In the introduction there is described a history of the post office. There is also outlined a current state and a future intention of Czech Post (Česká pošta s. p.). Further there is explained an issue of the formatting of the address side of postcards and writing. In another part there is a job description of the sorting machine SIEMENS IRV 3000 and also information on the location of this sorting machine at each collecting transport nodes. In the conclusion there is described a consideration to increase a number of appropriate mail pieces for the sorting machine.

Submitted by paulo junior (paulo.jr@fgv.br) on 2010-03-09T18:01:40Z No. of bitstreams: 1 Renata Andreoni Barboza.pdf: 2205940 bytes, checksum: 88a7a84e18e0d5cbebc350de91490df0 (MD5) / Approved for entry into archive by paulo junior(paulo.jr@fgv.br) on 2010-03-09T18:02:02Z (GMT) No. of bitstreams: 1 Renata Andreoni Barboza.pdf: 2205940 bytes, checksum: 88a7a84e18e0d5cbebc350de91490df0 (MD5) / Made available in DSpace on 2010-03-11T18:39:36Z (GMT). No. of bitstreams: 1 Renata Andreoni Barboza.pdf: 2205940 bytes, checksum: 88a7a84e18e0d5cbebc350de91490df0 (MD5) Previous issue date: 2009-12-21 / The objective of the present work is to understand how Toy Art consumer’s use their possession to build up their social identity, and also explore this consumption relationship by investigating the factors that trigger the process of extension self in Toy Art. The theoretical support of this work ocurred by a deepening of the themes already raised earlier by Campbell & Barbosa (2006) and McCracken (2003), in their studies of culture and consumption; Schouten & McAlexander (1995) in their research on subcultures of consumption; Hall (2005), who exposed his theories about the formation of identity in the modern world; Douglas & Isherwood (2004), who studied the rituals of consumption; Belk (1988), with his research on the extension self. The present study is of exploratory, character and was conducted in-depth interviews in order to let emerge the feelings and emotions of the respondents, for better orientation towards the analysis of the data. Data were collected from 14 Toys consumer’s, of both genders, aged between 19 and 38 years, live in Belo Horizonte, Minas Gerais, Rio de Janeiro, Rio Grande do Sul, São Paulo and the Distrito Federal, during the moths of July and August 2009. To achieve the proposed objectives, the research method used was qualitative, with prioritization of the subject and subjectivity, using an interpretative structure for data analysis. The results showed that Toy Art consumer’s use their possession to compose their social identity and as a form of differentiation and expression. The extension of the selves just happens during this search for the unusual, for a possession that distinguishes from other people. Conclude the work, making recommendations to management in order to benefit and develop the industry in this segment. / O objetivo deste trabalho é compreender como os consumidores de Toy Art utilizam o seu bem para constituir a sua identidade social, além de explorar este relacionamento de consumo, investigando os fatores que desencadeiam o processo de extensão de si no Toy Art. A sustentação teórica deste trabalho se deu pelo aprofundamento dos temas já levantados anteriormente por Campbell & Barbosa (2006) e McCracken (2003), em seus estudos sobre cultura e consumo; Schouten & McAlexander (1995) em sua pesquisa sobre subculturas de consumo; Hall (2005), que expôs suas teorias sobre a formação da identidade no mundo moderno; Douglas & Isherwood (2004), que estudaram os rituais de consumo; Belk (1988), com suas pesquisas sobre a extensão do self. Este estudo é de caráter exploratório, e foi conduzido com entrevistas em profundidade com o intuito de deixar emergir os sentimentos e emoções dos respondentes, para uma melhor orientação na direção das análises dos dados obtidos. Os dados foram coletados junto a 14 consumidores de Toys, de ambos os sexos, com idades entre 19 e 38 anos, residentes nos estados de Belo Horizonte, Paraná, Rio de Janeiro, Rio Grande do Sul, São Paulo e o Distrito Federal, durante os meses de julho e agosto de 2009. Para atingir os objetivos propostos, o método de pesquisa adotado foi qualitativo, com priorização do sujeito e da subjetividade, utilizando-se uma forma interpretativa para a análise dos dados. Os resultados demonstraram que os consumidores de Toy Art utilizam o seu bem para constituir sua identidade social e como uma forma de diferenciação e expressão. A extensão de si se dá exatamente durante essa busca pelo incomum, por um bem que o distinga dos demais. Conclui-se o trabalho, fazendo-se recomendações gerenciais com o intuito de beneficiar e desenvolver a indústria deste segmento.

This PhD thesis focuses on the admissibility of evidence in criminal proceedings. Appropriate setting of limits of admissibility of illegally obtained evidence in the criminal proceedings is not only regarded as one of the main guaranties of fair justice system, but also represents topical and vital issue which raises number of legal dilemmas. The importance of the topic has been increasing recently as gathering of evidence in criminal proceedings often conflicts with the fundamental rights of individuals that are subject to severe limitation on constitutional and especially international level and that are broadly endangered during the process of collecting evidence. The core of the thesis lies in the in-depth analysis of current legislation, jurisprudence and case law dealing with the issue. Within the framework of that analysis, all of the important and disputed questions relating to the general aspects of admissibility of evidence are examined from the perspective of jurisprudence and case law; the knowledge is enriched with real practical impacts on domestic judicial practice. Special attention is paid to the issues related to the exclusion of illegally obtained evidence from the process of evaluating evidence and forming final decision on the case. The thesis does not overlook the problems...

Made available in DSpace on 2014-12-17T14:53:24Z (GMT). No. of bitstreams: 1 LunardoAS.pdf: 501752 bytes, checksum: 4b92e4de82be9123f2141ed76a6436df (MD5) Previous issue date: 2007-08-16 / This thesis carries through an application of Analysis of Multicriterion Decision with use of the method of Analytical Hierarchy Process (AHP) in the problematic one of taking of decision of the adoption of electronic collecting in the system of urban transport in the country, a subject that has been controversial. A modeling of criteria and alternatives is carried through and applied a questionnaire based on method AHP the excellent actors in the system of urban transport - Leading of the Managing Agency Public Municipal theatre of Urban Transports, Controller of Company of Bus, Controller of Labor union, Controller of Union of Companies, Communitarian Leader. The considered alternatives were: the maintenance of the current state with collectors, the implementation of electronic collection without collectors, and the implementation of electronic collection with collectors. The used criteria were: job, impact in the fare, control of the system, easiness of use, information. The study was carried through in the city of Natal, RN, where if the adoption of electronic collection argues and where this implementation in some bus lines between Natal and Parnamirim exists, city that integrates the region of the great Natal. The main results of the method evidence in a dimension, the viability of use of method AHP with questionnaire by means of validation of the judgments with analysis of variance beyond proper the normal mechanisms of analysis of consistency to the method, and in another one, the contribution of the analysis boarding multicriterion to become the judgments more clearly. The main results of the analysis help to show that although to models of criteria and distinct judgments of the actors, the method evidenced that it has inclination the adoption of the electronic collection on the current situation, even so with divergences between the maintenance or not of the collector. The research points to the possibility of accomplishment of the application of the AHP in successive rounds of judgments / Esta Disserta??o de Mestrado realiza uma aplica??o de An?lise de Decis?o Multicrit?rio com uso do m?todo de Processo de Hierarquia Anal?tica (Analytical Hierarchy Process AHP) na problem?tica de tomada de decis?o da ado??o de bilhetagem eletr?nica no sistema de transporte urbano no pa?s, um assunto que tem sido controverso. ? realizada uma modelagem de crit?rios e alternativas e aplicado um question?rio baseado no m?todo AHP a atores relevantes no sistema de transporte urbano Dirigente do ?rg?o Gestor P?blico Municipal de Transportes Urbanos, Dirigente de Empresa de ?nibus, Dirigente de Sindicato de Trabalhadores, Dirigente de Sindicato de Empresas, L?der Comunit?rio. As alternativas consideradas foram: a manuten??o do estado atual com cobradores, a implementa??o de bilhetagem eletr?nica sem cobradores, e a implementa??o de bilhetagem eletr?nica com cobradores. Os crit?rios utilizados foram Emprego, Impacto na Tarifa, Controle do Sistema, Facilidade de Uso, Informa??o. O estudo foi realizado na cidade de Natal, RN, onde se discute a ado??o de bilhetagem eletr?nica e onde existe essa implementa??o em algumas linhas entre Natal e Parnamirim, cidade que integra a regi?o da Grande Natal. Os principais resultados do m?todo evidenciam em uma dimens?o a viabilidade de uso do m?todo AHP com question?rio mediante valida??o dos julgamentos com an?lise de vari?ncia al?m dos mecanismos normais de an?lise de consist?ncia pr?prios ao m?todo, e em outra a contribui??o da abordagem de an?lise multicrit?rio para tornar mais claro os julgamentos. Os principais resultados da an?lise ajudam a mostrar que apesar de modelos de crit?rios e julgamentos distintos dos atores, o m?todo evidenciou que h? domin?ncia final da ado??o da bilhetagem eletr?nica sobre o estado atual, embora com diverg?ncias entre a manuten??o ou n?o do cobrador. A pesquisa aponta para a possibilidade de realiza??o da aplica??o do AHP em rodadas de julgamentos sucessivas

The main purpose of the diploma thesis is to describe the development in the Czech-German relationships in Znojemsko region during the years 1918 {--} 1946. The inquiry is based on available archive sources and relevant literature. The diploma thesis is divided into four basic chapters. The first chapter summarizes the history of co-existence of both ethnics in the South Moravia until the foundation of Czechoslovakia in 1918. The following chapter is devoted to changes and development in relations among Czechs and Germans in Znojmo on the background of events which immediately followed after the World War I, whereas significant part is concerned with liberation of Znojmo in December 1918. The third chapter characterizes the Czech-German co-existence during the interwar period, especially in the context of taken elections. The last chapter describes demographical and national changes in the Znojemsko region during 1936 {--} 1946. The archive sources which are stored in the State Archive in Znojmo and the relevant literature are crucial for elaboration of the thesis. Visual materials are attached to the thesis; they serve as a complement to the text.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-08-24T15:50:11Z No. of bitstreams: 1 thamismalenamarcianocaria.pdf: 4769123 bytes, checksum: c70cfcf0f0b7af79a988b07929beeac2 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-25T11:51:55Z (GMT) No. of bitstreams: 1 thamismalenamarcianocaria.pdf: 4769123 bytes, checksum: c70cfcf0f0b7af79a988b07929beeac2 (MD5) / Made available in DSpace on 2017-08-25T11:51:55Z (GMT). No. of bitstreams: 1 thamismalenamarcianocaria.pdf: 4769123 bytes, checksum: c70cfcf0f0b7af79a988b07929beeac2 (MD5) Previous issue date: 2016-09-30 / Nosso objetivo nesta dissertação é verificar a trajetória da obra Cleópatra que pertenceu a Coleção Le Gros até 1859, passando para Academia Imperial de Belas Artes em 1860, por compra ou doação, integrando a coleção do Museu Nacional de Belas Artes e finalmente sendo destinada ao acervo do Museu D. João VI tendo como data de incorporação o ano de 1979. Trataremos da possibilidade desta obra ser uma cópia utilizando como modelo de uma pintura do artista genovês Bartolomeo Biscaino (1632-1657) a partir da comparação de algumas de suas pinturas com a obra em questão. Aqui também será discutido como a arte Italiana do século XVII representava e idealizava a personagem Cleópatra, e do mesmo modo será analisada a possível função da obra Cleópatra dentro da Antiga Academia Imperial de Belas Artes (AIBA) do Rio de Janeiro. Por ter pertencido, a obra, à coleção privada do colecionador J. G. Le Gros (João Guilherme Le Gros ou Legros) e integrado os catálogos das Exposições Gerais de Belas Artes (EGBA) de 1859, 1860, 1863, 1866, 1889, 1890, 1891 e o Pequeno Catálogo de Bens da ENBA de 1957, nos aprofundaremos na história deste colecionador, sobre a prática do colecionismo no Rio de Janeiro do século XIX e faremos uma análise da sua coleção, a fim de compreender o seu gosto pela arte. / Our intention in this dissertation is to research the trajectory of the painting Cleopatra that belonged to Le Gros Collection until 1859; moving to Academia Imperial de Belas Artes (Imperial Academy of Fine Arts) in 1860, by purchase or donation, integrating the Museu Nacional de Belas Artes and finally being destined to the collection Museum D. João VI, having as incorporation date of the year 1979. We argue the possibility of this work being a copy using a model based on Genoese artist Bartolomeo Biscaino (1632-1657) from the comparison of some of his paintings with the work in question. Here it will also be discussed how the Italian art of the seventeenth century represented and idealized character Cleopatra. Likewise it will be analyzed the possible function of the Cleopatra painting within the Academia Imperial de Belas Arters (AIBA) in Rio de Janeiro. By having the canvas belonged to the private collection of the J.G. Le Gros (João Guilherme Le Gros or Legros), and integrated the catalog of Exposições Gerais de Belas Artes (EGBA) from 1859, 1860, 1863, 1866, 1889, 1890, 1891 and the Pequeno Catálogo de Bens da ENBA de 1957, we will research the history of this collector and the practice of collecting in Rio de Janeiro in nineteenth century. We will also do an analysis of his collection in order to understand his taste for art.

At least eight soapstone carvings of birds furnished a shrine, Great Zimbabwe, in the 19th century. This large stonewalled settlement, once a political and urban centre, had been much reduced for four centuries, although the shrine continued to operate as local traditions dictated. The Zimbabwe Birds were handed down from a past that has only been partially illuminated by archaeological inquiry and ethnography, as has the site as such. This thesis publishes the first detailed catalogue of the Birds and attempts to reconstruct their provenance at the site based on the earliest written accounts. A modern history of the Birds unfolds when the European settlers removed them from the site in dubious transactions, claiming them as rewards of imperial conquest. As the most treasured objects from Great Zimbabwe, the fate of the Birds has been intertwined with that of the site in a matrix of contested meanings and ownership. This thesis explores how the meanings of cultural objects have a tendency to shift and to be ephemeral, demonstrating the ability of those in power to appropriate and determine such meanings. In turn, this has a bearing on ownership claims, and gives rise to an “authorized heritage discourse” syndrome.   The forced migrations of the Zimbabwe Birds within the African continent and to Europe and their subsequent return to their homeland decades later are characterised by melodramatic episodes of manoeuvring by traders, politicians and theologians, and of the return of stolen property cloaked as an amicable barter deal, or a return extolled as an act of generosity. International doctrines that urge the return of cultural property are influenced by Western hegemonic ideologies. Natural justice is perverted, as stolen property acquires a (superior) significance in its new context, which merits the extinction of the original provenance. This leaves “generosity” and goodwill as the promises of the future, holding the fate of one Zimbabwe Bird still kept in exile in South Africa.

The diploma thesis deals with the construction of a walking mobile robot, which is intended for passing through a rugged or forest terrain, whose task is to collect the sample. The first part is devoted to the review of walking robots. Follow-up an analysis of two-legged and four-leg walking robot technologies and a brief overview of drives. The second part is devoted to problem analysis and design variant. The work contains 4 design variants in the form of schemes. Using the multi-criteria analysis, the variants were evaluated and the optimal variant was chosen taking into account the representative parameters. The third part is devoted to the construction of the chosen variant, it is divided into body and leg construction. The overall design is processed in the form of a virtual 3D model. In the leg construction, the design itself, but also the calculations of drives, shafts, gears and belt transmissions are solved. The end of the thesis is devoted to drawing documentation based on 3D model and economic evaluation. Follow-up and discussion with possible continuation and use in practice.

This PhD thesis focuses on the admissibility of evidence in criminal proceedings. Appropriate setting of limits of admissibility of illegally obtained evidence in the criminal proceedings is not only regarded as one of the main guaranties of fair justice system, but also represents topical and vital issue which raises number of legal dilemmas. The importance of the topic has been increasing recently as gathering of evidence in criminal proceedings often conflicts with the fundamental rights of individuals that are subject to severe limitation on constitutional and especially international level and that are broadly endangered during the process of collecting evidence. The core of the thesis lies in the in-depth analysis of current legislation, jurisprudence and case law dealing with the issue. Within the framework of that analysis, all of the important and disputed questions relating to the general aspects of admissibility of evidence are examined from the perspective of jurisprudence and case law; the knowledge is enriched with real practical impacts on domestic judicial practice. Special attention is paid to the issues related to the exclusion of illegally obtained evidence from the process of evaluating evidence and forming final decision on the case. The thesis does not overlook the problems...

L’orfèvre parisien Pierre Germain dit le Romain (Villeneuve-lès-Avignon, 1703-Paris, 1783), connu pour apublication des Éléments d’orfèvrerie, eut une carrière originale, passant sa jeunesse dans les ateliers d'orfèvres du roi,chez Thomas Germain (1726-1729), puis après un séjour à Rome (1729-1733), chez Jacques Roëttiers (1733-1736) avantde devenir apprenti chez Nicolas Besnier en 1736, et maître en 1744. Travaillant pour Roëttiers jusque vers 1755-1756,devenu grand messager juré de l’université, amateur d’estampes, il publie en 1748 le plus vaste recueil d’orfèvrerie dutemps, les Éléments d'orfèvrerie, cent planches de modèles religieux et civils de style rocaille, gravés par Bacquoy etPasquier, repris et copiés jusqu’au XIXe siècle jusqu’à l’étranger. Il publie aussi en 1751 un court Livre d'ornemens.Installé quai des orfèvres, à La Garde Royale, il produit peu, 1410 kg d’argent jusqu’à sa mort, de beaux ou simplesobjets. Quelques acquéreurs sont connus : Joseph Ier de Portugal en sous-traitance pour François Thomas Germain (1755-1756, 1765), les Wal de Baronville (1761-1763), les Wandalin Mnisech (1762-1764), la princesse des Asturies encollaboration avec Philippe Caffieri et Thomas Chancellier (1765), les Rocheblave (1777), le comte d’Artois et laprincesse de Ligne (1782). L’étude s’élargit aux artistes côtoyés : à Paris, ses maîtres Germain, Roëttiers, Besnier, sonconfrère Denys Frankson, ses apprentis Ange Joseph Aubert et Pontaneau ; à Avignon, les Clerc, Mézangeau et ClaudeImbert, ses parents les architectes J.-B. et François Franque et le menuisier facteur d’orgues Charles Boisselin ; àMarseille, les Durand, les Giraud et son neveu Antoine Germain. / The Parisian silversmith Pierre Germain the Roman (1703-1783). A career near the silversmiths of the king. The Parisian silversmith Pierre Germain the Roman (Villeneuve-lès-Avignon, 1703-Paris, 1783), known for his book the Éléments d’orfèvrerie, had an original career. During his youth he worked for the silversmiths of the king, Thomas Germain (1726-1729); and after some time in Rome (1729-1733), worked for Jacques Roettiers (1733-1736) and as an apprentice for Nicolas Besnier from 1736. Master in 1744, he kept working for Roettiers until 1755-1756. Great messenger of the University, fond of engravings, he published in 1748 the largest book of models of the time, Élémentsd’orfèvrerie, 100 plates of rococo religious and civil silverware, engraved by Bacquoy and Pasquier, reprinted and copied until the 19th century in France and abroad (London, Turin). He also published in 1751 a short Livre d’ornemens. Installed quai des orfèvres, he had a small production, 1410 kg of silver up to his death, beautiful or simple objects,including orders for Joseph I of Portugal under contract for François Thomas Germain (1755-1756, 1765), for the Wal de Baronville family (1761-1763), the princess of Asturias in collaboration with Philippe Caffieri and Thomas Chancellier (1765), the Wandalin Mnisech (1762-1764), the Rocheblave (1777), the count of Artois and the princess of Ligne (1782). This study also covers artists he knew well: in Paris, his masters Germain, Roettiers, Besnier, his collegue Denys Frankson, his apprentices Ange Joseph Aubert and Pontaneau; in Avignon, the Clerc and Mézangeau families and Claude Imbert, his parents the architects J.-B. and François Franque, the organ builder Charles Boisselin; in Marseille, the Durand and Giraud families and his nephew Antoine Germain.