<p>This dissertation extends our knowledge of digital affordances in communicating complex scientific information by building and testing a climate change adaptation website for the Colombian coffee sector, <a href="http://www.climaycafe.com/">www.climaycafe.com</a>. This project offers both a practical component (scholarship of engagement) and theoretical component (extension of our understanding of the objective/subjective nature of affordances). Practically, it seeks to create a collaborative and tailored science communication solution for improved information access to support climate change adaptation. Theoretically, it extends our understanding of affordances in a digital environment through a qualitative assessment, specifically how occupational identity influences the subjective nature of affordances. Data is gathered through an iterative qualitative assessment of users’ interpretation of the perceived affordances on the website. The results demonstrate that occupational identity has an influence on perceived digital affordances, particularly influenced by (1) Perceived Social Status of Occupation, (2) Perception of Value Based on Occupational Demands, (3) Occupational Influence on Perceived Reliability and (4) Usability Preferences Based on Occupation. We additionally found that as creators we can set general goals for digital tools and achieve general success in obtaining them, but ultimately the users will dictate their needs within this broader framework. Lastly, there is a self-identified need for more practical knowledge and information access for coffee farmers in these regions of Colombia around climate change adaptation.</p>

Studies show that individuals over 65 years are underrepresented by those who utilizes digital health meetings. Since this is a relatively new research area there is not much previous research on how individuals’ attitudes towards digital health meetings in Sweden differ depending on age, and why. By conducting one study group with six respondents aged between 25-30, semi structured interviews with five older respondents aged between 63-75, and one semi structured interview with a Usability Specialist at Kry, this study aims to investigate how the attitudes differs between younger and older individuals, and how these attitudes are managed by digital healthcare actors. The results show that the younger respondents had a more positive attitude towards digital health meetings, mostly because of previous experience of the service. The physical contact proved to be more important to the older respondents in relation to trust. The younger respondents also experienced a normalized view of digital health meetings. To make older individuals experience a more normalized view of digital health meetings, they need more knowledge about the service. As the study was done during the 2020 Covid-19 pandemic, the virus is assumed to affect this, and hurry the normalization process of these services.

This study explored undergraduate and graduate students' attitudes toward the pleasurability of educational gamification in online learning environments. The study is a sequential explanatory mixed-methods research that investigated students' attitudes quantitatively, then qualitatively. In the quantitative phase, an online survey, the Pleasurable Learning Experiences scale (PLLEXs), was administrated at one of the largest public southwestern universities in the U.S. (N = 119). The qualitative phase involved conducting eight semi-structured interviews with selected participants. The PLLEXs uses a 4-point Likert scale that encompasses 4 subscales: (a) Preferences for Instructions, (b) Preferences for Instructors' Teaching Styles, (c) Preferences for Activities, and (d) Preferences for Learning Effectiveness. A series of analyses of variances (ANOVAs) were used to identify predictors of students' overall attitudes toward educational gamification. The main findings were: (a) students had strong preferences toward educational gamification with Preferences of Instructions rated the highest subscale and Preferences for Activities rated the lowest subscale, (b) major was a statistically significant predictor of students' attitudes toward educational gamification, (c) international students had statistically significant lower preferences toward educational gamification compared with U.S. domestic students, (c) online learning experiences measured by the number of previous online courses and the number of hours spent weekly on computers for academic-related work were statistically significant predictors of students' attitudes toward educational gamification, (d) instructor's feedback was the most important aspect and online collaboration was the most challenging aspect in online learning environments, and (e) the use of multimedia in LMSs can support or hinder teaching and learning activities.

Ce mémoire porte sur l’impact des interactions faites par le musicien lors d’une séance d’interprétation musicale en jazz incluant de l’improvisation. L’analyse est basée sur le matériel phonographique et les transcriptions de deux pièces exécutées par le trio composé de Jan Garbarek, le saxophoniste norvégien, Egberto Gismonti, le pianiste et guitariste brésilien, et Charlie Hayden, le bassiste américain. L’analyse fait une comparaison entre les mêmes pièces jouées en studio et en concert live, à partir d’une base théorique incluant le processus de l’improvisation ainsi que les affordances, concept emprunté à la psychologie écologique et adapté à la musicologie. Les résultats de cette recherche indiquent que le processus d’improvisation est affecté par les invariants liés à l’environnement de performance. Cette analyse est un premier pas vers une compréhension contextualisée des éléments environnementaux qui influencent l’improvisation dans la musique jazz. / The following master’s thesis considers the impact of the interactions affecting a musician during a jazz performance including improvisation. The analysis considers the phonographic source material and transcriptions of two tracks performed by the trio composed of the Norwegian saxophonist Jan Garbarek, the Brazilian pianist and guitarist Egberto Gismonti, and the American bass player Charlie Haden. The analysis focuses on two tracks that were both recorded in studio and live during a concert of the trio, and is based on the theoretical notions of improvisation as well as affordance theory, which was originally developed in the field of environmental psychology and then adapted to musicology. The results of this research indicate that the process of improvisation is affected by the invariants relating to the location of the performance. This analysis is a first step towards a contextualized understanding of the environmental elements that can influence improvisation in jazz.

I och med att undervisningen på distans ökar i popularitet så läggs det större vikt på distansstudenternas välmående. Distansundervisning bedrivs dock i nuläget på ett sätt som motsätter sig studerandes efterfrågan om social gemenskap vilket skapar en känsla av isolering. Att berika lärplattformar med sociala affordanser och element från sociala nätverkssajter är ett försök att öka social närvaro på lärplattformar. I denna uppsats utforskas hur samhörigheten mellan distansstudenter kan förbättras på lärplattformar och vilka affordanser som kan berika lärplattformar utöver de som redan har beforskats. Studien resulterar i 2 element (Integritet och Samarbete), 3 sociala affordanser (Social anslutning, Social interaktion och Profilbyggnad) och 1 innehållsaffordans (Innehållsdelning) som har identifierats utifrån respondenternas preferenser i förhållande till sociala nätverkssajter. Funktionaliteterna som kopplas samman med dessa identifierade element och affordanser gestaltas genom en skiss i resultatet. Detta för att förtydliga hur en möjlig applicering på lärplattformar kan förbättra kommunikationen och den sociala närvaron mellan de studerande. / As distance education is increasing in popularity more emphasis is placed on the wellbeing of distance students. However, distance education is currently conducted in a way that opposes students’ demand for social community, which creates a feeling of isolation. Enriching learning management platforms with social affordances and elements from social networking sites is an attempt to increase social presence on learning management platforms. This essay explores how to improve the relationship between distance students on learning management platforms and which affordances may enrich learning management platforms besides those that have already been researched. The study results in 2 elements (Privacy and Collaboration), 3 social affordances (Social connectivity, Social interactivity and Profile building) and 1 content affordance (Content sharing) that has been identified based on the respondents preferences in relation to social networking sites. The functionalities associated with these identified elements and affordances are presented through a sketch in the result. This is to clarify how a possible application on learning platforms can improve communication and the social presence between the students.

Les partisans de l’approche énactive soutiennent que la cognition se constitue à travers l’histoire des différentes formes d'interaction (biologique, sensorimotrice, intercorporelle, linguistique, etc.) entre un vivant et son environnement. Ces interactions ne sont pas aléatoires, mais des activités obéissant à certaines normes que les énactivistes appellent sense-making. La cognition est, de ce point de vue, une forme de sense-making. Malgré les avantages indéniables que confère une telle perspective pour étudier la cognition, la présente thèse développe un point de vue critique par rapport à l’approche énactive et soutient qu'il est nécessaire d'approfondir notre compréhension de la dimension écologique du sense-making. Le but principal de la thèse est en conséquence de montrer que l'environnement joue un rôle encore plus important que l’approche énactive ne lui attribue habituellement. En m'engageant de manière critique dans le répertoire conceptuel de la cognition énactive, de la phénoménologie et des approches écologiques de la cognition, l’objectif de cette thèse consiste à poser les bases conceptuelles d'une approche énactive-écologique de la cognition. Pour ce faire, la thèse s’attèle à mettre de l’avant trois idées principales. La première consiste à redéfinir le concept du sense-making : contrairement à la conception qui s’est traditionnellement imposée dans le mouvement énactif, nous allons démontrer qu’il s’agit d’un phénomène de développement (et non de création) de normes. La rencontre du corps et du monde est toujours ancrée dans un champ normatif prédéfini, de sorte que nous devons réévaluer le rôle que joue l'environnement dans les processus de sense-making. En effet, si les agents se retrouvent toujours-déjà plongés dans un champ normatif (et non dans un environnement purement causal et physique), il faut alors reconnaître que l'environnement joue un rôle actif dans la constitution et l'auto-transformation des normes de sense-making. La deuxième idée poursuit dans cette veine et porte sur cette nouvelle conception de l'environnement, qui est ici défini comme un champ normatif actif, incarnant une tension entre le passé habituel du système agent-environnement et les contingences incessantes des événements du monde qui poussent le système vers leur auto-transformation et développement. La troisième idée principale de cette thèse consiste en une description holistique du champ d'action des agents (un lieu énactif) et des normes édictées (enacted) par des processus de sense-making sur le terrain (normes de lieu). Une esquisse générale du lieu énactif montre que les activités de sense-making sont liées à des processus écologiques qui enchevêtrent de multiples agents et localités matérielles dans un réseau écologique local. Ces réseaux écologiques forment une unité systémique et résiliente qui se déploie dans le temps avec les habitants du lieu, et fonctionne comme un champ normatif qui contraint et motive l'auto-transformation de chaque système agent-environnement / Supporters of autonomist enactivism or the enactive approach claim that cognition is a phenomenon constituted by the historical development of different forms of interaction (biological, sensorimotor, intercorporeal, and linguistic) between living bodies and their environments. For autonomist enactivists, the nature of these interactions is not entirely predetermined by general laws of causation but by norms enacted in the historical path of the agent-environment system, and thanks to processes of sense-making. Cognition is, from the enactivist standpoint, a form of sense-making. While there are multiple advantages in holding such perspective to study mind and cognition, this thesis develops a critical point of view and argues that it is necessary to deepen our understanding of the ecological dimension of sense-making. Specifically, the thesis aims to show that the environment plays a more critical role than autonomist enactivism usually attributes to it. By drawing on and critically engaging with the conceptual repertoire of enactive cognition, phenomenology, and ecological approaches to cognition, my objective is to set the conceptual foundations for an enactive-ecological approach to cognition. For this task, I propose three interrelated ideas. The first redefines sense-making as a phenomenon of norm development. The most common descriptions of sense-making involve the emergence of meaning from raw physical matter thanks to the activity of living organisms. As norm development, by contrast, sense-making refers to a constant enactment and re-enactment of norms of interaction from other pregiven norms, previously enacted in the past of the agent-environment system. I argue that the encounter of the body and the world is permanently embedded in a pregiven normative field and never in an abstract void where raw physical interactions occur. From this standpoint, we need, however, to re-evaluate the role that the environment plays in sense-making processes. If agents find themselves immersed in normative fields and not in raw physical landscapes, then the environment has a more active role for the constitution and self-transformation of sense-making norms than autonomist enactivists have acknowledged. In this vein, the second main idea of this thesis concerns the environment as an active normative field that incarnates a tension between the habitual past of the agent-environment system and the ongoing contingencies of worldly events that push the system to their self-transformation and development. The third main idea of this thesis consists of a holistic description of the field of action of agents (enactive place) and the norms enacted by processes of sense-making in the field (place-norms). A general sketch of enactive place shows that sense-making is tied to processes that entangle multiple agents and material localities into a local ecological web. An enactive place constitutes a systemic and resilient unity that unfolds in time altogether with its inhabitants, working as a normative field that constrains and motivates the self-transformation of each agent-environment system. Bodies are therefore part of wider unities of historical development: places.

No description available.

The purpose of this thesis is to increase the understanding of political party organizations' digital communication by investigating what and how Swedish political youth associations communicate on TikTok. The purpose is realized through a case study of two youth associations, Moderata Ungdomsförbundet (MUF) and Sveriges Socialdemokratiska ungdomsförbund (SSU). The material is collected from a three-month period (November 1, 2023 - January 31, 2024) and the method of the thesis is a combination of quantitative multimodal content analysis and thematic analysis. The theoretical framework provides an understanding of the youth associations' conditions and expectations as an organization, as well as the media logics and norms that they need to adhere to in their communication. In the result it became clear that what the youth associations communicate differs. The most frequently communicated content from SSU consisted of entertainment content, closely followed by political content. MUF mostly focused on political content, but entertainment was also seen. Like previous research, only a small part of the material consisted of personal content. In terms of how the youth associations communicate, there was a similarity in that both associations used a comic style frequently, something that is typical for the platform and thus becomes a way for the youth associations to adopt the current style on TikTok. Similar to previous research, however, there was a lack of interactive tendencies on the part of MUF, which the platform invites. SSU appeared to use the interactive style in about half of the material. Similar to previous studies, we found that both SSU and MUF were diligent users of affordances such as music, audio, text, hashtag and location features. Tendencies we could see in how the youth associations communicated were also that they use platform trends and vernaculars frequently, which differs from previous research. We could thus state that both youth associations showed an adaptation to the platform dynamics.

Cette recherche s’intéresse à l’interrelation entre l’expérience de l’art public et celle du paysage. Elle se penche sur l’art public utilitaire, plus précisément sur le cas de quatre œuvres-banc situées dans le Parc linéaire de la rivière Saint-Charles, à Québec. La position assise suggérée par ces productions artistiques occasionne un contact sensoriel direct avec l’œuvre, mais surtout, elle orchestre un retournement du regard vers le paysage selon une posture et un angle de vue définis. L’activation de la fonction de banc par l’action de s’y asseoir, ou du moins la compréhension de cette possibilité d’usage, donne alors accès à une expérience du paysage environnant qui, loin d’être fortuite, fait partie intégrante de l’œuvre-banc. Cette étude analyse ainsi les œuvres-banc afin de mieux comprendre comment elles sont reçues par le public, mais également comment elles participent à l’expérience paysagère. Les réponses obtenues à la suite d’un questionnaire en ligne ont permis d’évaluer les différents aspects de la compréhension et de l’exploration de la fonction de banc des œuvres, selon une grille d’analyse conçue en adaptant certains postulats de la théorie des affordances de Gibson (1979; 2014), de la matrice de préférences de Kaplan & Kaplan (1989a, 1989b) et du modèle environnemental de Carlson (1979) aux enjeux de la recherche. Les données cumulées et traitées ont ensuite permis de démontrer que les œuvres-banc participent à une expérience paysagère de qualité. Cette contribution est principalement liée à la position assise suggérée par l’œuvre, elle qui invite les usagers du parc à s’immerger dans la scène tout en offrant une perception multisensorielle du paysage. En somme, cette recherche a fait émerger des constats sur l’apport des œuvres d’art à l’aménagement de l’espace public et à la qualité de l’expérience vécue par les citadins, deux volets sous-explorés de la recherche en art public. / This research questions the relationship between the experience of public art and that of the landscape. It focuses on utilitarian public art, more specifically on the case of four artistic benches located in the Saint-Charles River Linear Park, in Quebec City. The seated position suggested by these artistic productions causes direct sensory contact with the work, but above all, it orchestrates a reversal of the gaze towards the landscape according to a defined posture and angle of view. The activation of the bench function by the action of sitting on it, or at least the understanding of this possibility of use, then gives access to an experience of the surrounding landscape which, far from being fortuitous, is an essential aiming of the artistic bench. This study thus analyzes artistic benches in order to better understand how they are received by the public, but also how they participate to the landscape experience. The answers obtained following an online questionnaire allowed to evaluate the different aspects of under-standing and exploring the bench function in the art piece. An analysis grid was designed by adapting certain postulates of Gibson's affordance theory (1979; 2014), Kaplan & Kaplan's preference matrix (1989a, 1989b) and Carlson's environmental model (1979). The data ana-lyzed according to this grid then made it possible to demonstrate that the artistic benches contribute to a quality landscape experience. This contribution is mainly linked to the seated position suggested by the work, which invites park users to immerse themselves in the scene while offering a multisensory perception of the landscape.

No description available.