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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
51

Calçados artesanais e ferramentas digitais: proposta de um modelo híbrido de criação e desenvolvimento de produto para a prática do design de calçados no Brasil / Handmade shoes and digital tools: a proposal of a hybrid model of creation and product development for the practice of shoe design in Brazil

Passos, Verônica Thomazini 12 May 2014 (has links)
A indústria calçadista brasileira é formada majoritariamente por pequenas e micro empresas que ainda preservam o modo tradicional e autêntico de produção de calçados e têm as mãos do artesão como a mais importante das ferramentas. Dessa maneira, sob a adoção das definições de design propostas pelo ICSID (2014) e por Bonsiepe (2011), o presente trabalho teve como objetivo geral registrar o modo de produção de calçados dessas pequenas e micro unidades produtoras e como objetivo específico propor um modelo híbrido de criação e desenvolvimento, com a implantação de ferramentas digitais que preservasse o modo tradicional de fabricação, e, ao mesmo tempo, impulsionasse essa dinâmica de produção. O trabalho foi fundamentado nas obras E Triunfo?, de Aloísio Magalhães (1985), Tempos de Grossura: o design no impasse, de Lina Bo Bardi (1994) e Design, Cultura e Sociedade, de Gui Bonsiepe (2011). Também foram realizadas pesquisas de campo em dois grandes polos calçadistas brasileiros: região do Vale dos Sinos, no estado do Rio Grande do Sul, e na cidade de Franca, no interior do estado de São Paulo, além de entrevistas com entidades do setor e visitas técnicas a centros de manufatura, centros de ensino e empresas fabricantes de pequeno e micro porte. Como ilustração da importância do artesão e do modo de produção artesanal, o trabalho apresenta um estudo de caso sobre a confecção de um calçado para uma pessoa com necessidades especiais. A proposta do modelo híbrido foi elaborada em fluxograma e comparada ao modelo do sistema atual de fabricação de calçados praticado pelas pequenas e micro empresas. Como resultado verificou-se que elas encontram-se estagnadas em sua dinâmica de produção, com falta de renovação de mão de obra, sem projetos de sua própria autoria e sem departamento de criação, o que implica, a cada dia, o enfraquecimento dessas empresas e, possivelmente, na perda e no esquecimento de um rico modo de produção. Logo, o modelo proposto vem ao encontro das necessidades dessas empresas, mostrando que o design é o fator crucial para o fortalecimento dessas unidades produtoras e para o reconhecimento desse modo de fazer como corpo formador do patrimônio imaterial do país. / The brazilian footwear industry consists mainly of small and micro companies, which still preserve the traditional way and authentic shoe production, where the hand of the craftsman is the most important tool. Thus, under the adoption of definitions of design proposed by ICSID (2014) and Bonsiepe (2011), the present study general goal is to register the footwear production mode of these small and micro units, and propose as specific goal a hybrid model for creation and development, with the implementation of digital tools, which would preserve the traditional way of manufacturing, while this boosts production dynamics. The work was based on the works E Triunfo?, by Aloisio Magalhães (1985), Tempos de grossura: o design no impasse, by Lina Bo Bardi (1994 ) and Design, Cultura and Sociedade, by Gui Bonsiepe (2011). Field research in two large footwear brazilian centers were also performed: Vale dos Sinos in Rio Grande do Sul State and the city of Franca in Sao Paulo State, as well as interviews with footwear institutions and technical visits at manufacturing centers, teaching centers and small and micro manufacturers companies. As an illustration of the importance of artisan and craft production mode a case study about making a shoe for a person with special needs was presented. The hybrid model proposed was drawn in a diagram and compared to the model of the current system shoemaking practiced by small and micro companies. As a result it was found that these are stagnant in their production dynamics with non-renewal of hand labor, no projects of their own, and without the creative department, which means every day as a weakening of these companies and possibly the loss and oblivion of a rich mode of production. Therefore, the proposed model meets the needs of these companies, showing that design is crucial to the strengthening of these mills, and for recognition thus as part of the intangible heritage of the country.
52

Characterization of chemical markers for the discrimination of East Asian handmade papers using pyrolysis, gas chromatography and mass spectrometry / Caractérisation de marqueurs chimiques pour l'identification des papiers traditionnels asiatiques en utilisant la pyrolyse, la chromatographie gazeuse et la spectrométrie de masse

Han, Ung Bin 11 July 2018 (has links)
Cette thèse a été conduite afin d’explorer le potentiel d’une nouvelle méthodologie utilisant la pyrolyse, la chromatographie gazeuse et la spectrométrie de masse pour la caractérisation et l’identification des fibres papetières utilisées dans la fabrication des papiers asiatiques traditionnels à partir de la caractérisation des métabolites de ces fibres. Cette méthodologie utilise un processus d’échantillonnage facilité nécessitant une très petite quantité d’échantillons (de l’ordre de quelques dizaines de µg). Après la pyrolyse des échantillons de papiers et la séparation chromatographique des composés formés, des distributions caractéristiques pour les métabolites des fibres papetières (considérant leur présence et leur intensité) ont été observées dans une région définie comme région d’intérêt dans les chromatogrammes: ces distributions se sont révélées spécifiques pour la caractérisation des papiers fabriqués à partir de différents types de fibres et ont été utilisées pour distinguer l’origine des différentes fibres papetières couramment utilisées dans la fabrication de papiers asiatiques traditionnels. Premièrement, les problèmes rencontrés dans l’étude des papiers faits à la main ont été présentés, comme l’origine de la fabrication du papier, l’incohérence de certains résultats dans l’identification des fibres (reportés dans différentes études scientifiques), les limites de la microscopie pour l’identification des fibres papetières d’origines botaniques similaires et les risques d’imprécision dans le référencement des échantillons. Tous ces problèmes montrent la nécessité d’explorer de nouvelles méthodes pour (1) améliorer la fiabilité de l’identification des fibres papetières des papiers asiatiques traditionnels, (2) valider et confirmer les résultats obtenus par l’analyse microscopique. À cette fin, dans un premier temps, des papiers asiatiques de référence ont été étudiés. Les résultats expérimentaux ont montré que les différentes fibres papetières utilisées pour la fabrication des papiers étudiés montraient des différences dans les distributions de leurs marqueurs spécifiques : par exemple, les fibres d’origine de la famille Moraceae montrent une distribution caractéristiques de composés triterpèniques alors que les fibres d’origine de la famille Thymelaeaceae montrent une distribution caractéristiques de composés de type stigmastanes. De leur côté, les fibres des plantes appartenant au groupe Ma montrent peu de métabolites caractéristiques. Les différences observées dans la distribution de ces métabolites ont été attestées par la comparaison entre distributions obtenues à partir des fibres végétales et celles des papiers faits à la main attestant de l’origine commune de ces métabolites issus des tissus végétaux d’origine. Ainsi, la méthodologie étudiée se révèle prometteuse en tant que méthode de chimiotaxonomie pour l’identification des fibres inconnues de papiers faits à la main. Avec les exemples d'applications fournies au cours du travail expérimental, le couplage de la pyrolyse, de la chromatographie en phase gazeuse et de la spectrométrie de masse (avec l’utilisation de la Py-GC/MS et de la Py-GCxGC/MS) a montré sa capacité à distinguer les fibres d'une même famille (qui peuvent présenter des caractéristiques similaires en microscopie) et peut ainsi constituer une méthode efficace d'identification des fibres et de validation des résultats d'identification obtenus par l'observation microscopique. Dans la présente thèse, les caractéristiques de la chromatographie gazeuse intégralement bidimensionnelle GCxGC, ses avantages pour les applications dans le domaine du patrimoine culturel et son apport potentiel pour le traitement des données 1D ont été discutées (...) / This study was conducted to explore a new methodology for handmade fiber characterizationand identification using pyrolysis, gas chromatography and mass spectrometry. It employseasy sampling process with minor quantity of samples required. After pyrolysis of handmadepapers, a featured metabolites distribution patterns (presence plus intensity) eluting in the defined region of interest (ROI) was observed to be characteristic for handmade papers of different material origins. The method utilizes these metabolites distribution patterns as markers to discriminate different fiber origins. Firstly, the problems encountered in the investigation of handmade papers were introduced such as the origin of papermaking, the inconsistency in the fiber identification results sometimes gained by different scholars, the limits of microscopy in identifying fibers from similar species and the likely imprecision of the reference sample labeling. All these problems showed the necessity to explore a new method in order to (i) make precise fiber identification of handmade papers and (ii) to validate or confirm the identification results obtained by microscopy. Then, modern reference handmade papers were firstly studied. The result revealed that different plant fibers used for papermaking have different marker distributions in the ROI, forinstance, the Moraceae family with a featured distribution of terpene compounds and theThymelaeaceae family with a featured distribution of stigmasta compounds. The fibers fromthe ma group usually revealed few compounds in the ROI. This metabolites difference in theROI was attested from the plant tissues with their similar distribution in handmade papers and plant raw fibers. Thus, the chosen methodology offers promise as a method of chemotaxonomy for unknown handmade paper fiber identification. With the examples ofapplications provided during the experimental work, the coupling of pyrolysis, gaschromatography and mass spectrometry (through the use of Py-GC/MS and Py-GCxGC/MS)showed its ability to distinguish fibers from the same plant family (that may present similar microscopic features) and thus, can constitutes an effective method for fiber identification as well as to validate the identification results of the microscopic observation. In the present thesis, the features of GCxGC and the benefits for cultural heritage applications and its help for the ID data treatment were discussed. The tested Py-GCxGC/MS methodology has been for the first time proposed in the cultural heritage field and it harbors the potential to promote the research in this domain, enhancing our capacity to handle small quantities of complex samples while providing an exhaustive response on its composition.
53

Obsolescence et réinvention du cinéma argentique à l’âge du numérique / Obsolescence and reinvention of analogue cinema in the digital age

Nicodemos, Monise 25 February 2019 (has links)
Depuis les années 1990, face à l’expansion du numérique, le cinéma argentiqueest confronté aux enjeux économiques, politiques et poétiques de l’obsolescence.Notre étude vise à explorer les ambiguïtés, les ambivalences et les potentialitésde l’obsolescence qui ouvre des nouveaux champs de possibles à la réinventiondu cinéma argentique. Nous nous intéressons notamment à cette période de réinventiondu médium-film à partir de la fabrication de l’émulsion-maison, de la réactivationdu sténopé et de l’exposition de la machinerie du cinéma argentique.Conçu comme une articulation entre esthétique et technique, comprenant une viséehistorique, ce travail propose une systématisation théorique de la pratique du laboratoire,de la camera obscura, du sténopé et de la machine avec l’analyse d’un corpusd’oeuvres actuelles réalisées avec ces outils argentiques. Dans le parcours esquissé,qui s’appuie sur des entretiens avec les artistes, nous tentons d’élucider lestechniques impliquées dans les oeuvres et le processus créatif des artistes. Nousverrons enfin comment, à partir de ces liens entre théories et pratiques, des artistesréinventent aujourd’hui, grâce à l’obsolescence, le cinéma argentique à l’âge dunumérique et entretiennent une mémoire de toute sa technicité et machinerie. / Since the 1990s, in the face of digital expansion, analogue cinema has been confrontedwith economic, political, and poetic issues of obsolescence. Our study aimsto explore the ambiguity, ambivalence and potential of obsolescence, which opensup new fields of possibilities for the reinvention of analogue cinema. We are particularlyinterested in this period of reinvention of medium-film from the manufactureof the handmade emulsion technique, the reactivation of the pinhole, and theexhibition of analogue cinema machinery. Viewed through a historical lens andconceived as an articulation between aesthetics and technique, this work proposesa theoretical assessment of laboratory practices, the camera obscura, the pinholeand the machine, and an analysis of a body of current work realized using thesefilm tools. Through interviews with artists, we aim to illuminate their creative processesand reveal the techniques involved in the artworks. Finally, we will showhow thanks to obsolescence, artists today are reinventing analogue cinema in thedigital age and maintaining a memory of all its technicality and machinery.
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Responsabilidade socioambiental da Empresa Cerâmica Artesanal Serra da Capivara: análise da percepção da comunidade local do entorno do Parque Nacional Serra da Capivara

Silva, Paulo Oliveira 24 May 2016 (has links)
Submitted by Fabiany Feitosa (fabiany.sousa@ufba.br) on 2016-09-15T19:11:29Z No. of bitstreams: 1 Silva, Paulo Oliveira.pdf: 2092842 bytes, checksum: d5bc1ae7afbeddbdc47f291f89a390e2 (MD5) / Approved for entry into archive by Maria Angela Dortas (dortas@ufba.br) on 2016-10-13T17:02:29Z (GMT) No. of bitstreams: 1 Silva, Paulo Oliveira.pdf: 2092842 bytes, checksum: d5bc1ae7afbeddbdc47f291f89a390e2 (MD5) / Made available in DSpace on 2016-10-13T17:02:29Z (GMT). No. of bitstreams: 1 Silva, Paulo Oliveira.pdf: 2092842 bytes, checksum: d5bc1ae7afbeddbdc47f291f89a390e2 (MD5) / A presente dissertação consiste num trabalho de investigação, descritivo e exploratório, cujo objetivo foi analisar a atuação socioambiental da empresa Cerâmica Artesanal Serra da Capivara, identificando como a organização pesquisada se posiciona diante da questão da responsabilidade socioambiental na perspectiva da comunidade local e seu entorno. A revisão de literatura permitiu a delimitação do arcabouço teórico sobre a responsabilidade socioambiental, enfatizando a sua vertente organizacional. A natureza da pesquisa foi qualitativa e com base no estudo de caso realizado, concluiu-se que a empresa estudada possui uma conduta socioambiental boa na percepção dos moradores locais, principalmente no que diz respeito à geração de renda e a preocupação ética com a preservação do meio ambiente e do Parque Nacional Serra da Capivara. Além disso, observa-se que a empresa desenvolve ação filantrópica e valoriza a cultura local. Contudo, a empresa pesquisada precisa aprimorar seus canais de comunicação e alinhar suas perspectivas organizacionais com os interesses dos moradores locais. A pesquisa revelou, ainda, a existência de conflitos na criação do Parque Nacional Serra da Capivara, questionamentos da população sobre o propósito da empresa, a falta de serviços públicos essenciais na comunidade e a importância da conscientização e capacitação dos moradores sobre a exploração de atividades vinculadas a área do turismo. / This dissertation is a work of research, descriptive and exploratory, aimed to analyze the environmental performance of the company Ceramic Craft Serra da Capybara, identifying how the researched organization stands on the issue of environmental responsibility from the perspective of the local community and its surroundings. The literature review allowed the delimitation of the theoretical framework on social and environmental responsibility, emphasizing its organizational aspects. The nature of the research was qualitative and based on conducted case study, it was concluded that the studied company has a good environmental conduct in the perception of local residents, particularly in regard to income generation and ethical concern with the preservation of environment and the Serra da Capivara National Park. Moreover, it is observed that the company develops philanthropic action and values the local culture. However, the company researched needs to improve its communication channels and align their organizational perspectives with the interests of local residents. The survey also revealed the existence of conflicts in the creation of the Serra da Capivara National Park, population questions about the company's purpose, lack of essential public services in the community and the importance of awareness and training of the residents on the activities of exploration linked to tourism.
55

[en] ACCESSIBLE TECHNOLOGIES DEVELOPED BY LILD SPREAD WITH TRUSS LIGHT BAMBOO STRUCTURES: TIED AND SELF TENSIONED / [pt] DISSEMINAÇÃO DE TECNOLOGIAS ACESSÍVEIS DESENVOLVIDAS NO LILD EM ESTRUTURAS TRELIÇADAS LEVES DE BAMBU: AMARRADAS E AUTO TENCIONADAS

MARCELO DA FONSECA E SILVA 14 November 2018 (has links)
[pt] Nesta tese relato aplicações das estruturas leves de bambu. Na primeira parte do trabalho trato da história passada e da história contemporânea do emprego no mundo das estruturas estabilizadas pela união entre bambus e cabos. Os objetivos dessas estruturas, alguns dos seus precursores e suas experiências são citadas. O uso popular de estruturas feitas com esses materiais é tornado manifesto com imagens e textos referentes. A seguir tratamos dos modos artesanais de suas feituras e da passagem de sua técnica para espaços de convivência sendo enfatizado o efeito cultural do trabalho amoroso e detalhado de transmitir a maneira de fazer os objetos. Na segunda parte do trabalho apresento o estado da Arte no Laboratório de Investigação em Living Design (LILD), do Departamento de Artes e Design (DAD) da PUC-Rio, no campo destas estruturas. São narradas atividades de passagem das técnicas em 3 (três) comunidades situadas no estado do Rio de Janeiro: a) na aldeia dos professores indígenas KUAA MBO E Guarani em Parati, no LILD e no CENAM (Centro de Acolhida Missionária); b) no Parque Estadual da Ilha Grande (PEIG), na Escola Municipal Brigadeiro Nóbrega; c) na Escola de Circo no espaço Crescer e Viver com o grupo Nós nos Nós - tragédias e comédias aéreas. Relato também a metodologia utilizada em sua dinâmica as suas relações e vínculos, com a graduação e pós-graduação em Design e com outros setores da Universidade. São narradas a passagem das técnicas, a elaboração e uso dos protótipos. Distingo as conexões utilizadas nestas estruturas feitas com bambus e cabos, chamadas do tipo vigas recíprocas, popularmente chamadas de giro, que vem sendo utilizadas nacionalmente e internacionalmente. / [en] In this thesis report applications of lightweight structures with bamboo. In the first part of the tract of past history and contemporary history of employment in the world of structures stabilized by the union of bamboo and cables. The objectives of these structures, some of its precursors and their experiences are cited. The popular use of structures made with these materials is made manifest in images and texts related. Below we deal with the ways of their craft and making the passage of his technique for living space and emphasized the cultural effect of loving work and detailed way forward to make the objects. In the second part of the present state of the art in the Research Lab in Living Design (Lild), Department of Art and Design (DAD) of PUC-Rio, in the field of these structures. Activities are recounted in passing techniques in 3 (three) communities located in the state of Rio de Janeiro: a) teachers in the village of indigenous Guarani KUAA MBO E in Parati, and Lild CENAM (Center Welcoming Mission), b)State Park of Ilha Grande (Peig), the Municipal School Brigadier Nóbrega c) at Circus School Living and Growing in space with the group We We - air tragedies and comedies. Account also the methodology used in its dynamics and its relations ties with undergraduate and graduate design and other sectors of the University. Are told the passage of the techniques, the development and use of prototypes. Distinguish the connections used in these structures made of bamboo and wire, called the reciprocal type beams, popularly called spin, which is being used nationally and internationally.
56

Narrativas e imagens sobre as águas: educação ambiental, memória e imaginário na pesca artesanal - um encontro com contadores de histórias

Oliveira, Caroline Terra de January 2013 (has links)
Submitted by Milenna Moraes Figueiredo (milennasjn@gmail.com) on 2016-03-31T18:16:04Z No. of bitstreams: 1 Carolineoliveir.pdf: 11493263 bytes, checksum: 661f1c3f297c922203f844a9009cc5a4 (MD5) / Made available in DSpace on 2016-03-31T18:16:04Z (GMT). No. of bitstreams: 1 Carolineoliveir.pdf: 11493263 bytes, checksum: 661f1c3f297c922203f844a9009cc5a4 (MD5) Previous issue date: 2013 / A presente investigação se insere na linha de pesquisa Educação Ambiental Não-Formal e tem como objetivo geral investigar a História Oral de pescadores artesanais da cidade do Rio Grande/RS, inseridos no contexto da economia solidária popular, no intuito de compreender a construção das imagens relacionadas ao seu processo de trabalho. Buscamos defender a tese que afirma, em síntese, que a história oral se constitui como campo de possibilidades para a compreensão das imagens do processo de trabalho dos pescadores artesanais, sendo entendida como premissa fundamental para a reflexão sobre os princípios da Educação Ambiental relacionados ao âmbito de estudos da pesca artesanal. Nesta perspectiva, a História Oral pode ser concebida como sendo um processo de aprendizagem em Educação Ambiental. A pesquisa justifica-se em virtude da relevância que o registro da história oral dos pescadores artesanais assume na construção de alternativas e projetos de Educação Ambiental que tenham como objetivo o manejo sustentável do meio ambiente costeiro. Ressaltamos a utilização da abordagem de cunho qualitativo, com foco na metodologia da História Oral, especificamente, no gênero História Oral Temática. Para a interpretação dos fenômenos investigados, optou-se pela análise textual discursiva. Os dados constituem-se de entrevistas realizadas com três pescadores artesanais da Associação de Pescadores Artesanais da Vila São Miguel, localizada na cidade do Rio Grande, e observações registradas em Diário de Campo. O estudo fundamentou-se nas contribuições teóricas de autores como Gaston Bachelard, Antônio Diegues, Ricardo Antunes e Carlos Frederico Loureiro, entre outros. Destacamos que o debate integra a compreensão acerca das seguintes categorias de análise da pesquisa: a investigação sobre as imagens de infância, as imagens de esperança, bem como as imagens sobre o meio ambiente costeiro construído por pescadores artesanais cooperativados. Além disso, apresentamos como categorias emergentes o estudo em relação à contextualização histórica da pesca artesanal e industrial no contexto da cidade do Rio Grande enfocando-se, em especial, os benefícios disponibilizados pelos incentivos fiscais do Decreto-Lei número 221, de 1967, também se inclui o debate sobre o sentido da tecnologia em sua relação com o processo de exploração do trabalho na pesca artesanal. As constatações incorporam narrativas que expressam as imagens de denúncias em relação à expansão da degradação ambiental do ambiente costeiro e à intensificação dos processos de exploração do trabalho do profissional artesanal a partir da sua articulação com o setor pesqueiro empresarial-capitalista. Contudo, enfatizamos a construção de imagens que expressam o fortalecimento da esperança no seu sistema de trabalho, no qual situamos a economia solidária popular como elemento imperativo para a valorização profissional e melhoria da sua qualidade de vida. / This research is in line research Environmental Education Non-Formal and aims at investigating the oral history of handmade fishermen of Rio Grande / RS, within the context of popular solidarity economy, in order to comprehend the images that integrate your work process.We seek to defend the thesis that states, in summary, that oral history is constituted as a field of possibilities for understanding the images of the working process of traditional fishermen, being understood as a fundamental premise for reflection on the fundamentals of environmental education related context study of handmade fisheries. In this perspective, the oral history can be understood as a learning process in Environmental Education. The research is justified because of the importance that the record of the oral history of handmade fishers assumes the construction of alternatives and environmental education projects that aim at sustainable management of the coastal environment. We emphasize the use of a qualitative approach, focusing on the methodology of oral history, specifically the gender thematic oral history. For the interpretation of the phenomena investigated, we chose to analyze textual discourse. The data are made up of interviews with three fishermen from the Association of Fishermen's Village São Miguel, located in Rio Grande, and observations recorded in Field Journal. The study was based on the theoretical contributions of authors such as Gaston Bachelard, Antonio Diegues, Ricardo Antunes and Carlos Frederico Loureiro, among others. We emphasize that the debate includes the understanding of the following categories of analysis of research: research into childhood pictures, images of hope, as well as the images on the coastal environment built by fishermen cooperatives. In addition, we present the study as emerging categories in relation to historical contextualization handmade and industrial fisheries in the context of Rio Grande focusing, in particular, the benefits of the tax incentives provided by Decree-Law number 221 of 1967, also includes discussion on the direction of technology in its relation to the process of exploitation of labor in handmade fisheries. The findings incorporate narratives that express the images of complaints in relation to the expansion of environmental degradation of the coastal environment and the intensification of the processes of labor exploitation of professional craftsmanship from its articulation with the fisheries sector corporate-capitalist. However, we emphasize the construction of images expressing the hope of strengthening work on your system, in which we place the popular social economy as an imperative for professional development and improving their quality of life.
57

A arquitetura rural das unidades de produção de uva e vinho artesanal na bacia do rio Jundiai-Mirim / The rural architecture of the grape properties and handmade wine in Jundiai-Mirim river's basin

Moraes, Evelyn Gregory 25 August 2006 (has links)
Orientador: Andre Munhoz de Argollo Ferrão / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo / Made available in DSpace on 2018-08-09T00:10:27Z (GMT). No. of bitstreams: 1 Moraes_EvelynGregory_M.pdf: 10319619 bytes, checksum: 2b8fecd92b3f7e829831a1214a4117f3 (MD5) Previous issue date: 2006 / Resumo: Este trabalho busca identificar a arquitetura característica das propriedades rurais envolvidas nos processos agrícolas de produção de uva e vinho artesanal; busca também apontar as implicações na ordenação territorial de partes dos municípios Jundiaí, Jarinu e Campo Limpo Paulista, SP, pertencentes à bacia do rio Jundiaí-Mirim. Para atingir essa finalidade, aplica-se uma metodologia descritiva dos aspectos relacionados à arquitetura rural, utilizando-se os conceitos propostos por Argollo Ferrão (2004), baseados no enfoque transdisciplinar e na visão de processos, tendo em vista os aspectos culturais, relacionados ao ciclo produtivo da uva e do vinho artesanal. Utilizam-se tabelas, fotos, mapas e levantamentos de campo. São feitas análises em unidades de produção com características agrícolas, da citada bacia. A partir dos resultados obtidos, apresentam-se questões que poderão contribuir para a co-evolução do processo de ordenação territorial desses municípios, na porção diretamente influenciada pela arquitetura rural existente na bacia do rio Jundiaí-Mirim / Abstract: This work presents the rural architecture in the agricultural process of grapes and handmade wine production and their impacts in part of Jundiaí, Jarinu and Campo Limpo Paulista district surroundings, for that, it was used the rural properties of Jundiai Mirim river¿s basin. Applying Argollo Ferrão (2004) concepts, based on a transdisciplinar focus and process vision, considering the cultural aspects, related to the productive cycle of grapes and handmade wine. Maps, charts and field research have been used. As a Result of this work, some questions have been introduced, and they can help to improve the ordenated territorial distribution of Jundiai, Jarinu and Campo Limpo Paulista municipalities in the river¿s basin area / Mestrado / Recursos Hidricos / Mestre em Engenharia Civil
58

Calçados artesanais e ferramentas digitais: proposta de um modelo híbrido de criação e desenvolvimento de produto para a prática do design de calçados no Brasil / Handmade shoes and digital tools: a proposal of a hybrid model of creation and product development for the practice of shoe design in Brazil

Verônica Thomazini Passos 12 May 2014 (has links)
A indústria calçadista brasileira é formada majoritariamente por pequenas e micro empresas que ainda preservam o modo tradicional e autêntico de produção de calçados e têm as mãos do artesão como a mais importante das ferramentas. Dessa maneira, sob a adoção das definições de design propostas pelo ICSID (2014) e por Bonsiepe (2011), o presente trabalho teve como objetivo geral registrar o modo de produção de calçados dessas pequenas e micro unidades produtoras e como objetivo específico propor um modelo híbrido de criação e desenvolvimento, com a implantação de ferramentas digitais que preservasse o modo tradicional de fabricação, e, ao mesmo tempo, impulsionasse essa dinâmica de produção. O trabalho foi fundamentado nas obras E Triunfo?, de Aloísio Magalhães (1985), Tempos de Grossura: o design no impasse, de Lina Bo Bardi (1994) e Design, Cultura e Sociedade, de Gui Bonsiepe (2011). Também foram realizadas pesquisas de campo em dois grandes polos calçadistas brasileiros: região do Vale dos Sinos, no estado do Rio Grande do Sul, e na cidade de Franca, no interior do estado de São Paulo, além de entrevistas com entidades do setor e visitas técnicas a centros de manufatura, centros de ensino e empresas fabricantes de pequeno e micro porte. Como ilustração da importância do artesão e do modo de produção artesanal, o trabalho apresenta um estudo de caso sobre a confecção de um calçado para uma pessoa com necessidades especiais. A proposta do modelo híbrido foi elaborada em fluxograma e comparada ao modelo do sistema atual de fabricação de calçados praticado pelas pequenas e micro empresas. Como resultado verificou-se que elas encontram-se estagnadas em sua dinâmica de produção, com falta de renovação de mão de obra, sem projetos de sua própria autoria e sem departamento de criação, o que implica, a cada dia, o enfraquecimento dessas empresas e, possivelmente, na perda e no esquecimento de um rico modo de produção. Logo, o modelo proposto vem ao encontro das necessidades dessas empresas, mostrando que o design é o fator crucial para o fortalecimento dessas unidades produtoras e para o reconhecimento desse modo de fazer como corpo formador do patrimônio imaterial do país. / The brazilian footwear industry consists mainly of small and micro companies, which still preserve the traditional way and authentic shoe production, where the hand of the craftsman is the most important tool. Thus, under the adoption of definitions of design proposed by ICSID (2014) and Bonsiepe (2011), the present study general goal is to register the footwear production mode of these small and micro units, and propose as specific goal a hybrid model for creation and development, with the implementation of digital tools, which would preserve the traditional way of manufacturing, while this boosts production dynamics. The work was based on the works E Triunfo?, by Aloisio Magalhães (1985), Tempos de grossura: o design no impasse, by Lina Bo Bardi (1994 ) and Design, Cultura and Sociedade, by Gui Bonsiepe (2011). Field research in two large footwear brazilian centers were also performed: Vale dos Sinos in Rio Grande do Sul State and the city of Franca in Sao Paulo State, as well as interviews with footwear institutions and technical visits at manufacturing centers, teaching centers and small and micro manufacturers companies. As an illustration of the importance of artisan and craft production mode a case study about making a shoe for a person with special needs was presented. The hybrid model proposed was drawn in a diagram and compared to the model of the current system shoemaking practiced by small and micro companies. As a result it was found that these are stagnant in their production dynamics with non-renewal of hand labor, no projects of their own, and without the creative department, which means every day as a weakening of these companies and possibly the loss and oblivion of a rich mode of production. Therefore, the proposed model meets the needs of these companies, showing that design is crucial to the strengthening of these mills, and for recognition thus as part of the intangible heritage of the country.
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為娃做個娃-探究母親與媧豆兒布娃娃的邂逅 / Make a Doll for Children-Explore the Enconter of the Mother and Handpuppen.

葉立文, Yeh, Li Wen Unknown Date (has links)
本研究採經驗敘說內涵的探究,以探究兒童的世界及文化為出發點,將手製娃娃作為對象,透過它的製作經驗來探討其在童年親子關係上之意涵。除從歷史文獻檔案資料中爬梳理解其意涵,主要選取在1993年從臺灣社會中發展的「媧豆兒布娃娃工作坊」參與媽媽為對象,進行其縫製歷程當事人對此經驗敘說內涵的解讀,從中理解詮釋出媧豆兒布娃娃在母親意義世界中的畫面及在童年親子關係之建構。 / This study is to explore the connotation of experience, it is a starting point based on the world of children and culture, the handmade dolls as the object, through its production experience to explore their meaning in the childhood parent-child relationship. In addition to understanding the meaning of the historical documentary information, mainly selected the mothers of participants from the “handfpuppen workshop", which was developed from Taiwan society in 1993, to explore the subject matter and the study. To the sewing process of the parties to this exploring the connotation of experience. Try to understand the handfpuppen in the mother’s world meaning and to construct of the childhood parent-child relationship.
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Modelo de negocio para el desarrollo de plataforma web por suscripción Nalanature / Business model for the development of a subscription web platform Nalanature

Camarena Lima, Nicol Briguitte, Gomez Schaefer, Alessandra Xiomy, Pizarro Arauco, Mari Mar Lucia, Quispe Meza, Alejandra, Vilcamiche Huaman, Aldayr Angel 05 July 2021 (has links)
Este proyecto de investigación tiene como objetivo principal ofrecer un servicio con variedad de beneficios para el cuidado de la piel a jóvenes con problemas dermatológicos leves que buscan constantemente cuidar su rostro por su tipo de piel. De esta manera, desarrollamos una plataforma web que tenga la función de vender jabones artesanales especializados para cada tipo de piel, sino brindar apoyo y seguimiento continuo mediante diversos beneficios que obtendrán a través de una suscripción mensual. Respecto a la sustentación de este proyecto, iniciamos segmentando como nuestro público objetivo a los jóvenes, ya que son los que más propensos a tener problemas dermatológicos. Siguiendo de las validaciones tanto de expertos como de usuarios con este problema para conocer cómo lo sobrellevan en la actualidad y analizar factores como precio, competencia, tendencias e intención de compra. Asimismo, se elaboraron experimentos para validar la viabilidad de este proyecto y la solución del problema. Posterior a ello, se realizó una planificación de concierges con la finalidad de obtener información real para validar nuestro proyecto. Finalmente, se realizó el presupuesto total en el cual tenemos a los operarios, recursos humanos, marketing y el costo por el desarrollo de la plataforma web. / The main objective of this research project is to offer a service with a variety of benefits for skin care to young people with dermatological problems who constantly seek to take care of their face for their skin type. In this way, we developed a web platform that has the function of selling specialized handmade soaps for each skin type, but also providing continuous support and monitoring through various benefits that will be obtained through a monthly subscription. Regarding the sustainability of this project, we began by segmenting young people as our target audience, since they are the most likely to have dermatological problems. Following the validations of both experts and users with this problem to know how they cope with it today and analyze factors such as price, competition, trends and purchase intention. Likewise, experiments were developed to validate the viability of this project and the solution of the problem. After that, concierge planning was carried out in order to obtain real information to validate our project. Finally, the total budget was made in which we have the operators, human resources, marketing and the cost for the development of the web platform. / Trabajo de investigación

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