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O DEMONÍACO EM MARCOS 3,20-35 / The Demonic in Mark 3,20-35Cardoso, Regina Aparecida Lourenço 13 April 2015 (has links)
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Previous issue date: 2015-04-13 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The ancient thought had interpreted all harmful events or personal and psychological illnesses as satanic influence. Regarding this background the purpose of this work is to analyze the imagery of Markan community concerning the demonic and how this reading would have impacted the lives of people in that context. In order to carry this out we shall seek to identify, in the passage of Mark 3.20-35, demonic mechanisms of that society and how this imaginary was reflected in the community quotidian. In addition we shall verify the reason why the practices of Jesus involving exorcism caused such a disconfort, leading to his identification as a demon. We regard as necessary to evaluate the thaumaturgical activity of Jesus and its representativeness at the time, as well as the social effect it produced and its reception by Markan community. / O pensamento antigo interpretava todas as manifestações danosas ou enfermidades pessoais e psíquicas como influência satânica. Considerando esse pano de fundo, a proposta deste trabalho é analisar o imaginário da comunidade marcana em relação ao demoníaco e como esse tipo de leitura impactava a vida das pessoas naquela conjuntura. Para tanto, buscaremos identificar na perícope de Mc 3,20-35 os mecanismos demoníacos daquela sociedade e como esse imaginário se refletia no cotidiano da comunidade. Além disso, verificaremos por que as práticas de Jesus envolvendo o exorcismo incomodavam, levando à sua identificação como demônio. Entendemos ser necessário avaliar a atividade taumatúrgica de Jesus e a representatividade que ela tinha em seu contexto, bem como o efeito social que produzia e a sua recepção pela comunidade marcana
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Revelation's hymns : commentary on the cosmic conflictGrabiner, Steven Charles 02 1900 (has links)
Topic
This study examines the hymnic pericopes found at Revelation 4.8-11; 5.9-14; 7.10-
12; 11.15-18; 12.10-12; 15.3,4 and 19.1-8 in light of the cosmic conflict theme. It
considers that this theme is a major contributor to the development of Revelation’s
plot, and thus the hymnic sections are informed by, and inform the understanding of
the controversy.
Purpose
Recognizing that the majority of critical studies give interpretative primacy to the
social and political realities that existed in the Roman Empire at the time of
Revelation’s composition, there is need for an examination of the storyline from the
perspective of issues that are clearly of narratival importance. This study argues that
the cosmic conflict is at the center of the book’s concerns, and attempts to determine
the function of the hymns in relation to the ongoing controversy. Previous
examinations of the hymnic sections have either considered them to be a response
and/or parody to Roman liturgy, examples of God’s unquestioned sovereignty, or
expressions of thematic overtones found throughout the book. While all these
approaches make a contribution to a greater understanding of the hymns, the relation
of the hymns to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly
the rightful sovereign of the universe.
Conclusion
This study found that a close examination of the text confirms that the cosmic conflict
is the major motif in the narrative, and that it does not simply serve as a metaphor for
political realities. It also concluded that the temple/throne room imagery found throughout the storyline, should have a controlling influence upon interpretation. This
setting provides the backdrop for understanding the origins and issues of the
controversy. Another conclusion of the study is that the only way for the controversy
to be resolved is for God to reveal Himself in such a manner that the truth about Him
is manifest. Finally, it was seen that the hymns do provide commentary on the conflict,
by acclaiming God’s goodness and right to rule, despite the undertones of Satan’s
accusations. / New Testament / D. Th. (New Testament)
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A schizoanalytic reading of paradise lost and the waste landDuffy, Clifford January 2008 (has links)
Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal.
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A schizoanalytic reading of paradise lost and the waste landDuffy, Clifford January 2008 (has links)
Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal
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MILITÄRISCHE METAPHORIK IM CORPUS PAULINUM: EINE UNTERSUCHUNG ZU VORKOMMEN UND BEDEUTUNG / Military metaphor in the Corpus Paulinum : an investigation into its occurence and meaningNell, Mathias Werner 09 1900 (has links)
Summaries in German and English / Die vorliegende Studie setzt sich mit der militärischen Metaphorik im Corpus Paulinum im Blick
auf deren Vorkommen und Bedeutung auseinander. Es zeigt sich, dass sich die militärische Rede
und deren Anwendungsbereich im Corpus Paulinum über alle dreizehn Briefe hinweg, die der
Reihe nach ihrer wahrscheinlichen chronologischen Abfassungsfolge entsprechend analysiert
werden, zu entwickeln scheint: dienen militärische Motive anfangs noch vorwiegend als
Vergleichsmomente, so werden sie im weiteren Verlauf der Briefchronologie zunehmend
identifizierend eingesetzt. Thematisch verwendet Paulus militärische Redeweise insbesondere zur
Schaffung und Wahrung von Einheit in der Gemeinde auf Grund gemeinsamer Identität sowie um
sich und die Gemeinde als »Mithineingenommene« in den transzendenten, eschatologischen
Kampf gegen Satan zu verstehen und praktisch zu verorten bzw. anzuleiten. Das Evangelium
selbst ist umkämpft, was daher auch die Missionstätigkeit des Paulus bzw. der Gemeinde als eine
geistlich-militärische Mission verstehen lässt. Als »echte Metaphern« können die militärischen
Metaphern bei Paulus weder verlustfrei ersetzt noch aufgelöst werden. / The study deals with military metaphors in the Corpus Paulinum with regard to their occurrence
and significance. It turns out that the military speech and its scope of application in the Corpus
Paulinum seems to evolve across all thirteen letters, which are analyzed in sequence according to
their probable chronological order: if military motifs serve as comparative moments at first, they
are increasingly used identically in the further course of the letter chronology. The use of military
speeches in particular serves the purpose of creating and maintaining unity in the community on
the basis of a common identity, and in order to understand and guide the community in a
transcendent, eschatological struggle against Satan. The Gospel itself is contested, which also
explains the missionary activity of Paul as a spiritual-military mission. As »real metaphors«,
Paul's military metaphors can neither be replaced or dissolved without loss. / New Testament / M. Th. (New Testament)
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“Den värsta fienden till makten är de som har det fria ordet” : Om adaptation som kollektiv teaterkonstnärlig gestaltningsprocess i Satans demokrati, en immersiv teaterföreställning inspirerad av Michail Bulgakovs Mästaren och Margaritavande Voorde, Grazyna January 2023 (has links)
The purpose of investigation was to examine whether Satan´s democracy was an adaptation of The Master and Margarita. As a theoretical frame was used adaptation theory by Laera, Hutcheon and Babbage, Loman´s model for theatre performance analysis and the praxis of immersive theatre by Punchdrunk. The investigation was conducted as a comparative analysis of written and videotaped documentation and interviews of stage managers and actors. The results show that Satan´s democracy can be regarded as an intermedial transformation by temporal adaptation of The Master and Margarita to contemporary Swedish environment. A creative reinterpretation of the message about the individual´s impotence while facing superior political power is observed in Satan´s democracy. The geography and environment were reinterpreted by reshaping of space in a huge building that served entirely as stage and by use of art and music. Some characters were kept, some were recreated, some were created without distinct model in The Master and Margarita. Satan´s democracy was conducted as a collective theatre and art process of creation in distinct steps by almost 600 people during 2015- spring 2016. The production team applied and creatively developed immersive theatre form.
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Revolutionary Satan: A Reevaluation of the Devil's Place in Paradise LostLavelle, William H. 30 April 2015 (has links)
No description available.
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Att göra kaos i ett cisnormativt kosmos : en laborerande studie av den transteoretiska och-aktivistiska samvaron med SatanJangmyr, Michelle January 2015 (has links)
The purpose of this paper is to present an opening to argue for a transtheoretical and - activist fellowship with Satan and the values connected to hir. A transactivist fellows-hip with Satan builds on two primary points of contact. It is on one hand the opportu-nity to take advantage of the non-conformist, non-normative and polemical signifi-cance Satan has been attributed, especially in the history of literature, but also in the history of religion. And on the other hand this study also dwells upon how Satan as a figure has served as an expression of evilness, hatred, darkness and suffering amongst people. The questions i ask, is if there is a course that allows me to theorize for a stra-tegic collaboration between the transactivist struggle and the ideas that is connected to the satanfigure in John Miltons Paradise Lost. I also ask if there is a transtheoretical-and activist approach where Satan can function as an ally within the transactivist re-sistance. The purpose of this paper also carries on a confrontation with the notion of ”tone-policing", and love and tenderness as the only sanctioned (and praised) incenti-ves for political struggle. In this thesis I make a link between the logic that connects to Satan as an ideological basis and a non-conformist (militant), seperatist, anti-capi-talist and queer attitude in transactivist struggle. With the help of Susan Stryker's the-ory of the monsteridentity I will experiment with extracts from John Milton's Paradise Lost, where the Satan figure and the transactivist position builds on a fellowship as my analysis proceeds. To do this i use a queer-deleuzian tool as a method that focuses on textual framings within the idea of spatial relations, meaning how the actual text can and should correspond with discourses outside its territorial space. This allow me to di-sengage Satan from its original amplitude, and instead of interpreting how Satan handles hirself in Paradise Lost, i will liberate Satan from this narrative and create a relation between hir and my thesis. In this way I create an occasion, through a theore-tical approach to trans-subjectivity as comparable to the perception of the monster as a non-normative figure, to bring the transgendered monster together with the satanic monster. The ”what” that will subsequently crystallize during the analysis have the intention to tell the story about the ways in which the non-confirmative transactivist have in common with Satan. After doing this i will conclude my thesis with a discus-sion that reflects on how this fellowship has evolved in relation to the proposed politi-cal and emotional connections between the non-confomative transactivist and Satan.
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Investigating the prevalence of Satanism in Zambia with particular reference to the Kabwe districtKayuni, Hachintu Joseph 04 1900 (has links)
This study examined the alleged prevalence of Satanism in Zambia, with a particular reference to the Kabwe District during the period 2010-2013. The overall objective was to ascertain the claims and speculations on the alleged prevalence of Satanism in the district of Kabwe.
The claims about the alleged prevalence of Satanism and the satanic scare were found by this study to be a reality in Kabwe, with eighty-eight per cent (88%) of the respondents acknowledging the alleged prevalence of the phenomenon. People’s knowledge of Satanism was mainly through rumours, messages from Churches and the electronic media. Studies on rumours (by Stephen Ellis, Gerrie Ter Haar and Jeffrey Victor) have shown that rumours can be investigated in the search for facts, especially rumours that offer plausible explanations for people’s shared anxieties. The above mentioned scholars argue that with efforts at corroboration, such as by interviewing key informants, the researcher can seek credibility on prevailing rumours by verifying or dismissing mere rumours from true stories.
The assertions from scholars above justified the use of rumours as a methodological tool in this study. From sources of information the study relied on, claims about the alleged prevalence of Satanism in the district were investigated. The study refuted the satanic claims in a number of cases that were analysed, because they were mostly based on ‘pious legends’ hence lacked objective evidence. From the few incidents that suggested the prevalence of Satanism, there were still two basic problems faced in assessing their credibility: the first being the difficulty in determining the reliability of the confessions from informants who in this case either claimed they were ex-Satanists or served on behalf of Satanists. The second problem consisted in what seemed to be the inconsistency in the explanations of motives behind human killings found in the ritual murders. Some explanations did not suggest satanic motives.
One example of refuted claims concerned the two locations within Kabwe district which were highly rumoured to be sites for Satanists, which were found by this study to be Freemasonry Lodges, contrary to what was rumoured.From the findings of this study, it was believed that people joined Satanism either because of the greedy for riches or to avoid poverty. It was also believed that other peoples joined Satanism unconsciously through luring methods used by Satanists.
The study also found the satanic scare to have effects on the lives of people in the district. For example, it caused some people to become more committed Christians in their defence against the alleged satanic forces. Because people had associated riches to Satanism, certain individuals avoided getting rich for fear of being labelled ‘Satanists’. / Religious Studies & Arabic / D. Litt. et Phil. (Religious Studies)
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Djävulens lakejer : En komparativ studie av djävulsgestaltningen i NarniaböckernaSöderberg, Emma January 2010 (has links)
Det övergripande syftet i denna uppsats är att undersöka vad som tyder på att C.S. Lewis har influerats av den bibliska Djävulen i hans skildrande av två ondskefulla gestalter i Narnia. Dessa två karaktärer är den vita häxan och den vita häxan. I studien har jag valt att göra en komparativ undersökning av vilka kopplingar och likheter som finns mellan den bibliska djävulen och Lewis framställningar av den gröna respektive den vita häxan. Jämförandet bygger på en intertextuell, religiös grund med en hermeneutisk utgångspunkt där Bibeln och Holms djävulssymboler har fungerat som jämförelseunderlag. Fokus i denna granskning har legat på vilka samband skildringarna av Djävulen och häxorna förmedlar i form av symboler, handlingar och händelser. Sammanfattningsvis går att säga att parallellerna och likheterna är många och konkreta men att dessa influenser tar sig uttryck på olika sätt hos den gröna häxan respektive den vita häxan. Det framgår att den gröna häxan har fler kopplingar till djävulen genom symboler medan den vita häxan skildras mer sparsamt med symboliska uttryck. Den vita häxan tilldelas dock fler paralleller och samband med djävulen i form av handlingar och händelser. Samtidigt blir det tydligt att Lewis förmedlar kristna strukturer till kommande generationer genom sina karaktärer och berättelser om landet Narnia. Det bibliska jämförandet visar i detta fall på hur människor i en social konstruktion även införlivar nya medlemmar i kulturella inlärningssystem genom litteratur.
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