Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-06-01T18:46:04Z No. of bitstreams: 2 Tese - Frederick Gomes Alves - 2017.pdf: 2201227 bytes, checksum: 5e45740016d24aeaad0facf22973c576 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-06-02T11:04:41Z (GMT) No. of bitstreams: 2 Tese - Frederick Gomes Alves - 2017.pdf: 2201227 bytes, checksum: 5e45740016d24aeaad0facf22973c576 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-06-02T11:04:41Z (GMT). No. of bitstreams: 2 Tese - Frederick Gomes Alves - 2017.pdf: 2201227 bytes, checksum: 5e45740016d24aeaad0facf22973c576 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-05-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This work aims to present global history as a subfield of history. It constituted itself in the three last decades incorporating the great issues of the final years of the twentieth century, and seeking to understand also the significance of the events of the 2000s. Therefore, the object of analysis is the global historiography produced between 1990 and 2010. The first chapter will seek to analyze a set of works of this trend in order to present his outlines: tasks, sources, methods, periodization and the strategies of narrative construction that capture and explain globalization; thus exposing thematic preferences of the authors. The second chapter asks about historiographical antecedents that led to the formation of this trend, and traces the history of the tension between cosmopolitanism and parochialism in several historiographical traditions, underlining the first’s suppression since the nineteenth century and its return in the second half of the twentieth century in the current of world history, from where global history emerges. The third chapter addresses the modernity/postmodernity debate documenting how it was present in the formation of global studies in the 1980s and of global history itself in the 1990s. By exposing the debate and analyzing its constitutive role in the trend of global history, it will be possible to show how the latter overcame the dichotomies of the first, incorporating: the critique of eurocentrism and of the nation-state – from postmodern thought; and fundamentally the metanarrative as the mode of writing the history of humanity – from modern thought. Thus this subfield of history recovers and actualizes a modern element through postmodern experience, the result of which is a global metanarrative, more prepared to face the dangers of Eurocentric and nation-state discourse, and more adequate to provide historical meaning in a globalized world. / Trata-se de apresentar a história global como um subcampo da ciência histórica. Ela se constituiu nas três últimas décadas, incorporando as grandes questões dos anos finais do século XX, e buscando compreender também o significado dos acontecimentos dos anos 2000. Portanto, o objeto de análise é a historiografia global produzida entre 1990 e 2010. O primeiro capítulo buscará analisar um conjunto de obras dessa corrente a fim de apresentar seus contornos: tarefas, fontes, métodos empregados, a periodização e as estratégias de construção narrativa que apreendem e explicam a globalização; expondo assim as preferências temáticas dos autores. O segundo capítulo pergunta pelos antecedentes historiográficos que levaram à formação dessa corrente, e traça a história da tensão entre cosmopolitismo e paroquialismo em diversas tradições historiográficas, sublinhando a supressão do primeiro desde o século XIX e seu retorno na segunda metade do século XX na corrente da história mundial, de onde a história global emerge. O terceiro capítulo aborda o debate modernidade/pós-modernidade, documentando como ele esteve presente na formação dos estudos globais, na década de 1980, e da própria história global, na década de 1990. Mediante a exposição do debate e a análise de seu papel constitutivo na corrente da história global, será possível evidenciar o modo como esta última superou as dicotomias do primeiro, incorporando: a crítica do eurocentrismo e do Estado-nação – do pensamento pós-moderno; e, fundamentalmente, a metanarrativa como modo de escrita da história da humanidade – do pensamento moderno. Assim, este subcampo da história recupera e atualiza um elemento moderno através da experiência pós-moderna, cujo resultado é uma metanarrativa global, mais preparada para enfrentar os perigos do discurso eurocêntrico e do Estado-nação, e mais adequada para fornecer sentido histórico num mundo globalizado.

O trabalho que ora apresentamos é o resultado das investigações em torno da fundamentação comunicacional do projeto artístico-teórico proposto por Hans-Joachim Koellreutter (1915-2005) sob a legenda de música viva. Comprometimento levado a termo por meio da análise imanente do conjunto fragmentário de seus textos produzido no período de ação do Grupo Música Viva (1939-1954) e veiculados nos meios de divulgação e crítica cultural da época. / The work we now present argues about the researches results around the communicational foundings from the artistic-theoretical project planned by Hans-Joachim Koellreutter (1915-2005) under the label alive music. An undertaking densified through the immanent analysis of the fragmentary assemble from his writings produced during the Alive Music Groups action period (1939-1954) and broadcasted by its contemporary means and cultural critics.

Orientador: Pedro Laudinor Goergen / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-22T14:26:18Z (GMT). No. of bitstreams: 1 Morais_CarlosWilliansJaques_D.pdf: 1188134 bytes, checksum: b6328c6e94289b8182709c0fac71f5a9 (MD5) Previous issue date: 2013 / Resumo: Este trabalho tem por objetivo compreender como Otfried Höffe fundamenta,em sua filosofia prática, o que considera valor moral universal para uma sociedade globalizada e quais são as implicações dessa fundamentação em uma educação moral de senso cosmopolita. Foram elaboradas as seguintes questões norteadoras: 1. Como Otfried Höffe entende a fundamentação moral do agir humano? 2. Segundo Otfried Höffe, na sociedade globalizada é possível projetar um modo de vida amparado em princípios éticos e valores morais universais (racionais)? 3. Dado o pensamento ético e político de Otfried Höffe, qual é o papel que deveria ser assumido por uma educação moral de senso cosmopolita? A hipótese é que, segundo Otfried Höffe, para se tornar efetiva a ideia de uma República Federativa Mundial, a educação moral (institucional) precisa ser fundamentada em princípios categóricos universais, e precisa também formar pessoas para superar as diferenças culturais e repensar valores comuns numa sociedade globalizada, tais como cidadania, democracia, justiça social e espaço público. / Abstract: The research aims to understand how Otfried Höffe based on his practical philosophy, which considers universal moral value to a global society and what are the implications of this reasoning in a cosmopolitan sense of moral education. We prepared the following questions: 1. How Otfried Höffe understands the moral foundation of human action? 2. According Otfried Höffe in global society is possible to design a way of life supported by ethical principles and universal moral values (rational)? 3. Given the political and ethical thought of Otfried Höffe, what role should be assumed by a cosmopolitan sense of moral education? The hypothesis is that according to Otfried Höffe, to become effective the idea of a World Federal Republic, moral education (institutional) must be based on universal principles categorical, and also need to train people to overcome cultural differences and shared values in a rethink globalized society, such as citizenship, democracy, social justice and public space. / Doutorado / Filosofia e História da Educação / Doutor em Educação

Cette thèse se propose d’examiner l’ouverture au(x) monde (s) dans la poésie d’Andrée Chedid. Elle concentre son développement sur l’expérience et l’expression pathiques inscrites au cœur du texte et privilégie, dès lors, le pôle du sujet lyrique afin de mettre en évidence la résonance cosmopolitique de ses épanchements. En combinant les approches « lyricologique » et thématique, l’étude montre que les dimensions de l’expression lyrique, dans l’œuvre d’Andrée Chedid, ne s’enferment pas dans la traduction exclusive de la présence affective du sujet, mais l’inscrivent plutôt (au regard de sa trajectoire et de ses expériences) dans une projection permanente vers le(s) monde(s). Il s’agit alors de décomposer le lyrisme à travers les thèmes du souvenir et de l’intimité qui enracinent la parole poétique dans les mouvements de l’âme du sujet auctorial. Ainsi, grâce aux différentes postures énonciatives et des expériences du temps, de la mort et de l’existence, on voit que le sujet lyrique développe une forte empathie pour la condition humaine. Dans ce sens, sa décentration ouvre la voie à la coexistence harmonieuse avec l’alter ego et l’inscription de l’altérité dans le corpus apparaît alors comme l’un des fondements de la poétique de Chedid. À cet effet, ses œuvres, comme la plupart des textes francophones, déclinent un rapport étroit avec l’univers de référence. Par la traversée des paysages, l’étude dévoile la portée réaliste et utopique du monde que projette la poétesse ; et la thèse conclut qu’Andrée Chedid propose, par la littérature, les voies de renouvellement des possibles humains, d’une nouvelle espérance fondée sur l’éloge de la liberté, de l’amour, du rêve et de la vie. / Through the thesis: "Lyricism and cosmopolitanism in Chedid’s poetical works", we propose to look at the opening(s) world(s) in the poetry of Chedid. This thesis develops the pathic experience and expression at the heart of the text and therefore emphasizes on the lyrical pole of the subject so as to highlight the cosmopolitan resonance of her effusions. Through a combination of the "lyricological", theme and phenomenological approaches, the study shows that the dimensions of the lyrical expression in the work of Andrée Chedid, do not limit themselves to the exclusive presentation of the subject’s emotional presence, but rather writes it down (with respect to its trajectory and experiences) in a permanent projection towards world (s). Therefore, the idea is to split up lyricism through the themes of memory and intimacy which root the poetical word in the movements of the authorial subject’s soul. Thus, thanks to the different enunciation postures and experiences of time, death and existence, on can note that the lyrical subject develops a strong empathy for the human condition. In this sense, his “decentration” paves the way to the harmonious coexistence with the alter ego and the inclusion of the otherness in the body appears as one of the foundations of the poetics of Chedid. Thus, her works, like most Francophones texts, declined a close relationship with the universe of reference. By crossing the landscape, the study reveals the realistic and utopic impact of the world projected by the poet; and the thesis concludes that Andrée Chedid, through literature, suggests ways of renewal in human potential, of new hope based on the praise of freedom, love, dream and life.

Mainly because of the problems with species delineation, the biogeography of microscopic organisms is notoriously difficult to elucidate. In this contribution, variable nuclear and mitochondrial DNA markers were sequenced from individual specimens representing the Echiniscus virginicus complex that are morphologically indistinguishable under light microscopy (five populations from the temperate Eastern Nearctic and 13 populations from the subtropical and tropical zone). A range of methods was used to dissect components of variability within the complex (Bayesian inference, haplotype networks, Poisson tree processes, automatic barcode gap discovery delineations, principal components analysis and ANOVA). We found deep divergence between the temperate Eastern Nearctic E. virginicus and pantropical Echiniscus lineatus in all three genetic markers. In contrast, intraspecific genetic variation was very low, regardless of the geographical distance between the populations. Moreover, for the first time, statistical predictions of tardigrade geographical distributions were modelled. The factor determining the allopatric geographical ranges of deceptively similar species analysed in this study is most likely to be the type of climate. Our study shows that widespread tardigrade species exist, and both geographical distribution modelling and the genetic structure of populations of the pantropical E. lineatus suggest wind-mediated (aeolian) passive long-distance dispersal.

Les premiers orchestres percussifs appelés « batucadas » apparaissent en France à partir des années 1970, inspirés des rythmes brésiliens tels que le samba, le samba-reggae et le maracatu. Le nombre d’associations fondées pour encadrer l’activité de ces orchestres est en forte augmentation depuis les années 2000, dans le sillage d'une vague d’ouverture aux musiques « du monde ». En effet, dans la société française, la diffusion cette musique populaire et collective repose aussi bien sur ses caractéristiques formelles et esthétiques que sur une image consacrée du Brésil comme nation métisse. Dans un contexte contemporain où la diversité culturelle est de plus en plus soutenue, l’amour pour ces rythmes des « Autres » peut révéler bien des choses sur la société où ils s’incorporent. De fait, les rencontres culturelles au cœur de cet environnement remettent à jour les relations de pouvoir historiques entre Afrique, Brésil et Europe. Plaisirs esthétiques, revendications identitaires et négociations activées en situation, telles sont les dynamiques manifestées par le discours et les performances des joueurs francophones. / In France, from the 1970s, the first percussive orchestras called "batucadas" appeared. Inspired by rhythms of brazilian popular culture (mainly samba, samba-reggae and maracatu), these are organized as associations (Journal Officiel des Associations) and they have experienced a considerable increase since the early 2000’s, when the French musical scene began to favor "world music". First, the ascendancy of the batucada in France is explained by its musical form - group practice - and its aesthetic characteristics linked to a "popular" dimension, little present in French music and society in general. However, another factor fuels the interest of French-speaking percussionists. The representations to which this music is associated, through an internationally diffused image: Brazil is a country where "racial democracy" exists. Nowadays, the theme of "cultural diversity" is defended by several actors, integrating a large part of European political and institutional discourses. In this context, the attraction to the batucada - music that refers to a proxy for the "Other" - can reveal the dynamics proper to the society where it is "incorporated". The encounters between Brazilian percussionists and "Gringos" are intersected by historically constructed power relationships between Africa, Brazil and Europe; between aesthetic pleasures and identity resellers that express themselves "in situation", the speeches and performances of the Francophone practitioners construction. / Na França dos anos 1970 surgem as primeiras orquestras percussivas designadas « batucadas ». Inspirando-se em ritmos da cultura popular brasileira (principalmente o samba, samba-reggae e maracatu), estas se organizam enquanto associações (Journal Officiel des Associations) e conhecem um aumento considerável a partir dos anos 2000, quando o cenário musical francês se mostra favorável ao consumo da « world music ». Primeiramente, a propagação da batucada na França justifica-se em razão do seu formato musical – prática de grupo – e de suas características estéticas ligadas à uma dimensão « popular », pouco presentes nas músicas francesas e na sociedade em geral. Entretanto, um outro fator alimenta o interesse dos percussionistas francófonos : as representações às quais esta música é associada, por intermédio de uma imagem difundida internacionalmente, o Brasil é um país onde a « democracia racial » existe. Nos dias atuais, o tema da « diversidade cultural » é defendido por diversos atores, integrando uma grande parcela dos discursos politicos e institucionais europeus. Neste contexto, a atração exercida pela batucada – música que remete à uma alteridade dos « Outros » – pode ser reveladora de dinâmicas próprias à sociedade onde ela é « incorporada ». Os encontros entre percussionistas brasileiros e « gringos » são atravessados por relações de poder historicamente construídas entre África, Brasil e Europa. Entre deleites estéticos e revendicações identitárias que se expressam « em situação », os discursos e performances dos pratiquantes francófonos se constroem.

[pt] O presente trabalho tem como objetivo através do pensamento de Ulrich Beck, analisar como a ascensão da globalização tem afetado o modelo de Estado nacional Westfaliano. É exposto como os Estados nacionais se caracterizaram como um espaço de intensas disputas políticas a partir da eclosão das revoluções do século XVIII. Em seguida é realizada a delimitação do quadro teórico de Ulrich Beck de modo a identificar como o autor realiza a interligação entre sua teoria da sociedade de risco e o impacto da globalização sobre o funcionamento dos Estados nacionais. Através da diferenciação entre os conceitos de globalização e globalismo é realizada a desmistificação de certas crenças, sendo possível compreender, como tem sido viável aos agentes econômicos imporem uma subordinação política dos Estados nacionais aos seus interesses de mercado. O globalismo é identificado como uma ideologia e a globalização como um fenômeno plural e irreversível. A partir de então verifica-se que as disputas de poder que se realizaram historicamente dentro dos limites do Estado nacional se desequilibram intensamente. Dessa forma compromete-se o funcionamento democrático da política dos Estados nacionais. São delimitados fenômenos que no entender de Ulrich Beck caracterizam-se como reais transformações sociais que afetam os Estados da atualidade. Tais transformações forçam uma reconfiguração no que tange a vinculação territorial do poder político. A partir dessa constatação abrem-se questionamentos a respeito de novas formas institucionais pósnacionais, que venham compensar o esvaziamento político e o déficit democrático por que passam os Estados nacionais contemporâneos. / [en] This paper aims through the thought of Ulrich Beck, to analyze how the rise of globalization has affected the Westphalian model of nation state. It is exposed as the nation states have been characterized as an area of intense political wrangling since the outbreak of the revolutions of the eighteenth century. Then it held the delimitation of the theoretical framework of Ulrich Beck in order to identify how the author makes the link between his theory of risk society and the impact of globalization on the functioning of national states. By differentiating between the concepts of globalization and globalism is held demystification of certain beliefs, and you can understand, as has been viable economic agents impose a political subordination of national states to their market interests. Globalism is identified as an ideology and globalization as an irreversible phenomenon and plural. Since then it appears that the power struggles that took place historically within the boundaries of the national state become unbalanced intensely. Thus committed to the democratic functioning of the policy of national states. Phenomena that are defined in the view of Ulrich Beck characterized as real social changes that affect the states today. These changes force a reconfiguration with respect to territorial linkage of political power. Based on this finding opens up new questions about post-national institutional forms, which will compensate the deflation political and the deficit democratic experienced by the contemporary nation states.

No description available.

Este trabalho tem como foco principal a observação da gente e da terra paulista como ponto artístico na literatura de G.A.. Engloba as reflexões do poeta sobre a identidade cultural do paulista e sobre São Paulo no jornal O Estado de S. Paulo, enfatizando a diferença entre a São Paulo cosmopolita e a São Paulo tradicionalista em sua obra. Para tanto, observa-se a produção literária do autor depois do movimento Modernista e a sua transformação estética e ideológica, constatando as tensões reveladas por essa mudança em sua literatura: olhar cosmopolita e tradicionalista, a preocupação do autor em compreender o brasileiro, tipificando o paulista, e a introdução do autor na linha bandeirantista e a mitificação do bandeirante. / This research has as main focus the observation of land and of people from São Paulo as being the artistic point on Guilherme de Almeida\'s literature. It comprehends poet\'s reflections about the cultural identity of people and about the city itself, based on articles from the newspaper \"O Estado de S. Paulo\", by emphasizing the difference between the cosmopolitan and the traditionalist São Paulo. For that purpose is analyzed in his literary production after the Modernism movement and its esthetical and ideological transformation as well, and the strains revealed by that change are evidenced: the cosmopolitan and the traditionalist views, the author\'s concerns in understanding the people from Brazil by defining the people from São Paulo, and the introduction of author on a Bandeirante line and the creation of the Bandeirante mith.

<p>The aim of this study is to investigate the components of religion and spirituality in the specific context of "Fryshuset" – a multicultural and glocal arena. Against the backdrop of contemporary researchers such as Heelas and Woodhead and their hypothesis about the "spiritual revolution" and a "new spirituality", as well as the postmodern discussion about "the return of God", this study discusses how religious change can be understood in the context of Fryshuset.</p><p>The theoretical point of departure is taken in a hermeneutical method where Fleck´s theory about "thought-collective" and Gidden´s theory about the "duality of structure" are used in order to understand and describe the dialectical relationship between individual and social structure.</p><p>The method used in this study is qualitative. The interviews are made of six individuals representing different social projects at Fryshuset.</p><p>By analyzing the material from the field study through theories on religious change, three areas are identified:</p><ol><li>"The subjective turn"</li><li>Religion and spirituality</li><li>A Cosmopolitan interpretation of life </li></ol><p>The result of this study is that the religiosity among the interviewed can be described through Taylor’s understanding of the "subjective turn". Furthermore they are also part of a "double subjective turn" understood as an internalized subjective turn. Despite the fact that a lot of what the informants describe corresponds to Heelas and Woodheads theories of "subjective life spirituality" it is not relevant to talk about a "spiritual revolution". However, according to Beckford´s theories about religion as a "cultural resource" it can be described as a kind of new spirituality which is used in order to act and think global. The individuals use religion and spirituality as a cultural resource in their formation of a larger cosmopolitan interpretation of life.</p>