Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This master s thesis experimented the fabulation to think encounters regarding teachers formation. Such encounters were produced by affects (SPINOZA, 2013) triggered by the animation Coraline (2009). The encounters dialogue with visual diaries were constructed during the Supervised Teaching Practice in the Visual Arts Teaching Major. The memory that I have fabricated was not the one about a recall or a review of what the teaching formation diaries contained, but it was the creation, which might have come from these registers. Moved by Deleuze s (1997) and Deleuze e Guattari s (1995) thoughts, I have produced, with connections from the past, something in constant development, an anti-narrative, about to happen, breaking the time sequences of events. The secret world constructed in this research is not about another world, but this world, here and now, what happens in complete immanence, all that might become. I operated with concepts such as affects and encounters to trace the sewing of this research, to map this rhizome, where methodic thinking is defeated by disorder towards the creation of new territories. The experimentation through the memory was the fabulation, which invades the character Coraline s quotidian and elements present in the pedagogical diaries. The text was built in the mix of such borders, in the teaching living based on the fabulation I produced in this research. / Esta dissertação experimentou da fabulação para pensar os encontros de uma formação docente. Encontros esses produzidos pelos afetos (SPINOZA, 2013) disparados pela animação Coraline e o Mundo Secreto (2009). Encontros que conversaram com os diários visuais, construídos no momento dos Estágios Curriculares Supervisionados na Graduação em Licenciatura em Artes Visuais. A memória com a qual fabulei não foi aquela que diz respeito à lembrança ou resgate do que está contido nos diários de formação docente, mas o que pode ser criado a partir desses registros. Movimentada pelo pensamento de Deleuze (1997) e Deleuze e Guattari (1995), produzi com estas conexões com o passado que está em constante devir, por vir, uma antinarrativa, rompendo com as sequências temporais dos acontecimentos. O mundo secreto em construção na pesquisa não diz respeito a outro mundo, e sim a este mundo, no aqui e agora, no que acontece em plena imanência, em tudo que pode vir a ser. Operei com conceitos como afetos e encontros para traçar a costura da pesquisa, mapear esse rizoma, onde o pensamento metódico é desafiado pela desordem e para a criação de novos territórios. A experimentação com a memória foi a própria fabulação, que adentra no cotidiano da personagem Coraline e nos elementos presentes nos diários pedagógicos. Foi na mistura dessas fronteiras que o texto se construiu, na vivência de uma docência fabuladora que produzi esta pesquisa.

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Made available in DSpace on 2016-03-15T19:45:42Z (GMT). No. of bitstreams: 1 Nahina de Almeida Rosa Barbosa.pdf: 4546645 bytes, checksum: 5947eac026f0083b3e264f55dd40e6aa (MD5) Previous issue date: 2012-08-13 / This thesis aims to examine the update that the myth of Orpheus has suffered in the movie "Coraline" an adaptation of the British Neil Gaiman s novel "Coraline" (2003) , through a comparative and dialogic analysis, based on Bakhtin s concepts of dialogism, carnivalization and grotesque, between the original myth and its degradation in the film work. The proposal of a dialogic study between the myth of Orpheus and the movie happens not only because of the dessacralization that the myth has suffered, but also for the common theme of the katabasis, since Coraline and Orpheu made it to rescue something that was taken from them, whether it was the loved one or the recognition of the family and own values. After this analysis, based on Mircea Eliade s, Pierre Brunel s and João Batista de Brito s studies, the double was shown as an increase that the myth has suffered on this update and the reason why there was the manifestation of the double in this work was elucidated. / A presente dissertação tem como objetivo examinar a atualização que o mito de Orfeu sofreu no filme Coraline e o Mundo Secreto uma adaptação do romance Coraline (2003), do britânico Neil Gaiman -, por meio da análise comparativa e dialógica, de acordo com os conceitos bakhtinianos de dialogismo, carnavalização e grotesco, entre o mito original e o seu rebaixamento na obra fílmica. A proposta de um estudo dialógico entre o mito de Orfeu e o filme ocorre não somente pela dessacralização que o mito sofreu, mas também pela presença, em comum, do tema da catábase, já que Coraline e Orfeu a realizaram para resgatarem algo que lhes foi tomado, seja a amada ou o reconhecimento de valores próprios e familiares. A partir desta análise, baseada nos estudos de Mircea Eliade, Pierre Brunel e João Batista de Brito, elencou-se o duplo como um acréscimo que o mito sofreu nessa atualização e elucidou-se a razão pela qual houve a manifestação do duplo nesta obra.

This essay examines Neil Gaiman’s Coraline from a psychoanalytic perspective, with focus on the formation of the super ego. While the young girl’s identity formation has been examined before, the general focus is often oedipal. In this essay, I choose to step away from the oedipal and examine the psychosymbolism throughout the novella. The aim is to see how Coraline’s own psychic development manifests itself in the other world. The characters in the novella are looked upon as representations of different aspects of Coraline’s psyche. Her actions with them are considered to be representations of internal conflicts or resolutions.   In short, this essay examines how the novella portrays the psychodevelopmental nature of the child's identity formation.

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The translation of names is a topic for discussion within many fields, no less so within translation studies. Furthermore, the translation of proper names in children’s literature is a topic with on-going changes. There is a divide between those who believe that the names should be translated into proper cultural equivalent and those who believe it is time to have faith in children being able to handle foreign names. That is what this study will focus on. Approx. 15 names from seven children’s books from 1865 to 2011 were studied to conclude that there seems to be a greater faith in children’s ability to handle foreign names. Three languages were compared English, Spanish, and Swedish with the majority of the 337 names studied being kept in their original format, with spelling intact. / Översättningen av namn är ett diskussionsämne inom många områden, inte minst inom översättningsstudier. Utöver detta är översättningen av egennamn inom barnlitteratur ett ämne som är under ständig förändring. Det finns en klyfta mellan de som menar att namn borde bli översatta till sin kulturella likvärdighet och de som menar att det är på tiden att lita på att barn kan hantera främmande namn. Det är denna diskussion som kommer vara fokus för denna uppsatsen. Ca. 15 namn från sju barnböcker från 1865 till 2011 studerades för att visa att det verkar finnas en större tilltro till barns förmåga att hantera främmande namn. Tre språk jämfördes, engelska, spanska och svenska. Var utav de 337 namnen som studerades var majoriteten oförändrade i översättningarna.

The aim of this diploma thesis is a comparative analysis of the image of a forsaken child in the stories written by a popular English writer Neil Gaiman. The survey of a forsaken child in the Gothic, Romantic and Victorian literature (Walpole, Radcliffe, Blake, Dickens, the Brontë sisters) precedes the interpretation. In addition, this diploma thesis considers the separation of the young hero from his family and friends in traditional fairy tales. In this respect, the thesis discusses the role of transitional rituals and their links to the theme of the test in adventurous literature (Gennep, Bachtin). The first, theoretical chapters point out the fact that the transition to a new existence (adulthood) is often accompanied by horror elements or the nearness of death in the adventurous stories. The novel Coraline is a basis for the literary analysis. The psychological characteristic of the main heroine and her family is linked to the function of home and the role of "the other mother" as a source of the Gothic atmosphere and danger. The following chapters analyse other Gaiman's works ("M is for Magic", The Graveyard Book, Odd and the Frost Giants, Fortunately, the Milk, The Ocean at the End of the Zone) in order to study the relations between the reality and dreams, violence and interpersonal relationships, and to describe the heroes' search for the individual identity.