Dekonstruktion bezeichnet ein durch den poststrukturalistischen Philosophen Jacques Derrida entwickeltes Lektüreverfahren, das sich gegen den tradierten hermeneutischen Ansatz richtet. Es stellt eine letztgültige, im Text enthaltene Bedeutung in Abrede, legt Brüche und Verwerfungen frei und postuliert die Unabschließbarkeit des Interpretationsvorgangs. Statt selbst einen Sinn zu behaupten, erfüllt sich der Zweck der Dekonstruktion in der Prozessualität, das heißt im Akt des Fragens selbst.

Dans le Cambodge angkorien, les souverains khmers administraient une paysannerie mouvante par le biais de temples-palais. Lorsque les Français prennent le contrôle, en 1845, ils se retrouvent devant une « masse paysanne inorganisée, inorganique même » (Delvert, 1961 : 201) et restent « confondus devant la mobilité des Cambodgiens » (Forest, 1980 : 30). À l’époque postcoloniale, les ethnologues feront essentiellement le même constat, pendant que John F. Embree (1950) proposera de catégoriser les sociétés indianisées du Sud-Est asiatique comme étant « loosely structured » : postulant une faible intégration individuelle des structures sociales donnant lieu à une prévalence de comportements individualistes ad hoc et à des communautés sans réelle organisation. La proposition fera école. Ces observations paraissent justes, mais l’analyse infructueuse. La structure dont parle Embree s’appuie sur une culture hautement syncrétique qui se reflétait aléatoirement dans les comportements. Mais l’organisation sociale khmère se trouve ailleurs : dans les solutions organisationnelles qui gouvernent les choix des individus lorsqu’ils doivent se regrouper afin d’effectuer des tâches récurrentes. À ce titre, les paysans khmers évoluaient dans une organisation sociale rigoureusement minimaliste et flexible. La maisonnée était l’élément essentiel, tandis que la communauté territoriale locale était contingente et fluctuante. Dans l’environnement naturel généreux du Cambodge, un petit groupe d’individus mobiles réunis sous un même toit pouvait aisément accomplir toutes les tâches nécessaires à sa survie. Alors on ne s’attachait jamais indéfiniment à une localité : seulement à des communautés sans cesse en évolution, centrées autour de pagodes agissant comme des ports d’ancrage. / In Angkorian Cambodia, Khmer rulers administered a moving peasantry through temple-palaces. When the French took over, in 1845, they found what administrators called an unorganized mass of peasants, “even inorganic” (Delvert, 1961: 201) and were confounded by Cambodian peasants’ mobility (Forest, 1980: 30). During the postcolonial era, ethnologists essentially came to the same conclusions, while John F. Embree (1950) proposed to categorize South-East Asian indianized societies as “loosely structured”. He postulated that the prevalence of ad hoc individualistic behavior and the lack of organization found in communities were due to a weak integration of social structures at the individual level. Many ethnologists followed in Embree’s path. These observations appear just but the analysis seems unfruitful. Embree’s structure is modeled on a highly syncretic Khmer culture which was randomly reflected in individual behavior indeed. But Khmer social organization lies elsewhere: In the organizational strategies which govern individual choices when groups must come together to accomplish recurring tasks. In this respect, Cambodian peasants evolved in a social organization that was rigorously minimalistic and flexible. The household was the essential element here, while the local territorial community was incidental. In Cambodia’s generous natural environment, a small mobile group of individuals united under one roof could easily accomplish all the tasks essential to their survival. Thus the Khmer never attached themselves indefinitely to a locality: Only to ever evolving communities, centered on pagodas which acted as anchor harbors.

À partir d’un dispositif théorique et méthodologique emprunté au structuralisme figuratif de Gilbert Durand, ce mémoire propose une exploration du Mythe de la Fin du Monde dans quelques unes de ses manifestations romanesques et théâtrales. Les postulats de base qui fondent notre démarche sont au nombre de trois : a) l’œuvre littéraire possède toujours un substrat mythique ; b) un mythe représente un noyau de mythèmes, dont le trait définitoire est la redondance ; c) il n’y a pas de version privilégiée ou primitive du mythe, qui doit être vu comme une constante de l’esprit humain. Au niveau des applications pratiques, notre travail s’articule en deux démarches complémentaires, reprises d’une section à l’autre. Dans un premier temps, en nous appuyant sur le corpus romanesque – où le mythe nous semble abondant et complet – nous identifions les redondances internes et génériques que nous qualifions de «mythèmes». Dans un second temps, nous vérifions la présence et le fonctionnement de ces mythèmes dans le corpus dramatique. / Within the theoretical and methodological framework of the figurative structuralism devised by Gilbert Durand, this work sets out to explore the Myth of the End of the World based on two corpora: five novels and two plays. Three main postulates underlie our research: a) the literary work is always based on a mythical substratum; b) myth is an aggregation of mythemes, whose defining characteristic consists in their redundancy; c) myth is a constant of the human spirit and therefore none of its versions takes precedence over another. As far as the applications of the theory are concerned, our work is articulated in two distinct phases, repeated form one section to another. Based on the body of novels, where the myth manifests itself in its most complete and abundant form, phase 1 is devoted to the identification of redundancies, both internal to each work and generic, that are categorized as mythemes. Phase 2 verifies their presence in the body of plays.

Cette recherche, par une approche deleuzienne – mais aussi inspirée des écrits de Guattari, Foucault, Bergson et Massumi –, vise à approfondir le bagage théorique associé au concept de résistance. En abordant les notions de néolibéralisme, de démocratie et de société de contrôle, une conceptualisation particulière du pouvoir est développée : non pas un biopouvoir – ayant force sur la vie – mais un ontopouvoir – ayant force de vie. À travers l’étude micropolitique du mouvement de contestation Occupy (2011), les concepts d’affect, d’événement, de préfiguration, de devenir, de structure et de consensus sont travaillés, et des possibilités résistantes sont cartographiées et théorisées. En somme, cette synthèse conceptuelle élabore une forme de résistance radicalement autre que celles préconisées par la démocratie (néo)libérale représentative ou la politique identitaire : une résistance intrinsèquement créative tournée vers ce qui n’existe pas encore. / This research takes a Deleuzian approach, also drawing on the work of Guattari, Foucault, Bergson, and Massumi. Its aim is to deepen the concept of resistance. The notions of neoliberalism, democracy and control society are addressed toward developing a renewed concept of power, not as biopower – the power over life – but rather as ontopower – the power of life. Through the micro-political study of the social movement Occupy (2011), the concepts of affect, structure, event, prefiguration, becoming, and consensus are explored, and potentials of resistance are mapped and theorized. The conceptual synthesis arrived at conceptualizes a form of resistance radically different to those advocated by representative (neo)liberal democracy or identity politics: a intrinsically creative resistance turned toward what does not yet exist.

Geographies of sexualities started to develop within the Anglo-American academic context during the late 1980s. In the 1990s, propelled by the cultural turn, the swelling of post-structuralist and postmodern critiques, and a growing recognition of the limitations to scientific knowledge production and representation, geographers of sexualities introduced queer theory into human geography. Queer theory provided human geography with powerful tools for approaching not only straightforward spatialities of sexualities, but this new lens contributed to the development of human geographies as such. Currently, at least in the Anglo-Saxon geographical context, the field of geographies of sexualities is considered part of mainstream human geography. Therefore, the main goal of this thesis is to provide a few lines of reasoning for the development of geographies of sexualities in Czechia and Central Eastern Europe (CEE) and introduction of post-structuralist understandings, specifically queer theory. In contrast to other phenomena that may be locally exclusive or particular, human sexualities are everyplace, albeit quite variable and dependent on the context in which they "enter into language," become institutionalized, and are regulated. Geographers have been specifically insightful about the ways in which...

A partir da análise dos trabalhos do departamento de design da Cranbrook Academy of Art, durante o período coordenado por Katherine McCoy (1971 a 1995), este trabalho procura identificar os novos caminhos desenvolvidos pela escola para a prática do design gráfico contemporâneo, e em especial a concepção do design como parte do processo de comunicação. O design até os anos 1970 era regido por pressupostos formais, funcionais e neutros, o que talvez não permitisse entendê-lo como linguagem visual, em si, mas como mero suporte para o texto. Na escola, a abordagem funcionalista foi questionada nos anos 1970 e, a partir daí, nos anos 1980, inspirados por conceitos teóricos do pós-estruturalismo e pós-modernismo, foram introduzidas novas ideias a fim de legitimar o designer também como produtor de conteúdo. Ao buscar referências teóricas no pós-estruturalismo, percebeu-se a importância do receptor na interpretação da mensagem, assim como a necessidade de se produzir peças gráficas que encorajassem, a partir da relação do conteúdo com a forma gráfica, a participação do público. A escola, de modestas proporções, cuja média era a de 8 alunos ingressantes por ano, era baseada no ensino em estúdio, não possuía grade curricular fixa, nem disciplinas regulares. Os discentes eram sempre encorajados a pesquisar e se desenvolver. Muitas das pesquisas e resultados dos trabalhos são frutos da reflexão individual de cada aluno, inspirados pelo ambiente em contínuo desenvolvimento. A Cranbrook foi, dessa maneira, formadora de muitos dos principais designers norteamericanos atuais, como por exemplo Allen Hori, Andrew Bleauvelt, David Frej, David Shields, Ed Fella, Elliot Earls, Geoff Kaplan, Jane Kosstrin, Jeff Keedy, Kimberly Elam, Laurie Haycock Makela, Loraine Wild, Lucille Tenazas, Martin Venezky, Meredith Davis, Michael Carrabeta, Nancy Skolos, Richard Kerr, Robert Nakata, Scott Makela (1960-1999), Scott Santoro, Scott Zukowsky, entre outros. Cada um deles possuiu um papel particular e muitos compartilhavam idéias semelhantes, mas a maior parte deles procurou ampliar o campo do design gráfico agregando conteúdos mistos e abrindo-se a novas possibilidades de produção e reflexão sobre a relação entre texto e imagem. / With the analysis of the works from Cranbrook Academy of Art´s Design Department, under Katherine McCoy\'s Co-Chairmanship (1971 to 1995), this work intends identify the new ways developed by the School for the practice of contemporary graphic design, focusing on the concept of the design as part of communication process. Until the years 1970 design was ruled from the formal, functional and neutral presuppositions of Modernity, without the understanding of design as a visual language itself, but only as a mere support the text. In the 1970\'s the School questioned the functionalist approach, and during the 1980\'s years, new ideas were introduced to legitimate the designer as producer of contents, inspired by post-structuralism and post-modern concepts. Theoretical references in post structuralism stressed the importance of the receptor\'s interpretation of the message, as well in the importance of producing graphic works that encourage the participation from the public audience, founded in the relationship between content and graphic form. The School\'s graphic design program was modest in size 8 new students per year - and was studio-based without a fixed curriculum of courses and classes. The students were challenged to research and develop their individual expressions. Their research and resulting works are the fruit of the students\' individual reflection inspired by the continuously developing environment. Cranbrook produced many of the most important contemporary North American designers, such as Allen Hori, Andrew Bleauvelt, David Frej, David Shields, Ed Fella, Elliot Earls, Geoff Kaplan, Jane Kosstrin, Jeff Keedy, Kimberly Elam, Laurie Haycock Makela, Lorraine Wild, Lucille Tenazas, Martin Venezky, Meredith Davis, Michael Carrabeta, Nancy Skolos, Richard Kerr, Robert Nakata, Scott Makela (1960-1999), Scott Santoro, Scott Zukowsky, and others. Each one had a particular role play and many shared similar ideas, as they worked to enlarge the graphic design field with mixed contents and explored new possibilities of production and new roles for text and image.

Made available in DSpace on 2016-04-27T16:57:19Z (GMT). No. of bitstreams: 1 tese_cecilia_fukiko_kimura.pdf: 1205177 bytes, checksum: 0a0351df0aa3c85bad823ec8d55d2d51 (MD5) Previous issue date: 2005-11-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The central theme of this work is the structuralism construtivist, in that detached the importance of the mathematical structure for the acquisition of the logical-mathematical knowledge. We began our study presenting an abbreviation summary on the life and work of Piaget, the theory of the knowledge exposing the theoretical arguments of the rationalism (Leibniz), of the empiricism (Locke), of the interacionismo (Kant) and the constructivism piagetian. The approached themes show the different forms of understanding the origin of the knowledge. Due to your importance for our work made a study about the structuralism piagetiano and mathematical structuralism. For the fact of the structuralism piagetiano to present a dynamic character related with the activity, organization, transformation, action coordination and construction looked for a model to assist her/it those requirements. In this sense, we opted for the study of the game in the vision piagetian, because he comes as an appropriate model of the algebraic structures or of the Mathematics in general. Thus, for understanding the shape to represent those models we made a study on semiotics in Peirce and Piaget, because the game presents a direct connection with the representation. In our work we presented two studies: the first was an exploratory study with semi-structured questionnaire and, in the second, we applied the game of the chess board with activities on the negative numbers; the activities were developed with ten teachers of public school of the state net of teaching that act in the 6a. series of the Fundamental Teaching. The study concludes that the game is a suitable tool, as it presents the structure of the negative numbers as well as it offers and different representation forms more clearly / O tema central deste trabalho é o estruturalismo construtivista, em que destacamos a importância da estrutura matemática para a aquisição do conhecimento lógico-matemático. Começamos nosso estudo apresentando um breve resumo sobre a vida e obra de Piaget, a teoria do conhecimento expondo os argumentos teóricos do racionalismo (Leibniz), do empirismo (Locke), do interacionismo (Kant) e o construtivismo piagetiano. Os temas abordados mostram as diferentes formas de compreender a origem do conhecimento. Devido à sua importância para o nosso trabalho fizemos um estudo sobre o estruturalismo piagetiano e estruturalismo matemático. Pelo fato de o estruturalismo piagetiano apresentar um caráter dinâmico relacionado com a atividade, organização, transformação, coordenação de ação e construção buscamos um modelo que atendesse a esses requisitos. Neste sentido, optamos pelo estudo do jogo na visão piagetiana, pois se apresenta como um modelo adequado das estruturas algébricas ou da Matemática em geral, assim para representar esses modelos fizemos um estudo sobre semiótica em Peirce e Piaget, pois o jogo apresenta uma ligação direta com a representação. No nosso trabalho apresentamos dois estudos: no primeiro, um estudo exploratório com questionário semi-estruturado e, no segundo, aplicamos o jogo do tabuleiro de xadrez com atividades sobre os números negativos; as atividades foram desenvolvidas com dez professores de escola pública da rede estadual de ensino que atuam na 6a. série do Ensino Fundamental. O estudo conclui que o jogo é uma boa ferramenta, pois apresenta mais claramente a estrutura dos números negativos e oferece diferentes formas de representação

The chief subject of this dissertation is a description of the reflections on the poetry of 19th and 20th century, in connection with questions of national identity, national self-confidence, tradition and openness to European space. I deal with the question, how these topics are (often unconsciously) reflected in the prosodic debates of certain periods (especially during the Czech National Revival or at the time of the formation of independent Czechoslovakia) and how influence the views on how the Czech verse looks or should look, for what purposes poetry is to serve or what threatens the national literature and language. I also follow the changes in the relation of the theory of verse to the poetry itself and compare the concept of the verse and its basic categories in Czech and international theory. This work is composed of four isolated parts, relatively independent of each other. These are partial probes on selected topics from the history of Czech and foreign literature and its reflection. The first chapter focuses on the syllabotonic reform of the Czech verse and on the motivation, which led to its acceptance or rejection. I investigated the reasons, which led some authors to the partial violation of rules and some authors to attempts to establish quantitative verse. The topic of Czech iamb...

Ce travail réinterroge la philosophie sociale critique d’Adorno à partir des concepts de règle et de jeu. Il a pour objectif d’exposer la théorie de la société d’Adorno et d’en questionner les fondements. Ces fondements, telle est notre thèse, peuvent être conceptualisés dans un langage propre à la sociologie de l’action si on les reformule en termes de « règles », de « suivi des règles » et de « jeu » – concepts qu’Adorno lui-même utilise afin de décrire le social, plus précisément la société capitaliste dans laquelle il vivait. Le fameux tout « non-vrai », qu’est la société selon Adorno, peut ainsi être compris comme un jeu réglé par lui-même, indépendamment de l’intentionnalité des acteurs. Cette reformulation de la philoso-phie sociale d’Adorno nous permet de la faire dialoguer avec d’autres conceptions du social (Weber, Ha-bermas, Descombes, Searle et le structuralisme) et de montrer à quel point l’objet d’Adorno diffère de celui de Weber, de Habermas et de Searle alors qu’il est commensurable à celui du structuralisme. La méthode pour saisir cet objet, à savoir les règles non intentionnelles qui structurent le jeu social, est celle de Freud (interprétation, lecture symptômale). Adorno, toutefois, se distingue du structuralisme et aussi de Freud en ce qu’il pense pouvoir établir un lien entre société capitaliste et le social réglé comme un jeu inaccessible aux acteurs : ce jeu est non seulement l’objet de recherche d’Adorno mais aussi l’objet de sa critique. Notre travail s’emploie à étayer la possibilité de cette critique qui ne vise rien de moins que les conditions de possibilité du vivre en commun telles qu’elles ont été établies par la philosophie sociale structuraliste ainsi que par Freud : des règles à effet inconscient qui font en sorte que tous les acteurs ne réalisent ou ne di-sent pas les mêmes significations font l’objet de la critique adornienne. Critiquer ces règles implique de montrer qu’une critique de l’institution verticale des sujets est possible sans détruire ni poser comme abso-lu la subjectivité elle-même. Cette critique devient envisageable à partir du moment où l’on examine la pratique qui est incluse dans le suivi aveugle de la règle : au sein de cette « fausse » pratique – qu’Adorno appelle la pratique d’identification – se dégage une pratique autre qui met en question la soumission aveugle à la règle. Cette pratique critique est également appelée « jeu ». Notre travail se conclut sur l’exposition de cette pratique et de son potentiel critique au sein du jeu qu’est la société capitaliste. / This work reexamines the social critical philosophy of Adorno, starting form the concepts of rule and of game. It aims to expose the social theory of Adorno and to question its foundations. These foundations can be conceptualized in a language specific to the sociology of action if they are rephrased in terms of rules, rule-following and game; concepts which Adorno himself uses to describe the social, spe-cifically the capitalist society in which he lived. The famous all "non-true" which society is according to Adorno, can be understood as a game working in itself, regardless of the intentionality of the actors. This rephrasing of the social philosophy of Adorno allows us to dialogue with the other approaches of the social (Weber, Habermas, Descombes, Searle and the structuralism) and to show how the object of Adorno differs from that of Weber, Habermas and Searle, how it is commensurable with that of structuralism. The Method to seize the object, i.e. the rules that structure the unintentional social game, is the method of Freud (interpretation, symptomatic reading). Adorno, however, differs from structuralism and also from Freud’s conception of the social because he thinks that he can establish a link between capitalist society and the social regulated as a game inaccessible to players: for Adorno this game is not only the object of research but also the object of his criticism. Our work goes on to justify the possibility of such criticism that targets nothing less than the conditions of possibility of common living. What was established by structur-alist social philosophy as well as by Freud is the subject of criticism of Adorno: rules whose effects are unconscious, which ensure that all players do not realize or do not say the same meanings. To criticize these rules implies showing that the critique of vertical instituted subjects is possible without destroying subjec-tivity nor positing it as absolute. This criticism becomes possible from the moment you look at the prac-tice included in the blind following of the rule which is the "wrong" practice - Adorno calls this practice of identification ; the right practice included in practice of identification challenges the blind submission to

The thesis presents a conceptual study engaging the theories emerged in the philosophy of language and the theories of international relations and negotiations into a single framework. The framework comprises the concepts developed by L. Wittgenstein, J. L. Austin, and J. Derrida whose relevance has been identified through searching for the zone of common grounds in which they could contribute to the theoretical knowledge on international negotiations in crisis and conflict handling contexts. It has accordingly been developed following the lines of the IR/negotiations theoretical set, but also adjusted by considering two relevant empirical cases. The said Wittgenstein-Austin-Derrida framework has been assigned the mission to study language as a tool in crisis/conflict negotiations, but likewise to consider crisis/conflict negotiations in the framework of language. This implies the post-structuralist approach to the international affairs, which enables the possibility of deconstructing the matter on its textual/discursive components. On such grounds, it perceives the ‘text’ as a source of political power, i.e. as a pattern which comprises the present institutions. By virtue of assigning new meanings to the ‘text’, it regards discourses as that what creates agencies in international relations.