Made available in DSpace on 2014-12-17T13:54:47Z (GMT). No. of bitstreams: 1 ElisaPA_DISSERT.pdf: 8387577 bytes, checksum: 26a06cdcefc1eb76b37d5baa53826537 (MD5) Previous issue date: 2010-12-13 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Since the middle 80 s from the 20th century, some musical genres associated to the Brazilian Northeastern region notably the forr?, coco de embolada and repente de viola have been gradually incorporated to the musical production of south France linked to the occitanista trend, currently linking many musicians and groups from those regions in both countries. This paper is engaged in reflecting on the particular experience of the groups formed by the Escambiar Association, located on the city of Toulouse, and specially the duet Fabulous Trobadors, whose compositions are mostly made in the coco de embolada form. Watching the motivations and the processes that led to the creation of the groups from this association and it s current operation, this study investigates the transcultural phenomenon, that allow to cross two symbolic universes through rationalizing speeches about music, considering the locality s production in the midst of a political debate that involve questions about cultural identity and tradition / A partir de meados da d?cada de 80 do s?c. XX, g?neros atribu?dos ? m?sica do Nordeste brasileiro notadamente o forr?, o coco de embolada e o repente de viola v?m sendo gradativamente incorporados ? produ??o musical de artistas do sul da Fran?a ligados ao movimento occitanista, conectando atualmente v?rios m?sicos e grupos das regi?es referidas dos dois pa?ses. Este trabalho se dedica a refletir sobre a experi?ncia particular dos grupos formados pela Associa??o Escambiar, localizada na cidade de Toulouse, e especialmente a da dupla Fabulous Trobadors, cujas composi??es s?o feitas em grande parte sob forma de cocos de embolada. Observando as motiva??es e os processos que levaram ? cria??o dos grupos desta associa??o e ? sua atua??o no presente, este estudo investiga o fen?meno transcultural que permite cruzar dois universos simb?licos atrav?s de discursos racionalizadores a respeito da m?sica, e leva em conta a produ??o da localidade em meio a um debate pol?tico que envolve quest?es sobre identidade cultural e tradi??o

Este trabalho tem como objeto de estudo as obras de João Guimarães Rosa Sarapalha, Corpo fechado e A terceira margem do rio e de Juan Rulfo Luvina e Pedro Páramo. Partindo destes materiais literários analisamos as categorias da transculturação, as relações entre escrita e poder e as implicações das teorias de Ángel Rama para a análise cultural da América Latina. Fundamentam este estudo as teorias críticas desenvolvidas por Roberto González Echevarría, Alberto Moreiras, Antonio Cornejo Polar e Jacques Derrida. Desta forma, o trabalho passa pela discussão de temas como a influência, a mediação e a representação do discurso antropológico na literatura, o debate entre a oralidade e a escrita e o papel paradoxal da literatura na América Latina. / This study aims at studying the works Sarapalha, Corpo fechado and A terceira margem do rio by João Guimarães Rosa and Luvina and Pedro Páramo, by Juan Rulfo. With this literary material as basis, the dissertation analyzes the category of transculturation, the relation between writing and power and the implications of Ángel Rama\'s theories for Latin America cultural analysis. The foundations of this study are the critical theories developed by Roberto González Echevarría, Alberto Moreiras, Antonio Cornejo Polar and Jacques Derrida. Hence, the work deals with the discussion of issues such as the influence, mediation and representation of anthropology in literature, as well as with the debate between orality and writing and the paradoxical role of literature in Latin America.

Exercitar o espírito crítico literário por meio da comparação dos textos teatrais Além do Rio, Medea e Gota DÁgua é o objetivo desta tese. A primeira obra foi escrita por Agostinho Olavo, em 1957, e a segunda por Francisco Buarque de Holanda e Paulo Pontes, em 1975. Tratar dos possíveis distanciamentos e aproximações entre elas é, sem dúvida, lidar com a difícil tarefa de compreender o contexto de produção de cada uma, bem como refletir sobre as particularidades da escrita dramática dos seus autores. Somado a isso, a fim de refletir sobre algumas aproximações entre o romance naturalista e o teatro, no Brasil, propomos uma breve comparação dos textos já referidos com O Cortiço, de Aluísio de Azevedo. Nesse percurso, é possível verificar a importância que os estudos de Antonio Candido e Angel Rama representaram para esse trabalho. Em primeiro lugar, ao refletir sobre a formação do sistema literário brasileiro, por meio da relação dialética de localismo e cosmopolitismo, Candido nos forneceu caminhos para compreendermos como as peças teatrais estão inseridas na tradição de Medeia, iniciada desde a antiguidade grega. Por sua vez, o uruguaio Angel Rama, com o conceito de transculturação, nos trouxe meios pragmáticos para identificarmos como a língua, a estrutura e a cosmovisão das peças teatrais foram pensadas pelos dramaturgos. / Exercising the critical spirit by comparing the theatrical texts Além do Rio, Medea and Gota DÁgua is the aim of this thesis. The first work was written by Agostinho Olavo in 1957 and the second by Francisco Buarque de Hollanda and Paulo Pontes in 1975. Dealing with possible distances and approximations between them is undoubtedly to deal with the difficult task of understanding the context of production of each one, as well as reflect on the particularities of the dramatic writing of its authors. Added to this, in order to reflect on some approximations between the naturalistic novel and the theater, in Brazil, we propose a brief comparison of the mentioned texts with O Cortiço, of Aluísio de Azevedo. In this way, it is possible to verify the importance that the studies of Antonio Candido and Angel Rama represented for this comparative work. Firstly, in reflecting on the formation of the Brazilian literary system, through the dialectic of localism and cosmopolitanism, Candido provided us with ways to understand how theatrical pieces are inserted in the tradition of Medea, initiated since ancient times in Greece. In turn, the Uruguayan Angel Rama, with the concept of transculturation, brought us pragmatic means to identify how the language, the structure and the worldview of theatrical pieces were thought by the playwrights.

La presente investigación analiza la transformación del lenguaje visual del estilo de mate burilado de Huancayo a partir de los cambios en su funcionalidad en los últimos diez años. Se parte de la hipótesis que, debido a la necesidad de abarcar un nuevo mercado, los materos de Huancayo han cambiado el lenguaje visual de los mates burilados, empleando también el tema transcultural navideño. Asimismo, estos mates burilados cumplen una nueva funcionalidad a causa del nuevo lenguaje visual. La investigación se centró en el estudio cualitativo. El tipo de muestreo fue por conveniencia. Los criterios fueron la localidad, el lenguaje visual y la temporalidad. Asimismo, los resultados obtenidos en el análisis descriptivo fueron complementados con la realización de entrevistas a informantes claves, los mismos artesanos, quienes fueron seleccionados por su localidad, participación y experiencia. Entre los principales resultados se encontraron cinco formas de interpretación de las transformaciones según cómo las representaciones integran elementos transculturales, como los navideños. Primero, se encuentran los mates con agregados transculturales; segundo, los mates transculturales; tercero, los mates parcialmente transculturales; cuarto, los mates mestizos navideños y; quinto, híbridos entre subcategorías. Se concluyó que estamos frente a una manifestación neoartesanal, ya que se encontró una hibridación cultural y una necesidad de satisfacer un mercado. Asimismo, se llegó a la conclusión que la forma del mate influye en otorgar una nueva función, la forma será el principal factor que va determinar si se puede introducir una nueva función y no la transformación del lenguaje visual. / This research analyzes the transformation of the visual language of Huancayo burilared mate style from the changes in its functionality in the last ten years. It is based on the hypothesis that, due to the need to encompass a new market, the mats have changed the visual language of the chipped mates, also using the cross-cultural Christmas theme. Likewise, these chipped mattes fulfill a new functionality due to the new visual language. The research focused on the qualitative study. The type of sampling was for convenience. The criteria were locality, visual language, and temporality. Likewise, the results obtained in the descriptive analysis were complemented by conducting interviews with key informants, the artisans themselves, who were selected for their location, participation and experience. Among the main results, five ways of interpreting the transformations were found according to how the representations integrate cross-cultural elements, such as Christmas. First, there are the mates with cross-cultural aggregates; second, the cross-cultural mates; third, the partially cross-cultural mates; fourth, the Christmas mestizo mates and; fifth, hybrids between subcategories. It was concluded that we are facing a neo-artisanal manifestation, since a cultural hybridization and a need to satisfy a market was found. Likewise, it was concluded that the shape of the mate influences granting a new function, the shape will be the main factor that will determine whether a new function can be introduced and not the transformation of the visual language. / Trabajo de investigación

El presente volumen es el resultado de las investigaciones transdisciplinarias realizadas entre 1997 y 2004 dentro del proyecto dirigido por Prof. Dr. Alfonso de Toro y auspiciado por la Deutsche Forschungsgemeinschaft con el tema "Pluralidad de los discursos. Comunicación intercultural e interdisciplinaria en la postmodernidad y postcolonialidad. Lati¬noamérica y la diversidad de los discursos" bajo aspectos teórico-culturales, epistemológicos, políticos, sociológicos, filosóficos, estéticos e históricos. El volumen reúne trabajos de historiadores, teóricos de la cultura y literatura latinoamericana de Alemania, Bélgica, España, EE.UU., Argentina, Brasil y México.

Reflection of the Indigenous World in the 20th Century Latin American Essay PhDr. Lucie Núñez Tayupanta Abstract This dissertation focuses on the study of essayistic works which reflect the presence of indigenous world and its cultural traditions in Latin America. The aim of this work is to answer the question of how Latin-American essayists consider the contribution of the indigenous heritage to the creation of national identity. Furthermore, the work aims to point out the differences in approach of the essayists and to emphasize specific elements of this process in their works. At the beginning, the thesis deals with the theoretical definition of the genre of essay which is primarily based on studies of Spanish and Latin-American critics. The main part is devoted to the analysis of six essayistic works where three different approaches to the relationship between cultures are evident. The harmonic conception is present in the work of the Mexican writer Alfonso Reyes. Reyes finds common features between the original (pre- Columbian) and the contemporary culture and observes a blending of these two units. In the case of Reyes' text, we can see an effort to find a harmony in the fusion of cultures, the European and indigenous tradition. In the second approach, the dramatic, there can be found two views....

Dans cette thèse, nous démontrons la nécessité de l’appropriation de l’Intelligence Economique (IE) en tant que culture et mode de gouvernance alternatif capable d’aider un pays en développement à affronter les défis et enjeux triple. Ceux relatifs au sous-développement, au développement alternatif et à la mondialisation. S’approprier l’IE dans le contexte particulier de l’économie Congolaise pour en faire un mode de gouvernance au service du développement et de la coopétitivité renvoie ainsi à deux exigences. La première, consiste à revisiter l’IE afin de mettre en valeur ses avancées, révéler ses limites et l’enrichir d’une capacité de réponse adaptée aux besoins d’un pays en développement. La deuxième exigence consiste à analyser le champ d’appropriation de l’IE afin d’en identifier la nature, d’en dresser le profil et d’articuler ces éléments à ceux des moyens de l’IE dont la plasticité acquise permet désormais d’être adaptés à la contingence en examen. L’objectif est de proposer des moyens pertinents à la mise en œuvre efficiente de l’IE. La conceptualisation des modes opératoires d’intelligence et de sécurité économique (2S-MOISE) chevillé au dispositif stratégique et opératoire du développement (DS-OD), au « M’BONGUI » ainsi qu’au schéma d’analyse de dominance systémique nous permet de répondre à cette double exigence. L’usage de la démarche incrémentale via la transculturation nous permet par ailleurs de présenter les modalités concrètes du processus d’appropriation de l’IE grâce à l’action de la direction générale de l’économie (DGE), vectrice dudit processus tant au sein des instances nationales, qu’au niveau du système éducatif et dans la sphère entrepreneuriale. Une série de préconisations dont la définition d’éléments d’une politique publique d’IE, la mise en place d’un dispositif d’IE et d’un système d’information qui réponde aux besoins de gouvernance fonctionnelle, opérationnelle et stratégique ont été proposés. / In this thesis, we demonstrate the need for ownership of Competitive Intelligence (CI) as a culture and way of governance alternative that can help a developing country to face the triple challenges and issues. Those related to underdevelopment, alternative development and globalization. EI ownership in the particular context of the Congolese economy into a mode of governance for development and coopétitivité thus refers to two requirements. The first is to revisit the IE to showcase its advances, revealing its limitations and to enhance response capability tailored to the needs of a developing country. The second requirement is to analyze the scope of appropriation of IE in order to identify the nature, to raise the profile and articulate its elements to those means which the IE can now acquired plasticity of be adapted to contingency under consideration. The objective is to propose ways relevant to the efficient implementation of EI. The conceptualization of intelligence procedures and economic security (2S-MOSES) pegged to device strategic and operational development (OD-DS), the "M'BONGUI" and the pattern of systemic dominance analysis allows us to meet both requirements. The use of the incremental approach through transculturation also allows us to present the actual procedures of appropriation of the IE through the action of the General Directorate of the Economy (DGE) vector process that bothnational fora, that the education system and in the entrepreneurial sphere. A series of recommendations which define elements of a public policy of IE, the setting up of an IE and an information system that meets the needs of functional governance, operational and strategic are been proposed.

Dans cette thèse, nous démontrons la nécessité de l’appropriation de l’Intelligence Economique (IE) en tant que culture et mode de gouvernance alternatif capable d’aider un pays en développement à affronter les défis et enjeux triple. Ceux relatifs au sous-développement, au développement alternatif et à la mondialisation. S’approprier l’IE dans le contexte particulier de l’économie Congolaise pour en faire un mode de gouvernance au service du développement et de la coopétitivité renvoie ainsi à deux exigences. La première, consiste à revisiter l’IE afin de mettre en valeur ses avancées, révéler ses limites et l’enrichir d’une capacité de réponse adaptée aux besoins d’un pays en développement. La deuxième exigence consiste à analyser le champ d’appropriation de l’IE afin d’en identifier la nature, d’en dresser le profil et d’articuler ces éléments à ceux des moyens de l’IE dont la plasticité acquise permet désormais d’être adaptés à la contingence en examen. L’objectif est de proposer des moyens pertinents à la mise en œuvre efficiente de l’IE. La conceptualisation des modes opératoires d’intelligence et de sécurité économique (2S-MOISE) chevillé au dispositif stratégique et opératoire du développement (DS-OD), au « M’BONGUI » ainsi qu’au schéma d’analyse de dominance systémique nous permet de répondre à cette double exigence. L’usage de la démarche incrémentale via la transculturation nous permet par ailleurs de présenter les modalités concrètes du processus d’appropriation de l’IE grâce à l’action de la direction générale de l’économie (DGE), vectrice dudit processus tant au sein des instances nationales, qu’au niveau du système éducatif et dans la sphère entrepreneuriale. Une série de préconisations dont la définition d’éléments d’une politique publique d’IE, la mise en place d’un dispositif d’IE et d’un système d’information qui réponde aux besoins de gouvernance fonctionnelle, opérationnelle et stratégique ont été proposés. / In this thesis, we demonstrate the need for ownership of Competitive Intelligence (CI) as a culture and way of governance alternative that can help a developing country to face the triple challenges and issues. Those related to underdevelopment, alternative development and globalization. EI ownership in the particular context of the Congolese economy into a mode of governance for development and coopétitivité thus refers to two requirements. The first is to revisit the IE to showcase its advances, revealing its limitations and to enhance response capability tailored to the needs of a developing country. The second requirement is to analyze the scope of appropriation of IE in order to identify the nature, to raise the profile and articulate its elements to those means which the IE can now acquired plasticity of be adapted to contingency under consideration. The objective is to propose ways relevant to the efficient implementation of EI. The conceptualization of intelligence procedures and economic security (2S-MOSES) pegged to device strategic and operational development (OD-DS), the "M'BONGUI" and the pattern of systemic dominance analysis allows us to meet both requirements. The use of the incremental approach through transculturation also allows us to present the actual procedures of appropriation of the IE through the action of the General Directorate of the Economy (DGE) vector process that bothnational fora, that the education system and in the entrepreneurial sphere. A series of recommendations which define elements of a public policy of IE, the setting up of an IE and an information system that meets the needs of functional governance, operational and strategic are been proposed.

This thesis project explores the connection between Cuban identity and the twentieth-century Neobaroque. The paper approaches the Neobaroque as a concept that reoriginates or "refracts" culture, implying a relationship between Baroque forms and post-colonial Latin America that creates a transformation of cultural expression. Furthermore, the Neobaroque is seen relating to questions of cultural identity, post-colonialism, transculturation, mestizaje, and Latin American modernity. The Neobaroque's relevancy with Cuba is stipulated in twentieth-century writings of three Cuban authors known as the Cuban triumvirate: José Lezama Lima, Alejo Carpentier, and Severo Sarduy. Similar themes of these writers concerning the Neobaroque's connection with the urban environment of Havana as well as connections to José Martí's writing Nuestra América are highlighted as key components connecting the Neobaroque with Cuban culture. / Graduate / 0336 / 0626 / scruiksh@uvic.ca

Fernando Ortiz, en su grandioso trabajo Contrapunteo cubano del tabaco y el azúcar del año 1940, realiza una radiografía de la cultura cubana que incluye todos los aspectos más arriba mencionados —que son parte fundamental de las discusiones actuales— y conecta diversos campos del saber y de la vida que luego reunirá en el termino de "transculturación".