Diploma thesis deals with the psychological care and psychological guidance and their potentialities and availability for people or their close ones, who need help in period of diseases or disease effects. There is only psychiatrist-consultation care of psychic condition of patients in most of medical centres, but all diseases affect the psychic condition, even for patient´s close ones. Good psychic condition linked up with changed social condition is very important for successful cure. If the patients have low stress tolerance there is a risk, that every disease causes the hard life situation. Psychological care and cooperation with the doctor, medical staff, rehabilitation and social workers also as the communication competence can highly increase the quality of life of patients and their relatives.

Made available in DSpace on 2016-12-23T14:34:13Z (GMT). No. of bitstreams: 1 Renan Mendonca Ferreira.pdf: 657238 bytes, checksum: 276150b7481bc04e6df4f4ca042c42ef (MD5) Previous issue date: 2011-02-28 / The objective of this research is to contribute to the elucidation of the thematic and ideological content of the poems by Augusto dos Anjos. Will be addressed here its scientific and religious references, the mysticism, the psychoanalytic drives, the rhetoric, the anxiety of the poetic self augustiano and the death. The basic source of this study is the compilation, Eu e Outras Poesias by Augusto dos Anjos. The analysis of the poems contained in this work aims to provide an overview of the complexity of that poet who is often classified as pre-modernist / O objetivo desta pesquisa é contribuir para a elucidação dos conteúdos temáticos e ideológicos dos poemas de Augusto dos Anjos. Serão abordadas aqui suas referências científicas e religiosas, seu misticismo, as pulsões psicanalíticas, a retórica, a angústia do eu poético augustiano e a morte. A fonte básica deste estudo é a coletânea Eu e Outras Poesias, de Augusto dos Anjos. A análise dos poemas contidos nessa obra pretende proporcionar um panorama sobre a complexidade desse poeta que muitas vezes é classificado como pré-modernista

Partant de l’observation et de l’étude expérimentale (réalisée en Master 2) de situations de maladie d’Alzheimer débutante avec association d’une amnésie hippocampique, d’une anomie et d’une apraxie constructive pour l’espace projectif (syndrome S3A), nous proposons que la cooccurrence des troubles cognitifs et psychopathologiques peut être liée à une rigidification de la fonction symbolique, à savoir la réduction de l’empan de substitution d’un signifié par des signifiants. Nous examinons cette hypothèse à propos des troubles cognitifs en partant de la définition de la fonction symbolique (ou sémiotique) par Piaget. Nous l’étendons aux aspects psychopathologiques en partant de la symbolisation et de ses transformations. La notion de distance symbolique est évoquée à titre de dénominateur commun à tous ces processus, cible de la rigidification de la fonction symbolique. Elle pourrait être liée aux perturbations de la mémoire de travail, entraînant :_ Proactivement, une déstructuration des éléments attributionnels dans le réseau sémantique élargi, contribuant à la genèse des troubles cognitifs._ Rétroactivement, du fait de l’érosion des mécanismes secondaires, l’activation de phénomènes archaïques - dont l’angoisse de non représentation – et des défenses attenantes. Quelques implications psychothérapiques sont envisagées. / Starting from the observation and experimental study of Alzheimer's disease early situations with association of hippocampal amnesia, anomia and constructive apraxia for projective space (S3A syndrome), we propose that the co-occurrence of cognitive and psychopathological disorders may be linked to a stiffening of the symbolic function, namely the reduction of the span of substitution of a signified item by signifiers. We examine this hypothesis about the cognitive impairment on the basis of the symbolic function as defined by Piaget. We extend it to psychopathological aspects starting with the symbolization and its transformations. The concept of symbolic distance is mentioned as a common denominator for all these processes, as a target for the stiffening of the symbolic function. It could be related to working memory impairment, causing:_ Proactively, a destructuration of atributional elements in the “broad semantic network”, contributing to the genesis of cognitive impairment._ Retroactively, because of the erosion of secondary mechanisms, an activation of archaic phenomena - including the anxiety of non-representation - and of the archaic defenses.Some psychotherapeutic implications are considered.

Ce mémoire de maitrise s’intéresse à l’être-vers-la-mort dans Être et temps de Heidegger afin de montrer dans quelle mesure la pensée heideggérienne de la mort peut être comprise comme une manière d’affirmer la vie. En effet, une réflexion dirigée sur la mort permet à la réalité humaine de se comprendre à partir de la fin, selon sa finitude. C’est une caractéristique de la réalité humaine que d’être toujours « en devenir », la mort étant la possibilité limite qui vient mettre fin à ce caractère de possible. Une telle compréhension de soi permet alors le dévoilement de l’ensemble des possibilités de la vie en vue de la fin. Il s’agit de se comprendre et de comprendre nos possibilités pour ce qu’elles sont, c’est-à-dire finies. Dès lors, leur sens se trouve transformé, voire révélé. L’inauthenticité et l’authenticité sont pour Heidegger les deux façons d’affronter la mort, deux manières de vivre sa finitude. C’est dans l’authenticité que la réalité humaine sera elle-même et pourra vivre dans la pleine conscience de sa finitude. Il reste que la réalité humaine est d’abord et le plus souvent inauthentique. Ce mémoire se proposera donc en un premier temps de présenter ces deux modes d’être et de compréhension de l’être-là de la réalité humaine et accordera, en un deuxième temps, une attention particulière aux concepts d’angoisse et de fuite. La trajectoire suivra celle des paragraphes 46 à 54 d’Être et temps consacrés à l’être-vers-la-mort. La tâche finale sera de montrer en quoi une pensée de la mort permet de voir dans une nouvelle affirmation de la vie la conséquence d’un être-vers-la-mort authentique. / This master’s thesis examines being-towards-death in Heidegger’s Being and Time in order to show to what extent the Heideggerian thought of death can be understood as a way of affirming life. Indeed, a reflection directed towards death allows human reality to be understood from its end, i.e., according to its finitude. It is a characteristic of human reality to always be "in the making", death being the limiting possibility which puts an end to this character of possibility. Such an understanding of oneself then allows the unveiling of the full range of possibilities of life with a view to the end. It is about understanding ourselves and our possibilities for what they are, that is, limited and finite. Consequently, their meaning is transformed, even revealed. Inauthenticity and authenticity are for Heidegger the two ways of facing death, two ways of experiencing one’s finitude. It is in authenticity that human reality will be itself and can live in full awareness of its finitude. On the other hand, human reality is initially inauthentic. This thesis will therefore start by recalling the basic characteristics of these two modes of being and of understanding the being of human reality and will then pay particular attention to the concepts of anxiety and flight. The trajectory will follow that of paragraphs 46 to 54 of Being and Time devoted to Being-towards-death. The final task will be to show how a thought of death makes it possible to see in a new affirmation of life the consequence of an authentic being-towards-death.

The main objective of this research is to study the affinities between Brazilian writer Graciliano Ramos (1892-1953) and French philosopher and writer Albert Camus (1913-1961). More precisely, we tend to explores the reflections of camusian revolt in three Ramos' prose works: Barren Lives (1938), Anguish (1936) and São Bernardo (1933). The literary and philosophical direction of existentialism is outlined at the beginning of the thesis. Therefore, the first chapter is devoted to an explanation of Camusian existentialism and his philosophical concept of revolt, not only in his philosophical works, but also in his novels. The subsequent chapter focuses on the life and work of Graciliano Ramos. Thereafter the three aforementioned Ramos' novels are analyzed in order to uncover in them motives of existentialism solitude, anguish, revolt against society ─ all of the more or less interlinked by the problem of incommunicability. Powered by TCPDF (www.tcpdf.org)

Made available in DSpace on 2016-04-28T19:59:14Z (GMT). No. of bitstreams: 1 Maria Madalena Resina.pdf: 625606 bytes, checksum: 3ef35c5b04bfc05cd08fe7de812602b0 (MD5) Previous issue date: 2009-02-12 / Secretaria da Educação do Estado de São Paulo / The present dissertation aimed at studying the laughter manifestation and the risible in Luís Fernando Veríssimo s chronicles, especially in Bobos I (1982) and Ri, Gervásio (1987) which, according to the humor theory, emphasizes both, the laughter ambivalence and ambiguity, principally its serious perspective. Firstly, it is briefly explained the main characteristics of the chronicle genre, in which Veríssimo s humor it is manifested. The objective is to observe a certain relationship between genre and the object of study. Secondly, inside the risible context, it is pointed out not only the differences between the humorous and humor, based on the Pirandello s work (1996), but also the imprecisions which involve the humorous, according to Propp (1992) arguments and other authors, and the most part of them it is mentioned by him. It is exposed some of the humoristic characteristics used in the present study manifesting a ludic laughter and, above all, a reflexive laughter, which is proper of humor. Apart from that, an overview of Veríssimo s biography was developed, pointing out his mainly works, his way of writing and peculiar style. The referred chronicles which composed this research corpus were analyzed employing the language resources related to the humorous and humor. In order to conclude, anguish is presented not only as a strategy and a language phenomenon, but mainly as a powerful tool that the author makes use to critically portray situations which brings to light the anguish, the weakness and the human addictions, and also to provoke into the reader s mind a reflexive analysis on such situation / A dissertação tem por objeto de estudo a manifestação do riso e do risível, em crônicas de Luís Fernando Veríssimo, sobretudo em Bobos I (1982) e Ri, Gervásio (1987), que, analisadas à luz da teoria da comicidade e do humor, põem em evidência a ambivalência e a ambigüidade do riso, principalmente, sua face séria. Num primeiro momento, são brevemente explanadas as principais características do gênero cronístico, texto em que se manifesta o humor de Veríssimo, a fim de que se faça notar uma afinidade entre gênero e objeto de estudo. Numa segunda etapa, adentrando no universo do risível, apontamos não só as diferenças entre o cômico e o humor, apoiando-nos na obra de Pirandello (1996), mas também as imprecisões que envolvem o cômico, segundo os apontamentos de Propp (1992) e de outros teóricos, sendo que a maioria é citada por ele; expusemos alguns dos artifícios da comicidade utilizados em nosso estudo, que acabam manifestando não só um riso lúdico, mas, sobretudo, um riso reflexivo, próprio do humor. Além disso, fizemos um panorama da carreira literária de Veríssimo, destacando suas principais obras, sua escritura e estilo peculiares; analisamos as duas crônicas tomadas como corpus de pesquisa, aplicando os recursos de linguagem referentes à comicidade e ao humor e, por fim, procuramos apresentar a ironia não só como estratégia e fenômeno de linguagem, mas, principalmente, como arma poderosa, de que se vale o cronista, para retratar criticamente situações que põem à luz as angústias, as fraquezas e os vícios humanos, e suscitar, no leitor, uma análise reflexiva em torno de tais situações

Made available in DSpace on 2016-04-26T18:15:25Z (GMT). No. of bitstreams: 1 Nadia Maria Lebedev Martinez Moreira.pdf: 4678006 bytes, checksum: 73d01e7fc9a37307118ccc3bbf867acb (MD5) Previous issue date: 2015-12-11 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The research aim to establish a direct relationship between its subjects, the Oracle and the Media. The main hypothesis is that the media has an oracular character. This reflection seems to be new within the Media Theory studies, and speculates that the future has a present event status. The oracles, or oracular character figures, when performing their predictions, design the future in the present, building scenarios that guide both the individual in his private life, as the society as a whole. The adopted methodological strategy sought to develop an archeology of the oracles in the West - especially the Oracle of Delphi, given its importance to the emergence of Western civilization and its institutions, including the media itself understanding them as backers of information, also a defining characteristic of the media. Researches concepts proposed by the Theory of Media in the reflections of Norval Baitello, Harry Pross and Flusser. Anxiety about the future is read from Soren Kierkegaard and Carl Gustav Jung. Within the concept of cultural anxiety Rafael Lopez-Pedraza, thinks the relationship of individuals and society in the future, this relationship also studied by Julian Jaynes in his deconstruction of the bicameral mind. Also Norbert Elias, who investigates what he calls a society of individuals. The hypothesis is tested trough media examples that analyze topics such as the economic crisis brought by the US housing bubble; Brazilian water crisis in 2015; and predictions about games results in sporting championships / A pesquisa procurou estabelecer uma relação direta entre seus objetos de estudo, o Oráculo e a Mídia. A hipótese principal é que a mídia possui um caráter oracular. Essa reflexão parece ser nova dentro dos estudos da Teoria da Mídia, e especula sobre o futuro como um estado de acontecimento presente. São os oráculos, ou de figuras de caráter oracular, que ao realizarem suas previsões, projetam o futuro no presente, construindo cenários que orientam tanto o indivíduo em sua vida particular, quanto à sociedade como um todo. A estratégia metodológica adotada buscou elaborar uma arqueologia dos oráculos no Ocidente principalmente do Oráculo de Delfos, dada sua importância fundante para o surgimento da civilização Ocidental e de suas instituições, entre elas, a própria mídia , entendendo-os como veiculadores de informações, característica também definidora do midiático. A pesquisa estuda conceitos propostos pela Teoria da Mídia nas reflexões de Norval Baitello, Harry Pross e Vilém Flusser. A angústia com relação ao futuro é lida a partir de Soren Kierkegaard e Carl Gustav Jung. Com o conceito ansiedade cultural de Rafael Lopez-Pedraza, pensa-se a relação dos indivíduos e da sociedade com o futuro, relação essa estudada também em Julian Jaynes com sua desconstrução da mente bicameral. Além de Norbert Elias, que investiga o que ele mesmo denomina de sociedade dos indivíduos. A hipótese é testada a partir de exemplos midiáticos que analisam temas como a crise econômica instaurada pela bolha imobiliária americana; a crise hídrica brasileira em 2015; e previsões feitas sobre resultados de jogos em campeonatos esportivos

Dans ma recherche, je réalise une étude de deux cas cliniques d’enfants, âgés de 9-10 ans qui vivent, l’un dans le non dit de la maladie et l’autre dans le secret de la maladie. Ma problématique est celle-ci : Comment l’enfant infecté vivant dans le non-dit et le secret de la maladie vit cette angoisse de mort dans sa famille ? Comment il se représente sa famille, d’autant plus qu’il vit entre deux cultures. Les outils utilisés sont les dessins, le D 10, les génogrammes et les entretretiens. Je postule, d’une part que selon qu’il sait ou non le nom de sa maladie, l’enfant s’organisera différemment pour se défendre contre cette angoisse de mort. D’autre part, je postule que cette angoisse de mort induit chez ces deux enfants une perturbation de la représentation de la famille. Ce car ces deux enfants, de part leur origine, vivent entre deux cultures et cela génère entre autre des conflits culturels. Mes analyses ont montré, premièrement que l’enfant vivant dans le non dit montre une régression pour se défendre contre l’angoisse de mort. Deuxièmement, l’enfant vivant dans le secret utilise énormément les constructions imaginaires pour se défendre contre l’angoisse de mort. Troisièmement, les conflits familiaux et culturels qui sont présents par le jeu des transmissions, le déni de la maladie et l’omniprésence du secret cristallisent les problèmes. / During my research, I have the conducted a study on two children’s clinical cases, children aged 9-10, one living in a world where no one will speak about the illness and for the other in a world where the illness is a secret. My study is based on the following questions: How is the child infected by the virus, in both cases on the non spoken world and the secret world, living the anguish of death within their families ? How is that translated into the way they live within the family, particularly because they live between two cultures. Tools used are: drawing, D10, genograms and interviews. I propose that, depending whether or not he knows the name of his illness, the child will handle himself differently as he finds a way to defend against the anguish and anxiety of death. I also propose that living with this anguish of death will lead to a disruption in the way they live within their families. Based upon their different origins, the roots of these children living between two cultures, this can already generate differences and cultural conflicts. My analysis shows, first of all that the child living in the unspoken presents a regression in his fight against the anguish of death. Secondly, the child living in the secret builds many imaginary situations in order to fight this worry and anguish of death. Thirdly, the family and cultural conflicts present here by the game of transmissions, the denial of the illness and the omnipresence of the secret, crystallize the problems.

O presente trabalho de doutoramento em Literatura Brasileira, intitulado Graciliano Ramos: a dor e a náusea, consiste na análise dos quatro romances de Graciliano Ramos - Caetés (1933), São Bernardo (1934), Angústia (1936) e Vidas Secas (1938) - à luz de alguns preceitos básicos do expressionismo alemão, com o objetivo de propor um deslocamento de perspectiva em relação ao discurso hegemônico da historiografia e da crítica literária tradicional, que vêem essas obras como a expressão máxima de uma determinada região, em uma determinada época, limitando-as, portanto, a um contexto sócio-histórico e cultural bem definido. Para a leitura que aqui se propõe, no entanto, esses romances iluminam, numa linguagem enxuta e prenhe de significados intemporais, a força de convicção moral desse escritor que ostenta, através da deformação da realidade, uma emoção intensa, com toda uma carga de prospecção da dor humana. / The present doctorate work on Brazilian Literature, entitled Graciliano Ramos: the pain and the nausea, consists on the analysis of four novels by Graciliano Ramos - Caetés (1933), São Bernardo (1934), Angústia (1936) and Vidas Secas (1938) - at the light of some basic precepts of the German Expressionism, with the aim of purposing a perspective's displacement with regard to the hegemonic speech from the historiography and the traditional literary criticism which see these works as the maximum expression from a certain region on a certain period, restraining them, therefore, to a sharp-cut cultural and socio-historical context. To the reading purposed here, however, these novels enlighten, on a concise language full of timeless meanings, the force of moral conviction of this writer who exhibits, through reality's deformation, an intense emotion with a whole burden of human pain prospection. / El presente trabajo de doctorado en Literatura Brasilera, intitulado Graciliano Ramos: a dor e a náusea, consiste en el análisis de las cuatro novelas de Graciliano Ramos - Caetés (1933), São Bernardo (1934), Angústia (1936) y Vidas Secas (1938) - a la luz de algunos preceptos básicos del expresionismo alemán, con el objetivo de proponer un desplazamiento de perspectiva en relación al discurso hegemónico de la historiografía y de la crítica literaria tradicional, que ven esas obras como la expresión máxima de una determinada región, en una determinada época, limitándolas, por lo tanto, a un contexto socio-histórico y cultural bien definido. Para la lectura que aquí se propone, esas novelas alumbran, en un lenguaje enjuto y lleno de significados intemporales, la fuerza de convicción moral de ese escritor que ostenta, a través de la deformación de la realidad, una emoción intensa, con toda una carga de prospección del dolor humano.

CARVALHO , Evelyn Benevides. O papel do pai na fobia e na neurose obsessiva: o Pequeno Hans e o Homem dos ratos em Freud e em Lacan. 2006. 151f. Dissertação (Mestrado em Psicologia) – Universidade Federal do Ceará, Departamento de Psicologia, Programa de Pós-Graduação em Psicologia, Fortaleza-CE, 2006. / Submitted by moises gomes (celtinha_malvado@hotmail.com) on 2012-01-06T12:20:39Z No. of bitstreams: 1 2006_dis_EBCarvalho.PDF: 814361 bytes, checksum: 6f41d2cdad2649e2a1c4668261af9ca7 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-03-08T15:03:08Z (GMT) No. of bitstreams: 1 2006_dis_EBCarvalho.PDF: 814361 bytes, checksum: 6f41d2cdad2649e2a1c4668261af9ca7 (MD5) / Made available in DSpace on 2012-03-08T15:03:08Z (GMT). No. of bitstreams: 1 2006_dis_EBCarvalho.PDF: 814361 bytes, checksum: 6f41d2cdad2649e2a1c4668261af9ca7 (MD5) Previous issue date: 2006-11-24 / This work aims at thinking upon the actions of the father (here understood as father in reality) in his possible contribution in leading the son to an obsessive neurosis or phobia from the relationships that happen in the context of the Oedipal triangulation. As neurosis is a defense strategy in face of castration, which particularities in the desiring relationships could lead to one typical form of defense or another? If the obsessive conflict unfolds eminently in the level of thought and the phobic in the level of reality (in the relationship with the phobic object), what could generate this difference? Aiming at clarifying some aspects of the role of the real father in structuring the child’s neurosis, it is necessary to observe the very development of the paternal function in its real, symbolic and imaginary levels; the relationship of the father with several other elements of the family’s dynamics: the desiring dynamics in the parental couple, the way that each of them relates to the law, the elements that interfere in those relationships, how the circulation of the phallus takes place in each case, among others. We have decided to carry out a bibliographical research and selected the clinical cases ‘Little Hans’ and ‘Rat Man’ as the fundamental basis of our discussion, as we believe that the analysis of what is most particular can unveil universal aspects of each structure. Furthermore, we start from the principle that the Freudian text is not exhausted in its possibilities of surprising us and offering new questions. We utilize the Lacanian contribution (in an initial moment of his teachings) and another reading of those clinical cases. Authors such as Jerusalinsk, Julien, Dor, Ambertín, Gazzola, Melman, among others, are also summoned to enrich our discussion. We investigate the similarities and the differences in the way that the father, in each case, has performed his function, which is dual: restrainer and model of identification, as well as his possible consequences on the subject, the subject’s way of dealing with desire and castration. In phobia, to delimitate and allay the anguish, the subject needs to resort to the phobic object as a supplement to the paternal function that appears in an insufficient form in the relationship mother-son. This object comes to provide limits to the subject’s world, to demarcate points of danger and to serve as support to a series of symbolic-imaginary elaborations which can render possible a meaningful change, as in Hans’ case, in which there was an analytical intervention. In the obsessive neurosis, there is a subject tormented by recurring thoughts and driven to rituals as attempts of protection in face of danger, permanently in conflict with the phallic instance, oscillating between the wish of transgressing it and the devoted submission. A law that, for the obsessive has become difficult to elaborate, perhaps because it has been put in excessive or ambiguous way in the desiring context of the child. In the obsessive, the passage from the ‘being’ to the ‘having’ becomes more problematic due to the message of maternal dissatisfaction in relation to the husband. That makes it difficult to the subject to give up on his imaginary phallic identification, while at the same time he recognizes the existence and fears the instance of the law. As to the phobic, it can be that he has been more at the mercy of maternal desire, without a third instance to protect him of the risk of annihilation. ‘Killing (the father) or dying’ is the obsessive’s impasse. ‘Escaping (the maternal pleasure) is the phobic’s effort. This way, we attempt to bring our contributions, to recognize paradox and leave unanswered some questions that arise along the process and that can serve as a starting point to future research. / Este trabalho tem como objetivo pensar a atuação do pai (entendido, aqui, como pai da realidade), em sua possível contribuição ao encaminhamento do filho para uma neurose obsessiva ou fobia, a partir da relações que acontecem no contexto da triangulação edipiana. Sendo a neurose uma estratégia de defesa frente à castração, que particularidades nas relações desejantes poderiam conduzir a uma ou outra forma típica de defesa? Se a conflitiva obsessiva desenrola-se eminentemente no plano do pensamento; e a fóbica, no plano da realidade (na relação com o objeto fóbico), o que poderia gerar esta diferença? Visando esclarecer alguns aspectos acerca do papel do pai real na estruturação da neurose da criança, é necessário observar o próprio desdobramento da função paterna em seus níveis real, simbólico e imaginário; a relação do pai com diversos outros elementos da dinâmica familiar: a dinâmica desejante no casal parental, a forma como cada um de relaciona com a lei, os elementos que interferem nestas relações, como se dá a circulação do falo em cada caso, dentre outros. Optamos por uma pesquisa bibliográfica e elegemos os casos clínicos ‘Pequeno Hans’ e ‘Homem dos Ratos’ como base primordial de nossa discussão, pois acreditamos que a análise do que é mais particular pode revelar aspectos universais de cada estrutura. Além disso, partimos do princípio de que o texto freudiano não está esgotado em suas possibilidades de nos surpreender e oferecer novos questionamentos. Utilizamos a contribuição lacaniana (em um momento inicial de seu ensino) e sua releitura destes casos clínicos. Autores como Jerusalinsk, Julien, Dor, Ambertín, Gazzola, Melman, dentre outros, também são convocados a enriquecer nossa discussão. Investigamos as semelhanças e diferenças na forma como o pai, em cada caso, cumpriu sua função que é dupla: interditor e modelo de identificação, assim como suas possíveis conseqüências sobre o sujeito, a forma deste lidar com o desejo e a castração. Na fobia, para delimitar e apaziguar a angústia, o sujeito precisa lançar mão do objeto fóbico como suplência para a função paterna que comparece de forma insuficiente na relação mãe-filho. Este objeto vem fornecer limites ao mundo do sujeito, demarcar pontos de perigo e servir de suporte a uma série de elaborações simbólico-imaginárias que podem possibilitar um remanejamento significante, como no caso de Hans em que houve uma intervenção analítica. Na neurose obsessiva, observa-se um sujeito atormentado por pensamentos recorrentes e impelido a rituais como tentativas de proteção frente ao perigo, eternamente em conflito com a instância fálica, oscilando entre o desejo de transgredi-la e a submissão fervorosa. Lei que, para o obsessivo ficou difícil de elaborar, talvez por ter sido colocada de forma excessiva ou ambígua no contexto desejante da criança. No obsessivo, a passagem do ‘ser’ ao ‘ter’ torna-se mais problemática pela mensagem de insatisfação materna em relação ao marido. Isto dificulta o sujeito abrir mão de sua identificação fálica imaginária, ao mesmo tempo em que reconhece a existência e teme a instância da lei. Já o fóbico, pode ter ficado mais a mercê do desejo materno, sem uma instância terceira que o proteja do risco de aniquilamento. ‘Matar (o pai) ou morrer’ é o impasse do obsessivo. ‘Escapar (do gozo materno)’ é o esforço do fóbico. Desta forma, buscamos trazer nossas contribuições, reconhecer paradoxos e deixar em aberto algumas perguntas que se abrem ao longo do processo e que podem servir como ponto de partida para futuras pesquisas.