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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 61 to 66 of 66 (0.023 seconds)| 61 |
Arbetarrörelsen inom den radikala konstmusikens tankekollektiv : En studie av relationen mellan det radikala musiklivet och arbetarrörelsen under svenskt 1960-tal / Labourism within the Thought Collective of Radical Art Music : A Study of the Relationship between the Radical Music Scene and the Labour Movement in Sweden during the 1960sPetersson, Tobias January 2014 (has links)
Subject of this study is the evolvement of the radical art music scene in Sweden. In this development took the labour movement an active part during the 1960s. The purpose of this study is to examine how the relationship between the radical art music scene and the labour movement was constituted and what this relationship implied for the Swedish radical art music scene during the 1960s. During the 1960s radical music became an influencial part in the Swedish music scene of modern art music. In this development the artists’ society Fylkingen had a central position. In the early 1960s Fylkingen began to incorporate writers, engineers, scientists, sociologists, philosophers, economists, etc. in their work and a number of projects were initiated which interacted with common society. A proposal for a public record company was developed together with KSF (Social Democratic Association for Cultural Workers) and was presented to the Swedish parliament. In collaboration with ABF (Workers’ Educational Association) the first studio for electronic music was build in 1960 and the relationship between the labour movement and the radical art music scene was institutionalized as the Stockholm Electronic Music Studio Foundation. This thesis uses the terminology of Ludwik Fleck to examine the relationship between the radical art music scene and the labour movement. The concepts of Thought collective and Thought-style are used to draw conclusions about common values and objectives within the Thought-style. The radical art music scene and the labour movement are understood to be part of a common Thought collective with a common style of thought. Because of this relationship, projects initiated in the radical music scene came to emphasize the democratic and educational aspects of music. In the latter half of the 1960s it was conceived impossible to achieve these goals under the existing program, leading to the notion within the style of thought that technological advancement was a prerequisite for a democratic music scene.
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Problemet utan namn? : Neuroser, stress och kön i Sverige från 1950 till 1980 / The Problem that had no Name? : Neurosis, Stress and Gender in Sweden 1950-1980Björk, Maria January 2011 (has links)
Focusing on Sweden between 1950 and 1980, this doctoral dissertation analyzes and problematizes the process in which a discourse about neurosis and nervous troubles gradually evolved into a discourse about stress. The thesis aims to show how the medical and general discussion about diffuse or vague symptoms transformed and rearticulated ideas and views on society and man, citizenship, gender roles, and medicine. It shows how the discourse on neuroses tended to locate sickness and deviance in the individual, whereas its subsequent transformation into a discourse on stress located the pathological in an external, societal sphere. A particularly prominent issue in the study concerns the role that gender, and in particular female gender, has played in these discourses, and how the place of the feminine can be understood in relation to stress and neuroses. The dissertation shows that female gender was not central to the discourse on neuroses and stress during the studied period. On the contrary, gender was subordinated to ideas about man and citizenship within the greater context of society and culture. The dissertation takes its starting point in the Swedish 1950’s, often characterized as the era of ”The Strong Society” or ”The People’s Home”. During this period, the neurosis discourse was fixed and remained unchanged. In practice, neurosis was a diagnosis that provided such symptoms that were otherwise difficult to measure and assess with a theory of origin. Neuroses were believed to principally affect a certain category of individuals, who, due to their constitution or disposition, were held to be particularly susceptible to neurotic sufferings. During the 1960s the belief in The Strong Society and its notion of ideal citizenship began to crumble. It was against this background that the Swedish medical profession started discussing ”stress”. Stress, in contrast, could afflict anyone and everyone, according to “the father of stress” Hans Selye and Swedish stress researchers. Stress was assumed to be a potential cause of ”nervous troubles” and disease, but was never considered to be a disease in itself. The concept of the individual as a citizen now gave way for the notion of the individual as a primarily biological organism. Within the stress discourse in the 1960s, the primacy of the universal normal (male) man was a recurring focal point. In the 1970s, the stress researchers distanced themselves from Selyes’ concept of stress by focusing on individual factors. In the discussion about stress during the 1970s, the ”constitutionally weak” individual of the 1950s and the biological organism of the 1960s blended into a hybrid construction of a unique, biological individual.
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The nexus of control : intentional activity and moral accountabilityConradie, Niël January 2018 (has links)
There is a conceptual knot at the intersection of moral responsibility and action theory. This knot can be expressed as the following question: What is the relationship between an agent's openness to moral responsibility and the intentional status of her behaviour? My answer to this question is developed in three steps. I first develop a control-backed account of intentional agency, one that borrows vital insights from the cognitive sciences – in the form of Dual Process Theory – in understanding the control condition central to the account, and demonstrate that this account fares at least as well as its rivals in the field. Secondly, I investigate the dominant positions in the discussion surrounding the role of control in moral responsibility. After consideration of some shortcomings of these positions – especially the inability to properly account for so-called ambivalence cases – I defend an alternative pluralist account of moral responsibility, in which there are two co-extant variants of such responsibility: attributability and accountability. The latter of these will be shown to have a necessary control condition, also best understood in terms of a requirement for oversight (rather than conscious or online control), and in terms of the workings of the dual system mechanism. I then demonstrate how these two accounts are necessarily related through the shared role of this kind of control, leading to my answer to the original question: if an agent is open to moral accountability based on some activity or outcome, this activity or outcome must necessarily have positive intentional status. I then apply this answer in a consideration of certain cases of the use of the Doctrine of Double Effect.
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Greta Magnusson Grossman : Från funkis till California ModernMagnusson Harling, Emma January 2024 (has links)
This thesis explores the architecture, interior design and furniture design of Greta Magnusson Grossman (1906-1999), a pioneering Swedish Modernist who emigrated to the United States in 1940 and became part of the design movement California Modern in Los Angeles. Despite a productive and acclaimed career, her work was more or less forgotten until rediscovered in the early 2000’s.In this thesis, Greta Magnusson Grossman’s broader context is understood through literature studies of the 1930 Stockholm Exhibition, the introduction of Swedish Modern at the 1939 New York World’s Fair, the postwar design movement California Modern, and the International Competition for Low-Cost Furniture Design organized by the Museum of Modern Art in New York in 1948. Similar needs for well designed, low cost housing and furniture in the two countries are found.To further examine the work of Magnusson Grossman, her 1949 residence at Waynecrest Drive in Los Angeles is visually analyzed and compared with contemporary Case Study House #8 by American design couple Charles and Ray Eames from 1949, and Swedish furniture designer and architect Bruno Mathsson’s Exhibition Hall from 1950. Several correlations between the three environments are identified, and confirms Greta Magnusson Grossman’s progressive contributions in the fields of architecture, interiors and furniture design.
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TU-Spektrum 2/2004, Magazin der Technischen Universität ChemnitzSteinebach, Mario, Friebel, Alexander, Häckel-Riffler, Christine, Tzschucke, Volker, Pollmer, Caroline, Horst, Gabriela, Brabandt, Antje, Reichold, Kathrin 15 December 2004 (has links) (PDF)
zweimal im Jahr erscheinende Zeitschrift über aktuelle Themen der TU Chemnitz, ergänzt von Sonderheft(en)
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TU-Spektrum 2/2004, Magazin der Technischen Universität ChemnitzSteinebach, Mario, Friebel, Alexander, Häckel-Riffler, Christine, Tzschucke, Volker, Pollmer, Caroline, Horst, Gabriela, Brabandt, Antje, Reichold, Kathrin 15 December 2004 (has links)
zweimal im Jahr erscheinende Zeitschrift über aktuelle Themen der TU Chemnitz, ergänzt von Sonderheft(en)
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