argue Little Women is a novel that presents writing as feminist practice from a Künstlerroman perspective, which highlights Jo March's subversive feminism in the time. Next the essay shows how Jo’s gender fluidity helps her reconcile/negotiate her artistic aspirations and social expectations as part of her creative path. Finally, my essay also goes beyond Jo March's character to show how minor characters like the forgotten Beth March and emerging artist Amy March are a reminder of the text’s Künstlerroman focus, how patriarchy attempts to erase women like Beth who do not seem to fit into the stereotypes of the time due to their sickness or gender.