Made available in DSpace on 2014-07-29T16:27:49Z (GMT). No. of bitstreams: 1 dissertacao_genilda.pdf: 967926 bytes, checksum: e530b865506746e759e9aff8fa7a62d4 (MD5) Previous issue date: 2011-05-09 / This dissertation aims to investigate the relationship between patrimony and society, and in this sense focuses on the processes related to the building of this patrimony, by seek-ing out through the so-called narratives on patrimony a mélange of senses and under-standings about this theme and linked to the field of the visual culture. In reality, this is also a research under a clear-cut pedagogical approach, so that there is herein an inten-tion to re-read, reanalyze and reinvestigate, giving rise to a speculative review, the rela-tionship between identity and culture concerning the topic patrimony. / A presente dissertação tem o objetivo de problematizar as relações entre patrimônio e sociedade e direciona o olhar para os processos de construção do universo patrimonial, buscando no que aqui convenciono chamar narrativas do patrimônio sentidos de ampli-ação do entendimento desta temática com subsídio nos estudos da cultura visual. Trata-se, com efeito, de uma proposta de dimensão também educativa, na medida em que aqui se propõe revisitar, reinterpretar e reanalisar os propósitos identitários e as relações culturais presentes no campo patrimonial a partir de uma ótica reflexiva entre a vida social e o artefato patrimonial.

O presente trabalho busca traçar um panorama urbano, histórico e atual, das políticas públicas implantadas no município de Santos, em especial naquelas voltadas à zona central mais antiga da cidade, a partir da segunda metade do século XX. Trata do conflito entre o processo de requalificação urbana desencadeado pelo projeto Alegra Centro, e a atual política de Gestão Estratégica e City Marketing desenvolvida pela municipalidade. Abarca ainda a implementação das políticas urbanas baseadas nos projetos \"âncora\", e nos Focos de Desenvolvimento do Centro Histórico, ambas prevendo a parceria pública/privada como desencadeadora do processo de gentrificação. Aborda experiências de revitalização e requalificação vividas no exterior - Itália, Espanha e Argentina, e, no Brasil - Salvador, Recife e Vitória. Ao final, enfoca o patrimônio ambiental urbano de Santos a partir de dez focos de desenvolvimento, analisando-os enquanto instrumentos de recuperação do patrimônio edificado mais antigo para o uso do turismo histórico e cultural. / The present work searches to draw an urban, historical and current panorama, of the public politics implanted in the municipal district of Santos, especially in those turned to the older central area of the city, starting from the second half of the century XX. It treats of the conflict between the urban requalification process unchained by the project \"Alegra Centro\", and the current politics of Strategic Administration and City Marketing developed by the municipality. It still embraces the implementation of the urban politics based on the projects \'anchor\', and on the Focuses of Development of the Historical Center, both foreseeing the public and private partnership broken out by the gentrification process. It approaches revitalization experiences and requalification lived abroad - Italy, Spain and Argentina, and, in Brazil - Salvador, Recife and Vitória. At the end, it focuses the urban environmental patrimony of Santos starting from ten development focuses, analyzing them while instruments of recovery of the older built patrimony for the use of the historical and cultural tourism.

Set on a farm on the Kaipara Harbour of Northland, New Zealand, this novel traces the lives of a family over a six year period near the end of the twentieth century. Themes include: Scottish and Croatian-Dalmatian immigration, Māori spiritual and cultural values, the weaving and assimilation of diverse cultures into a vibrant new culture, the economics of farming on marginal lands, father-son relationships, sibling rivalry, marijuana cultivation and the disparities between urban and rural lifestyles and expectations. The plotline follows the frustrations and subsequent actions of the eldest son as he seeks a future, which he realises is dependent on his acquiring the family farm. His impulsive behaviour leads to the climax of the story and puts himself and other members of the family in jeopardy and risks the family losing the farm altogether.

<p>Throughout the course of human civilizations, archaeology is considered as a tool that can be manipulated to achieve certain kind of objectives. For centuries, people struggle for the rights of possession of certain artifacts with significant meanings to their collectivity. One of the main aspects of the debate in archaeology is ethics, and how it plays a big role in mapping out a state of difficulty that needs to be resolved. This thesis deals with the issues of cultural property rights, and evaluating some moral stands behind the argument, by looking at Lord’s Elgin marbles case as a starting point. Could the marbles be considered as stolen properties bought from Lord Elgin? Is repatriation indispensable? Does the Ottomans Empires and Lord Elgin has the right to dispose and bring home the marbles, respectively, at the first place? These questions would be analyze through both conservationist and “repatriationist” perspectives, Robert Nozick’s philosophical perspectives on cultural property rights and the cosmopolitanism’s views on dealing with antiquities and artifacts restitution. Despite the fact that cultural property rights issues can be a delicate matter, it is important to show that there is still hope for an overlapping consensus among conservationist and pro-restitution group.</p>

Throughout the course of human civilizations, archaeology is considered as a tool that can be manipulated to achieve certain kind of objectives. For centuries, people struggle for the rights of possession of certain artifacts with significant meanings to their collectivity. One of the main aspects of the debate in archaeology is ethics, and how it plays a big role in mapping out a state of difficulty that needs to be resolved. This thesis deals with the issues of cultural property rights, and evaluating some moral stands behind the argument, by looking at Lord’s Elgin marbles case as a starting point. Could the marbles be considered as stolen properties bought from Lord Elgin? Is repatriation indispensable? Does the Ottomans Empires and Lord Elgin has the right to dispose and bring home the marbles, respectively, at the first place? These questions would be analyze through both conservationist and “repatriationist” perspectives, Robert Nozick’s philosophical perspectives on cultural property rights and the cosmopolitanism’s views on dealing with antiquities and artifacts restitution. Despite the fact that cultural property rights issues can be a delicate matter, it is important to show that there is still hope for an overlapping consensus among conservationist and pro-restitution group.

La investigación científico-técnica que presentamos a continuación tiene como objetivo principal la dotación de instrumentos para el conocimiento y la divulgación del patrimonio histórico-artístico del sur del Antiguo Reyno de Valencia. Ante la actual fragmentación del ecosistema, el acaparamiento de suelo y la dispersión de la oferta cultural; el estudio se sustenta en el diseño de programas didácticos para explicar los procesos de divulgación de las formas artísticas. En contraposición a los actuales modelos de difusión publicitaria, la propaganda turística y el espectáculo del museo, la tesis doctoral responde a la insuficiente gestión de las normativas de protección y conservación vigentes, para dar un valor integral a estos recursos desde una acción divulgativa. Desde una concepción holística abordamos el estudio del monumento artístico, no como un elemento aislado, sino como signo, producto de las relaciones que se establecen a través de las vías de comunicación. En un inventario-guía trataremos de dotar de valores a las antiguas rutas y su papel en la vertebración de las actividades sociales, conectando así nuestros orígenes con el mundo contemporáneo. La creación de modelos funcionales de producción cultural pasa por el desarrollo de estructuras científicas estables en cuanto a definiciones y clasificaciones, en las que se van introduciendo elementos más ambiciosos. Esta reflexión nos motiva el replanteamiento de una serie de premisas en relación con la administración de los recursos y la anticipación en el proceso de interpretación ambiental con el fin de crear instrumentos de diálogo cultural. Ante la actual dialéctica entre la cultura de la marca del museo y los modelos sociales de producción cultural, optamos por situarnos en el contexto de la educación para los valores de la naturaleza, reconociendo la cultura de un pueblo a través de los artificios que introduce cada civilización afectando a la cultura constructiva, el espacio urbano, el territorio y el paisaje. A partir de la recuperación de las vías de comunicación no sólo dotamos de valores a los recursos naturales y culturales también integramos los elementos a proteger y conservar, rentabilizando el paisaje en beneficio de las comunidades en declive. El planteamiento para la consecución de un programa interpretativo actualizado se manifiesta en las ideas de viaje espacio-temporal y la recreación panorámica de las manifestaciones culturales desde la Prehistoria hasta el s. XX. En el tránsito por los caminos entre el Júcar y el Vinalopó consideramos las características geográficas y los ecosistemas, factores que favorecen la continuidad de numerosos semblantes culturales entre los núcleos de poblaciones establecidos en la orografía montañosa, l´horta y el litoral marítimo. Los aspectos de diálogo y dialéctica cultural derivan de los conceptos de estacionalidad y frecuencia. Estas pautas continuistas vienen condicionadas por los cambios medioambientales, los procedimientos de colonización y la resistencia o asimilación de los mismos. La intensidad de los flujos culturales nos sirve para desplegar una serie de circuitos didácticos vinculados con el estudio de las vías y caminos que atraviesan la escenografía del litoral meridional. El término itinerario como recorrido o ruta lo relacionamos con la cartografía, donde el plan de viaje sigue las indicaciones del camino y las paradas, incorporando en el trayecto aquellos conjuntos y elementos a proteger, permitiéndonos la introducción en un universo de tradiciones que van más allá de localismos para participar de la historia social del arte universal. / The scientific-technical investigation that we present here, has as its objective the provision of tools for knowledge and the tranmission of historic-artistic heritage in the South of the Antiguo Reyno of Valencia. In the face of the current fragmentation of the ecosystem, the monopolization of land and the dispersion of cultural offerings, the study is based on the design of didactic programs to explain the dissemination process of artistic forms. In contrast to the current models of disseminating publicity, touristic propaganda and the spectacle of the museum, the doctoral thesis responds to insufficient management of rules for protection and conservation that are in force, using a popularising effort to help imbue these resources with integral value. Starting with a holistic conception, we broach the study of artistic monuments, not as an isolated element but rather as a signifier, a product of the relationships that are established via routes of communication. In an inventory-guide we attempt to give value to the old routes and their role in underpinning social activity, thereby connecting our origins to our contemporary world.The creation of functional models of cultural production goes through the development of stable scientific structures of classification and definition, into which more ambitious elements are then introduced. The reflection motivates us to the positing of a series of related premises concerning the administration of resources, and advance participation in the process of environmental interpretation, with the end of creating instruments of cultural dialogue. In the face of the current dialectic between the culture of the museum brand and the social models of cultural production, we choose to situate ourselves in a context of education on the values of nature, recognising the culture of a town through the artifices which each civilisation introduces in the name of cultural construction, the urban space, the territory and the landscape. From this point on, the reclaiming of the routes of communication, we are not only giving value to the natural and cultural resources, we are also introducing the elements which must be protected and conserved, making the land profitable for the benefit of communities in decline.The plan for the realisation of an working interpretative programme manifests itself in ideas of spatio-temporal journey, and the panoramic recreation of cultural manifestations from Prehistory up to the 20th Century. In transit on the roads between Jucar and Vinalopo, we consider the geographic characteristics and the local ecosystems; factors which favour the continuity of numerous cultural similarities between the nuclei of population established in the mountainous terrain, the horta and the sea coast. The features of cultural dialogue and dialectic derive from the concepts of seasonality and frequency. These constant guidelines are conditioned by environmental changes, proceeding from colonisation, and resistance or assimilation in the face of it. The intesity of cultural flows serves to unfold a series of didactic circuits linked to a study of the roads and paths that traverse the scenery of the southern coast. The final itinerary, as a crossing or a route, is conveyed with cartography, where the trip plan follows the indications of roads and rests, with those elements incorporating in the trajectory those elements and groups which need protection; allowing us to introduce a universe of traditions, going further than localisms, in order to participate in a social history of universal art.

The present study is the result of a research involving the community of Silveira Martins RS It‟s aimed to investigate, interpret and register data about historically relevant buildings in the region. It presents information not only about the building‟s architectural structure but also involves family's stories, local tales and relevant facts about the community's culture. Data about twenty local historical buildings was gathered by interviewing the local population taking into consideration not only the geographic location and architecture features but also their personal stories in relation to the premises. A literature search revealed the importance of public awareness and that the availability and interpretation of the data related to these buildings have the power to mobilize both the community and the visitors to preserve and share their heritage by attaching a significance that goes beyond the historical one to include cultural personal value to the structures. The research also include data about construction and renovations throughout the 20th century and finishes by discussing the key point of the study:Our historical heritage. / O presente trabalho, realizado com a comunidade do município de Silveira Martins-RS, é resultado de uma pesquisa que objetivou descobrir, interpretar e registrar dados sobre os imóveis de relevância histórica deste município, resultando em um trabalho que aborda não só sobre dados físicos dos imóveis levantados, mas sobre histórias de famílias, causos , acontecimentos importantes e muitos outros fatos de genuinidade relevante. Utilizando o método da história oral, para apreender informações sobre vinte imóveis considerados de relevância histórica, considerando como critérios apenas a localização (área urbana) e a tipologia (arquitetura civil), e uma pesquisa bibliográfica que possibilitou um recorte teórico que aborda como a apreensão, interpretação e publicação dos dados coletados pode dinamizar a comunidade e os visitantes/turistas a conservarem o patrimônio edificado, conferindo-lhe uma importância que transcende o significado fisicamente materializado, considerou-se que a interpretação patrimonial através da oralidade e de sua utilização como recurso para o desenvolvimento turístico pode ser uma forma alternativa de preservação do patrimônio histórico, já que lhe confere importância além do seu valor material. Uma importância sentimental. A pesquisa também documenta dados sobre a data das construções e suas modificações no percurso do século XX, tendo em vista a não existência de dados oficiais sobre os imóveis, e encerra propondo uma crítica ao tema âncora do trabalho, ou seja, o Patrimônio.

This search aims to discuss culture studies of lithic material present in mounds. As start point to understand this structures, as to as builders, dedicate itself to analyze of lithic collections. The pieces in question in this search are proceeding from of archaeological excavation realized in the year 2004 in hillocks denominated Butuy 1 and Butuy 2 in São Borja/RS. Our objective is to group theorical and methodological subsidy to analyze the material culture and to understand a few about way of life of mounds builders from south region of Brazil. When studied the lithic material culture, it understood the analyze of lithic material is a derivation that need in information structured that help cultural rebuilding of one or various groups. So, attentive the studies possibilities, finds itself to infer about manufacture technical and utilizations, that reported with decisions cultural and individual of changes groups. It verify that the recurrent tolls are little scrapers and retouch slices. Make´s technical is direct percussion and grate improvement of prime matter. / Este trabalho visa apresentar algumas discussões acerca dos estudos da cultura material lítica presente em montículos (cerritos). Como ponto de partida para o entendimento destas estruturas, bem como de seus construtores, voltou-se para a análise de suas coleções líticas. As peças em questão nessa pesquisa são provenientes de escavações arqueológicas efetuadas no ano de 2004 nos montículos denominados Butuy 1 e Butuy 2 em São Borja/RS. Buscou-se elencar subsídios teórico-metodológicos para analisar a cultura material e entender um pouco sobre o modo de vida dos construtores de cerritos da região sul do Brasil. Ao propor o enfoque desse estudo na cultura material lítica, entende-se que a análise do material lítico é um procedimento que auxilia na estruturação de informações que servem de base para a reconstrução cultural de um ou vários grupos. Assim, atentos às possibilidades de estudo, procurou-se inferir sobre as técnicas de manufatura e utilização, as quais estiveram de alguma maneira relacionadas com seleções e decisões em nível cultural e individual dos grupos que as transformaram. Verificou-se que os instrumentos recorrentes são pequenos raspadores e lascas retocadas. A técnica de fabricação dos artefatos incluiu a percussão direta e grande aproveitamento da matéria-prima.

Cultural patrimony or heritage is made of a set of ideas, objects of the naturallandscape,artistic creations, buildings, technologies, etc., that accumulate through time and are passed to the descendants of a place as their footprints. This heritage deserves to be studied from the geographical point of view because it is a very important factor to understand the differing ways of spatial organization even in homogeneous territories. Cultural heritage gives birth to identity feelings to places that people adopt as theirs. This lead them to group in different sets that may be studied at local, regional, nationaland international levels. / El patrimonio cultural o herencia está formado por el conjunto de ideas, objetos del paisaje natural, creaciones artísticas y construcciones, tecnologías, etc., que se acu­ mulan a lo largo del tiempo y que los pueblos reciben de sus antecesores como huella de su paso por un lugar dado. Esta herencia merece estudiarse desde el punto de vista geográfico por cuanto actúa como un factor importante para entender las formas de organización del espacio. La herencia cultural crea sentimientos de identidad con lugares que las gentes adoptan como suyos. Esto los lleva a agruparse y formar nú­cleos diferenciados que pueden estudiarse en escala local, regional, nacional, interna­cional.

Analisar como são acionadas as identidades e as marcas da Secretaria do Patrimônio Histórico e da UFRGS em peças de comunicação, na captação de recursos para o Projeto de Restauração do Patrimônio Histórico e Cultural é o objetivo dessa dissertação. Para tanto, optou-se pela pesquisa bibliográfica, referencial, análise documental, entrevista em profundidade e análise de conteúdo. Com base em referencial teórico ligado às temáticas em questão, foram traçadas as identidades da Secretaria do Patrimônio Histórico - SPH e da Universidade Federal do Rio Grande do Sul, instituição educacional a qual esta Secretaria está vinculada. Posteriormente foram analisadas as marcas dos mesmos sujeitos. Finalmente avaliou-se a comunicação realizada, através de Análise de Conteúdo de peças de comunicação de massa, anúncios veiculados no Jornal Zero Hora no primeiro semestre de 2009. Percebeu-se que as características das identidades e das marcas identificadas na primeira etapa do trabalho estavam presentes nos anúncios realizados e também afetavam a gestão das mesmas. Estes fatores denotam que tanto a UFRGS quanto a SPH carecem de um processo organizado de gestão da identidade e da marca. / To analyze how are and work the identity and brands of Historic Patrimony Department and of Federal University of Rio Grande do Sul (UFRGS) in communication pieces for the Restoration Project of the Heritage fundraising is the goal of this dissertation. To do that, it was chosen bibliographic and referential researches, document analysis, in-depth interviews and content analysis. Based on the theoretical framework on the issues under investigation, it was determined the identity of the Historic Patrimony Department and of UFRGS, educational institution, which the Department is bound. Subsequently there was brands analysis over the same subjects. Finally, there was an evaluation on that communication through content analysis from mass media parts, advertisements displayed in the Zero Hora in the first half of 2009. It was noticed that the characteristics of identity and the brands identified in the first stage of this study were presented in the ads achieved and they also affected their management. These factors denote that both the UFRGS and the Department have a lack of an organized process of identity management and brand.