Global ETD Search

101	Diek Grobler : an artists monograph with interactive catalogue Langerman, Jorike 09 1900 (has links) This is a monograph on the South African artist Diek Grobler. The aim is to contextualise the artist‟s oeuvre up to 2009 and to explore the visual metaphors in his art. Grobler has a fascination for stories. He blends tales of traditional Western mythology, African mythology, Christian religion, folklore and magical realism into narrative artworks. Through visual metaphors the artist comments on the everyday human dramas that surround him – be they political, social, psychological or cultural. Furthermore, he adds an element of surprise to his sketches of human drama, by infusing them with irony and humour. My research reflects the diverse nature of Grobler‟s oeuvre as it investigates works from various artistic genres such as painting, sculpture, illustration, performance art, avant-garde theatre and animation. It also examines a blend of different artistic media such as ceramics, oil paint, gouache, pastels, scraperboard, earthenware, 2D computer animation, puppetry, and stop-motion animation. / Art History, Visual Arts & Musicology / M.A. (Art History) Apartheid Folklore Mythology Poststructuralism Magical realism South African art Reception aesthetics Grobler (Diek) Monograph Life-and-work model Stories Performance art Stop-motion animation Metaphor Identity 759.968 Grobler, Diek, 1964- Art, South African -- 20th century Painters -- South Africa -- Biography
102	The dialogic and the carnivalesque in Beloved and Jazz by Toni Morrison Hamdi, Houda January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal. Toni Morrisson African Ametrican art L'art Afro-américain Magical realism Le réel magique Black history L'histoire des Afro-américains Jazz music La musique de jazz Hybridity Intertextuality L'intertextualité Mikhail Bakhtin Dialogism Dialogisme Carnivalesque Le carnavalesque Fragmentation La fragmentation Modernism Modernisme Poststrucuralism Post-structuralisme Death of the author ±La mort de l'auteur»
103	Upp och ned, hit och dit : En romananalys av Haruki Murakamis Fågeln som vrider upp världen utifrån Michail Bachtins kronotopteori / Up and down, here and there : An analysis of Haruki Murakami's The Wind up Bird Chronicle based on the Bakhtinian theory of the chronotope Lindgren, Fanny January 2012 (has links) In this essay Murakami Haruki’s novel The Wind Up Bird Chronicle was analysed from the perspective of Mikhail Bakhtin’s theory of the chronotope. The aim was to explore the concept of time and space as presented in the novel. In particular, the analysis focused on how Bakhtin’s chronotopes can be applied to The Wind Up Bird Chronicle, how the chronotopes can enhance our understanding of the novel, and finally how the chronotope theory can be applied to the concept of ‘magic realism’ that is often used to describe Murakami’s authorship. Four chronotopes, presented by Bachtin, were selected and applied to the novel: every-day life, the road, crisis and the castle. The concept of the chronotope allows analysis of how time and space work together in literature and how they form patterns of correlation in the sujet. Results showed that the four chronotopes were found in the novel, and that they also interacted with each other. The chronotope of everyday-life was apparent throughout the novel, and the narrator was under its control. The narrator also seemed to create every-day life out of the chronotopes of the road and crisis by re-living the crises in the road. These three chronotopes seemed inseparable in The Wind Up Bird Chronicle. Finally, the fourth chronotope, the castle, illustrated how a concrete room in the novel, a house, became a part of time and space through a character who, by his presence, gave the impression of slowing down time. When this character disappeared, time made its way through space, making the chronotope of the castle visible. The essay concludes that the chronotope theory was a relevant way to analyse The Wind Up Chronicle as it provided a concept of how time and space appeared together in a novel where time and space is always present. The analysis helped creating a way of understanding the patterns in the novel, which were not always clear, thereby also increasing the understanding of The Wind Up Bird Chronicle. Mikhail Bakhtin Murakami Haruki chronotope The Wind Up Bird Chronicle the chronotope of every-day life the chronotope of the road the chronotope of crisis the chronotope of the castle magical realism The Dialogical Word Michail Bachtin Haruki Murakami kronotop Fågeln som vrider upp världen vardagslivets kronotop slottets kronotop vägens kronotop vändpunktens kronotop magisk realism Det dialogiska ordet General Literature Studies Litteraturvetenskap
104	The dialogic and the carnivalesque in Beloved and Jazz by Toni Morrison Hamdi, Houda January 2008 (has links) Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal Toni Morrisson African Ametrican art L'art Afro-américain Magical realism Le réel magique Black history L'histoire des Afro-américains Jazz music La musique de jazz Hybridity Intertextuality L'intertextualité Mikhail Bakhtin Dialogism Dialogisme Carnivalesque Le carnavalesque Fragmentation La fragmentation Modernism Modernisme Poststrucuralism Post-structuralisme Death of the author ±La mort de l'auteur»
105	Animal writing : magical realism and the posthuman other. Schwalm, Tanja January 2009 (has links) Magical realist fiction is marked by a striking abundance of animals. Analysing magical realist novels from Australia and Canada, as well as exploring the influence of two seminal Latin American magical realist narratives, this thesis focuses on representations of animals and animality. Examining human-animal relationships in the postcolonial context reveals that magical realism embodies and represents an idea of feral animality that critically engages with an inherently imperialist and Cartesian humanism, and that, moreover, accounts for magical realism's elusiveness within systems of genre categorisation and labelling. It is this embodiment and presence of animal agency that animates magical realism and injects it with life and vibrancy. The magical realist writers discussed in this dissertation make use of animal practices inextricably intertwined with imperialism, such as pastoral farming, natural historical collections, the circus, the rodeo, the Wild West show, and the zoo, as well as alternative animal practices inherently incompatible with European ideologies, such as the Aboriginal Dreaming, Native North American animist beliefs, and subsistence hunting, as different ways of positioning themselves in relation to the Cartesian human subject. The circus is a particular influence on the form and style of many magical realist texts, whereby oxymoronically structured circensian spaces form the basis of the narratives‟ realities, and hierarchical imperial structures and hegemonic discourses that are portrayed as natural through Cartesian science and Linnaean taxonomies are revealed as deceptive illusions that perpetuate the self-interests of the powerful. magic realism magical realism animal human-animal studies postcolonial posthuman feral Australia Canada circus circensian zoo natural history maban reality trickster Gabriel Garcia Marquez Isabel Allende Peter Carey Richard Flanagan Mudrooroo Sam Watson Thomas King Tomson Highway Robert Kroetsch Jack Hodgins Yann Martel
106	Diek Grobler : an artists monograph with interactive catalogue Langerman, Jorike 09 1900 (has links) This is a monograph on the South African artist Diek Grobler. The aim is to contextualise the artist‟s oeuvre up to 2009 and to explore the visual metaphors in his art. Grobler has a fascination for stories. He blends tales of traditional Western mythology, African mythology, Christian religion, folklore and magical realism into narrative artworks. Through visual metaphors the artist comments on the everyday human dramas that surround him – be they political, social, psychological or cultural. Furthermore, he adds an element of surprise to his sketches of human drama, by infusing them with irony and humour. My research reflects the diverse nature of Grobler‟s oeuvre as it investigates works from various artistic genres such as painting, sculpture, illustration, performance art, avant-garde theatre and animation. It also examines a blend of different artistic media such as ceramics, oil paint, gouache, pastels, scraperboard, earthenware, 2D computer animation, puppetry, and stop-motion animation. / Art History, Visual Arts and Musicology / M.A. (Art History) Apartheid Folklore Mythology Poststructuralism Magical realism South African art Reception aesthetics Grobler (Diek) Monograph Life-and-work model Stories Performance art Stop-motion animation Metaphor Identity 759.968 Grobler, Diek, 1964- Art, South African -- 20th century Painters -- South Africa -- Biography
107	Beyond Modernity : Narrative Strategies in Hindi Short Stories of Uday Prakash Dymén, David January 2022 (has links) This thesis explores different genres and modes of writing in short stories of the contemporary Indian author Uday Prakash, such as magical realism, the fantastic, regionalism, postcolonial and postmodern writing. It poses the question: “In which literary genre should Uday Prakash’s writings best be categorised?” The study is based on a reading of Prakash’s collection, 10 Pratinidhi kahāniyāṃ – Ten Representative Stories, consisting of ten stories of the author’s own choice. Critics have often understood Uday Prakash as a writer of magical realism. This thesis, however, argues that the author fits better in the category of the fantastic since his narratives often are characterised by the “hesitation” before the supernatural, a central feature of this literary mode. The thesis further suggests that regionalism is present in his writings in the portrayal of both the rural and urban landscapes of India. Above all, Prakash portrays a “public landscape,” in which India as a whole is reflected in the local—rural or urban—regions he depicts and in which any Indian can identify himself. The postmodern perspective is also prevalent in his writings, evident through literary tropes such as metafiction, historiographic metafiction, intertextuality, self-reflexivity and extended use of metaphor. Central to his writing is a social or postcolonial critique. Together his stories write an alternative national history of India, focusing on the subaltern and the downtrodden, depicting how the old colonial structure and oppression have now re-emerged among the elite and political leadership of independent India. I have, in this thesis, understood Uday Prakash as a postcolonial experimentalist (uttaropaniveśvādī prayogvādī), standing in the tradition of the prayogvād of the 20th-century Hindi literary field since the characteristics of his authorship are the concoction of multiple literary modes or genres, the breaking with traditional forms of narration and the formation of creative and original narratives, all in the service of social and civilisational criticism. Uday Prakash Hindi literature magic realism magical realism the fantastic regionalism postcolonialism postmodernism realism experimentalism genre narratology. Uday Prakāś hindī sāhitya jāduī yathārthvād āṃcaliktā uttaropaniveśvād uttar ādhuniktā prayogvād yathārthvād śailī. उदय प्रकाश हिंदी साहित्य आंचलिकता उत्तर आधुनिकता प्रायोगवाद याथार्थवाद शैली General Literature Studies Litteraturvetenskap Specific Languages Studier av enskilda språk Specific Literatures Litteraturstudier
108	Beyond the Flood: Expanding the Horizons of 21st Century Climate Fiction KUHAJDA, CASEY 08 July 2022 (has links) No description available. Environmental Justice Literature Philosophy of Science
109	Ethical Wondering in Contemporary African American and Asian American Women's Magical Realism Na Rim Kim (16501845) 07 July 2023 (has links) <p>The term magical realism traces back to the German art critic Franz Roh, who in the early twentieth century applied it to (visual) art expressing the wondrousness of life. However, this definition has been eclipsed over time. Reorienting critical attention back to magical realism as the art of portraying wonder and wondering, I explore the magical realist novels of contemporary African American and Asian American women writers. Specifically, I examine Toni Morrison’s <em>Paradise</em> (1997), Jesmyn Ward’s <em>Sing, Unburied, Sing</em> (2017), Karen Tei Yamashita’s <em>Through the Arc of the Rain Forest</em> (1990), and Ruth Ozeki’s <em>A Tale for the Time Being</em> (2013). In wonder, all frames of reference at hand suddenly become inadequate. Simultaneously, the subject’s interest is heightened. As such, the act/experience of wondering may lead to humility and respect, the two attitudes at the base of any ethically flourishing life—a life that flourishes <em>with</em> others. For this reason, the Asian American woman writer and peace activist Maxine Hong Kingston espoused wondering. Affiliated with groups marginalized within the US, like Kingston my writers also promote wonder. I examine how these writers, through compelling use of both content and form, guide their readers toward a particular kind of wondering: wondering with an awareness of how the act/experience might lead to ethical flourishing.</p> Cultural theory Comparative and transnational literature Ecocriticism Literary theory North American literature Stylistics and textual analysis Epistemology Ethical theory Phenomenology Magical Realism Wonder Ethics African American Women's Literature Asian American Women's Literature Contemporary Literature Maxine Hong Kingston Toni Morrison Jesmyn Ward Karen Tei Yamashita Ruth Ozeki Paradise Sing, Unburied, Sing Through the Arc of the Rain Forest A Tale for the Time Being
110	Mirrors And Vanities Salas, Leslie 01 January 2013 (has links) Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife’s miscarriage. A girl visits her fiancé in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother’s wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling. Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative. Abortion aikido bildungsroman collage fiction collection comics experimentalism flash fiction flash nonfiction food writing fragmentation fragmented narrative graphic narrative henna illustration interpersonal relationships loss lyrical magical realism martial arts memoir mental illness mother daughter conflict multi modal multiverse theory non chronological narrative nonfiction parallel universes personal essay physics pregnancy realist reflection relativity repetition screenwriting secret keeping secrets sequential art sexuality sports writing storytelling trust truth unconventional structure unreliable narrator vanity weddings Creative Writing

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