- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 61 to 70 of 70 (0.178 seconds)Spelling suggestions: "subject:"seeingis"" "subject:"seeing""
| 61 |
Neither Here Nor There, But Altogether Elsewhere : A Brief Study of DistanceChang, Jonathan January 2019 (has links)
Knowing is often framed by language; this moving arrangement of parts helps us make sense of our surround, rendering possible ways of relating, acting, and responding. Situated yet unsettled, the play of language enables us to mediate distances, to make sense of our frames while seeking other ways of being with and for. Through dialogue, these works attempt to reroute and reorient so that we may learn to see each other — and to see ourselves.
|
| 62 |
Transforming perspectives: the immersion of student teachers in indigenous ways of knowingTanaka, Michele Therese Duke 28 August 2009 (has links)
In the increasingly diverse context of North American schools, cross-cultural understanding is of fundamental importance. Most teachers are mono-cultural – typically white, middle class women. To inform teaching practice, these educators draw primarily from personal cultural backgrounds often to the exclusion or detriment of other cultural ways of knowing brought to the classroom by students. Teacher education programs are challenged to interrupt the norms of their conventional practices in order to help dominant culture teachers become more sensitive and insightful towards issues of cross-cultural pedagogy. In particular, the needs of Canadian Aboriginal students require close attention. Indigenous ways of learning and teaching are rarely included in school curricula. This dissertation argues that not only is an indigenous pedagogy useful for Aboriginal students, it also serves to support learning for all students in a multicultural classroom.
This phenomenological narrative study looked at the experience of non-Aboriginal preservice teachers enrolled in a university course taught by instructors from several First Nations of Canada. The course took place on Lkwungen Coast Salish territory and provided direct access to indigenous knowledge as the participants worked with earth fibre textiles. The wisdom keepers created a place for the preservice teachers to participate extensively in a cultural approach to learning that was quite different from their previous educational experiences. While engaging in the indigenous handwork, the preservice teachers carefully observed both their own processes as learners and the ways in which the wisdom keepers in the course acted as teachers. The insight gained through this reflexive work troubled the participants’ deep-seated Eurocentric perspectives. Reflecting on personal shifts in attitudes, values and beliefs about the twinned processes of learning and teaching, the participants reported changes in their teaching practice with both Aboriginal and non-Aboriginal students.
Significant themes in the data revolve around issues of personal and social intent, reflective and reflexive practice, spirituality, the endogenous processes of the learner, learning in community, and teachers’ faith in the learner. The data suggest that implementing an eco/social/spiritual framework is useful in cross-cultural learning and teaching environments as well as in the context of educational research.
|
| 63 |
Trans Cinema and Its Exit Scapes : A Transfeminist Reading of Utopian Sensibility and Gender Dissidence in Contemporary FilmStraube, Wibke January 2014 (has links)
Trans Cinema and its Exit Scapes offers a critical and creative intervention into cultural representations of gendered body dissidence in contemporary film. The study argues for the possibility of finding spaces of “disidentification”, so-called “exit scapes” within the films. Exit scapes disrupt the dominant cinematic regime set up for the trans character, which ties them into stories of discrimination, humiliation and violence. In Trans Cinema, for instance films such as Hedwig and the Angry Inch (2001), Transamerica (2005), Romeos (2011) and Laurence Anyways (2012), scenes of singing, dancing and dreaming allow a different form of engagement with the films. As argued here, they allow a critical re-reading and an affirmative re-imagining of trans embodiment. The aim of this study is to investigate the utopian and hopeful potential within Trans Cinema from a critical transfeminist perspective. While focusing in particular on trans entrants as “spectators” or readers, this study draws on the work of a wide range of feminist and cultural scholars, such as Sara Ahmed, Susan Stryker, José Esteban Muñoz, Trinh T. Minh-Ha, Karen Barad and Donna Haraway. The thesis etches out cinematic spatiotemporalities that unfold possibilities of utopian worlding and trans becoming through a set of conceptual innovations. By utilising a critical approach to audio-visuality and feminist film theory, the thesis re-conceptualises haptic spectatorship theory and its critique in western modernist ocularcentricism through a set of conceptual innovations. The methodological tools developed in this thesis, such as the “entrant”, the “exit scape” and “sensible cinematic intra-activity”, feature here as a multisensorial methodology for transdisciplinary transgender studies and feminist film theory as well as visual culture at large. / Trans Cinema and its Exit Scapes är en kritisk och kreativ intervention med fokus på kulturella representationer av kroppar som bryter mot en könsbinär ordning i samtida film. Studien argumenterar för möjligheten att hitta utrymmen för “disidentification”, så kallade “exit scapes” inom filmerna. Exit scapes stör den dominanta filmiska ordning som skapats för transkaraktären, en ordning som är förbunden med berättelser om diskriminering, förödmjukelse och våld. Inom Trans Cinema, i filmer som exempelvis Hedwig and the Angry Inch (2001), Transamerica (2005), Romeos (2011) and Laurence Anyways (2012), öppnar scener med sång, dans och drömmar upp för andra former av engagemang med filmerna. Som det argumenteras för i avhandlingen tillåter dessa ett kritiskt omformulerande av, och ett nytt affirmativt sätt att föreställa sig, transkroppslighet. Syftet med den här studien är att undersöka den utopiska och hoppfulla potential som finns inom transfilm utifrån ett kritiskt transfeministiskt perspektiv. Även om studien främst riktar sig till trans entrants som “åskådare” eller läsare, så har den en bred teoretisk bas hämtad från verk av en lång rad feministiska forskare inom kulturfältet, såsom Sara Ahmed, Susan Stryker, José Esteban Muñoz, Trinh T. Minh-Ha, Karen Barad och Donna Haraway. Denna avhandling skissar filmiska spatiotemporaliteter, vilka öppnar för möjligheter av utopiska värdsliga och transsubjektiva tillblivelser genom utvecklandet av olika teoretiska begrepp. Genom ett kritiskt förhållningssätt till audiovisualitet och feministisk filmteori, revideras och omformuleras haptisk åskådarskapsteori och dess kritik i en västerländsk okularcentrism genom olika teoretiska innovationer. De metodologiska verktygen som utvecklas i avhandlingen, såsom “the entrant”, “the exit scape” samt “sensible cinematic intra-activity” utgör här funktionen som multisensorisk metodologi för transdisciplinära transstudier, feministisk filmteori samt för visuell kultur i stort.
|
| 64 |
Demenz und Bibel : seelsorge im altenheim / Dementia and Bible : counselling residents in retirement homesZeller, Ulrich 06 1900 (has links)
Text in German / The society in developed countries is ever aging. Consequently, the proportion of the population living in retirement homes increases steadily. A central focus of pastoral counselling in retirement homes is the proclamation of the Gospel. However, many of their residents are affected by dementia. As the course of their disease progresses, their mental capacity decreases. This creates special tension for the counselling of residents of retirement homes. It moves in the tension field between counselling as proclamation of the word (Thurneysen) and focusing on dialogue as propagated by the pastoral care movement. Thus, the question arises of how the biblical message can be proclaimed to the affected people. This present research paper points out various approaches of dealing with people affected by dementia. Among these are activating approaches, such as occupational therapy, drawing or music therapy, reality orientation training, “warme zorg” (warm care) and security therapy. All of these approaches are related to the surroundings.
Furthermore, approaches will be examined which influence the interaction with affected people: such as validation, person-centered care according to Tom Kitwood (2008), psychotherapy and maieutic listening. Finally, therapies will be considered which relate to the person and biography of people with dementia – such as reminiscence therapy, memory training and biography work. Moreover, the paper specifically investigates which particular features apply to small bible study groups in retirement homes. Eventually, it displays how affected people can be reached by hearing, seeing, smelling, tasting and sensing. In order to be able to stimulate the sense of hearing, one can include, for example, poems or sounds. The sense of vision is stimulated by pictures or symbols. Various flavors or foods appeal to the sense of smell. Skins and other objects activate the sense of touch.
The findings gained from literature will be compared to praxis. For this purpose, various episodes will be documented using the empirical method of participating observation. All observations have been carried out in the Emil-Sräga Haus in Singen (Germany) where the author of this paper works as male nurse and counselor. / Practical theology / M.Th. (Practical theology)
|
| 65 |
Descartovo pojetí prvních principů / Descartes' Conception of the First PrinciplesKřížek, Pavel January 2017 (has links)
Descartes' Conception of the First Principles RNDr. Bc. Pavel KŘÍŽEK Master's degree thesis, Prague, June 2017 Summary In this Master's thesis, seven interpretations of Descartes' Cogito are reviewed. The introductory chapter presents a brief explanation of the origin and development of Descartes' views on the role of the first philosophical principles, in fact, the principles of certain knowledge, that is, principles understood by him as the necessary and indispensable starting point for laying the foundations of all science. First - naturally - Descartes' own diverse formulations of Cogito are reproduced. Then, based on relevant text and (their) broader context, all Descartes' necessary concepts and terms concerning Cogito are systematically explained. The second chapter, which is the core of the entire study, contains short reviews of seven interpretations of Descartes' Cogito as presented in a number of established academic publications as well as in more recent papers. Every review is then briefly commented on. The authors of the seven interpretations were chosen to show the differences in understanding and explaining Descartes' first principle, as established on the European continent by the philosophical traditions of German-speaking countries, beginning with Hegel's attitude towards Descartes, on...
|
| 66 |
[en] CULTIVATION OF VISION: FOLKLORE, LANDSCAPE AND ROMANTICISM IN JORGE PRELORÁN S WORK (1965-1975). / [pt] O CULTIVO DO OLHAR: FOLCLORE, PAISAGEM E ROMANTISMO NA OBRA DE JORGE PRELORÁN (1965-1975)ANA CAROLINE MATIAS ALENCAR 08 August 2023 (has links)
[pt] No ano de 1965, o cineasta Jorge Prelorán deu início a uma vasta série documental, intitulada Relevamiento Cinematográfico de Expresiones Folklóricas Argentinas, direcionada à pesquisa e ao registro audiovisual de regiões interioranas do país. O projeto, que contou com o patrocínio de instituições como a Universidad Nacional de Tucumán e o Fondo Nacional de las Artes, foi desenvolvido em meio a um pulsante contexto intelectual e artístico, marcado tanto pela emergência das mais diversas propostas de renovação da linguagem cinematográfica, como pelo amplo fenômeno conhecido como boom do movimento folclórico, ocorrido nos anos 1960, na Argentina. Nesse sentido, o objetivo desta tese foi o de investigar de que maneira Jorge Prelorán teria reelaborado, nas películas por ele realizadas para o Relevamiento (1965-1975), um conjunto de temas, tópicas, metodologias, recursos narrativos e procedimentos discursivos provenientes de três amplos domínios, com os quais o diretor manteve os mais estreitos contatos: a larga tradição de ensaios de interpretação da Argentina, dedicada, ao longo do tempo, à tarefa de figuração da nação; os campos do folclore e da antropologia vigorantes no país, em suas múltiplas vertentes; e as correntes do cinema etnográfico com as quais o diretor chegou a estabelecer longevos vínculos. Os diálogos travados entre a obra de Prelorán e as tradições intelectuais e artísticas mencionadas – diálogos esses que estiveram quase sempre pautados nas estratégias de descrição da natureza, nos diferentes modos de figuração do tempo e do espaço e nos modelos de representação da arte e da cultura manejados pelo documentarista – foram concebidos, ao longo da pesquisa, como variações em torno de quatro grandes temas: a cartografia, a viagem, o compêndio e a metodologia empática de filmagem. / [en] In 1965, the filmmaker Jorge Prelorán began to develop a vast documentary series, entitled Relevamiento Cinematográfico de Expresiones Folklóricas Argentinas, dedicated to the study and filming of inlands regions of the country. The project, which was sponsored by Universidad Nacional de Tucumán and Fondo Nacional de las Artes, took place in the midst of an intellectual and artistic context marked both by the emergence of diverse proposals for the renewal of cinematographic language, and by the cultural phenomenon known as boom of the folk movement, which occurred in the 1960s in Argentina. Therefore, the purpose of this thesis was to investigate how Jorge Prelorán reformulated, in the films he made for the project between 1965 and 1975, a set of themes, topics, methodologies, narrative resources and discursive procedures originated from three broad domains, with which the director maintained close contacts: the long tradition of Argentine essays, dedicated to the interpretation of the nation; the fields of folklore and anthropology prevailing in the country, in its multiple phases; and the modalities of ethnographic cinema with which the director related in those years. The dialogues that were established between Prelorán s work and the intellectual and artistic traditions mentioned previously – dialogues that were almost always based on the strategies of describing nature, on the different modes of representing time and space and on the models of depicting art and culture used by the filmaker – were conceived throughout this research as variations around four major themes: cartography, travel, compendium and empathic filming methodology.
|
| 67 |
In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilmNevanti, Kirsi January 2017 (has links)
Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World.
|
| 68 |
Kleinskalige Magnetfelder der Sonne und ihr Einfluß auf Chromosphäre, Übergangszone und Korona / Small-Scale Solar Magnetic Fields and their Influence upon Chromosphere, Transition Region and CoronaWilken, Volker 28 June 2001 (has links)
No description available.
|
| 69 |
Spektroskopie und Polarimetrie kleinskaliger magnetischer Strukturen der Sonnenoberfläche mit Methoden der Bildrekonstruktion / Spectroscopy and polarimetry of small-scale magnetic structures on the solar surface with image restoration techniquesKoschinsky, Markus 03 May 2001 (has links)
No description available.
|
| 70 |
The Shades of Styles : A human search for words communicating all aspects of styles.Hellerslien, Erlend January 2021 (has links)
This research is an investigative attempt on the concept of style´s development to potentially noticing our diverse human history on viewing the aspect of styles, starting (in the part one) by looking into the problem of the development of styles and its characteristic of representation in terms of its messages, realties, semiotics, and human collaboration. Leading towards the human search in seeing style more commonly neutral for a more meaningful dialog. The research shows then (in the part two) the potential to build a Digital Style Dictionary and A Digital Visual Compass: A Human-Centric Guide on The Aspect of Seeing Reality’s that can support identifying aspects of multiple realities (core reality, abstract reality, surreal reality and artificial reality) — where two cases (in the part three) of visual styles get analyzed, discussed, reframed, and presented (Transpace and Swisch). Fundamentally this paper looks to provoke a discussion on what we humans want the point to be in seeing styles. The complexity is as grand as our diversity, but still, this research highlights the hope to respectfully identify the distinctive shades of styles for the sake of a more significant human dialog and inclusion. The research´s grand ambition is knowingly bigger than what it itself can grasp to complete right now (2021) fully. It proposes an idea for the near future to shape a Digital Style Dictionary and a Digital Visual Compass that works for the common human aspect of seeing styles. This research is a first attempt towards shaping the fundamental frame towards a spectrum of the style´s, that we can respectfully continue to articulate for the sake to include better human communication on the aspect of seeing distinctiveness, not that style´s stands in a capital value program between something “high” or “low.” Instead, we can now start to collaborate in shaping and building these potential tools as A Digital Style Dictionary and A Digital Visual Compass in sharing a more human-centric spectrum of styles to push the human evolution of knowledge further.
|
Page generated in 0.3088 seconds