A presente pesquisa versa sobre a reconstrução da etnicidade italiana na arena turística da comunidade do Distrito de São Pedro, zona rural do município de Bento Gonçalves - RS, buscando demonstrar o processo de reconstrução da etnicidade através das influências que essa pode receber do turismo. Sendo assim, busca-se analisar como influências internas e externas que a cultura de um determinado grupo pode sofrer, demonstrando a dinamicidade dos traços culturais. Além disso, trata-se da relação entre visitantes e visitados, buscando demonstrar de que maneira o turismo pode utilizar a cultura de uma sociedade como atrativo e se colabora na reconstrução da etnicidade de uma comunidade. Para tanto, utilizou-se a metodologia da etnografia com observação participante, registro fotográfico e narrativa fotoetnográfica, tendo por objetivo perceber a etnicidade da comunidade da arena turística a partir da visão dos próprios moradores no seu cotidiano e nas suas relações com os turistas. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-20T16:48:45Z No. of bitstreams: 1 Dissertacao Rita Michelin.pdf: 3241654 bytes, checksum: 78b0418ab22540c42384200ae6c38f81 (MD5) / Made available in DSpace on 2014-05-20T16:48:45Z (GMT). No. of bitstreams: 1 Dissertacao Rita Michelin.pdf: 3241654 bytes, checksum: 78b0418ab22540c42384200ae6c38f81 (MD5) / The present research is about the reconstruction of the Italian ethnicity in the tourist arena of Distrito de Sao Pedro community, rural area of Bento Gonçalves - RS. It intends to demonstrate the ethnicity reconstruction process through the influences this can suffer by tourism. Thereby this research intends to analyse questions as internal and external influences that the culture of a specific group can suffer, demonstrating how dynamic the cultural traces can be. Besides that, this dissertation presents the relation between hosts and guests as a way to show in which way tourism can use a society culture as an attractive issue and how this can collaborate to the ethnicity reconstruction of a community. For that it uses the methodology of ethnography with participative observation, photographic register and photo-ethnographic narrative, aiming the ethnicity perception of this tourist arena, by the point of view of the community people themselves on their routine and their relation with the tourists.

Este trabalho realiza um estudo da representação do coronelismo nas narrativas de ficção Xarqueada, de Pedro Wayne, publicada em 1937, e Gabriela, cravo e canela, de Jorge Amado, de 1958, ambientadas, respectivamente, no Sul e Nordeste do Brasil. Entendendo que os aspectos culturais e socioeconômicos são partes integrantes de uma configuração histórica regional, a pesquisa busca discutir a forma com que espaços distintos contribuem para a construção ficcional dos coronéis nas regiões de produção do charque e do cacau. Além disso, o estudo analisa como as atividades charqueadora e cacaueira estão relacionadas com as disputas de poder e como a modernidade, tanto em âmbito econômico quanto cultural, consiste em um fator importante na reorganização dos jogos de forças das oligarquias no cenário político regional e nacional. Dessa forma, visa-se contribuir com os estudos sociorregionais que tratam do coronelismo e de suas relações de poder nas áreas da literatura e da história. / Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2015-11-17T15:53:27Z No. of bitstreams: 1 Dissertacao Fernanda Alliatti Masutti.pdf: 1138045 bytes, checksum: 4dcecfbc0bf20e216b7215965dee1ace (MD5) / Made available in DSpace on 2015-11-17T15:53:27Z (GMT). No. of bitstreams: 1 Dissertacao Fernanda Alliatti Masutti.pdf: 1138045 bytes, checksum: 4dcecfbc0bf20e216b7215965dee1ace (MD5) / This work performs a study of the coronelismo representation on the narratives of the Pedro Wayne’s fiction Xarqueada, published in 1937, and Jorge Amado’s Gabriela, cravo e canela, from 1958, settled, respectively, in the south and northeast regions of Brazil. Understanding that the cultural and socioeconomic aspects are inherit parts of a regional historical configuration, the research aims at discussing the way that distinct areas contribute to the coronels fictional construction in the cocoa and charque (jerked meat) production regions. Furthermore, the study proposes to analyze how charque and cocoa activities are related to power disputes and also how the modernity, in both economical and cultural levels, consists in an important factor in the reorganization of the oligarchies game of power in the regional and national scenario. As a result, the present study intends to contribute with the socioregional studies which deal with the coronelismo and its relations of power under the literature and history scope.

Made available in DSpace on 2015-10-19T11:50:08Z (GMT). No. of bitstreams: 1 corbo2013.pdf: 1101255 bytes, checksum: 46d44e0f6197bdca5ff9bc9aaa56ad61 (MD5) Previous issue date: 2013-03-11 / Presents a study on institutional repository dedicated to the issues concerning the preservation and access to digital documents. Reveals the emergence of institutional repositories in the world movement in favour of open access to scientific information as a tool for strategic technology management, storage, dissemination, preservation and access to the intellectual output of educational institutions and research and its scientific communities. Specifically highlights the Pedro II College which is a traditional public education institution throughout its history of 175 years of existence has produced historical documents which refer to the teaching activities and the daily life of the school administration and depict the history of Brazilian education. The institution maintains important collections and at all times increases the production of research papers that must be preserved, made available and have guaranteed access in the future. In this way, has been investing resources and developing projects for the preservation of institutional memory. The research pointed out the institutional repositories as a feasible way to make free access to the intellectual production of educational institutions, increase the visibility of research works and ensure the preservation of digital documents / Apresenta um estudo sobre repositório institucional voltado às questões concernentes a preservação e acesso a documentos digitais. Revela o surgimento dos repositórios institucionais no âmbito do movimento mundial em favor do acesso livre à informação científica como uma ferramenta tecnológica estratégica para gestão, armazenamento, disseminação, preservação e acesso à produção intelectual das instituições de ensino e pesquisa e de suas comunidades científicas. Destaca, especificamente, o Colégio Pedro II, uma instituição tradicional de ensino público que ao longo de sua trajetória de 175 anos de existência produziu documentos históricos que remetem às atividades de ensino e ao cotidiano da administração escolar e retratam a história da educação brasileira. A instituição mantém ainda acervos importantes e a todo o momento aumenta a produção de trabalhos de pesquisa que devem ser preservados, disponibilizados e ter o acesso garantido no futuro. Desta forma, vem investindo recursos e desenvolvendo projetos para a preservação da memória institucional. A investigação apontou os repositórios institucionais como forma viável para tornar livre o acesso à produção intelectual das instituições de ensino, ampliar a visibilidade dos trabalhos de pesquisa e garantir a preservação dos documentos digitais

Este trabalho realiza um estudo da representação do coronelismo nas narrativas de ficção Xarqueada, de Pedro Wayne, publicada em 1937, e Gabriela, cravo e canela, de Jorge Amado, de 1958, ambientadas, respectivamente, no Sul e Nordeste do Brasil. Entendendo que os aspectos culturais e socioeconômicos são partes integrantes de uma configuração histórica regional, a pesquisa busca discutir a forma com que espaços distintos contribuem para a construção ficcional dos coronéis nas regiões de produção do charque e do cacau. Além disso, o estudo analisa como as atividades charqueadora e cacaueira estão relacionadas com as disputas de poder e como a modernidade, tanto em âmbito econômico quanto cultural, consiste em um fator importante na reorganização dos jogos de forças das oligarquias no cenário político regional e nacional. Dessa forma, visa-se contribuir com os estudos sociorregionais que tratam do coronelismo e de suas relações de poder nas áreas da literatura e da história. / This work performs a study of the coronelismo representation on the narratives of the Pedro Wayne’s fiction Xarqueada, published in 1937, and Jorge Amado’s Gabriela, cravo e canela, from 1958, settled, respectively, in the south and northeast regions of Brazil. Understanding that the cultural and socioeconomic aspects are inherit parts of a regional historical configuration, the research aims at discussing the way that distinct areas contribute to the coronels fictional construction in the cocoa and charque (jerked meat) production regions. Furthermore, the study proposes to analyze how charque and cocoa activities are related to power disputes and also how the modernity, in both economical and cultural levels, consists in an important factor in the reorganization of the oligarchies game of power in the regional and national scenario. As a result, the present study intends to contribute with the socioregional studies which deal with the coronelismo and its relations of power under the literature and history scope.

A presente pesquisa versa sobre a reconstrução da etnicidade italiana na arena turística da comunidade do Distrito de São Pedro, zona rural do município de Bento Gonçalves - RS, buscando demonstrar o processo de reconstrução da etnicidade através das influências que essa pode receber do turismo. Sendo assim, busca-se analisar como influências internas e externas que a cultura de um determinado grupo pode sofrer, demonstrando a dinamicidade dos traços culturais. Além disso, trata-se da relação entre visitantes e visitados, buscando demonstrar de que maneira o turismo pode utilizar a cultura de uma sociedade como atrativo e se colabora na reconstrução da etnicidade de uma comunidade. Para tanto, utilizou-se a metodologia da etnografia com observação participante, registro fotográfico e narrativa fotoetnográfica, tendo por objetivo perceber a etnicidade da comunidade da arena turística a partir da visão dos próprios moradores no seu cotidiano e nas suas relações com os turistas. / The present research is about the reconstruction of the Italian ethnicity in the tourist arena of Distrito de Sao Pedro community, rural area of Bento Gonçalves - RS. It intends to demonstrate the ethnicity reconstruction process through the influences this can suffer by tourism. Thereby this research intends to analyse questions as internal and external influences that the culture of a specific group can suffer, demonstrating how dynamic the cultural traces can be. Besides that, this dissertation presents the relation between hosts and guests as a way to show in which way tourism can use a society culture as an attractive issue and how this can collaborate to the ethnicity reconstruction of a community. For that it uses the methodology of ethnography with participative observation, photographic register and photo-ethnographic narrative, aiming the ethnicity perception of this tourist arena, by the point of view of the community people themselves on their routine and their relation with the tourists.

Esta dissertação busca as diretrizes de reinserção urbana da área do Parque Dom Pedro II em São Paulo, partindo da constatação de seu papel atual de polo de mobilidade metropolitano e apoiando-se em exemplos internacionais de projetos de renovação urbana de áreas associadas à reforma ou construção de grandes estações intermodais. Este percurso se organiza em três eixos investigativos, correspondentes aos três capítulos da dissertação. Inicialmente a área do Parque Dom Pedro II é abordada empregando-se um método de análise urbanística que busca, em sua trajetória histórica e em suas características físicas e funcionais atuais, as pautas para planejamento e projeto para sua reinserção na cidade. Em seguida, no segundo capítulo, são abordadas as teorias urbanísticas mais recentes que tratam das metrópoles contemporâneas, com ênfase para o papel que as redes de mobilidade e os pontos de interface com a cidade, os polos de mobilidade metropolitanos, cumprem na organização e na estruturação destes vastos territórios urbanizados. Este capítulo pretende facilitar a compreensão do papel que a área de estudo pode vir a cumprir dentro da atual lógica de funcionamento da metrópole paulistana, atualizando o significado dos elementos analisados no primeiro capítulo. Finalmente, no terceiro capítulo, as características tipológicas e morfológicas dos polos de mobilidade metropolitanos, enquanto trechos específicos da cidade - como peças urbanas - e de seus principais elementos constituintes, as grandes estações intermodais, são analisadas através de um breve histórico da relação entre mobilidade, urbanismo e arquitetura, desde as propostas das megaestruturas imaginadas por arquitetos nas décadas de 1950 e 1960 até os exemplos contemporâneos de projetos urbanos associados a cinco estações europeias, reformadas ou construídas recentemente: Euralille em Lille, King\'s Cross e Saint Pancras em Londres, HauptBahnhof em Berlim, La Sagrera em Barcelona e Porta Susa em Turim. Fechando o terceiro capítulo um pequeno histórico das experiências de desenho urbano associadas à construção do metrô paulistano pretende aproximar as questões levantadas à realidade de São Paulo. Em vez de uma conclusão definitiva sobre uma solução projetual acabada para o Parque Dom Pedro II, um epílogo relaciona as questões abordadas nos três capítulos precedentes com o intuito de oferecer parâmetros para um plano e para a ação projetual para a área / This study seeks the guidelines for the urban reintegration of the Parque Dom Pedro II area in Sao Paulo, based on the finding of its current role as a metropolitan mobility hub and relying on international examples of urban renewal projects in areas associated with the renovation or construction of major intermodal stations. This path is organized into three investigative axes corresponding to the three chapters of the study. Initially the area of Parque Dom Pedro II is addressed by employing a method of urban analysis which seeks, through its historical trajectory and its current physical and functional characteristics, the guidelines for planning and design for its reintegration in the city. Then, in the second chapter, the most recent urban theories that address the contemporary metropolis are discussed, with emphasis on the role that mobility networks and its interface points with the city, the metropolitan mobility hubs, perform in the organization and structuring of these vast urbanized territories. This chapter is intended to facilitate the understanding of the role that the study area is likely to meet within the logics of operation in place in the Sao Paulo metropolis, updating the meaning of the urban elements analyzed in the first chapter. Finally, in the third chapter, the typological and morphological characteristics of the metropolitan mobility hubs, considered as specific areas of the city - as urban parts - and its main constituents, the major intermodal stations, are analyzed through a brief history of the relationship between mobility, urbanism and architecture, from the proposals of megastructures imagined by architects in the 1950s and 1960s to the contemporary examples of urban projects associated with five renovated or newly designed European stations: Euralille in Lille, King\'s Cross and Sait Pancras in London, HauptBahnhof in Berlin, La Sagrera in Barcelona and Porta Susa in Turin. Closing the third chapter a brief history of the experiences of urban design associated with the construction of the Sao Paulo subway system and stations aims to bring the issues raised closer to the reality of Sao Paulo. Instead of a definitive conclusion about a finished design solution to the area of Parque Dom Pedro II, an epilogue relates the issues addressed in the three previous chapters in order to provide parameters for planning and design in the area.

La problématique de cette thèse se centre sur la manière dont plusieurs textes de fiction, évoquant des événements emblématiques des années 1976-2001, représentent la loi à travers ses effets discursifs. Lors de l’analyse des effets discursifs de la représentation de la loi dans les textes de fiction certaines questions s’imposent : de quelle manière le discours littéraire configure-t-il les frontières entre l’espace public et l’espace privé, caractérise les espaces rendus visibles ou invisibles, fait apparaître les énoncés refoulés, décrit les individus auxquels il confère la légitimité d'exercer le pouvoir et ceux qui s'y trouvent marginalisés ou définis en tant que criminels. Tous ces éléments sont les effets discursifs de la loi qui non seulement la représentent mais dénotent les intérêts qui l'ont dictée. Nous centrons notre étude sur la représentation de la loi qui dicte la limite interne de l’État évoquée par Michel Foucault dans son concept de biopolitique. Nous analysons différents romans qui abordent les moments les plus représentatifs de la période de notre recherche : la répression militaire, la guerre des Malouines, le retour à la démocratie, l’instauration du néolibéralisme et enfin la crise de 2001. Les romans de Daniel Moyano, El vuelo del tigre, de Rodolfo Fogwill, Los pichiciegos, de Juan Martini, El fantasma imperfecto, de Claudia Piñeiro, Las viudas de los jueves, de Juan Martini, Colonia, et de Pedro Mairal, El año del desierto, guident notre recherche car ils représentent, à travers ses effets discursifs, l’exception de la loi en place. Sur le plan théorique, les conceptualisations de Walter Benjamin, Michel Foucault, Giorgio Agamben et Andrea Cavalletti sur la violence, la biopolitique, l’état d’exception et la sécurité nous permettent d’analyser le lien entre le texte littéraire et le moment historique. / The central issue of this dissertation focuses on the manner in which several fictional texts, evoking events emblematic of the years 1976-2001, represent the law through their discursive effects. In the process of analyzing the discursive effects of the representation of the law in these fictional texts, certain questions must be posed: in which way does literary discourse configure the borders between public and private space, how does it characterize the spaces made visible or invisible, bring repressed statements to the surface, describe the individuals to whom it bestows the right to exercise power and those who there find themselves marginalized or defined as criminals. All of these elements are the discursive effects of the law that not only represent the law, but also denote the interests that have dictated it. We are centering our study on the representation of the law that dictates the internal boundary of the State evoked by Michel Foucault in his concept of biopolitics. We will analyze different novels that address the most representative moments of the period of our research: the military repression, the Falklands War, the return to democracy, the establishment of neoliberalism and finally the crisis of 2001. The novels of Daniel Moyano, El vuelo del tigre, Rodolfo Fogwill, Los pichiciegos, Juan Martini, El fantasma imperfect, Claudia Piñeiro, Las viudas de los jueves, Juan Martini, Colonia, and Pedro Mairal, El año del desierto, will guide our research since they represent, through their discursive effects, the exception to the law in place. The theoretical ideas of Walter Benjamin, Michel Foucault, Giorgio Agamben and Andrea Cavalletti regarding violence, biopolitics, the state of exception, and security will allow us to analyze the relationship between literary text and historical moment.

There are certain recordings by important artists such as Lionel Hampton, Miles Davis, John Coltrane, Pedro Iturralde, Chick Corea, and Paco de Lucía, among others, that have been associated with the label flamenco jazz. This label is entering jazz discourse, and it needs to be better understood in order to clarify its history, its identity, and its impact on recent developments in flamenco that are labeled nuevo flamenco. There is a lack of agreement in the existent literature on flamenco jazz on the evaluation of these recordings and these artists' achievements and contributions to this field. These writings encompass authors from different backgrounds: journalists, critics, and musicologists, who have approached their analysis of the recordings from different perspectives. The differences in professional backgrounds, approaches, and purpose of the writings of these authors has resulted in controversy about this label. Therefore, the flamenco jazz scholarly conversation needs more objective writings from an analytical point of view. This historiographical study presents a more comprehensive evaluation of flamenco jazz by discussing selected recordings using analytical tools from jazz studies. These analytical arguments clarify the aesthetics of flamenco jazz and the artistic processes that these artists went through when combining musical elements from flamenco and jazz, which in some cases are described as creative misreading. In this century of cultural globalization, where jazz has become a diverse expression of world music because of its capacity to absorb traits from other musical practices, this study can be a resource for international jazz musicians who are seeking to combine jazz with their musical cultural heritage.

Comprendre les présupposés qui fondent les rapports au monde des individus selon leur appartenance civilisationnelle nécessite des outils et une méthode permettant de répondre à trois questions principales. D’abord, comment aborder le rapport que des individus et leurs collectivités entretiennent avec le monde et avec l’Autre selon leur propre système d’interprétations et d’explications de ces réalités? Ensuite, comment penser la diversité des collectivités humaines qui établissent de tels rapports? Finalement, comment aborder les dimensions collectives à travers les discours limités d’individus? Deux outils m’ont permis de prendre du recul face à ma subjectivité et d’accéder à un certain niveau de réalité et de validité quant aux faits rapportés et aux résultats atteints. Dans un premier temps, le réseau notionnel articulant les conceptions du monde (Ikenga-Metuh, 1987) comme phénomènes de civilisations (Mauss, 1929) accessibles par l’analyse des représentations sociales (Jodelet, 1997) permet de définir et d’étudier l’interface entre l’individuel et le collectif. Dans un deuxième temps, l’opérationnalisation de la recherche permet de cerner le XVIe siècle comme moment de rencontre propice à l’étude des civilisations andines et occidentales à travers les représentations du Soi espagnol et de l’Autre inca du chroniqueur Pedro Sarmiento de Gamboa. Finalement, la méthode d’analyse de discours (Sabourin, 2009) lève le voile sur une grammaire sociale polarisante entre le Soi et l’Autre, laquelle traverse les trois univers de sens (religieux, intellectuel et politique) observés dans le discours de Sarmiento. La mise à jour des positions théologiques, intellectuelles et politiques de l’auteur ouvre à son tour sur les récits et discours collectifs propres aux civilisations occidentales et andines de son époque, et permet un questionnement nouveau : cette polarisation est-elle unique à la localisation sociale de Sarmiento ou constitue-t-elle un phénomène civilisationnel proprement occidental ? / Understanding the assumptions underlying the relationships between individuals and the world according to their civilizational affiliation requires tools and a method to address three main questions. First, how to approach the relationship individuals and their collectivities maintain with the world and with the Other according to their own set of interpretations and meanings of these realities? Second, how to envision the diversity of human collectivities which establish such relations? Finally, how to approach the collective dimensions through limited individual discourse? Two tools enabled me to distance myself from my own subjectiveness and to attain a certain degree of reality and validity as to the stated facts and the achieved results. First, the notional network linking worldviews (Ikenga-Metuh, 1987) as a civilizational phenomenon (Mauss, 1929) accessible through the analysis of social representations (Jodelet, 1997), enables the identification of an interface which can be studied between the individual and the collective. Secondly, research operationalization makes it possible to identify the sixteenth century as a significant crossroad for the study of Western and Andean civilizations through Pedro Sarmiento de Gamboa’s representations of the Spanish Self and the Inca Other. Finally, discourse analysis (Sabourin, 2009) unveils a polarizing social grammar between the Self and the Other which involves the three realms of meaning (religious, intellectual and political) observed in Sarmiento’s discourse. The author’s theological, intellectual and political positions thus revealed lead, in turn, to the collective stories and discourses which prevailed in Western and Andean civilizations at the time, and invites a further question: Is this polarization unique to Sarmiento’s social location or does it constitute a truly Western civilizational phenomenon?

Made available in DSpace on 2015-04-14T13:48:06Z (GMT). No. of bitstreams: 1 450815.pdf: 5065821 bytes, checksum: 2adf40bee54ca570ae8de111cfe156ad (MD5) Previous issue date: 2013-08-29 / This thesis aims to approach the issue of Italian immigration under a different bias: admissions of Italians and descendants at Hosp?cio S?o Pedro in Porto Alegre / RS between the years 1900 and 1925 for first admission. Through a quantitative history, but without losing sight of the qualitative, proposes to extract information from medical records of S?o Pedro in order to compare the admissions of Italians and other patients. Theoretical issues such as identity, gender and medical discourse direct empirical study of 1,158 medical documents, in order to answer if occurred differentiation in admissions between Italians and other inmates, and between men and women. Without being objective of the work, but part of it, the apprehension of different diagnoses enabled developing unusual form of an aspect of the history of psychiatry in Rio Grande do Sul, having the HSP as the stage. / Esta tese aborda a tem?tica da imigra??o italiana sob um vi?s diferente do usual: interna??es de italianos e descendentes no Hosp?cio S?o Pedro em Porto Alegre/RS entre os anos de 1900 e 1925 para primeira interna??o. Atrav?s de uma hist?ria quantitativa, mas sem perder de vista o qualitativo, se prop?e a extrair informa??es de prontu?rios m?dicos do S?o Pedro no intuito de comparar as interna??es dos italianos com as interna??es dos demais pacientes. Quest?es te?ricas tais como identidade, discurso m?dico e g?nero direcionam o estudo emp?rico de 1.158 documentos m?dicos, com a finalidade de responder se ocorreu diferencia??o nos internamentos entre italianos(as) e demais internos, e entre homens e mulheres. Sem ser objetivo do trabalho, mas fazendo parte dele, a apreens?o de diferentes diagn?sticos possibilitou o surgimento de forma inusitada de um aspecto da hist?ria da psiquiatria no Rio Grande do Sul, tendo por palco o HSP.