of the dissertation Lenka Uličná This study aims to present and interpret the Old Czech (so-called Canaanic) glosses preserved in medieval Hebrew rabbinic writings Arugath ha-bosem by Abraham ben Azriel, Or zarua by Isaac ben Moses and in the commentary to the Mahzor Nuremberg. So far, linguistic analyses of this language material have been based on the editions. The present work analyzes manuscript versions of the glosses and significantly refines the research. We consider the so-called Canaanic glosses primarily as a sociolinguistic subject and this attitude influenced the selection of methods used in this study. Due to the character of the language material, we had to combine the sociolinguistic methods with methods of contrastive linguistics, paleographic methods and analytical methods of diachronic linguistics. The results of this analysis are presented in dictionary entries and they provide a basis for the following characterization of the so-called Canaanic language and its position towards the so-called Jewish languages on the one hand and towards the Czech language of the Christian majority, on the other. The gloss is i.a. a manifestation of bilingualism of the productor of the text. Being aware of the insufficiency of one language he tries to secure the understanding of a certain term in...

From Metafiction to Self-reflexive Narration (Theory and Practice of Self-disclosing Fiction in Czech Literature) Mgr. Vladimír Trpka Abstract The doctoral thesis deals with metafiction as a key theoretical concept influencing both theoretical contemplations on self-reflexivity in narrative fiction and interpretation of the development of self-reflexive practice in literature. The main objective, based on an analysis of the most influential theoretical approaches to narrative self-reflexivity, is to propose such concepts of metafiction and self-reflexive narration that could be applied in the analysis of the self-reflexive practice in the Czech narrative fiction. The theoretical part focuses on examining the relationship between metafiction and narrative self- reflexivity. Metafiction is viewed as a concept that has not only replaced the concept of self-conscious novel, but it has also adapted it to the postmodern conception of fiction. The concept of fictionality in the theoretical concept of metafiction is directly related to postmodern discourse in which this concept was born. Consequently, an explicitly formulated and/or hidden relationship with constructivist philosophy of language, performativity, and linguistic nature of reality is found in the existing approaches to metafiction. Thus if the...

Este trabalho tem como objetivo anotar, traduzir e comentar uma parte da obra da escritora norteamericana Elizabeth Bishop (1911-1979), que viveu no Brasil durante cerca de vinte anos: seus textos de caráter jornalístico relacionados ao país. O mais extenso é o livro Brazil (1962), escrito sob encomenda dos editores da revista Life. O livro foi renegado pela autora, inconformada com as intervenções dos editores, e publicado sob coautoria. O cotejo entre os originais (preservados nos arquivos de Bishop, no Vassar College), o texto publicado em 1962 e as anotações da autora em seu exemplar (preservado na Harvard University) permite apontar as similaridades e, especialmente, os importantes contrastes entre a perspectiva de Bishop e a dos editores. Uma investigação sobre o momento em que o livro surgiu na vida da autora e na história do Brasil e dos Estados Unidos auxilia a compreensão não só do texto, mas também de sua escrita e dos episódios associados à sua edição. O trabalho se completa com a tradução e a anotação de outros cinco textos, dois dos quais ainda inéditos mesmo em inglês, vestígios de um projeto abandonado por Bishop: a elaboração de um novo livro sobre o país. / The aim of this work is to annotate, translate, and comment a part of the writings by Elizabeth Bishop (1911-1979), the North-American writer, who lived in Brazil for approximately twenty years, focusing on her journalistic texts about that country. Her largest piece is a book called Brazil (1962) which was commissioned by the editors of Life magazine. However, the book was rejected by the author who refused to accept the interventions made by the editors. As a result, they co-authored it. Comparing the original (preserved in the Bishop archives at Vassar College) with the published text allows us to compare two different views of Brazil, to highlight similarities and especially the important contrasts between them. A research on the period the book was published focused on the author\'s life, as well as on the history of both Brazil and the U.S.A. helps to understand not only the text itself, but also how it was written and the episodes associated to its edition. The present work includes five additional texts, remains of a project that was abandoned by Bishop: the making of another book on Brazil. Two of these texts have remained unpublished to date, even in English.

Denna uppsats består av en översättning av Abe Kōbōs korta novell Den magiska kritan (魔法のチョーク) från japanska till svenska och en översättningskommentar som främst fokuserar på tre olika kategorier ord eller uttryck som kan vara problematiska vid översättning från japanska. Dessa kategorier är kulturspecifika referenser, onomatopoetiska ord och västerländska lånord. Eftersom Abe Kōbō är en prisbelönt och internationellt erkänd författare och de rådande översättningsnormerna stipulerar att sådana författare bör översättas källtroget har jag valt att försöka arbeta utifrån en adekvansinriktad (källtrogen) översättningsstrategi. Detta innebär bland annat att jag i möjligaste mån försökt överföra författarens stil och hålla mig så nära källtextens betydelse som möjligt utan att måltextens språkbruk blir onaturligt. / This essay consists of a translation from Japanese to Swedish of the short story The Magic Chalk (魔法のチョーク) by Abe Kōbō and an accompanying commentary focusing on three categories of words or expressions that might pose a problem to translators of Japanese. These categories are cultural specific concepts, onomatopoeia and western loanwords. Since Abe Kōbō is an award-winning, internationally acclaimed author and the norm when translating such authors is to be source text oriented, I have chosen to translate using a adequacy-oriented strategy. In other words, I have tried to keep the original author's style and stay true to the source text as much as possible without making the target text sound unnatural.

Le traité des Catégories d’Aristote est l’une des premières œuvres de la philosophie occidentale traduite en chinois. Introduit par les jésuites en Chine au XVIIème siècle, sa traduction fut une confrontation entre la pensée gréco-chrétienne et la pensée chinoise. Elle nous renseigne sur le rapport entre la langue et la pensée. Le premier chapitre est un aperçu de l’environnement historico-culturel dans lequel cette traduction a été réalisée. Le deuxième chapitre présente notre méthode et nos outils de travail. Nous expliquons, dans le troisième chapitre, le titre de l’ouvrage en chinois : il est censé être la traduction du mot « logique », mais il est composé de mots qui renvoient à des doctrines philosophiques chinoises traitant de problèmes fondamentalement différents de ceux dont s’occupe la logique aristotélicienne. Les quatrième et cinquième chapitres constituent un commentaire de la traduction chinoise du premier chapitre du traité aristotélicien. Les différences linguistiques entre le chinois et les langues indo-européennes se révèlent tant sur le plan lexical que sur le plan grammatical. Nous terminons notre travail par une discussion sur la traduction du verbe « être ». Notre objet est de montrer que ce qui est perdu dans la traduction est moins le sens du mot « être » que sa syntaxe et le mode de pensée qui lui est lié. Étudier les intraduisibles en philosophie, c’est découvrir les différentes façons de thématiser et de problématiser, qui caractérisent chaque système de pensée. Cette étude de philosophie comparée gréco-chinoise espère contribuer à la réflexion sur la pluralité linguistique et culturelle. / Aristotle’s Categories is one of the first Western philosophical texts translated into Chinese. Since Jesuit missionaries introduced scientific thoughts into China in the 17th century, Chinese literati have shown a strong interest in the demonstration method that was originated in Aristotelian logic. This dissertation presents a detailed study of the Chinese translation Ming li tan, with the aim of addressing several issues on the relationship between language and thought. Chapter 1 is an overview of the historical and cultural environment in which the translation took place. Chapter 2 presents our approach to comparative philosophy. Chapter 3 discusses the translation of the title “Ming li tan”. The term “ming li” is used as a translation of the word “logic”, but is actually composed of terms referring to Chinese philosophical doctrines which deal with problems fundamentally different from those of the Aristotelian logic. Chapters 4 and 5 provide a detailed commentary of the Chinese translation of the first chapter of Categories, focusing in particular on three notions: homonym, synonym and paronym. We conclude our work with a discussion on the translation of the verb “to be” and its derivatives (e.g., being, substance), and explain the reasoning behind its various Chinese renditions. Our central claim is that what is lost in translation is less the literal meaning of word “to be” than its syntax and the way of thinking underlying the use of this word. The focus on translation provides a unique approach to studying linguistic relativism and linguistic and cultural pluralism. A good understanding of these issues is crucial for improving the intercultural dialogue.

Sports commentary is an essential part of live broadcasted sports as well as eSports and is a task that requires that the caster be verbally proficient and can maintain a high tempo when speaking, especially in more fast-paced sports. This study aims to analyze this promotional language sportscasters use by approaching it from the linguistic phenomenon of metadiscourse. This will be achieved by utilizing a theoretical framework adapted from previous research on eSports commentaries. By comparing a traditional sport, in this case mixed martial arts, with that of the eSport of Super Smash Bros. Melee, the aim is to see what differences can be found between the two sports’ commentaries and their use of metadiscursive promotional language. After comparing these two sets of commentaries, the results show that there are some differences in how promotional language is used to enhance the understanding and excitement of their respective sports. The major differences found are in how the two sets of commentaries use metaphors as well as that the eSport casters show a pattern of using evaluative adjectives in a more varied and colorful way. / Sportkommentatorer är en väsentlig del av live-sänd idrott såväl som eSport och är en uppgift som kräver att kommentatorn är muntligt skicklig och kan hålla ett högt tempo när hen talar, särskilt i sporter med högre tempo. Denna studie syftar till att analysera det promotionsbefrämjande språk som sportkommentatorer använder genom att närma sig det från det lingvistiska fenomenet metadiskurs. Detta kommer att uppnås genom att använda sig av ett teoretiskt ramverk som anpassats från tidigare forskning om eSports kommentarer. Genom att jämföra det med en traditionell sport, i detta fall mixed martial arts, med eSporten Super Smash Bros. Melee, är målet att se vilka skillnader som kan hittas mellan dem två sporternas kommentarer och deras användning av metadiskursivt promotionellt språk. Efter att ha jämfört dem två kommentarerna så visar resultaten att det finns vissa skillnader i hur promotionsbefrämjande språk används för att förstärka förståelsen och spänningen i deras respektive sporter. De största skillnaderna som fanns är i hur de två kommentarerna använder metaforer samt att eSports-kommentatorerna visar ett mönster av att använda evaluerande adjektiv i ett mer varierat och färgrikt sätt.

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The aim of this Master Thesis is to present an annotated translation of the first chapter of the novel Die Waffen nieder! (1889) from Bertha von Suttner that is presently functional. The novel was already translated under the title Odzbrojte! (1896). The first part of this Master Thesis contains the Czech translation of the first chapter from the novel itself. The second part, which is a translation commentary, divided into subchapters. The beginning of the translation commentary explains the choice of the original text and presents a detailed translation analysis. The next part of the translation commentary contains information about the strategy of solving translation problems, translation shifts and collaborative translation. Key Words: Bertha von Suttner, Die Waffen nieder!, Lay Down Your Arms!, translation analysis, translation commentary, translation problems, translation shifts

Denna uppsats utgörs av en kommenterad svensk översättning av den japanska novellen Wasureenu hitobito (1898) av Kunikida Doppo (1871–1908) genom en osedvanligt källtextnära översättningsprincip. I medföljande översättningskommentar redogörs för metoderna som använts för att återge vissa kulturella och stilistiska egenheter från källtexten både i den svenska måltexten och i en tidigare engelsk av Jay Rubin, samtidigt som graden av förfrämligande och domesticering i respektive översättning uppskattas. Resultaten visar tydligt på en högre grad av förfrämligande metoder i den svenska måltexten och av domesticerande metoder i den engelska. I den avslutande diskussionen om den svenska måltextens förmodade läsbarhet uppskattas att denna i viss mån har påverkats negativt som en direkt följd av den osedvanliga källtextnärheten. / This paper consists of a commented Swedish translation of the Japanese short story Wasureenu hitobito (1898) by Kunikida Doppo (1871–1908) using a translation principle unusually close to the source text. In the accompanying commentary, the methods used in conveying certain cultural and stylistic features from the source text, both in the Swedish target text and in an earlier English one by Jay Rubin, are presented, while the level of foreignisation and domestication in the respective target text is evaluated. The results clearly show a higher degree of foreignising methods in the Swedish target text, and of domesticating methods in the English one. In the final discussion concerning the assumed readability of the Swedish target text, it is estimated that this has been affected somewhat negatively as a direct consequence of the unusual closeness to the source text.

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